Author: GO BANG MAG

Event: “THE CHATTERBOX WITH KING JACOB” INTERVIEWS PIERRE A. EVANS

Posted on by GO BANG MAG

Photo courtesy of Jacob Anderson II

#TheChatterboxWithKingJacob
#DesiraeLBensonPR 
#PierreAEvans
#InsideTheMindsOfEntertainers
#GoBangMagazine


Greeting friends and family!
Please join me this evening, Tuesday 12/6/22 @ 8pm cst, as I am interviewed on the “The Chatter Box With King Jacob.”

FACEBOOK LIVE or
YOUTUBE LINK: https://www.youtube.com/watch?v=fOGJOo_8byk


Please join us tonight and SHARE this link with everyone that you know.
THANK YOU FOR YOUR PAST, PRESENT AND FUTURE SUPPORT!!!

Welcome to The Chatter Box With King Jacob
Live Tonight at 8pm cst / 9PM EST 🎬🎬🎬🎬🌎🌎🌎🌎
Special Invited Guest
Pierre Andre Evans
Chicago Illinois
Journalist
Publisher
Author
DJ/Dancer
Community Innovator/ Social Influencer

About Mr. Evans
Publisher, Journalist, Author, DJ, Dancer

Pierre Andre’ Evans has taken the publishing, literary and entertainment industries by storm. As a former writer/journalist for the iconic Soul Train brand, the historic Chicago Defender newspaper, and the ground-breaking N’Digo Magapaper, Evans has earned the right to emerge as the owner and publisher of his own innovative publication, GO BANG! Magazine.

GO BANG! Magazine, https://gobangmagazine.com/, founded in April 2020 during the start of the Covid-19 pandemic, is written, edited, and published by Pierre Andre’ Evans. It is internationally known as the “go to” informational, educational and entertainment resource, providing readers with in-depth reporting on ground-breaking people, places, and events, which are having positive impacts on the world.

A proud, active member of the National Association of Black Journalists (NABJ) and its’ Chicago chapter (NABJCC), Evans is a sought-after freelance writer who contributes entertainment, music, theater, film, art, culture, fashion, dance, and current event write-ups in countless prominent publications throughout the world. One of his most momentous interviews was with Eric Monte, the creator of such significant television shows as Good Times, The Jefferson’s, What’s Happening, and the coming-of-age comedy-drama movie Cooley High.

Pierre’s writing prowess does not end with publishing magazines, he is also an accomplished author. Inside The Minds of Entertainers, self-published in April 2018 and available on Amazon, is a well-received, thought-provoking collection of interviews with 22 well-known, and not-so-well-known celebrities.

LINK: https://www.amazon.com/Inside-Mind-Entertainers-Book-ebook/dp/B07JGDT18X/ref=sr_1_1?crid=2R5MTRB1H2KF2&keywords=inside+the+minds+of+entertainers+-+pierre+andre+evans&qid=1670344261&sprefix=inside+the+minds+of+entertainers+-+pierre+and%2Caps%2C1417&sr=8-1

When each were asked 10 intriguing philosophical, spiritual, and political questions, their responses reveal an insightful look into their psyche. It exposes a side to them that you never knew existed. One of the most notable celebrity participants in the book was the late Cuba Gooding, Sr., who earned the book’s dedication. His interview took place three weeks prior to his life’s transition and may arguably be one of his last interviews given.

Inside The Minds Of Entertainers


His responses to the questions about his purpose in life and the possibility of life after death, are haunting, knowing he passed on three weeks later. Inside The Minds of Entertainers has received great critical reviews and is a highly celebrated book.

As an entertainer, Pierre is a former actor/model, appearing in various roles in five of Hollywood’s biggest blockbusters, including Home Alone II, Richie Rich, The Negotiator, Never Been Kissed and Road to Perdition. He has also graced fashion runways wearing the accoutrements of various fashion designers and has been the subject of numerous photo shoots.

As a DJ under his company Pinnacle Entertainment Productions, DJ Playerre, as he is known in the House music community, has the stellar reputation as the DJ that “gets you up and leaves you dead on the dancefloor!” That is one helluva calling card. He is also known as the one and only Andre’ Pierre “The Dancing Machine,” a prolific hired club dancer that is known to inspire and promote joyful dancing at venues and events.

Pierre Andre’ Evans the brand, embodies quality, integrity, dependability, and creativity. When you partake in the world of Pierre Andre’ Evans, whether it is a special event, an entertainment piece, or literary media, you can expect an unparalleled level of gratification and pure bliss, that only Pierre Andre’ Evans can provide

Watch Live TONIGHT AT 8PM CST / 9PM EST
https://www.facebook.com/kingjacobspeaks?mibextid=ZbWKwL
Watch Live
https://youtube.com/@Kinard378

Please join us tonight and SHARE this link with everyone that you know.
THANK YOU FOR YOUR PAST, PRESENT AND FUTURE SUPPORT!!!

Events / Music: ELECTRONIC MUSIC CONFERENCE “DECADE OF DANCE 2012 – 2022”

Posted on by GO BANG MAG

EMC announces final Conference Speakers & Festival Line Up of more than 150 artists including Calvin Harris, Green Velvet, Anna Lunoe, John ‘Jammin’ Collins (Underground Resistance), Anna Morgan, Joseph Capriati, Nina Kravitz

Electronic Music Conference (EMC) celebrates its 10 year anniversary under the theme ‘Decade Of Dance: 2012 – 2022’. They have now announced their full speaker and festival line up, which includes more than 80 speakers from across the industry with influential global players. Maintaining a strong focus on diversity and inclusivity, this year’s line up will further showcase speakers and performers with representatives from Asia, Europe, USA, First Nations community leaders, LGBTQ+ pioneers, whilst giving a firm nod to the original curators of electronic and dance music from Chicago and Detroit.

John ‘Jammin’ Collins (Underground Resistance) said:
“I am excited to participate in the Electronic Music Conference and share my unique perspective of being involved in techno since it was created in Detroit by four African American men and also as a frequent participant in the Australian music scene as a touring performer. Electronic music and the culture surrounding it continues to shift and change in Detroit, Sydney, and around the globe creating opportunities and obstacles that vary depending on where you are. One question shared in all of these markets is “who creates and controls the culture?”. Streaming services and social media are so prevalent you could understand why their influence is so strong – however the answer is the same today as it was 40 years ago when it started – it’s the community.”

Eora/Sydney artist Moss said ahead of his masterclass at EMC:
“First Nations dance music is on the rise and there’s so much talent out there waiting to be heard. Music and dance are part of who we are, and how can we create an ongoing space for the future to foster rising electronic artists? I’m excited to have a yarn alongside some great mob discussing ways we could give access, resources and support for electronic musicians in cities but more importantly remote communities.”

The roster includes a compelling selection of pivotal brands including Red Bull, Warner Music Australia, Strawberry Fields Festival, Astral People, Glasgow Underground, NITV, triple j Unearthed, Green Music Australia, Spore Festival, Bakehouse Studio, FBi Radio, NSW Government and the City Of Sydney.

The prominent EMC10 Festival further highlights exactly why EMC has become a trusted and innovative model. Running for a consecutive 10 years they have continued to drive the envelope forward. This years Festival line up covers a diverse range of artists and crosses genres with Calvin Harris, Green Velvet, Sub Focus Boyz Noize, Caribou, Joseph Capriati, John Summit, Cosmic Gate, Richie Hawtin, Len Faki and Nina Kravitz as a part of 150+ artists across 35 events on the festival program running from November 25th until December 15th.

The program commences with EMC’s Emerging Artists Showcase, curated by Dave Ruby Howe (triple j Unearthed Music Director). This will accentuate the current abundance of electronic music talent throughout Australia, aiming to help discover and uncover the most exciting next generation artists breaking through.

On the Emerging Artist Showcase, Dave Ruby Howe said:
“From the talent pool that applied to perform at EMC 2022, it’s clear that this generation of Australian artists has remained creative and vibrant in the face of the last few years of hardship. Producers, solo acts and bands have been finding new ways to hook in audiences and build their communities with them. The crop that we’ve selected for this year shows how the local scene is responding to fresh influences and innovating their own sounds; we’ve got emergent hyperpop party starters, hypnotic lo-fi house selectors, and future club stars bound for main stages all smooshed together like a colourful electronic tapestry.”

This special 10th anniversary edition of EMC will see an increased expansion that now stretches across multiple local government areas across the Sydney CBD, Inner West, Western Sydney and Northern Beaches.

