REPRINT OF WWW.NBCCHICAGO.COM

All large gatherings planned for summertime in Illinois may need to be canceled, Gov. J.B. Pritzker said Thursday.

When asked during his daily coronavirus briefing if organizers of major summer events should plan on limiting crowds or making adjustments, Pritzker said he thinks “everybody needs to think seriously about canceling large summer events.”

“Until we have a vaccine, which is months and months away, I would not risk having large groups of people getting together anywhere,” Pritzker said. “And I think that’s hard for everybody to hear, but that’s just a fact. They’re just, you know, even with testing and tracing and treating, it’s necessary for us to begin to make changes. It isn’t enough for me to say that it’s okay to have a big festival with a whole bunch of people gathering together.”

Thursday marked one calendar month since the start of Illinois’ stay-at-home order and many residents hoped summer would bring about a change from the isolated life the coronavirus crisis brought. The Chicago area is home to several major summer events and large festivals like Lollapalooza, Pitchfork, the Taste of Chicago and more – all of which generate thousands of attendees.

Earlier this month, Chicago Mayor Lori Lightfoot said Lollapalooza remained “on schedule,” but organizers have delayed their lineup announcement for the four-day music festival, which usually releases its headliners this time of year and opens ticket sales.

On March 24, Lollapalooza organizers tweeted “While we stay in close contact with local officials, we are well underway with planning for Lolla to take place as soon as it’s safe for us all to be together in Grant Park.”

Meanwhile, the total number of confirmed coronavirus cases across the state climbed over 16,000 Thursday, with 528 deaths, health officials announced.

Cases have been reported in more than 80 of Illinois’ 102 counties.

But despite their continual rise, officials said the numbers showed a “glimmer of hope.”

“The rate at which they’re increasing is less and that is a good sign,” Dr. Ngozi Ezike, director of the Illinois Department of Public Health, said Wednesday. “We’re not seeing the exponential growth we were seeing before.”

Health experts have stressed that it remains unclear when Illinois will reach its peak number of cases, though a recent projection estimated the peak could arrive this weekend. Still, Illinois’ stay-at-home order is set to continue until April 30, unless otherwise extended, and Pritzker said he doesn’t believe it will be lifted sooner.

“Look, you know, we talk a lot about peaking and we talk a lot about how we’re bending the curve, the curve is still upward trajectory,” Pritzker said. “And so just because we’re bending the curve does not mean it’s bending down yet. And so people need to understand that, that it is unlikely that that we will be able to lift this stay at home before April 30. And indeed, as we approach April 30, we will be thinking about what are the restrictions or rules that we need to set going forward after April 30? Because it isn’t going to be unlike what some have said, you know, at the federal level. It isn’t going to be that all of a sudden you’re going to drop the you know, stay-at-home and every other restriction.”

Illinois has been working to bring once-shuttered hospitals back online and has transformed Chicago’s McCormick Place convention center into an alternate care facility for hundreds of patients with mild symptoms should hospital capacity be overwhelmed.

Across Illinois and the country, Americans are being encouraged to wear masks or face coverings if they have to head outside.

“I am worried about people throwing caution to the wind and seeing a nice day outside,” Pritzker said. “And thinking that we’re they’re not in danger. You heard Dr. Ezike talking about how some young people think that they’re invincible, that this virus won’t affect them. So everybody needs to know that if we are improving – and it’s still up in the air – but if we are improving here in the state, it is because people are staying at home. That is something to keep in mind.”

#TraxRecords
#LarrySherman

REST IN BEATS:
Last month in April, Larry Sherman the man who started the label Trax Records and help to expose the world to this music we all love “House”, passed.

Larry Sherman began operations in 1983 by purchasing Musical Products, then Larry and Jesse Saunders co-founded Trax Records in late 1984. The label design and initial artist signings were done by Vince Lawrence. The first release was “Wanna Dance/Certainly” by Le Noiz (a pseudonym of Jesse Saunders, TX-101 (matrix number 85 indicated the year of release).

Trax Records was an important outlet for house music in its early days, releasing many classics including “No Way Back” by Adonis (1986), Jamie Principle & Frankie Knuckles’s “Your Love” (1988), Larry Heard’s “Can You Feel It” (1986), and Marshall Jefferson’s “The House Music Anthem (Move Your Body)” in the same year. This latter tune gave a massive boost to house music, extending recognition of the genre outside of Chicago.

The label is also known for inventing the squelchy sound of acid house on records like Phuture’s “Acid Tracks” (1987), which is considered to be the first and most influential acid house record ever.

In 2006, Rachael Cain, an associate of Sherman who released music under the alias Screamin Rachael, revived the label.

May he REST IN PEACE.

George “Iz” Correia is a BMI Songwriter, Artist, Artist Manager, Road Manager and Music Historian.

Born in Massachusetts and raised in New Jersey, George “Iz” Correia has been a huge lover of music since infancy. As a schoolboy, he was involved in many facets of the arts including singing, songwriter, dancer and model. He was obsessed with vinyl collecting, radio and nightlife in NYC and NJ in the 80’s & 90’s.

George got his professional start in the Entertainment business doing freelance work with a friend who worked for Emmis Communications. Their properties included jazz station CD 101.9, Hip-hop station Hot 97.1 and R&B station 98.7 KISS FM in New York City. He would assist in production concepts and organize various community outreach events, concerts and parties for the radio personalities. He was also summoned to book various recording artists with some of the events, which lead to many friendships and management opportunities. He has worked with many classic artists such as Linda Clifford, Crystal Waters and Rochelle Fleming, (the lead singer of “First Choice”.)

He was featured and contributed to the 2013 book authored by James Arena, “The First Ladies of Disco” and was featured on TVOne’s television biograpghy documentary, “UNSUNG” with Crystal Waters.

Although he still tours the world with classic artists, now he has joined Basement Boys Records and is working on various songwriting projects with co-founder, Teddy Douglas.

GO BANG! Magazine: What was it that sparked off an interest in you to become professionally involved in the Music industry as an Artist Manager?

