Photo Credit: Brandon Appleton/Refined You Studio

 

It is a proven fact that only two percent of people truly pursue their dreams, while 98% spend most of their lives lamenting lost opportunities. Chicago’s Lorenzo Owens is not one of those unfortunates. As a finalist on Oprah Winfrey’s “Pop Star Challenge” back in 2004, he finished with the second-highest vote total at slightly over 11 Million votes.

The production prowess of Grammy winning producer Michael J. Powell (Anita Baker, Tyrese, Aretha Franklin), led to his debut album “After The Show”, being well-received by audiences and critics alike. His breezy, soulful debut single “Wanna See You Smile” captured music fans everywhere. Lorenzo’s magnificent voice, a brash register that brings to mind the late, great David Ruffin, stunning sensuality and a dazzling smile, all continue to produce an amazing stage presence and powerful live show. He also holds the distinction of being one of the few artists to make Ms. Oprah Winfrey shed a tear.

It wasn’t until he had begun attending college that he realized singing was his life’s calling. Says Owens, “Singing was something I’d always done, but I never paid much attention to it. It was something that just came naturally.”
One of his most recent offerings “Walk Away From Love” is a stirring dance-tinged remake of the David Ruffin classic, that has set dance floors ablaze everywhere. Lorenzo’s current single “When The World Says No” is a soulful yet inspirational Top 40 hit impacting charts all around the world.
Lorenzo is presently working on a new album expected in spring of 2021.

GO BANG! Magazine: Where did you grow up and spend your childhood and how interested were you in singing as a kid?

Lorenzo Owens: I grew up in Milwaukee WI. I have enjoyed singing since I was a tiny tot. I am told I sang full songs at three years old. Much like my 3 year old nephew is doing now. It makes me totally smile.

GO BANG! Magazine: Please describe to our readers the moment when you knew that you wanted to professionally pursue a career in the Entertainment industry.

Lorenzo Owens: I got the bug early on. It was literally the first time I heard the roar of the crowd after singing. I knew that’s where I wanted to be, but it took time for me to realize that I could actually make that a reality. Coming from the Midwest, it was fairly unimaginable to me.

GO BANG! Magazine: David Ruffin has been an inspiration to you. What is it about David Ruffin’s voice and singing style that captured you and how has that influenced you musically?

Lorenzo Owens: It was the grit, the girth of David’s voice coupled with the extreme highs he could reach. It was very similar to my own (not that I would dare compare myself to him) but hearing him struck a chord in me. I noticed the similarities and I thought his voice was wonderful. I never quite felt that way about my own (lol) tho I do appreciate it and feel blessed to possess such a gift.

GO BANG! Magazine: How would you describe the Lorenzo Owens sound?

Lorenzo Owens: My sound is very me. That’s the best I got for ya. (lol) My sound is rooted in soul. It is literally an expression of me, how I feel, what I think and all that has influenced me.

GO BANG! Magazine: Are you primarily a vocalist or can you/do you write lyrics, compose music, play an instrument or produce tracks as well?

Lorenzo Owens: I would say that I am primarily a vocalist, but yes I do write as well and have written for all of my past projects. I will be doing the same for the forthcoming.

GO BANG! Magazine: As a finalist on Oprah Winfrey’s “Pop Star Challenge” you shared your talent with the world, as well as had the opportunity to network in a major way. How would you describe that unique time in your life, how did it affect your career, and what advice did Oprah or any of the judging panel give you that you took to heart?


Lorenzo Owens: That was a magical time in my life/career. It was not the silver bullet that some would think, but it definitely open many doors and instantly took me to much higher heights than I had ever been before.

As far as advice…well, it was more encouragement for me to keep going and reinforcement that I could do this.

GO BANG! Magazine: Please name any producers, songwriters or other artists that you would LOVE to work with, that you haven’t thus far, and why?

Lorenzo Owens: I would love to work with Babyface, Ryan Leslie, Brian Micheal Cox, I could go on.

Artist wise…Ledisi would be amazing. Again I could go on forever.

GO BANG! Magazine: The Covid-19 pandemic has dampened and ruined the entire year of 2020 thus far, for many people. They are dealing with it in various ways. Some are doing just fine, while others are depressed because of loneliness or death to loved ones, due to the virus. How has the pandemic affected you?

Lorenzo Owens:  We have never experienced anything like this before.  It’s been scary, sad, depressing and more.  But, as with all things in life, you will either stay the course or give up.  Giving up is not an option for me.  As the song goes, “I believe I’ll run on to see what the end will be.”