A marquee event on the Festival Program is EMC presents ‘Decades of Dancing’ at Powerhouse Late on Thursday December 1st. Celebrating milestone anniversaries of EMC (10th), Roland (50th), Vicious (30th), Hardware (30th), Condesa (10th), Charades (10th), Motorik (10th) and Lucky Ent. (10th), this promises to be a birthday bash of epic proportions. Taking over the Powerhouse Museum, the event features DJs, installations, exhibitions and talks from 5pm – 9pm.

EMC Director Jane Slingo said:
“We’re thrilled to celebrate not only our own milestone but also the milestone of respected friends, businesses, partners and brands that have contributed so much for a decade or more. The Powerhouse Late takeover will feature a wide range of sights and sounds from across the spectrum of electronic and dance music, and is free to attend – so we can’t wait to welcome everyone to celebrate with us.”

This monumental celebration is set to put the Asia Pacific’s Electronic Music scene back on the map and prove to be a necessary strategic destination for all artists, labels and events.

Growth of EMC
Over the past five years, the EMC platform has seen immense growth and expansion, more than tripling its verticals to include a diverse and forward-thinking offering. These include the annual conference for industry professionals and artists, next generation scholarships for emerging talent, the annual festival with underground parties and larger-scale events, the EMC Connect series of virtual events that analyse current trends and challenges, break-through artist showcases, the global United We Stream network, special events and initiatives in collaboration with a range of partners from not-for-profits to artistic institutions, research projects including the mental-health-focussed ‘AKAR’ and the ‘Club Culture Census’, and ‘SYNC’, a fully immersive VR club experience.

EMC10
At EMC10, 8,000+ estimated combined attendees are expected across the activities which includes EMC10 CONFERENCE, EMC10 FESTIVAL, EMERGING ARTISTS SHOWCASE, EMC FILMS PROGRAM and SPECIAL ANNIVERSARY CLOSING EVENT.

EMC Conference Program https://electronicmusicconference.com/emc10-conference-program/

EMC Conference Speakers
https://electronicmusicconference.com/emc10-speakers/

EMC Festival Program
https://electronicmusicconference.com/event/emc10-festival/

EMC presents ‘Decades of Dancing’ at Powerhouse Late
https://www.maas.museum/event/powerhouse-late-emc/

Last chance to buy Industry and Artist Passes
https://electronicmusicconference.com/event/emc10/

More information available https://electronicmusicconference.com/
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Poetry/Events: JUST MIC “DA POET”

Posted on by GO BANG MAG

All photos courtesy of:  Just Mic “Da Poet”

 

Just Mic “Da Poet” was born Michael E. Williams on January 2, 1978, on the southside of Chicago in the Roseland neighborhood. At the age of 21, he developed a deep passion for poetry and writing after the sudden death of his younger sister, Larenya Elisa Williams in 1999. Shortly after her passing, he wrote his first poem titled “A Letter To Baby Sister.”

After years of writing hundreds of poems and songs, Just Mic was again inspired to take his talents further after entering a spoken word competition in 2012. Even though he did not place, Just Mic was offered his first feature performance at Hot Sauce Poetry, an Inspirational Poetry set on the westside of Chicago. Since that night, Just Mic has gone on to feature and perform live on hundreds of stages throughout Chicago, as well as the United States. He also released his first Spoken Word album in December of 2012. Shortly after, he began organizing and hosting various “Open Mics” and concerts.

In 2013, he was awarded as the BEST NEW ARTIST AND HOST OF THE YEAR, presented by the P.O.E.T organization. In 2014, he became a two-time published author in the P.O.E.T Anthology Vol. 2 and released his first personal book “POETIC SCRIPTURES: The Life, Growth & Journey of Michael E. Williams.” In 2018, Just Mic also released his second self-published poetry book “Recovery: Church Hurt vs. Church Love.”

Just Mic “Da Poet” has had the opportunity to interview live on various radio stations, television, and magazines, including 1570am WBGX, Prayze Cafe, Chi-City Underground, 88.9Fusion Radio, and 102.3fm. Television stations include Can TV, Ch.19, Channel 26UToo, Inspirational Television (Roku), Spoken Word Magazine, Speak Life, Chicago Bridge as one of the top 20 Poets Worldwide, and Gospel Magazine 3:16.

Just Mic has also shared the stage with many talented poets, singers, and comedians such as B. Cole, Damon Williams, Red Storm, Reggie Reg, Jeff B, Spank E., Moe-Mentum, Gemstones, The Jessie White Tumblers, Crucial Conflict, Gospel group Shelby 5, and many others.

In just 10 years of performing, Just Mic “Da Poet” has been awarded 18 times for various awards and nominated 17 times for the National Spoken Word Awards, becoming a 7X National Award Winner, 5-Time Spiritual Poet of the Year, Spoken Word Artist of the year (2017) and Best Spoken Word Album of the year (2018) “Save Our Streets.” Just Mic “Da Poet” is also a 2X Slam Champion. He was announced as the 1st place winner for Totally Positive Productions (2021) Talent and Poetry Competition, as well as being awarded as the 1st place winner of the 2022 Galaxy of Poets National Competition.

Just Mic “Da Poet” is a 3X Recording Artist. He has released his second and third Spoken Word Albums; “Save Our Children, Save R Streets” (2017) and “Depths of a Poet’s Soul” album (2021) making it available worldwide at online music Stores. His “Depths of a Poet’s Soul” album was also submitted and accepted for nominations for the 2023 Grammy Awards, being their first inaugural submissions for the Best Spoken Word Poetry Album category.

In October of 2022, Just Mic “Da Poet” organized the first National Spoken Word Poetry and Writers Conference held at the Bronzeville Vincennes, LLC in Chicago IL, providing workshops, seminars and honored other poets and supporters for their dedication and work to the Spoken Word and Poetry Community!

Just Mic “Da Poet’s” hard work and dedication to poetry has led him to be featured on some major stages, such as performing live at Wintrust Arena for the WNBA Chicago Sky Halftime Show (2022) as well as speaking and performing at Trinity United Mega Church for their 2019 Kwanzaa Celebration!

Just Mic “Da Poet” says to “always believe in yourself, follow your passions and love the gifts that God has blessed you with. Continue to use them and your gifts will make room for you!”

GO BANG! Magazine: How would you describe your childhood?

Just Mic “Da Poet”: My childhood was an experience! It was in 1981 that my parents moved our family from the southside of Chicago (Roseland) further south to the suburb of Dolton, IL. We transitioned from where there was predominantly African Americans and where there was often poverty, crime and violence making the neighborhood at times unsafe to reside. The suburbs however, was little to no crime and was much safer and more motivating to pursue an education. There were still other challenges that I had to deal with as a child being one of the only black children in my classroom. It was different but I managed and then years later, the ethnicity would change to being dominantly Black. The crime would eventually increase and so did the peer pressure of being involved with drugs and gangs! I’m thankful however, to have never gotten in too deep with gang or drug activity, not to say that I was a perfect adolescent or teen. I think I blended right in and felt more comfortable being around those that could relate to me.

GO BANG! Magazine: You began writing poetry as a response to the passing of your younger sister. How did that inspire you?

Just Mic “Da Poet”: Well yes, it was definitely inspiring, but her unexpected passing had also become an outlet for me to heal and express myself through poetry. I had no idea that such a painful tragedy would lead to my success and finding my purpose in life!

GO BANG! Magazine: Are you a spoken word artist, a poet or both and what’s the difference between the two?

Just Mic “Da Poet”: I would consider myself a Spoken Word Artist, but a poet and writer first. I would not be able to perform as an artist without first writing and putting my thoughts on paper. And that’s basically the difference between being a poet and becoming a Spoken Word Artist! Being an artist requires more work, you must memorize your work while acting it out on stage and becoming more engaged with your audience. As a poet you can get away with just writing books and reading your poetry in a more calm and relaxed setting. You’re not focused so much on stage presence, memorizing and audience engagement.

GO BANG! Magazine: How would you describe your poetry style?

Just Mic “Da Poet”: Great question! Actually, I’ve been told that I am not a poet, but more of a lyricist! I would say that I am versatile. I actually write according to what type of poem that I am writing. If the emotion is intense, I’ll more than likely perform at a more aggressive pace. My voice may sound different, but that’s only because of my mindset when the poem was written. For example, a very intimate poem would be more like a soothing conversation. I’m more shy, relaxed, and calm while writing love stories. So yes, my voice will be different and so will my demeanor.