George “Iz” Correia: I had always been interested in having a career in music, since infancy. Initially, I had wanted to be more involved on the creative side of the business. However, a friend of mine, who was employed by the now defunct 98.7 KISS-FM (WRKS) in NYC ,was the founder of a Gospel group, Beyond Blessed.

After being invited to see his group perform, I had started asking questions pertaining to business and his vision for his group. After providing him with few suggestions and ideas, he had asked me if I would work on marketing campaigns and represent his group. It was real exciting and I was able to have the group open for: The Clark Sisters, Tramaine Hawkins, and Richard Smallwood, among others. In addition, I was able to assist in writing, producing and arranging songs for his debut album. It was a great starting point, but I wanted to work with secular artists and music. My focus was on House music.

GO BANG! Magazine: As a BMI Songwriter, you’ve written songs for various artists. Could you please name a few of the artists you’ve written for, or some of the song titles?

George “Iz” Correia: Well, songwriting has been sort of a new venture for me. I have done some writing, sporadically, over the years. Like I had mentioned, I co-wrote songs for a gospel group, but being on the road makes it a little difficult to focus and create. I have teamed up with The Basement Boys’ Teddy Douglas. He has been so encouraging and really likes my writing. We have the best time when we collaborate. I wrote and co-wrote for Rochelle Fleming, “Nobody’s Fool” and the #1 Traxsource hit, “I’m Gonna Give it to You” with Teddy as the producer. Teddy has brought me on as a writer for Basement Boys Records and we have a couple of amazing projects that involve a few different classic artists. I am so excited about this, but I can’t really talk about it right now.
GO BANG! Magazine: You’re also an artist yourself. How would you describe your musical style?
George “Iz” Correia: My songwriting style I would describe as eclectic. I love to inject a little humor and clever word play. That is what Teddy (and others) likes about my writing. As a songwriter, I don’t have to necessarily write from my own personal experience. Sometimes I write from other people’s perspectives. In 2016, Rochelle Fleming released a song I had written and produced by Teddy Douglas called, “Nobody’s Fool.” The lyrics came from a telephone conversation Rochelle and I were having. Rochelle was not used to a songwriter writing about something that was specifically going on in her life at that time. There is nothing more validating than people relating to a song you have written.

GO BANG! Magazine: You’re currently managing the legendary Rochelle Flemming, of the iconic disco group First Choice, who recorded “Let No Man Put Asunder (It’s Not Over.)” What are some of your main goals for her new solo career, as her Manager?

George “Iz” Correia: Rochelle’s solo career is not new at all. First Choice had disbanded around 1980 and Rochelle took some time off. In 1986, “Let No Man Put Asunder” got remixed and became this huge club anthem. Rochelle went back out on the road as a solo artist and never looked back. She has had solo success with club hits, “Love Itch”, “Suffer The Consequences” and others. Rochelle hired me as her personal manager while I was still working with the gospel group about 12 years ago. This was right before social media became the huge entity that it is now. I had to completely revamp everything, from her image to her performance tracks, and introduce her into the internet age as a solo artist. It was a lot of work and I think my forwardness frightened her in the beginning since Rochelle is a creature of habit and not comfortable with a lot of change. Once she saw that everything started to fall in place, she started to develop this amazing confidence. As a manager, it is your job to build a strong trust with the artist. She could never go back to being in a “girl group” even if she was the founder & lead singer.

My goal for Rochelle was to make sure she enjoyed the fruits of her labor and have fun. I said to her, “Ro, I can’t promise you millions of dollars, but you are going to get your props while you are living.” Since then, she has received close to 10 Lifetime Achievement awards from different organizations. Her current music is different from her tenure with, First Choice. I didn’t want Rochelle to be a “victim” in the new material, especially anything that I write for her. I wanted her to be strong, independent and calling the shots.

GO BANG! Magazine: The late Loleatte Holloway is arguably the “Queen of House.” You knew her personally and professionally. Is there anything memorable that you can recall about her or her legacy?

George “Iz” Correia: I got to know Loleatta through my association with Rochelle & Tom Moulton. She was a very, sweet down-to-earth person with a very big personality. You can tell that she didn’t take any mess from anyone either. There were only a few people who could talk to her “any ‘ole way” and Rochelle was one of them. My other client, Linda Clifford was also very good friends with Loleatta. I happened to be on the road with Linda when she had passed away. Loleatta’s legacy is her iconic music, her fiery, passionate vocals and being one of the most sampled voices in music. She is sorely missed.

GO BANG! Magazine: As a fan of House music, how does it feel to be working with artists who songs you grew up on and loved?

George “Iz” Correia: It’s been an amazing ride to rub elbows and work with the artists that I thought I would only get to know by just buying their records or hearing them on the radio. There have been so many wonderful producers, writers, and DJ’s. One of the perks that I really love is hearing, not just stories behind the songs, but hearing about their own personal lives and experiences. It’s really inspiring and an honor that they feel comfortable to open themselves up to me. I feel very lucky and a wonderful sense of belonging.

GO BANG! Magazine: You’ve worked with classic legends, as well as current chart-topping artists. Which artist or artists would be your dream artist(s) to manage, and why?

George “Iz” Correia: I am having an amazing time working with many classic artists who still top the charts. I get to travel to places I never knew existed, and made many friends. Since we are all getting older and so many artists are leaving us, I want to branch off into more songwriting and get back to the creative side of music. Most of the artists I admire currently have representation.

GO BANG! Magazine: How has being a Music Historian enhanced your life and career?

George “Iz” Correia: Well, Music Historian is another word for, “Music Geek” and I wear it proudly. I love ALL types of music. I was the guy who would read the liner notes on all of the albums I bought. Knew all of record labels, musicians, producers you name it. I loved the radio and listened 24-7. Radio personality, Casey Kasem was my idol. He had so much knowledge and passion for the songs he was playing and I was his student. So, when I starting meeting these artist, I was hitting them with knowledge that the average fan wouldn’t know. It impressed them and they loved it. My knowledge of their work really helped me get my foot in the door. I have had some artists ask if I was a reporter on the side. 😆

GO BANG! Magazine: What advice would you give someone that is interested in pursuing a career in Artist Management?