GO BANG! Magazine: Being a Black man in America today is dangerous on a daily basis. We have ALL experienced it in different ways. How have you been affected by systematic racism and have you witnessed White privilege? If so, please describe the instance for our readers.

Lorenzo Owens: Let me count the ways/days. Systematic racism and white privilege is literally almost a daily thing for most of us living Black in the United States. If you live in America, you witness it often, unless you decide to wear blinders. It just is.

GO BANG! Magazine: What current and upcoming projects are you working on that our readers should be on the lookout for?

Lorenzo Owens: I have a current single out called “When The World Says No” a collaboration with James Day. It’s available right now on all digital platforms. I am also working on a new protect slated for spring-ish 2021.

Watch “When The World Says No” VIDEO: https://www.youtube.com/watch?v=CIt1oOW6iFU


FOLLOW LORENZO OWENS ON ALL SOCIAL MEDIA PLATFORMS @Lorenzo Owens

IG: https://instagram.com/lorenzo_owens?igshid=1czhyj7x8olr5

FB: https://www.facebook.com/lorenzo.owens.58

DOWNLOAD HIS NEW SINGLE “WHEN THE WORLD SAYS NO” AVAILABLE ON ALL DIGITAL FORMATS




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

James C. Birdsong, Jr. is an aspiring gospel vocalist, songwriter, motivational speaker, entrepreneur, advocate for our children and author of The Best is Yet to Come: A Testimony of One Young Man’s Redemption, an inspirational memoir published nationally and to this date, received positive reviews and appearances on multiple television, radio and print media platforms nationwide and globally.

A native of Richmond, CA, his efforts have caught the attention and respect of politicians, community, media and entertainment leaders and luminaries. A member of the famed Birdsong family, his lineage includes R&B legend Cindy Birdsong, a former member of Patti LaBelle and the Bluebells and the Supremes, former four-time NBA All-Star pro basketball player Otis Birdsong and the late Edwin Birdsong, a GRAMMY®-Award winner and legendary 1970s era funk keyboardist, who’s music has been sampled by Kanye West, Snoop Dogg and Dalf Punk.

Mr. Birdsong was the great-nephew of the late Rev. Sidney Birdsong, Sr., a respected icon who served as the pastor of the historical Solid Rock Baptist Church in Los Angeles from 1959 to his death in 1976. A graduate of Fairfield High School in Fairfield, CA, Mr. Birdsong earned his Bachelor of Arts in Biblical Education at Beulah Heights University in Atlanta, GA. He is currently pursuing a Graduate certificate in Marketing at the University of Phoenix in Phoenix, AZ.

The recipient of the Albert Nelson Marquis Lifetime Achievement and Marquis Who’s Who Top Artist Award, a listee in Who’s Who in America and Who’s Who in the World, the Outstanding Georgia Citizen Award, the Congressional Record, the Black Essence Award in Gospel Music, numerous citations, honors, nominations, proclamations and resolutions and an inductee on the Wall of Tolerance at the Civil Rights Memorial Center in Montgomery, AL.

His memberships of major music organizations include the Gospel Music Workshop of America Atlanta Chapter (GMWA), the Stellar Awards Gospel Music Academy (SAGMA) and the Gospel Music Association (GMA Dove Awards). He is working on his next book for youth as a discussion of various topics they face today from dating and relationships to the hip-hop culture and advice on how to enroll in college. The book is scheduled for publication in 2021.

GO BANG! Magazine: When and how did you know that you wanted to professionally pursue a life in the church?

James C. Birdsong, Jr.: First and foremost, I want to thank the GO BANG! Magazine family for giving me this opportunity to speak with your audience and the many readers throughout the WORLD.

I was born and raised in Richmond, California. I lived at the corner of Maine Avenue and Harbour Way South in the inner-city southside. My father, the late Rev. James C. Birdsong, Sr., who died in 1997 at 58 years old, was a respected and well-known minister and community activist in Richmond. He was a gifted and talented singer in his own right. However, my father had the opportunity to record, but he never pursued it. My mother, Belinda Germany-Birdsong resides here in Atlanta, Georgia.

I am a member of the world-renowned famed Birdsong family that consists of R&B legend Cindy Birdsong, a former member of the 1960s iconic R&B female groups Patti LaBelle and the Bluebells, and the Supremes; retired NBA four-time all-star pro basketball player Otis Birdsong; and Grammy Award winner, the late Edwin Birdsong, who became famous in the 1970s funk era and sampled by today’s multi-platinum artists such as Snoop Dogg, Kanye West and others. My great-uncle, the late Rev. Sidney Birdsong, Sr. was the pastor of the historic Solid Rock Baptist Church in Los Angeles, California.