GO BANG! Magazine: CONGRATULATIONS! You are also a two-time published author. Please describe both of your books to our readers.


Just Mic “Da Poet”: Thank you! And yes, I wrote my first poetry book in 2014 titled “Poetic Scriptures: The Life, Growth and Journey of Michael E Williams” and then I wrote “Recovery: Church Hurt vs. Church Love” which is dominantly a spiritual book of poems and quotes. You can find both of those books at your online Amazon bookstore and Poetic Scriptures, also on Barnes and Noble.

LINK:

https://www.amazon.com/Recovery-Church-Hurt-VS-Love-ebook/dp/B07Q6XQL2W/ref=sr_1_1?crid=36S8541SLS2UR&keywords=%22Recovery%3A+Church+Hurt+vs.+Church+Love%E2%80%9D&qid=1667495312&qu=eyJxc2MiOiIwLjc5IiwicXNhIjoiMC4wMCIsInFzcCI6IjAuMDAifQ%3D%3D&s=books&sprefix=recovery+church+hurt+vs.+church+love+%2Cstripbooks%2C215&sr=1-1


GO BANG! Magazine: Who inspired you in your beginning years and who inspires you now?

Just Mic “Da Poet”: In my beginning years, I didn’t know any poets, but I was inspired by other music artists such as Tupac Shakur, LL Cool J, Nas, Common, and Michael Jackson to name a few. I just really loved the way that they worked hard and were passionate about making albums, traveling the world, and making music. They touched people’s lives from all walks of life and from all over the world. You could always relate to the music that they were creating.

As far as now, I would say that a lot of my inspiration comes from my peers. Being around so many talented poets and artists inspires me to become even more great. Then looking back at how far I’ve come as a person and artist, I have also become my own inspiration.

GO BANG! Magazine: If you had the opportunity to perform or work with any poet/spoken word artist, dead or alive, who would it be and why?

Just Mic “Da Poet”: I would first have to say the late Langston Hughes would be a poet that I would have loved to work with simply because of his wisdom and by him being a part of writing during the Civil Rights Movements! His work would bring some of the best work out if me. I would consider Nas and Common as well. In a way, they are still to me. Yes, I would love to work with them. They are all amazing writers and icons. I am also a fan of Grammy nominated Spoken Word Poet J. Ivy. I would love to work with him as an artist. He would also bring out the best in me.

GO BANG! Magazine: You are also a three-time recording artist with spoken word albums under your belt. Please describe these recordings.

Just Mic “Da Poet”: I released my first album, which was an EP introduction of five tracks, in 2012. My second album “Save Our Children, Save Our Streets” was released in 2017, which I won a national award for The Best Spoken Word Album of the Year. Then, my most recent album “Depths of a Poet’s Soul” was released in November of 2021. That album is more of a personal album. I get more detailed about my life experiences and deepest thoughts.

GO BANG! Magazine: How did you find out that your album “Depths of a Poet’s Soul” was accepted for nomination for the 2023 Grammy Awards, where were you and how did you feel?

Just Mic “Da Poet”: Well, I had submitted my album to be accepted knowing that the Spoken Word Poetry Community had our own category for Spoken Word Poetry album submissions. It was about a few weeks later after submitting that I found out. I was at home at the time, just relaxing and promoting an upcoming event. I received an email late in the afternoon letting me know that my album was accepted and that I was a part of the first inaugural submissions for Best Spoken Word Poetry Album! I felt great, wonderful and I felt that everything that I have been working hard for was paying off! It’s a win for me no matter what happens. I’m just grateful to be a part!

GO BANG! Magazine: Just last month in October, you organized the first National Spoken Word Poetry and Writers Conference. It was held here in Chicago. Why did you feel the need to produce this event and how did the event turn out?

Just Mic “Da Poet”: Yes, after over 20 years of writing and 10 years of performing, I felt that it was time for me to give back and to share with others some of the things that I have encountered and learned as a writer, poet, and Spoken Word artist. I can say that everything went well. It was also an experience for me. I am now motivated to teach and really look forward to presenting more workshops and conferences.

GO BANG! Magazine: This Friday, November 4th, you will be a featured poet performing at the Spoken Word Concert at University of Chicago’s Logan Center for the Arts. Tell us about this upcoming event and what can attendees expect?

Ticket link:  https://tickets.uchicago.edu/Online/default.asp


Just Mic “Da Poet”: Yes, I will be performing Friday October 4th, 2022, at The Logan Center for Arts Reva and David Theater. It is a beautiful theater and I believe that it will definitely bring the best out of me as an artist. I look forward to performing for Totally Positive Productions’ Sponsored Concert and Showcase.

GO BANG! Magazine: Where do you see yourself five years from now?

Just Mic “Da Poet”: Honestly, I just want to keep getting better and growing. I love helping others, so to have an established non-profit organization would be my number one goal within the next five years. Also, hopefully I will be writing for other artist full-time, as well and traveling more of the world and getting paid more to perform my Spoken Word poetry, while uplifting others to use their gifts and follow their dreams as well.

GO BANG! Magazine: If you weren’t a poet, what would you be doing?

Just Mic “Da Poet”: I love coaching sports and scouting athletes, but I really can’t imagine myself doing anything else man. I probably wouldn’t even be here! Poetry has literally saved my life.

GO BANG! Magazine: What can our readers expect from you in the near future and upcoming years?

Just Mic “Da Poet”: On Saturday, November 5th, I will be conducting a virtual Poetry and Writers Workshop, from 6pm -8pm CT. They can also expect more books, more albums, and an even better poet and artist!

GO BANG! Magazine: Mike, in conclusion, we have known each other for years and even performed at some of the same talent shows and events, back in the day when I was singing under the moniker of Playerre. Since then, we have both went on and excelled in our professions. What advice would you give to an aspiring poet or Spoken Word artist?

Just Mic “Da Poet”: Yes, it has been a minute. Congratulations to you and thanks again for having me. I would tell any young poet and Spoken Word artist to first love what you do, enjoy it, be yourself and be comfortable with the creator that you are. When you write and create, you become a part of history, so be proud of yourself. Also, practice frequently, stay consistent, believe in yourself, and continue to use your gifts that God has blessed you with.

GO BANG! Magazine: Thank you Just Mic “Da Poet” for this interview and good luck with all that you are doing. You have now officially been BANGED! GO BANG!

Here is one of Just Mic “Da Poet’s” poems:

You Will Not Use Me

You will not use me
You will not pimp me
I worked too hard for this
This talent is my gift
I did all the sacrifice to get here
This is my time
I took those chances I took those risks
Not knowing what was to come or if this was it
You will no longer use me
Treat me as if you don’t care
Pay me according to your budget and affairs
No I will not volunteer
Yes I have a price
I also have a message and purpose for my life
No money? then I won’t be sending out no invites
I’ll work with whom is important in my life
Who sees me as an investment, a partnership and blessing
You see at this moment my time and value is not to be messed with
So, you and anything you have going on is irrelevant
You jankie promoters, artist that’s all about themselves
You want me to do for you what you won’t and have never done for me,
So, naw you don’t get free their is no ill see or maybe,
I’ll treat you how you treated me and that means I’ll continue to act like you don’t exist
I won’t like nothing; I won’t send you any love for your accomplishments, it can be outstanding but I won’t acknowledge it, the only time I’ll comment is if I don’t agree with a post you did
That’s exactly how you did me, I’ll never forget
You will Not use me sir
No I won’t pay for no radio airplay
Also, the Next person that I accept then right away you come in my inbox; saying Hi 👋 you immediately blocked
You will not use me! No I’m not paying for your contest or your giveaway slots
And don’t give me no tickets to sale without a deposit
I’m not your promoter, you need to hire someone else for that job,
I’m not sharing nothing; that takes up my time
You want all these things done but you’re not willing to pay me a dime
You got me messed up what type of artist do you think I am fam
It’s just no respect, no consideration of my worth
Well you gone learn today
Goodbye you can continue the hell on with your
Artist search
Why can’t you find a sponsor?
Why can’t you work more harder and more smarter?
Send me a deposit then I’ll put it on my calendar
I’ll work with you or even work harder than I’m suppose to because I know now that you see my worth and value
Them old ways of doing things yall need to stop that, change those old traditional schemes
Be more creative and use your brains
Come up with your own strategies and different ways of marketing things
But naw I see you disagree and I know what you think of me
But from this day forward you will not use me
I won’t let you
I am a trendsetter, I know people see me and they copy me
Yeah I saw you had an event
I acted like it didn’t exist
The same way you did me
I’m busy, been busy for the past 5 years now focusing on me
It works both ways you see
I do for you what you do for me
But for some that’s just the hardest thing
If you think I’m mean well it’s probably because I’ve been far too nice of a human being, throughout the years; I have let many people use me, they didn’t appreciate me, some still owe me their support and unpaid loans and fees, features and shows promised but they were never received, you see its a lot of things that go on behind the scenes, many churches have turned they lights out on me, they then collected funds from the fans and supporters that came out for me, I’ve been amongst many snakes and hypocrites, if I gave those list of names you probably wouldn’t even believe, but its alright its cool though because I know what God has for me it will be given to me, I know I will grow, continue to prosper and succeed, I still will pray for you and forgive you for your wrong deeds, you see I will reap my harvest from those living and even dead seeds, but never again you won’t use me for your own brand and needs
You Will Not Use Me