George “Iz” Correia: It is important to educate yourself on all aspects of the business of music. Learn about royalties & publishing. Also, be realistic on what you bring to the table when it comes to representation. Get to really know the artist. Ask a lot of questions. Having the ability to be quick on your feet will really be beneficial. Be mindful of your actions because you never know who is watching. Tom Moulton gave me the best advice, “Iz, the artist is NEVER supposed to be the heavy.” He was right!

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off-guard. How are you dealing with it?

George “Iz” Correia: Although everything is on hold now, everyone needs to be smart and safe. I am not used to being so sedentary this time of year, but there is always something to do. I believe that this pandemic is forcing people to redefine their terms.

YOU CAN FOLLOW GEORGE “IZ” CORREIA ON ALL SOCIAL MEDIA FORMATS

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Victor Gulley was born and raised in Evanston, IL. After high school, he went to Howard University to pursue a business degree. After working in the computer field as a Network engineer, Victor was asked to create a theatrical production for a company he was working with in 2005. His first theatrical production was well received, to the point that he was sought after to write other productions.

Upon seeing the success of these five productions, he started his own company, The After Work Program. The purpose of the program was to give people who have a passion for the arts an outlet for their passion. It encompassed photographers, graphic artists, musicians, actors, stage hands and marketing areas.
The first production “Games People Play” in 2008, not only had a sold out performance, but we also gave a part of the proceeds back to local charities to assist them with their goals. “Supernatural” was the second production, doing runs from 2009–2013. This production also toured to Minneapolis, MN. The last performance was done at the Salvation Army, where we again donated a portion of the proceeds to help them with their drug and alcohol program.

In 2012, Victor created A Taste of Theater. A Taste of Theatre Festival exposes, educates and entertains a diverse audience of professional, intermediate and novice playwrights, thespians and staff members. Playwrights compete by showcasing one scene of their play. Just like movie previews or trailers provide the public with insight about the movie they intend to see, A Taste of Theatre does the same thing for live theater, allowing playwrights to give you a “Taste” of their play.

In 2013, after a two year wait, we debut our third production “A Long Goodbye.” This production was done in South Bend, Indiana and again in Chicago, IL. Also in 2013, Victor created a cable access tv show called “A Taste of Theater” which interviews playwrights and showcases one scene of their play. The TV show is aired on more than 50 stations across the US. The show will soon be aired internationally.

In 2016, A Taste of Theater app was released. This app will connect theatre companies with actors, stage crew and venues. Once this connection is made, the public will be able to find any play in the country.

GO BANG! Magazine: When did you first get “bit” by the theater bug?

Victor Gulley: 2005

GO BANG! Magazine: What is it about theater that attracts you?

Victor Gulley: It is a place where you can get immediate feedback on a story and how it affects others. It also has the power to educated, inspire and move people to action, whether that is forgiveness or faith.

GO BANG! Magazine: Not only do you act in plays, you’ve written and produced a few as well. Please describe the plays you’ve written.

Victor Gulley: The most inspiring play I have written was called “Supernatural.” It was a play about how angels protect people 24/7, 365 days a year. Often time we have no idea they are there working on our behalf, but they are. This play gave the audience an idea into the depths of how far an angel will go to protect you, even from yourself. But at the same time, how limited they can help due to Free Will.

This play follows a woman as she goes through the ups and downs of life from money issues to an abusive relationship. But during that entire time, she is protected not only from those things, but from the devil himself, who is attempting to claim her salvation. It is not until the end of the play that you find out the angel assigned to watch over her has a purpose in mind. He was her love in heaven and vowed to protect her until she came back. Their love is “Supernatural.”

GO BANG! Magazine: Even more than just being a playwright, you’re the founder of “A Taste of Theatre” (ATOT). Please explain when you created it and what it is.

Victor Gulley: I create A Taste of Theatre in 2011, with the first event happening in 2012. This event is a training ground and showcase for self-producing playwrights. These playwrights only showcase one scene of their play for the audience to vote on. The play with the most number of votes wins the playwright award.

GO BANG! Magazine: Soon after that, you created the “A Taste of Theatre Festival.” What year did you create it and what was its purpose?

Victor Gulley: The first one was held in 2012 at the Portage Theater in Chicago with Shelly Garrett.

GO BANG! Magazine: Besides the original purpose of the festival, you soon added two other aspects, “Acting with the Stars” and theater workshops. Please explain to our readers what those events are.

Victor Gulley: It was also a training ground to bring professionals such as Shelly Garrett, Tommy Ford, Drew Sidora and Cynda Williams to teach playwrights on how to effectively run their shows more professionally. The “Acting with the Stars” program was created as a training ground for the actors. It gave the up and coming actors an opportunity to perform a scene from a Hollywood film, with the actor who was in the film. This past year, the actors were blessed to work with Leon, Robert Townsend, Eric Lane, Cynda Williams, DeEtta West and Thea Camera.

GO BANG! Magazine: Keeping up with technology, you recently developed the “Upstage” app. Please describe the purpose of the app.

Victor Gulley: MyUpstage.com modernizes the management of theatrical shows. We do this by connecting playwrights, who only write plays, with theatre companies who are looking for submissions. Then we connect theatre companies with venues, so they can have a place to have their show at. Theatre companies then can use the product to find the production team members to manage the show, like the director, stage manager or light and sound techs, then lastly, the actors who perform in the show. Once theses connections are made, the public can use the website or app to find any play within 50 miles of their phone.

GO BANG! Magazine: In addition to writing plays, you’re also a musician. How would you describe your style of music?

Victor Gulley: My music has always been inspired by Lionel Richie, Prince, Yanni or Quincy Jones. So, it would be technically classified as Rhythm and Blues.

GO BANG! Magazine: Are you currently working on anything new in theater, music, or business that our readers should be on the lookout for?