I always tell people that God, my family, and my upbringing became the foundation of what I am doing today in my career in the gospel music industry and being a public figure on the national platform. I received my calling and beginnings at a very young age.

GO BANG! Magazine: Nowadays many people are turned off by “religion” and the church, with all of the politics involved and the judgement that sometimes happens between the parishioners, and prefer to say that they are “spiritual” and not “religious”, meaning they don’t attend church. What do you think about that?

James C. Birdsong, Jr.: This is a question that has and still continues to raise awareness related to the church. My family roots are Baptist, dating back to my great-grandparents, the late Ed and Ida Birdsong of Greenwood, Louisiana. I come from a long line of preachers in the Birdsong family.

For me, I was raised in the Church of God in Christ and Apostolic denominations during the 1980s and 1990s. I have seen and observed a lot in my childhood and adolescence. I grew up around pastors, first ladies, ministers, evangelists, missionaries, deacons, choir members, musicians, Sunday school teachers and the mothers of the church. There are politics in the church, especially when it comes to the leadership role.

You asked me about people being spiritual and not religious. We are living in a time now that people are not attending church, especially our younger generation. They truly love God. At the same time, people are already wounded from hurts. Instead of them leaving the church delivered and set free, they are going home more hurt, more wounds, and more of their self-esteem being torn down.

There are some people in the leadership role, not all, in the church that are very judgmental and have that “holier than thou” mentality. I can go on and on with this response. This is another reason why the current state of the church is this way. We still have true men and women of God that live and stand on His Word and have a heart for the people. It is sad that certain individuals classified in a group of church leadership are doing wrongful deeds, and make it look bad for the good pastors, leaders, and congregants. The scripture tells us in Matthew 5:16 (KJV), “Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven.” In other words, our assignment is to be an effective and positive example to others by demonstrating God’s love towards one another. We are not doing enough of that today.

GO BANG! Magazine: In addition to being a religious leader, you are also a motivational speaker. What topics have you spoken about and why do you feel that you are an effective motivational speaker?

James C. Birdsong, Jr.: I have been doing public speaking since I was 12-years old. I have told this story many times before. I was attending Nystrom Elementary School across the street from my house in Richmond, California. The school still exists today. I was in the sixth grade and preparing to graduate. The day before the graduation, my sixth-grade teacher named Donna Grove, a white woman, accompanied me to the auditorium. She and her husband had supported me through the years. I had to rehearse my speech. When I walked on stage, I was feeling very nervous. I said, “Mrs. Grove, I can’t do this.” She looked straight at me and said, “James, you can do this.” Her words gave me confidence. The next morning, I gave my speech and resulted in a stand ovation.

In 2002, God blessed me to return at Nystrom Elementary School to deliver the graduation commencement address. The school honored me in 2003 as the first former student in history to receive their most prestigious award. I usually share my story of being an overcomer to the young people and give them encouragement on how to succeed. I also encourage the parents and adults to love our children and never discouraged them. Prior to speaking at my sixth-grade graduation, my mother told me it was already there.

GO BANG! Magazine: Please explain to our readers what child advocacy is and describe what work you are doing in this area.

James C. Birdsong, Jr.: Child Advocacy is promoting and supporting their needs through mentorship. I am a strong supporter of our youth. God has allowed me to do this in my profession and throughout the community.

GO BANG! Magazine: As an entrepreneur, you recently established Birdsong Association of Broadcasting & Arts, Inc., which trains and guides youth who are interested in performing arts and broadcasting. What motivated you to establish this organization, and why initially in Atlanta, then in Los Angeles, and soon in New York City?

James C. Birdsong, Jr.: I am very glad you asked me this question. Birdsong Association of Broadcasting & Arts, Inc. is a new 501©3 non-profit organization to help our Black youth in Atlanta, Los Angeles, New York City and throughout the United States, to pursue their dreams and careers in performing arts and broadcasting with various programs and initiatives, partnerships with public school districts, 39 HBCUs, productions, workshops, fundraising activities, scholarships, mentorships, an annual gospel concert and pre-concert VIP awards gala as our benefit and much more.

God gave me this vision in 2018 to move forward in my goal of mentoring today’s youth. I am a strong supporter of our children and have been recognized by elected officials and organizations in this effort. Coming from a family that has been blessed with rich, strong legacy in the entertainment industry, I wanted to do my part to give back. The Birdsong family are strong believers in community service and philanthropic efforts.

Since I reside in Atlanta, our main operations of the organization are located here. We will then move forward with the launch of our second operations in Los Angeles and by faith, a third operation will be established in New York City.