Written By: Michael E. Williams
Just Mic “Da Poet”
Copyright.©️2022
POEM | #90

 

You can follow Just Mic “Da Poet” on social media, You Tube and listen on Apple Music:

Facebook:

 

Apple Music:

https://music.apple.com/ca/artist/just-mic-da-poet/1272465316

GigSalad:

https://www.gigsalad.com/jus_mic_da_poet_south_holland

 

 


Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Dance/Music: JA’PAN NATION: A Provocative & Dynamic Performer

Posted on by GO BANG MAG

All photos courtesy of Ja’Pan Nation

“His vocals are dynamic!”
“He disrupts equilibriums!”
“His style is renowned!”
“Ja’Pan Nation is refreshing!”



Charles Hall, Jr., better known as Ja’Pan Nation, embodies the definition of sound.

A collage of versatility, composing tones of dance and choreography, while conquering all haters, Ja’Pan Nation represents adversity, redefining your average perception of rhythm and movements with each technique.

To understand the existentialism of his craft, one must understand the barriers of his past. 25 years of dedication, determination and endurance have prepared him for this level. A product of Texas, Ja’Pan Nation is determined to sleep with success.

Aware of his talent at a young age, Ja’Pan sacrificed to become the epitome of entertainment. Rehearsing, studying, researching, practicing, and becoming nothing less than iconic. Endless competitions and accolades he attributes to his dominance.

Artists before him such as Janet Jackson, who he considers to be the most influential artist of his time, paved the way. She is innovative and unique. These are characteristics Ja’Pan replicates in his own realm of performance.

Threads of retro, urban, vintage, and couture, Ja’Pan pops tags of originality. This fabric is authentic, which no market can ignore. Fashion wise, Ja’Pan illustrates diversity. He intertwines graphics. His style expresses all artistry.

Ja’Pan Nation is a trailblazer that thrives from taking risks. Whatever you’ve seen before, you have no idea what you’ve missed. Ja’Pan appreciates all those before him, however, he is his own muse. Ja’Pan pays homage to many, but this is his destiny, and he refuses to lose!

Ja’Pan enlightens cultures with his different variations of creativity. The force behind his movement is God. He gives all praise and recognition to the Lord. He ordered his steps, and he enforced them. Get ready, you’ve just been introduced to the humble beginnings of a star!!!

GO BANG! Magazine: Where were you born and raised and how would you describe your childhood?

Ja’Pan Nation: I was born in Dallas, TX and raised in Arlington, TX. I would describe my childhood as imaginative, fun, and adventurous.

GO BANG! Magazine: How did you get started singing and dancing and what do you like about it?

Ja’Pan Nation: I started learning dance routines from some of my favorite artist growing up, like Usher, Janet Jackson, Beyoncé, Aaliyah, TLC, and Michael Jackson to name a few. I really was intrigued with how cool their choreography and formations were and how they were able to sing/rap while killing these intricate routines. This definitely piqued my interest. My aunt Debra would also have me sing leads in my church choir.

GO BANG! Magazine: When was the moment that you knew you wanted to pursue the entertainment industry professionally?

Ja’Pan Nation: I went into a studio in Dallas, TX just to record a hook for an upcoming artist. People really liked my sound and what I offered as a singer. I won several talent competitions in DFW metroplex. I created a nice buzz from just enjoying myself and doing what I loved. In that moment, I knew I wanted to try this professionally.

GO BANG! Magazine: Why did you choose the name Ja’Pan Nation?

Ja’Pan Nation: Ja’Pan was given to me in school. I was known to love Anime, Kung Fu movies, and the culture and fashion Japan offered. My former manager, Mr. John Carrington, added the accent to make it resonate more as a name for me and not the country. Nation was added as my last name because Janet Jackson is my Michael Jackson. Rhythm Nation was the very first professional choreography I learned as a kid, and I built from there.

GO BANG! Magazine: How would you describe the Ja’Pan Nation brand, sound, and style of dance?

Ja’Pan Nation: I would describe my brand as sexy, classy, and innovative. My sound, versatile. I can go from Pop to RnB/Soul to Rap. My style of dance, I would describe as well rounded. I do a little of everything in my routines. Street Jazz being my favorite. I am very strong in Hip Hop, Lyrical, and Modern styles.

GO BANG! Magazine: Your dance skills are excellent. What dancers or performers inspired you growing up and who inspires you now and why?

Ja’Pan Nation: Janet Jackson, Michael Jackson, Usher, Beyoncé, Aaliyah, Chris Brown, TLC, B2K, Britany Spears, NSYNC, Justin Timberlake and Nicki Minaj were and are artist that inspire me as an artist and as a dancer.

GO BANG! Magazine: Michael Jackson, Janet Jackson, Usher, Beyonce’ and Chris Brown are all considered superb dancers. What do you think about them as dance performers and how have they influenced you, if at all?

Ja’Pan Nation: I can go on and on about these icons. These are all naturally gifted entertainers. All of them are genius in their own way. I am inspired by them all.

GO BANG! Magazine: You are a very sexually overt person when performing and a self-described nudist. Why is it important for you to include sexuality in your performances?

Ja’Pan Nation: The female artists always give you edge, controversy, and sex appeal with class. That’s what I describe it as in male form. Male artists always play TOO safe for me. I do not believe in gender specific mannerisms as a man. Thongs are for us too lol. I identify as non-gender conforming, so it makes sense.

GO BANG! Magazine: Your new singles “Cake & Candles” and “Fluid” are club bangers. How would you describe these songs to someone that’s not familiar with your music?

Ja’Pan Nation: “Cake & Candles” really showcases who my RnB inspirations are. It’s within that realm of Michael, Chris, and Usher. “Fluid” is more of that bright upbeat energy that makes you want to twerk or go crazy lol. These two records are for the dance community and people that enjoy music that compels them to move, whether that be sexual, choreography or freestyle. I have a deep adoration for dance. Any song I release, you will most likely get a routine with it lol.

GO BANG! Magazine: You are quite a well dresser. Please describe your fashion sense and where it originates from?

Ja’Pan Nation: My fashion sense is very androgynous, like that of Milli Vanilli, Michael Jackson, Prince, and Grace Jones, with a hint of Janet, Aaliyah, BTS, drag queens, and Nicki Minaj lol

GO BANG! Magazine: Where does your song ideas come from?

Ja’Pan Nation: I don’t have ideas. I just say what I feel and name the song later.

GO BANG! Magazine: Being a great dancer, are you also a choreographer and do you choreograph your own performances?

Ja’Pan Nation: Yes, I am. I have choreographed for several step teams, cheerleading squads, and drill teams. I also choreograph for myself. However, I have also worked with other choreographers to keep everything fresh and set apart from the last effort.

GO BANG! Magazine: What advice would you give to someone that is pursuing their dream of dance and performance?

Ja’Pan Nation: Never stop climbing that ladder. There definitely will be obstacles and people that will try to deter you. Practice is the best advice I can give. The artists named above are great because they train hard! You must work on your craft and sharpen yourself as much as possible. There are millions of other artists out here wanting the same thing. If you want to stick out and be deemed the best or tough competition, you must be disciplined and train hard.

GO BANG! Magazine: Thank you Ja’Pan for this interview and good luck with all that you are doing. You have now officially been BANGED! GO BANG!

You can follow Ja’Pan Nation on social media and the following links:

Recent Performances/Video –

https://youtu.be/076BKWQ0RNU

https://youtu.be/6qQ4cDLHvok


Link tree/Spotify/Youtube –

https://linktr.ee/JaPanNation

https://open.spotify.com/artist/4WBdtVA4aohX2sYW22kQci?si=93AJo7j4StS-z5N4UFZkuw

Instagram –

https://instagram.com/japannationofficial?igshid=NDA1YzNhOGU=

Website:

https://www.japannation.net/




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.