Victor Gulley: We are working on a play called “Imprisoned.” Plus, we will continue the festival when God inspires us to move forward. In addition, we are also looking for other ways to super-serve the theatre community.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Victor Gulley: We have a meetup group that meets online to write plays. The current play is called “Imprisoned.” It is a play about a woman who hasn’t seen her mother in 20 years. When they reunite, the mother moves into the home of the daughter. Once the mother is in the home, she is sexually assaulted by the husband of the daughter. In the end, you find out that the daughter forced her husband to do this, because she wanted the mother to know how it felt when she was a child and her husband sexually assaulted her.

YOU CAN FOLLOW A TASTE OF THEATER:

Facebook @A Taste Of Theater

Instagram: @atasteoftheater

UpStage App:

Instagram @Upstage

 

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Christopher A. Greer is an actor, known for September Rayne (2017), Mom Told Me (2017) and Confusion 3: Trials of the Gods (2018). He is a musician, screenwriter, actor, director, composer and businessman. He went to Chicago Vocational High School (CVS) as an Instrumental Music major. He received The “Louis Armstrong Jazz Award” and four music scholarships to several colleges.

He began acting in high school in the drama club. He began on network television and feature films at age 16, with Martin Mull, Ruth Gordon and Danny Aielio. He went to Bethune-Cookman University in Daytona Beach, Florida majoring in Political Science on a Music scholarship. After college, he continued to act in network television shows and feature films, which include Turks, Barbershop 2, The Lake House, Empire, APB, Fatal Attraction, Chicago Med and The Chi. He has also worked with some of the most inspiring directors and producers in the business, such as Cassandra Bell, Mark Harris, Doreon Johnson, Maurice Eleby Jones, and Cynda Williams.
He also has performed in some of the most prolific Independent movie projects in the Midwest, and in local plays and commercials for Commonwealth Edison, Coca Cola, Goose Island Beer and The Payton Manning Children’s Hospital in Indianapolis, Chicago and all over the Midwest.
He has a passion for feeding the homeless and providing meals and warming goods for the disadvantaged, through his organization, Eureka Charities. He feels, “to ones that much is given, much is expected.” He also owns and operates Gentlemen 2 Cool Cigar Company and Greer Music and Filmworks Studios.

He’s been blessed during his life, and he has to return these blessings to those who need it. He also mentors young men and women with life coaching and career advice.

GO BANG! Magazine: How did you get involved with “A Sisterhood of Signatures?”

Christopher Greer: Okema Seven Gunn reached out to me about a role in A Sisterhood of Signatures (SOS.) During our conversation, we found out we’re cousins. So, with a little bit of nepotism, I was selected.

GO BANG! Magazine: What about “A Sisterhood of Signatures” attracted you to want to be a part of it?

Christopher Greer: I became really interested after I read the script. I saw that it was a story that needed to be told. We still need cursive writing to be taught in schools.

GO BANG! Magazine: How would you describe your character in the film?

Christopher Greer: My character was a selfish father that bought a sports car, without talking to his wife about it first.

GO BANG! Magazine: How important is it to you, to preserve the art of cursive writing?

Christopher Greer: We all should be using it to sign checks and contracts. It’s just plain pretty!

GO BANG! Magazine: In what ways have you become more involved, behind the scenes, in the film industry?

Christopher Greer: I am a screenwriter myself, a director and score composer, so I am very hands on regarding the film industry.

GO BANG! Magazine: You are also a singer, actor, model and director. Of those talents, which one do you love the best, and why?

Christopher Greer: Wow! Making a call like that is like asking which child you love best. I’ve been singing and acting for most of my life, it’s part of me. Modeling and directing came later. But, if I had to choose, it would be acting. With acting, I can be whoever I want to be. It’s freedom!

GO BANG! Magazine: How long have you been singing and are you currently still performing?

Christopher Greer: I have been singing ever since I could remember. I come from a musical family. My Father played the bugle in the Army, my mother played piano and my brother is also a multi-instrumentalist. Music has been part of my life since birth. I still perform for special events and I still compose music, which I also sing on. I used to have a stepping band, but I broke it up once I started working on my first film. But, I still sing around the house and in the car to sold-out audiences.

GO BANG! Magazine: Modeling in this day and age has changed. As a male model of a certain age, how has modeling changed with the times, which allows older individuals opportunities?
Christopher Greer: With Modeling, it’s great to have opportunities where your look is wanted. Fortunately, my look covers a 20-25 year range. I can shave off my mustache and look like I’m in my forties, then let my beard grow out and look like a distinguished grandpa.

GO BANG! Magazine: For our readers that may not be familiar with the duties of a Director, can you please explain what Directors do and what you find most interesting about that role?
Christopher Greer: As a Director, you are responsible for everything! If you are fortunate to have a full crew, you can designate tasks and duties. Directors set up looks and try their best to nitpick everything, at least that’s what I do. Being a Director is a job for self-proclaimed control freaks, because if you’re not, you’re not going to get the look or outcome you want or expect. The end result, being flawless, is the ultimate goal. We have to be satisfied.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Christopher Greer: With this virus going on is a blessing and a curse. Besides the deaths that are occurring, there may be a silver lining. We may to slow down as a human race sometimes. Work, school, and hanging out with friends may come in between interaction with our families. This virus took all that away, unless you are in an essential role. Now, we can hug our children tighter and be there with our loved ones. It was forced, but it IS needed.

I am a Community Service first responder and a Primary Caregiver for my mother, who is terminally ill. I also have a ministry that delivers meals, groceries and supplies to the elderly and needy. If someone needs food, I’m there. If a sick, shut in, elderly person needs someone to pick up their medicine, I’m your man. I stay in when I can, but if I gotta go, I gotta go. I have been blessed enormously by the Lord, so I try to give him glory by helping to take care of my brothers and sisters

GO BANG! Magazine: Thank you and ALL first responders for your service!

Follow Christopher Greer on social media:

Facebook: @Christopher A. Greer
Instagram: @Chrisgreer64
Twitter: @chrisgreer64
YouTube: @Christopher A. Greer

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Go Bang Magazine: When was Market Media Entertainment (MME) formed?

Market Media Entertainment: It was established July, 2018.

Go Bang Magazine: What is the mission of the company?

Market Media Entertainment: The mission is basically supporting and promoting Music and Fashion artists.

Go Bang Magazine: Who are the official members of the company, and their roles?

Market Media Entertainment: CEO, Daniel Dan Jemison; COO, Alexis Lex Means; Director of Marketing, Gary Dukes; and New Artist Development, Jerimiah Porter.

Go Bang Magazine: How does each member of the team complement each other, to make the company better?

Market Media Entertainment: We all click with each other, just like pieces of a puzzle. Once we come together , the full picture is created!

Go Bang Magazine: What type of events does the company produce?

Market Media Entertainment: We do live music events and fashion shows.

Go Bang Magazine: Does MME only produce events in the Chicagoland area?

Market Media Entertainment: Yes for now, but we will soon be expanding throughout the Midwest.

Go Bang Magazine: MME not only produce events, you also work with recording artists, models and partnerships. Please describe those other business areas.

Market Media Entertainment: We work with new artist and models to help them develop their vision

Go Bang Magazine: Are there any events coming up in the near future?

Market Media Entertainment: Yes!

Go Bang Magazine: MME has produced concerts, showcases and events in different genres, including R&B and Hip Hop. Soon, MME will also start producing House music events. How does the company feel about producing events for the huge House community?

Market Media Entertainment: We are looking to push House music events to our forefront. We’re making that our main focus. By collaborating with you Pierre, we hope to achieve that goal.

Go Bang Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How is MME dealing with it?

Market Media Entertainment: As of now, everything is shut down due to virus. So we’re currently still in the planning stage.
YOU CAN FOLLOW DAN, LEX AND GARY ON FACEBOOK:
DAN: @Daniel Jemison
LEX: @Alexis Lex Means
GARY: @Gary Dukes

YOU CAN FOLLOW MARKET MEDIA ENTERTAINMENT:
FACEBOOK: @Market Media Entertainment
WEBSITTE: http://www.marketmediaentertainment.com/

Market Media Entertainment LLC

630-708-8493 Business

 

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Marcus Ben Balenton is a guy I met as a teenager in 1984. He was attending McCosh grammar school, on the south side of Chicago. I was attending Kenwood Academy in Hyde Park, although I lived in South Shore. At that time, I was DJ Playerre and was mixing with my brother Dorado aka DJ Jock, my uncle Varsai aka Big Time, and my cousin Cedric aka The Fly. We were known as DJ Jock and the Paramedics. My cousin Cedric introduced me and Marc and the rest is history. He’s the lil bro I never had and I’m the big bro he never had. We were no longer friends, we are brothers.

We and Marc vibed right from the start and I saw that he took an interest in learning how to mix. We started hanging out regularly, mixing my friends with his and vice versa. One day, he asked if he could learn to mix and I was more than happy to show him. Basically, I asked him, “Can you count? If so you can mix. All that you have to do is count the beats, 1,2,3,4 and do the same with the song you’re about to mix in. When they get on beat, bring it in! He caught on immediately, and has never stopped. DJ “Dawg Howse was born!
Since then, he has achieved great success and has DJ’d with several prominent DJs, including DJ Gene Hunt, as well as others.
GO BANG! Magazine: How and when did you get involved in the DJ game?

DJ Marc B: I got in the game in 1984. I loved watching the greats, and I also noticed that the ladies loved the DJs.

GO BANG! Magazine: How would you describe your DJ style?

DJ Marc B: It’s hard to describe my style, because I cover all spectrums of House.

GO BANG! Magazine: What DJs inspire or motivate you?

DJ Marc B: The DJs that inspired me are DJ Playerre, Ron Hardy, Frankie Knuckles, DJ Jocko, and Gene Hunt.

GO BANG! Magazine: You’ve been a part of the House community since the early years. How has House changed to you?

DJ Marc B: House has changed me in so many ways. It gave me comfort with the music, it also gave my peers and an outlet to do something, other than just hanging out.

GO BANG! Magazine: If you had the opportunity to share the stage with any DJs, who would they be, and why?

DJ Marc B: If I could share the stage with a DJ, it would be Steve “JM Silk” Hurley, because I’ve always wanted to, since the 80’s. I love his energy. He’s always been one of my idols. I forgot to mention him earlier, as one of the DJs that inspire me.

GO BANG! Magazine: You are a member of a DJ squad. Tell us more about it and the members.

DJ Marc B: I am a member of “The Original 4 Deep DJz.” The group was formed on January 17, 2017, and the group members are DJ Dink, DJ Major, and DJ Marc B aka Dawg-Howse. The thing that I love about this group is that no two DJs sound the same.

GO BANG! Magazine: If you weren’t a DJ, would you still be in the music industry. If not, what would you be doing?

DJ Marc B: Yes I would, because music is my life. I don’t think the world could survive without music. I’m grateful to you, my teacher, Pierre “DJ Playerre” Evans.
GO BANG! Magazine: Some DJs play for the crowd and some DJs play for themselves. How do you determine what songs you’re going to play at a gig?

DJ Marc B: I play for the crowd, I don’t come in with a plan I go where the music takes me.

GO BANG! Magazine: Is it true, that you have a secret passion to do comedy. Can you tell our readers more about that passion?

DJ Marc B: It’s not a secret, I pursued it. I did “Stand Up” for two years in Eau Claire, Wisconsin. To me, comedy and music go hand and hand. I feel that to be able to make people laugh and dance is a two for one.
GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off-guard. How are you dealing with it?

DJ Marc B: I still have to go to work. But, when I get home, I jam out and get lost in the music, thinking about when this is over, the fun we will have this summer.