Arts & Culture: THE OBAMAS RETURN HOME TO SUPPORT CHICAGO’S YOUTH

Posted on by GO BANG MAG

Story and photos courtesy of: Obama.org and The Obama Foundation

CLICK VIDEO: https://www.youtube.com/watch?v=ikbWbQylWNc&t=250s

PHOTOS LINK:  https://www.flickr.com/photos/160187588@N03/sets/72177720302973317/?utm_source=crm&utm_medium=email&utm_campaign=Chicago%20wkly_102122&sfmc_s=0033600001gweZFAAY

Hi Pierre,

This week, Michelle and I traveled home to Chicago to meet with students on the South and West Sides and see the impact the Obama Foundation is already having on the ground there.

The two-day trip was an inspiring one! At 167 Green Street, President Obama surprised over 60 Chicago high school students for a day of activities and conversation. In collaboration with local businesses and support from Nike, students had the opportunity to engage in a wide range of activities – from yoga and meditation to art therapy and even a hair product creation tutorial.

As part of our My Brother’s Keeper Alliance initiative, Freedom Summer 2022, the President participated in a panel conversation with Chicago Bulls player, Ayo Dosunmo, Chicago Bulls Creative Strategy and Design Advisor, Don C., and Chicago high school students about their experiences, as well as the importance of utilizing community resources and organizations, like the Obama Foundation, to find their purpose.

President Obama also moderated a panel discussion with leaders from McDonald’s and Prudential, for an audience of small business owners and Chicago business leaders to discuss how small businesses and large corporations can work together to invest in economic growth for the South and West sides.

On the South Side, Mrs. Obama surprised students at Hyde Park Academy High School to formally kick off the Obama Foundation Futures Series for the 2022-23 school year. The Futures Series brings in speakers to expose students to the stories, experiences, and insights of leaders across a wide range of industries and paths in an effort to deepen their understanding of the various career pathways they could take upon graduation.

Mrs. Obama spent most of the hour-long conversation answering questions submitted by students around hardships, success, and finding one’s purpose. She also sat down with 10 girls from the Working on Womanhood (WOW) program, a year-long group counseling and clinical mentoring program for middle and high school girls, for an intimate discussion centered around their well being and developing a healthy sense of self.


“It’s been incredible to see the impact our programming has started to make on the lives of our young people – from the work with the My Brother’s Keeper Alliance and the Girls Opportunity Alliance to the Futures Series,” said Obama Foundation CEO Valerie Jarrett. “A part of our work at the Obama Foundation is to empower young people in underserved communities and increase their access to opportunities. It’s the kind of programming we will bring to the Obama Presidential Center when it opens in 2025.”

CLICK VIDEO: https://www.youtube.com/watch?v=ikbWbQylWNc&t=250s

PHOTOS LINK:  https://www.flickr.com/photos/160187588@N03/sets/72177720302973317/?utm_source=crm&utm_medium=email&utm_campaign=Chicago%20wkly_102122&sfmc_s=0033600001gweZFAAY

Film/Television/Music: COMPOSER ROBERT “DIGGY” MORRISON

Posted on by GO BANG MAG

Photo courtesy of:  Quincy  J. Trent


Rob Morrison has emerged as a powerful force in the film and entertainment industry. As an award-winning composer, Morrison has worked with a wide variety of artists across multiple genres. In 2004, Morrison became a highly sought-after composer when the world-renowned artist, Beyoncé released her multi-platinum album, “Dangerously In Love.” The album featured the smash hit, “Crazy In Love,” which earned the Chicago based composer a Grammy® and a certified gold record for his exceptional keyboard arrangement and musicianship for the remix.

Known as, “The Sixth Man of Music, ” Morrison has worked with the likes of the esteemed music producer, Vassal Benford, where he served as a session keyboardist that helped to showcase the music of many artists who have gone on to have great success. As a highly sought-after composer, Morrison has worked with various TV and film projects and spent a good amount of time with the Sophia Session Orchestra of Bulgaria conducting scoring sessions for various film projects. His work was well received, and he was subsequently considered for a nomination for the 62nd Grammy’s® regarding the song titled, “Imagine.”

Morrison has always stayed relevant by using his talent to create unique content for others. His many interviews also reflect his passion and purpose when it comes to his craft. He recently scored Carl Weber’s The Family Business on BET+. He is currently working on additional film and TV projects for various streaming networks. With an arsenal of experience in his entertainment portfolio, Morrison continues to show and prove why he is a top-notch composer with the talent and success record to thrive in today’s ever-evolving world.

It all matters!
Photo courtesy of: Rob Diggy

GO BANG! MAGAZINE: What is a film composer and what’s your role?

Rob Diggy: A film composer’s job is to create a flow of music that accentuates the actor’s movement and dialogue, and to create a theme around the characters to kinda help with the storyline. It’s the thing that a director can’t imagine.

GO BANG! MAGAZINE: Why is scoring so important to a film?

Rob Diggy: A really good score will connect your audience and bring something extra to the screen. Treat the film like it’s your right arm, that’s how important it is.

GO BANG! MAGAZINE: How long have you been scoring films?

Rob Diggy: I have been scoring films since the early 90’s. That’s kinda a late start, but I quickly figured out that I could have more fun with a full score, than a R&B track. Scoring a film is like chess. You gotta know when to move.

GO BANG! MAGAZINE: About how many films you have scored?

Rob Diggy: I have scored over 100 films and counting. All of them didn’t make it to IMDb.

GO BANG! MAGAZINE: What would you tell a young aspiring composer?

Rob Diggy: A young cat needs to stay hungry and stay ready. Study the latest sounds, subscribe to different sites about composing, create your style, and be you. Place your music online, like on Soundcloud or Distrokid. Invest in your craft. Spend damn near every penny on your talent. Google free sounds and create such an arsenal of sounds, that directors will wanna use you.
GO BANG! MAGAZINE: How did you get the job on BET+, scoring for The Family Business?

Rob Diggy: I had always said you never know when the phone will ring or get that email or text. Well, it was the phone that rang, and on the other end was the director for The Family Business, Trey Haley, who is President of Tri Destined Pictures. He introduced himself and asked if I was interested in scoring season four and was I busy. I told him I was good to go. He said he found me on my Instagram page and my Soundcloud link was there. He said he liked the sound and wanted me on board. A few days later, he called and laid out the details of how I was gonna receive the deliverables. He sent two episodes a week and I got started.

GO BANG! MAGAZINE: How many episodes did you score?

Rob Diggy: There were a total of 10 episodes, each having its own identity. Trey was very impressed. Once I got started, he really didn’t bother me much. He kinda allowed me to do my thing.

Photo courtesy of:  BET+


GO BANG! MAGAZINE: Did the series help you get other work as a result?

Rob Diggy: The series has opened some doors, yes. I have worked on a project for one of the producers of the show and some great referrals.

GO BANG! MAGAZINE: Did you feel a bit intimidated having to score scenes with such iconic stars?

Rob Diggy: Na… you seen one star; you’ve seen them all. But, excited to have scored Ernie Hudson’s scenes, as well as Stan Shaw’s scenes.

GO BANG! MAGAZINE: What advice would you give to aspiring film composers wanting to get into episodic tv?

Rob Diggy: Study other shows and network with some of the actors on social media. They may not respond but keep at it. Getting to know the showrunners is very important.

GO BANG! MAGAZINE: What were some of the challenges while scoring The Family Business?

Rob Diggy: I completely lost one of the episodes. My computer was having an episode lol! I never said anything, I just started over.

GO BANG! MAGAZINE: What is a theme and how did you know what character(s) need what music in an episode?

Rob Diggy: Themes are used to identify the characters. My best example is from the movie Jaws. Every time you saw him coming, you heard his theme music. It’s the recurring motif that plays when you see that character. Of course, you can manipulate it adding a sound or two, but still having its core.

GO BANG! MAGAZINE: What projects are you currently working on?

Rob Diggy: Currently I am working on a suspense thriller titled Lipstick starring Camille Winbush of the Bernie Mac Show, directed by Kimberly Connor. Also scoring a horror film titled The Unseen, directed by Vincent Shade, and a few more with Christopher Nolen.

GO BANG! MAGAZINE: What software do you use for making music?