You can follow DJ Marc B aka Dawg Howse on FACEBOOK @Marc Balenton AND The Original 4 Deep Djs on FACEBOOK @The Original 4 Deep DJz

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

DA Smart = Devastating Abolisher Smashing Mostly Around Ruff Territories

“Chicago! Chicago! My kind of town.”   I’m sure you’re familiar with that song. It’s our hometown anthem.  Did you know that Chicago has another anthem?  This anthem you won’t hear being sang by Frank Sinatra.  Instead, you’ll hear it being rapped and bumping from the speakers of cars on the street.  The other anthem is called “Walk Wit Me” by Chicago’s own DA Smart.  It’s known as Chicago’s “Hood Anthem” because he names every neighborhood within Chicago as well as the corresponding gang within each.  This legendary track was released in 1997, but sounds just as good today.  Unfortunately, the violence that was going on then has gotten even worse.

Now making a comeback, D. A. SMART is choosing to walk in a new direction. Growing up in the Robert Taylor Homes and Altgeld Gardens on the south side of Chicago, he endeavored at a young age to make a name for himself in Chicago Hip Hop as a break dancer. Although known to rap, he did not release his now famous anthem until 1997.

For those wondering what happened to the Black Terror, D.A. Smart is not only still rapping, recording and performing, he started Terror Records (TR) in 2006. And he started it with the intent to bring back his true love – Hip Hop. But TR was also intended to be more than that. TR is intended to be a light in the darkness – to shed light on what is going on in the industry, and to be a light of freedom for artists who are tired of being taken advantage of and want to remain true to their art.

Terror Records is also here to promote positive change in the community. Through neighborhood outreach, working with local business owners, neighborhood activists and reaching out to and working with the youth – helping them to explore their own creative ideas, and show them that there is a healthy way to express themselves – our goal is to assist in breaking the cycle of poverty and violence that plagues our community. 

Now in 2020, TR is taking over the scene. With a stable of artists in place – Tae Bae, (the late) Mz. Lady, Da General, and Tra Cee, the compilation album, “The Reign of Terror”, was released in May 2014. The artists have also been releasing their individual singles, and one listen will let you know that Terror Records is ready to remind the world what REAL Hip Hop sounds like.

Other old school rappers that hail from Chicago are Common, Twista and Da Brat.  It would really be epic if all four of them would collaborate on a NEW track.  The public would love it! 

GO BANG! Magazine:  At what age did you know that you wanted to get into Hip Hop?

DA Smart:   I was 12 years old.

GO BANG! Magazine:  How would you describe your style of Hip Hop?

DA Smart:  Hardcore entertainment!

GO BANG! Magazine: “Walk Wit Me” described the gangs in each neighborhood. Why?

DA Smart:  I wanted to represent Chicago from my vantage point.  I wanted to describe the things that I saw every day.

GO BANG! Magazine:  What do you think about Chicago’s gang presence now?

DA Smart:  It’s different.

GO BANG! Magazine:  Tell our readers about your record label, Terror Records, Inc.

DA Smart:  Terror Records Incorporated is a label created by myself in 2006, after I had been signed to the major label known as RCA.  Me, along with other partners in Chicago, created the label everyone knows as Creators Way Associated.  I came up with Terror Records to create a “fair Institution” for artists and businessmen alike, to share in the coffers of what’s created from this thing we all love…music.

GO BANG! Magazine:  What projects are you currently working on?

DA Smart:  Well, we are currently working on a project that is to commemorate one of our members that passed away named Cabrina “Mz. Lady” Smith.  The song is called “Missing You.”  Stay tuned to https://www.youtube.com/user/T3RRORR3CORDS for that.  Also, we will be releasing Mz. Lady’s new single and video “OOOOWEEE”  ft. Tra Cee, the songbird of Terror Records.  I will be having a single release of a song called “Put The Shoulder On Em” and Terror Records will have new releases from Da General, Tra Cee, and Tae Bae this year.

GO BANG! Magazine:  What types of community involvement are you associated with?

DA Smart:  Where ever I am in the community, I’m involved. I work with everyone, but affiliated to none.

GO BANG! Magazine:  What do you think about the current rap music on the radio?

DA Smart:  I think some of the music on the radio is dope, but I also think some of the music on the radio is trash.  The problem with hip hop on radio is that there is no balance.

GO BANG! Magazine:  Tell us about your showcase “Control the Mic.”

DA Smart:  “Control the Mic” is a platform created by Terror Records Incorporated for all artists in Chicago to showcase their talent, their art, or their merchandise, to networks.  It’s to build bridges, not tear them down, and become a unified front here in Chicago for hip hop.

GO BANG! Magazine:  In conclusion, the COVID-19 pandemic has caught the world off-guard.  How are you dealing with it?

DA Smart:  Like a normal day.

You can follow DA on ALL social media formats!

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Who would have ever thought a little girl from the south side of Chicago’s West Englewood neighborhood, would be one of the hottest DJs in the city!!!  

Nakia Allen pka DJ SolKat grew up listening to different genres of music like R&B, Funk, Hip Hop and House.  At family parties, her aunt (who went by the name Miss Beasley) would be the DJ. Nakia became curious about the two turntables and the microphone.  She would stand there, watching how her aunt would select the records, and found it fascinating how each song created a reaction from the crowd.   After watching her aunt, as well as one of Hip Hops most famous lady turntablist DJ Spinderella on television, Nakia was inspired to DJ.

Beginning in 2007, Nakia felt the urge to pursue one of her dreams to DJ.  She became DJ SolKat, embodying her love of music playing from the soul and her love of cats. On Saturday, August 5, 2015, DJ SolKat started the “Queens of House Picnic” (QOH) in Chicago, IL.  The Queens of House was created for female DJs to showcase their skills on the 1’s and 2’s in the genre of House music.  In 2016, SolKat created the “Princesses of House,” a collective of young aspiring ladies, between the ages of 10 and 21, held at the QOH as an opening act.

Quite often, SolKat assembles a small group of lady DJs to represent the “Queens of House” brand outside of the picnic event. The Queens of House have been invited to perform at every major event in the city, including the Millennium Park “House Music Festival,” Navy Pier’s Grand Ballroom House Party and The “Taste of Chicago.”

2020 marks the Queens of House Picnic’s 6th annual jamboree, which will be held in  Calumet Park, Chicago Park District, 9801 S. Avenue G. Chicago, IL  60617 on Sunday, August 2nd.  The Queens of House Picnic has become one of Chicago’s hottest free House music events in the summer, with thousands of attendees every year and growing.

GO BANG! Magazine: How & when did you get started as a DJ?

SolKat: I got started DJ’n back in 2007, shortly after I graduated with a B.A. from the International Academy of Design & Technology in Chicago. One day a voice said, “well you always wanted to DJ.” At first, I scoffed at the idea, then the voice replied “DO IT NAKIA!” I scraped up the little money I had, drove to Guitar Center located in Country Clubs Hills, and purchased a small Gemini CD Controller and two 15″ Behringer Powered Speakers. When was I there, I met DJ Murf E. and he introduced me to the House Community, assisted with getting me DJ gigs, and gave me some pointers on how to be a better DJ.

GO BANG! Magazine: What DJs inspire you?

SolKat: Besides myself, all DJs inspire me! Male and female alike. I’m always watching and admiring what other selectors are doing creatively. One day I hope to be that inspiration for other DJs.

GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized among the best of the female DJs. What influence, if any, do you feel you have brought to House music and how has House music influenced you?

SolKat: I believe I’ve influenced the spotlight on female DJs again. I say again because most people may not know there was a popular all female DJ line up in Chi – Town in the early 80’s. Trailblazers such as Celeste The DJ, Lori Branch and First Lady. Currently there are all “she-jay” House Music events being thrown everywhere, by not only women, but male DJs/promoters too.

GO BANG! Magazine: In the past, female DJs were more of a novelty, and not taken as serious as their male counterparts. Do you think that image has changed and why or why not?

SolKat: I wouldn’t say novelty necessarily, but I think it’s changed considering the overwhelming amount of female DJs nowadays. The world is recognizing women have skills too in this field.

GO BANG! Magazine: After sharing the stage with several DJs over the years, which DJs would you love to DJ with?

SolKat: Black Coffee from South Africa, I like his music. Deadmau5 from Canada is dope. Helen Ting from Hong Kong, her name is always buzzing in my circle. I’ll just allow nature to take it’s course, so whomever I work with would be off the chain.

GO BANG! Magazine: In addition to being a DJ, you’re also a business woman. You’re the founder of The Queens Of House. How would you describe The Queens Of House to someone that may not be familiar with the brand?

SolKat: Thanks for asking! The brand is the Queens of House Picnic. I created this in 2015 to exclusively showcase female DJs in Chicago and around the Midwest. This August 2020 will be our 6th annual House Music event. I would be remiss if I didn’t say that I welcome female talent from any where in this world to come throw down on the” wheels of steel.”

GO BANG! Magazine: Who are the core members of the Queens of House brand?

SolKat: Our MC Lady Alicia; Jaci Greer, Coordinator; Mr. Joey Jazz, Lighting; Mr. Ricky French, Sound; and Mr. G Whip, Manager. I value their insight, opinions and business sense. I’m forever grateful to those men and women for their dedication to ensuring Queens of House keeps moving forward and grows beyond the imagination.

GO BANG! Magazine: Over the years you morphed from being only a DJ. You’ve accomplished great success as an entrepreneur and producer, with the Queens Of House Picnic (QoHP). What motivated you to create the QoHP, and what is your mission?

SolKat: In 2007, after attending several House music picnics, I noticed the lack of female DJs in the line up, and a total void of an ALL female DJ House picnic. I took it upon myself to create the event on my own. My intentions were to throw one, big, all female DJ House music event to show not only can the men do it, but the women can do it too! “WE CAN PLAY!”

On Saturday, August 1, 2015, With the help of Joey Jazz, Chicago had it’s first ALL female DJ House music picnic. The Queens of House Picnic was born. Now my mission is to expand the brand, starting with the Princesses of House. In 2016, I created the Princesses of House which is a collective of aspiring young ladies between the ages of 10 and 21, who are the opening acts for the QOH Picnic.

GO BANG! Magazine: Many that know you personally and/or professionally, including myself, describe you as down to earth and cool. Sometimes, when others in the entertainment industry reach the level of notoriety that you’re achieving, with QOH, some of them go “Hollywood” and become big-headed. You seem to have not gone down that path. How have you maintained your level-headedness and why is that important to you?

SolKat: I keep in mind that what I’m doing is one of my passions and a God given gift. I have to protect it from the negative idea that “I’m better than” or “Above” anyone.

GO BANG! Magazine: Besides being a DJ, you are also involved in the arts. What other artistic gifts do you possess?

SolKat: I have training in playing the flute and a background in West African dance with Alyo Children’s Dance Theater. I studied adult drama at the ETA Creative Arts Foundation. That’s where I got my start acting on stage and stand up comedy. I also enjoy drawing, painting and singing.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

SolKat: I’m trying to stay positive, stay quarantined and stay prayed up. It’s sad because I feel like I’m on punishment. May God be with us all.

Before I go, I’d like to thank you for this opportunity Pierre. I’m so proud of you and GO BANG! Magazine. Until next time.

GO BANG! Magazine: Thank you SolKat. I appreciate you and I’m PROUD OF YOU TOO Queen!