Rob Diggy: I use Logic Pro X. It’s the industry standard for scoring films and making hip hop beats… a one stop shop.

GO BANG! MAGAZINE: You’ve really been getting great gigs, whose your publicist?

Rob Diggy:  Desirae Benson!  She has been helping me along the way and has continuously been pushing my name out there!!

GO BANG! MAGAZINE: How can people find you?

Rob Diggy: You can find me mostly in Dubai, but for now Instagram and Facebook. The handle is “Rob Diggy” or simply Google me.

Photo courtesy of:  Quincy J. Trent


GO BANG! MAGAZINE: Well Rob, thank you for this interview and good luck with all that you are doing. You have now officially been BANGED! GO BANG!

You can follow Rob Diggy and Composer4Filmz at the following links:

SoundCloud
Facebook
Instagram
ConradSeries



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.





Event: HAPPY INDIGENOUS PEOPLES DAY!!!

Posted on by GO BANG MAG

Photo Credit: Jake Bacon/AP

 

U.S. Indigenous Peoples’ Day is celebrated on the second Monday of October, on October 10 this year, to honor the cultures and histories of the Native American people. The day is centered around reflecting on their tribal roots and the tragic stories that hurt but strengthened their communities.

The second Monday of October has been a national holiday for close to a century, but this will be only the second year that Indigenous Peoples Day has held that designation.

The celebrating of an Indigenous Peoples Day took root in 1977 at an international conference on discrimination sponsored by the United Nations. It’s grown as a day to honor Native American peoples and commemorates their histories and cultures.

Last year when Biden issued the proclamation for Indigenous Peoples Day, he also issued a proclamation of Columbus Day, established by Congress and first recognized as a national holiday in 1934 by President Franklin D. Roosevelt.

In his 2021 speech, Biden praised the role of Italian Americans in U.S. society, but also referenced the violence and harm Columbus and other explorers of the age brought about on the Americas.

“We also acknowledge the painful history of wrongs and atrocities that many European explorers inflicted on tribal nations and Indigenous communities,” Biden said. “It is a measure of our greatness as a nation that we do not seek to bury these shameful episodes of our past – that we face them honestly, we bring them to the light, and we do all we can to address them.”

Music: CHANTAY SAVAGE…CHICAGO’S OWN!

Posted on by GO BANG MAG

Photo credit:  Ernest Collins

 

The daughter of a jazz musician who hails from Chicago, was raised on the sounds of jazz and soul legends Sarah Vaughn, Chaka Khan, Marvin Gaye, Al Green, and Anita Baker. Also, a Prince devotee, Chantay possesses a range and power that accentuates her vocal versatility. Like so many professional singers, she got her start in the church choir. After numerous standout solo performances, she was appointed “Minister of Music” at the tender age of 13, in charge of adults three and four times her age. It was there where she honed her skills as a vocalist and keyboardist, as well as her mastery of four and five-part harmonies.

Chantay soon got bit by the performance bug in the secular arena and entered an open mic contest at a local club. Not only did she win eight times in a row, but she also parlayed this success into gigs as a session singer and songwriter for artists like CeCe Peniston and Tonya Blount. It was Chantay’s contributions to Peniston’s single “We Got a Love Thang,” which she wrote, arranged, and sang backgrounds on, that earned her a deal with RCA Records in 1992. During her time with RCA, she released three albums, securing her first top-twenty single on the R&B charts with “Betcha’ll Never Find,” followed by a platinum single via her second album, with her R&B rendition of Gloria Gaynor’s disco anthem “I Will Survive,” including a remix featuring rapper Common that further surged the record. She returned the favor and appeared on Common’s lead single, “Reminding Me of Sef” to his third album – One Day It’ll All Make Sense. On her third and final album with the label, she wrote and co-produced a bulk of the songs, which also included a lead single produced and written by Keith Sweat.

Now independent, Chantay continues to collaborate with various artists and producers from around the world, as well as touring abroad. Her most memorable performance took place over one weekend in Johannesburg and Bloemfontein, South Africa, where she co-headlined at the Macufe Festival. She explained, “The love, hospitality and fan reception is unmatched and something I’ll never forget.”

Currently, Chantay is most excited about her new project, an EP that she and world-renowned DJ and producer Terry Hunter are hard at work on. “Terry is a multifaceted producer, our musical tastes across-the-board are very similar. I’m loving what we’ve been creating.” Chantay describes her new project to be released on her own label in conjunction with Terry’s T’s Box Records, as a “soul album.” “I appreciate my independence and freedom to record whenever and whatever I feel and not be boxed-in and told what to do and when and where to do it. I’m even revisiting my early House/Dance music days, being from Chicago. House music is on the upswing now, but I’ve always been rooted in it and Terry’s a master of that sound. The bulk of the new material, if I had to choose, is R&B, like some of my previous stuff, sprinkled in with some Pop, House/Dance, and even Hip Hop… always soulful.”

“My main goal is to make you feel something when you hear it – – from my soul to yours.”

GO BANG! MAGAZINE: When did you first know that you had real vocal talent and wanted to pursue music professionally?

Chantay Savage: Well, I was singing as far as I can remember. At three-years-old, I sang my first solo in the Sunshine Choir at church and got a standing ovation. Ever since then, the stage kept callin’ me!

GO BANG! MAGAZINE: In addition to being a vocalist, you are also a keyboardist and a drummer. When songwriting, what inspires you to write, and do you compose the lyrics first or the music?

Chantay Savage: My inspiration as far as songwriting comes from experiences, and not just mine. Also, it could be my mood or the state of the world or a message I want to get out. There is no set order in terms of lyrics first or track first. Sometimes a track can inspire the theme or tone of the record and my writing direction sometimes something I jotted “sans” (without) music can fit perfectly with a track. There are times where I sit at the keyboard and freestyle ideas lyrically.

GO BANG! MAGAZINE: As a Chicagoan, I know that you are a House music lover. How has House music influenced you and your music?

Chantay Savage: House music is what my generation grew up on, so I’d danced the night away to House music. We used to have a little clique called Front Row, where we’d go party hopping and take over the dance floor, partying to Frankie Knuckles and the like. Since Chicago is the birthplace of House, it’s been innately in me before I even sang on a House track.

GO BANG! MAGAZINE: You have written hit songs for many artists including CeCe Peniston’s mega-hit single “We Got a Love Thang.” In 1995, you teamed up with Aaliyah, En Vogue, TLC, BlackGirl, Mary J. Blige, Vanessa Williams, SWV, and others for the single “Freedom” from the movie Panther. Is there any artist, dead or alive, that you would love to work with, that you haven’t yet? What about any producers?

Chantay Savage: Not to be morbid, but let’s go with Tupac, Michael Jackson, Marvin Gaye … Anita Baker too. Producer-wise, Gamble & Huff and Stevie Wonder.

GO BANG! MAGAZINE: In the past, you were under recording contracts with labels, who dictated and directed your career. You released three stellar albums with RCA, which included the hit singles “Betcha’ll Never Find” and a remake of “I Will Survive.” Now that you are an independent artist, how are things different and what are some of the advantages and disadvantages of being an independent artist?

Chantay Savage: Independently, the difference is the freedom to record when and where I want, and to experiment musically. The one con that all independent artists can attest to is having to budget meticulously and sometimes having to forgo certain things because it’s prohibitive, budget-wise. You definitely have to put your creative hat on, with respect to promotion, because you don’t have the machine behind you who go big on promotional costs.

As far as the majors, the music business is a copycat business, so they want you to follow the trends always, and want to put you in that proverbial box. There aren’t many majors left, but I’m speaking from my time with RCA. Also, it was a lot of “hurry up and wait.” You must wait to get put on a schedule, sign off on this, sign off on that, get approved for this and that, and ultimately, they have the last say so on the songs that make the album, unless you have extreme power. It was often a power struggle with picking singles, though “I Will Survive” picked itself because we leaked it and it exploded at radio. So, like anything, independent vs a major has its pros and cons.

GO BANG! MAGAZINE: You had the opportunity to perform in South Africa at the Macufe Festival. I know that had to be one exciting experience. Please tell our international readers about South Africa, the people, the performance and how it affected you.

Chantay Savage: When I did MACUFE, it was wonderful! I performed in Joburg and Bloemfontein, South Africa, in front of a beautiful, amazing, and very receptive audience. They appreciate me and I appreciate them. The hospitality was first-class! The love was indelible. My spins at radio from two of my RCA albums are consistent there still. Can’t wait to go back!