You can follow DJ SolKat on Facebook and Instagram @djsolkat

You can follow the Queens of House Picnic on Facebook and Instagram @queensofhousepicnic and on Twitter @QueenOfHousePic 

Queens of House Picnic Website: https://queensofhousepicnic.com/

6th annual Queens of House Picnic

Sunday, August 2, 2020

Free Entry, Free Parking 

Location: Calumet Park Chicago Park District

9801 S. Avenue G. Chicago, IL 60617

 

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Ashlee Bankz is from Flossmoor, IL, a south-suburb of Chicago and describes herself quite simply, an adequately, dope as fuck.  In a city that is a staple for legendary artists and a hotbed for multiple waves of new talent, infectious rapper Ashlee Bankz knows that she can’t rely on the reputation of Chicago. Instead, she is crafting quality music that will etch her name on the list of your personal favorites and a mainstay in your iPhone streams. Born with the first name Ashlee, a combination of life experiences and various abilities paved the road for her career. Growing up in the Chicago area, Bankz first love was the hardwood and not the studio. In a city known for producing quality basketball talent and being the home of “His Airness,” Bankz was also bit by the basketball jones. However, once her uncle passed in 2007 the passion for the game faded and music rose. Her late uncle carried the nickname LB, due to his resemblance to G-Unit star Lloyd Banks and often urged her to “get the money.” Upon her transition to the mic, Ashlee adopted the moniker “Bankz” as a tribute.  At first I was going by Ashlee’ Shantice [middle name] but then I came across Ashlee Bankz by looking at a picture of my uncle. “It felt like he named me, so I kept the name” she shares.  Bankz will tell you that she has been through the good and the bad in her life, making her stronger and letting her know that making her own moves can be the key to her success. Bankz is not the typical suburbankid. She has been through trials and been blessed to actually see what it’s like to work for something and see your dreams come true, by being hands on.  Growing up, Bankz’s favorite genres of music rested between Hip-Hop and R&B, a fact which is evident in her work, which displays elements of both. Inspired by Aaliyah, Missy Elliott, Jay-Z, Beyoncé, TLC and more, Bankz has studied what’s necessary in order for her to be just as successful as her heroes. Ashlee Bankz has spent many years crafting her skills and releasing music, but no release has resonated with her or her fans like 2017’s “I Called You.” The single drew from personal experiences and became a jet pack to her career launching her into rooms and studios with industry elite, coverage in major publications, and the ears of major U.S. markets, such as her hometown radio staple WGCI. The single was a part of “Leave a Message,” a project that centers around a relationship that shockingly, to her testimony, left her feelings hurt. The chapter of her life, which then appeared to be a trial, eventually resulted in triumph and recognition by a new audience.

As of late, Bankz has been invited to Coachella, performed at SXSW, A3C and more. These experiences have brought her three key lessons: (1) not reacting to everything, (2)trust who has her best interest at heart and (3) opportunity is everywhere. With that project under her belt and eyes on her, Ashlee Bankz is going full speed ahead. Currently treating the booth as her second bed, Bankz is crafting project after project for her name to be just as renowned as those she looks up to. To reach that level she realizes that she must grow with her music or as she states it, “embracing the fact that I understand my feelings because my music is raw and real.”

GO BANG! Magazine:  At what age did you know that you wanted to get into Hip Hop?

Ashlee Bankz:  At the age of 12, I knew I wanted to get into Hip-Hop when my mom had bought an iMac computer.  I would sneak and get on GarageBand to record myself. I was always fascinated by music at a young age, especially Hip-Hop. 

GO BANG! Magazine:  What hip hop artists inspire or motivate you, and why?

Ashlee Bankz:  Nipsey Hussle – Nip inspired me because of his business tactics/mindset. Nip preached ownership, but he also SHOWED others the way. I learned a lot just by studying him, such as how to release music, start a label, and be independent.

Jay-Z – Jay is the G.O.A.T. Hov paved the way for entrepreneurs.  Hov inspired me to be fearless as an entrepreneur and to own who I am, as well as what I believe in.

Lil Wayne – Wayne’s artistry is untouched. Wayne’s drive is inspiring alone. He’s a workaholic, which inspired me to work harder and stay locked in.

Missy Elliott- Missy made it cool for females to be original. Missy inspired me to not limit myself as a creative. Outside of being an artist, she’s inspired me to be more than just an artist. Like being a producer, songwriter, etc. Missy up’d the bar for me, showing it’s possible that I can hit any and every avenue I want too. 

GO BANG! Magazine:  How would you describe your style of Hip Hop?

Ashlee Bankz:  My style of Hip-Hop is a mix between R&B and Hip-Hop. It’s pushing the bar. I show that I can rap with the hardest of the hardest and still be melodic with crazy melodies. 

GO BANG! Magazine:  What do you think about Chicago’s hip hop, as well as the female hip hop scene?

Ashlee Bankz:  I think Chicago’s hip-hop is okay, it’s gotten better. As well as the female hip-hop scene, I feel there’s more work to do. There’s yet to be a female from Chicago whom has really dominated and changed the industry. I feel as if that’s my job to do that, and I will! 

GO BANG! Magazine:  What projects are you currently working on?

Ashlee Bankz:  Current projects I’m working on: I’m planning on dropping another project this year. As of lately though, my focus has been on getting placements, while still creating my own content. 

GO BANG! Magazine:  What types of community involvement are you associated with, if any?

Ashlee Bankz:  I am currently not involved in any community involvement.  But as time permits, I would love to start an organization for younger girls, create a basketball team, and be more active with the homeless, as well as doing more for others in general. 

GO BANG! Magazine:  What do you think about the current rap music on the radio?

Ashlee Bankz:  To be honest, I don’t really listen to the radio. Everytime I turn on the radio, I hear the same songs. The radio is clout based.

GO BANG! Magazine:  Is there anything new that you’re working on, that our readers should be on the lookout for?

Ashlee Bankz:  Follow my IG for all Ashlee Bankz updates @AshleeBANKZ. 

It’s 2020! I’m focused more than ever! Look out for everything! 

GO BANG! Magazine:  You’re also an entrepreneur.  Tell us about your company Rosemoor Enterainment.

Ashlee Bankz:  Rosesmoor at the moment is my record label that I signed myself too. Eventually I am looking to expand Rosemoor into a full creative house. But first, I am focused on making Rosemoor Records the biggest record label coming from Chicago, as well as the first major record label founded by a female. Rosemoor Entertainment…I see us being on the top of Forbes, sooner rather than later. 

GO BANG! Magazine:  In conclusion, the COVID-19 pandemic has caught the world off-guard.  How are you dealing with it?

Ashlee Bankz:  I’m dealing! I’m using this time to create, reflect, and get closer to GOD. The lockdown has been crazy, but I’m trying to remain positive and keep my mind as sharp as possible. 

 

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.comNDigo.comChicagoDefender.comEmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine.  Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.