GO BANG! MAGAZINE: Terry Hunter recently released a new hit single “T.S.O.C.”, which features you, Common, Mike Dunn, Deon Cole, Coldhard of Crucial Conflict, AM7, and Jamie Principle. Please describe what that experience was like and what you like about working with Terry.

Chantay Savage: That was such a fun record. It was Deon Cole, who himself got convinced to rap by Terry, who turned around and suggested that I rap too. He and Terry called me on a three-way with the idea and I was wit it! And regarding working with Terry, our chemistry is incredible in the studio and our musical tastes are so similar. We know each other’s likes and dislikes and the biggest thing is our trust for one another. The love is real, that’s family!

GO BANG! MAGAZINE: Recently, Drake and Beyonce each dropped albums that are heavily influenced by House music. What do you think about their albums and what effect do you think their albums will have on the youth and House music becoming a mainstream genre?

Chantay Savage: I truly like both albums. I’m not a Chicago House music snob and besides, my brother Terry blessed ‘em with that Chicago sound on one of the official remixes of “Break My Soul.” Actually, I was at Terry’s house when he got the phone call from Beyoncé’s manager. I think it will propel House music to new heights. As I said, the majors are a copycat business, so Terry’s phone is ringing off the hook! Even rappers want a House track from him, so I’m here for it!

GO BANG! MAGAZINE: If you were not an entertainer, what would you be doing with your life?

Chantay Savage: I’d would definitely be doing something creative. If it were not for music, I would want to create a lifestyle brand centered around black women.

GO BANG! MAGAZINE: Lastly, you’re about to drop an EP on your own label, in conjunction with Terry’s T’s Box Records. Can you please tell us more about your label, describe this project, as well as what our readers can expect?

Chantay Savage: Yep! I’m at the helm, so along with Terry, we’re cooking. My EP is a mixture of R&B, House, and Disco … always soulful! Can’t wait for the world to hear it! We’re putting the finishing touches on it. It’s coming!

GO BANG! MAGAZINE: Thank you Chantay for this interview. You have now officially been BANGED!

You can follow Chantay Savage:
Socials:
IG: ChantaySavage
FB: Chantay Savage
Twitter: MsChantaySavage



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Music/Business: PRODUCER/DJ LOUIE GOMEZ & BASSMENT TAPES RECORDS

Posted on by GO BANG MAG

Photo credit:  Paris Brightledge

 

Louie Gómez has been involved in the Chicago House music scene since day one. As a House music pioneer, Gomez stepped onto the stage of dance music history by discovering, a then unknown, Jamie Principle. Louie went on to produce the original eight minute “Dub Vocal Mix” of “Your Love”, an unreleased track of Jamie Principle’s at the time. This House music anthem, along with another original unreleased production from Gomez entitled “Change”, became staples in Frankie Knuckle’s DJ sets at the legendary Warehouse and Powerplant nightclubs in Chicago.

After taking some time to hone his skills as an audio engineer at local recording studios in Chicago, Louie Gomez was ready to show his growth as a producer/remixer and DJ. His productions aren’t limited to one style. He is comfortable producing tracks that are elegant and soulful, to deep House or funky dancefloor excursions, always striving to go beyond the ordinary.

In 2015, he marked the launch of a new record label, Bassment Tapes Records with Jesse Rivera. The label is a multi-media imprint, encompassing live DJ sets, music videos and a roster of talent signed from the underground House music scene from across the globe. The label is coming up on their 100th release and to commemorate this milestone, Louie Gomez and Jesse Rivera will collaborate on a 4-track vinyl only release.

Aside from running a label, music, and video production, you can also catch him and Jesse Rivera on their monthly show “Gruvbox” and his solo DJ show “Happy Hour” on the Sugar Shack Radio twitch stream.


GO BANG! MAGAZINE: When and how did you get an interest in DJ’ing?

Louie Gómez : Well as a young boy, I was exposed to all types of music, having grown up with older siblings and a father who all bought music on vinyl. There was always music on the hi-fi stereo in our home, and my dad taught me how to use his reel-to-reel tape deck to record my own “playlists.” By the time I was in high school, I had a nice collection of Disco and Funk records. So naturally, when the opportunity to play at a school dance came up, I was asked to play. The response from friends, while I played records, really got me hooked on wanting to play again

GO BANG! MAGAZINE: How did you first get started in the House music scene?

Louie Gómez : Before the term “House music,” we’d go to parties where the Chosen Few were spinning, for example, The Tiki Room, The Loft, The Mansion, Sauers, South Commons. I was around 16 at the time. I think this was my intro. But it wasn’t until I was about 17, when my friends and I actually ventured to a club that we had only heard of until then. It was this place called U.S. Studio Warehouse, on Adams and Jefferson, that I became fully baptized in the “House music” scene.

GO BANG! MAGAZINE: You are also a music producer/remixer. Can you please explain if DJ’ing and music producing started at the same time or did one lead to another?

Louie Gómez : During my high school years, I was DJ’ing on the south side at small basement parties and events for friends. At this time, I hadn’t thought about producing. It wasn’t on my radar. I didn’t even consider it a possibility.

GO BANG! MAGAZINE: Who are some of the music producers, artists or DJs that inspire you or inspired you in the past?

Louie Gómez : Those who I continually draw inspiration from are, Patrick Adams, Vincent Montana, Randy Muller, August Darnell, Giorgio Moroder, Gino Soccio, Kraftwerk, Dan Hartman, Roy Ayers, D.C. LaRue, Eric Kupper, Antonio Carlos Jobim, and Joao Gilberto, to name just a few.


Photo credit:  Louie Gómez

GO BANG! MAGAZINE: You’ve stated that you discovered Jamie Principle, an icon in the House music community. Please tell our readers how and when you first met Jamie and how you introduced him to the world, by producing one of his House music classics “Your Love.”

Louie Gómez : I met Jamie Principle when I was 17 years old, while working a retail job at Evergreen Plaza. I saw him walking across the lower level and because of the way he was dressed, he caught my eye. This guy was the epitome of “new wave” head to toe. I just had to strike up a conversation, so I stopped him and asked him about his Fiorucci sunglasses and his lavender knit gloves. He was just too cool for that plaza – LOL. It turned out that we had a lot in common, music, love of fashion, and trends.

Over the course of the next year, we became good friends. I would share my stories of the parties I’d attend, and I spoke enthusiastically about going to The Warehouse a lot. He in turn would share his original music with me. I would actually play some of his original tracks (off cassette) at the parties I DJ’d at. We talked about music production a lot and he showed me his project studio at his home. It was during one of these visits that he played a rough draft of a new song for me (later to become “Your Love”) and I immediately responded positively to it. In an off-handed remark, I said “you should let me remix this.” I thought it had potential to be played at The Warehouse.

A few weeks later, Jamie called and invited me to Soto Sound Studio to do a mix on his newly completed track “Your Love.” I enthusiastically accepted the invite and off I drove to Evanston, having no idea what I would do once I got to the studio. However, once there, we got comfortable and just started the playback of the track learning the song and taking some notes. I began to mute, solo, add delays and various effects, while the engineer helped with editing the actual tape, to create a longer intro/outro, which I knew was imperative to make it DJ friendly. The result was a 10:00 minute hybrid vocal/dub. I knew I had to get this into the hands of Frankie Knuckles.

I belonged to I.R.S. Record Pool at the time, and I knew Frankie did too. I had run into him there on a couple of occasions. So, that following week, I showed up to I.R.S. and waited for Frankie to come in and pick up his promos for the week. When he arrived, I handed him my remix of Jamie Principle’s “Your Love” on a 7” reel-to-reel tape. I explained that it was a new song by a brand-new artist and kindly asked if he would have a listen when he got the chance.

That following Saturday, my friends and I, as usual, headed for a night out at The Warehouse. I recall around 3am, the lights going dark on the dancefloor and over the sound system that infamous arpeggio intro that seemed to last forever started. Then that throbbing synth bassline from the Korg/Mono Poly plays. I couldn’t believe my ears. Frankie was playing “Your Love” off the reel-to-reel tape, and to my surprise everyone on that dance floor was feeling it. Over the next year Frankie played my dub mix every weekend and basically established this as an anthem.

The following week, back at the record pool, Frankie asked to meet Jamie (which was easier said than done, having strict parents). But eventually I was able to introduce them to one another and that’s a whole other chapter of the origins of House music.

So, I really owe it to Jamie Principle for allowing me to remix his track and showing me that music production is something that I could pursue. I immediately went out and bought my own drum machines and synthesizer and started to learn the craft of songwriting and production.

GO BANG! MAGAZINE: As one of the pioneers in the House music scene, you must’ve worked with and DJ’d with many other pioneers of House. Who are some of the people that you have worked with or spun with over the years?

Louie Gómez : As a DJ, I’ve been on the same roster as Victor Simonelli, Laura Branch, Craig Loftis, and Mike Winston. I’ve produced tracks for Shawn Christopher, Kym Sims, Marisa Lopez, and Roxy.

 

 

 

 

 

 

 

 

 

 

Photo courtesy of: https://www.facebook.com/louie.gomez

 

GO BANG! MAGAZINE: In addition to all that you do, you are also and entrepreneur and the co-owner of Bassment Tapes Records, along with Jesse Rivera, which launched in 2015. Please tell us about your label and your co-owner Jesse Rivera.

Louie Gómez : Jesse Rivera is a talented musician, producer, engineer, DJ, graphics artist, and tech-head. Originally from Detroit, he brings an ear for the organic, experimental, and cutting edge to the label. Our friendship has grown over the past 11 years. He and I launched Bassment Tapes Records to curate a sound we ourselves were interested in spinning, with roots in; Deep House, Funky, Soulful, Disco, all with an underground vibe. Throughout the 7 years running this label, we’ve showcased producers and vocalists from around the globe which fit into our vision for keeping this genre that we love, vibrant and forward looking.

GO BANG! MAGAZINE: How would you describe the Louie Gómez sound, both as a DJ and as a music producer/remixer?

Louie Gómez : Well, I would say that my productions aren’t limited to one style. I’m comfortable producing tracks that are elegant and soulful, to Deep House or funky dance floor excursions, but always striving to go beyond the ordinary.

As a DJ, this all depends on the mood. Maybe you’ll get all the new stuff, or a classic Disco set, or perhaps I’ll mix it and go where the vibe takes me.

GO BANG! MAGAZINE: Over the years, House music has evolved and has branched out over the world in many new variations. What do you see as the future of House, as a music genre and as a community?

Louie Gómez : Well, there will ALWAYS be music being made for the dance floor. The name may change, but the roots will always be Disco and House music. I really like a lot of the new music being produced. There’s a lot of great original sounding music coming out, but I will always have a soft spot in my heart for the classics and will continue to include those tracks in my sets.

As far as community, I hate to sound cynical, but I’m just not feeling “community” like there was in the past. Perhaps this is due to COVID separating a lot of us, or people just looking out for themselves. I don’t really fret over “community” because I’ve surrounded myself with great friends who are supportive, believe in what I do and always have my back no matter what. Holding on to that is important for me.

GO BANG! MAGAZINE: In conclusion, please tell our international readers what we can look forward to from Louie Gomez and Bassment Tapes Records.

Louie Gómez : Well, Bassment Tapes Records is soon coming upon its 100th release. In commemoration, Jesse Rivera and myself are collaborating on an album to be released in limited edition on vinyl and special editions available digitally. I ask your readers to please check out our YouTube channel. We frequently post promotional videos to accompany our releases and select DJ sets. Look for us to drop a DJ set in your area soon.

GO BANG! MAGAZINE: Thank you Louie for this interview and you have now officially been BANGED!

Photo credit:  Louie Gómez

 

CLICK THE FOLLOWING LINKS FOR FURTHER INFORMATION ON LOUIE GÓMEZ:

Juno Download Releases

Traxsource Releases

Bassment Tapes Video Promos

https://soundcloud.com/louie_gomez

http://www.mixcloud.com/louiegomez/

https://twitter.com/Louie_Gomez





Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Music: CHRIS JASPER NEW ALBUM “RAISE THE BAR”

Posted on by GO BANG MAG

All photos courtesy of:  ChrisJasper.com

 

Bringing back the funk…”Raise The Bar…the Title Track from Chris Jasper’s 17th solo album “Raise The Bar” available on CD and Vinyl at ChrisJasper.com (Free Domestic Shipping). Also available at iTunes, Amazon and More!

If you are familiar with THE ISLEY BROTHERS, then you know Rock & Roll Hall of Fame inductee, CHRIS JASPER, an integral member of THE ISLEY BROTHERS during the 1970s and 1980s—their gold and platinum years—from the 3+3 (1973) to Between the Sheets (1983) albums. These were the years when THE ISLEY BROTHERS were a self-produced, self-contained group.



If you are familiar with THE ISLEY BROTHERS, then you have heard the music of CHRIS JASPER, who was primarily responsible for writing, arranging and producing all of THE ISLEY BROTHERS music during this time, including such beautiful love songs as “For The Love of You” and “Between the Sheets” and uptempo funk such as “Fight the Power.” His arrangements and instrumentation as a classically-trained musician, and his expertise on the keyboards and synthesizers, are the foundation of the legendary “Isley Brothers Sound.” When the six members of THE ISLEY BROTHERS disbanded (1984), Marvin and Ernie Isley joined CHRIS JASPER and formed ISLEY-JASPER-ISLEY. Without this crucial musical component, THE ISLEY BROTHERS were no longer a self-produced, self-contained group.

When ISLEY-JASPER-ISLEY disbanded (1987), CHRIS JASPER brought his “unique sound” to his own solo projects, topping the charts with “SuperBad,” a song promoting the value of education. CHRIS JASPER has continued to write songs and produce his own R&B and Gospel music, as well as other artists, for his independent record label, Gold City Records.

CHRIS JASPER’s music has been covered and sampled by hundreds of new and established recording artists, including Whitney Houston, Jay-Z, Snoop Dogg, Gwen Stefani, Fantasia, Will Smith, Aaliyah, Queen Latifah, Notorious B.I.G., Tupac, Natalie Cole, Jaheim, Kendrick Lamar, and the list goes on and on. His music has also been used in many movie and television soundtracks.

In 1992, CHRIS JASPER, along with the other members of THE ISLEY BROTHERS, was inducted into the ROCK & ROLL HALL OF FAME and in 2014, received a GRAMMY LIFETIME ACHIEVEMENT AWARD. In 2015, CHRIS JASPER received the German Record Critics Lifetime Achievement Award (“Preis der deutschen Schallplattenkritik”). In 2016, Chris was awarded the National R&B
Society Lifetime Achievement Award.

SOLO CAREER:

In 1987, Isley-Jasper-Isley disbanded and Chris embarked on a solo career. Chris formed his record label, Gold City Records, and released two albums as a CBS-associated label. His debut single, “Superbad” reached #1 on the R&B charts.

Eventually, Marvin and Ernie returned to record under the Isley Brothers group name, and Chris continued his solo career, releasing a total of 14 solo albums to date, including 4 urban contemporary gospel CDs.

Chris has also produced a number of artists for his Gold City label, and has worked with such notable artists as Chaka Khan, writing and producing a song for her CK album (“Make It Last”). Chris’s music has been covered and sampled by numerous new and established recording artists, including Whitney Houston, Jay-Z, Snoop Dogg, Gwen Stefani, Fantasia, Will Smith, Alliyah, Queen Latifah, Notorious B.I.G., Tupac, Natalie Cole, Jaheim, Kendrick Lamar, and the list goes on and on.

Chris works closely with his youngest son, Michael Jasper, who released his debut album “Addictive” on the Gold City label at the age of 16 in 2010. “Addictive” was written and recorded by Michael, and co-produced by Chris. Michael, now an attorney, writer and entrepreneur, continues to produce music and heads the EDM/Hip Hop Division of Gold City Records. Chris and Michael collaborate as music producers to create tracks for Film, TV, and other platforms, under Gold City Music.

Chris has received numerous gold and platinum albums and music industry awards, including the BET lifetime achievement award. In 1992, Chris, along with the other members of The Isley Brothers, was inducted into the Rock & Roll Hall of Fame and in 2014 received the Grammy Lifetime Achievement Award. In 2015, Chris received the German Record Critics Lifetime Achievement Award (“Preis der deutschen Schallplattenkritik”). In 2016, Chris received the National R&B Society Lifetime Achievement Award.

Chris and his wife of 36 years, Margie, live in New York.



Bringing back the funk…”Raise The Bar…the Title Track from Chris Jasper’s 17th solo album “Raise The Bar” available on CD and Vinyl at ChrisJasper.com (Free Domestic Shipping). Also available at iTunes, Amazon and More!

You can listen to the title track “RAISE THE BAR” HERE

You can listen to the HOT NEW SINGLE  “HEY LOVE” HERE

 

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

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