Many of my friends and colleagues in the Gospel music industry and the Entertainment arena at large along with media broadcasters, my supporters and the public at large are very pleased about this organization. They all agree about this effort is needed in the Black community for our children from 5 to 18 years of age. One of our main targets will be our inner-city youth. My publicist is working on an extensive media and marketing campaign for this organization locally and nationally.

GO BANG! Magazine: After all of the previously mentioned accomplishments, you are also an aspiring gospel songwriter and vocalist. I suspect that you are spreading “the word” through song. What is your mission or goal as a Gospel performer?

James C. Birdsong, Jr.: I grew up singing as a child by listening to my father’s old school records of Rev. James Cleveland and other iconic Gospel artists of the Golden Era. We had a popular gospel radio station, KDIA 1310 AM, in the San Francisco Bay area. I remember this radio station playing the popular hits by Shirley Caesar, Rev. Timothy Wright, Vanessa Bell Armstrong, the Winans and especially my fellow Bay Area natives, the Hawkins Family. They are from Oakland, California. I would make up songs, and later, I would sing in the choir at 10 years old.

By the time I was 16 years old, I begin my journey of studying the business side of the Gospel music industry while obtaining vocal coaching. God has blessed me to be connected in the Gospel music industry throughout the United States. My goal is to proclaim a message of hope while mentoring our younger generation as a vocalist, songwriter and industry professional.

GO BANG! Magazine: You have authored two books thus far, “One Marriage, Many Tales, And a Separation: A Message of Hope” and “The Best is Yet to Come: A Testimony of One Young Man’s Redemption.” In 2021, you plan to publish a third book, which is a discussion geared toward the youth and the various topics they face, such as dating, relationships, hip hop culture and college enrollment. I commend you and look forward to its’ publishing. What do you think about the current youth of today, in relation to their participation and responsibility in the civil-unrest movement going on today?

James C. Birdsong, Jr.: I am very concern about today’s youth. I am from the Millennial generation. Right now, I am going to focus on Generation Z, which are the children born between the late 1990s to now. A lot has changed in the course of 25 to 30 years. I am comparing my upbringing to the generation today. I was blessed with both parents in the home. When I see the current state of today’s youth, we have a lot of work to do. Many of them are from single parent homes, the fathers are not present, living in an environment where drugs, gangs and violence are around, and the list goes on. Many of these young people feel there is no hope for them, nobody is listening to them, nobody is giving them the chance to showcase their God given talents, and certain people they look up to as mentors and role models have failed them. I want to encourage our youth of today. God has chosen, created, and given you a purpose in life. You are going to succeed regardless of what is going on in society. Never allow any obstacles hold you back from your goals. Stay out of trouble. You are special in God’s eyesight. People are going to criticize and have their voice of opinion. Do not allow that to define you or your character. You are loved and respected.

GO BANG! Magazine: Being a Black man in America today is dangerous on a daily basis. We have ALL experienced it in different ways. How have you been affected by systematic racism and have you witnessed White privilege? If so, please describe the instance for our readers.

James C. Birdsong, Jr.: Growing up in Richmond, California in an all-Black neighborhood, I learned early in life who I was as a Black man in America through observations. I grew up surrounding by diversity, since I am from the San Francisco Bay Area. I had been blessed to attend schools in both the Black and White communities and had friends and acquaintances in different nationalities and cultures. I had Black and White teachers and they all pushed and encouraged me to strive for greatness.

I have experienced racism myself, but not on the systematic level. I remember during the 1990s, the Black community was being affected from being followed in the stores and shopping malls, as if they were going to commit a crime such as stealing. This particular situation made national headlines and caused anger throughout the Black community.

I had experienced this firsthand when I was 16 years old. My mother came to pick me up from school. I was in my sophomore year at Fairfield High School in Fairfield, California. My parents were already divorced. This happened a year before my father’s sudden death. Before we went home to our apartment, my mother needed to go to the store. This particular grocery store was very popular at the time before they merged with another company. I grew up shopping at this store with my parents in Richmond. While my mother and I were in the store, she went to the poultry department to purchase catfish and tiger prawn shrimp for dinner. I went to the area where the school supplies were located. I needed a pack of line paper for school. While I was over there, there were two older White men employed at this store. I saw them on other occasions prior to this incident. They followed me over there and assumed I was going to steal. My mother was nearby and saw what they were doing. She was about to go off on these men. Now, my mother is a sweet, God fearing woman. She said to them, “If you do this to my son again, I will report you to the NAACP.” They backed off and walked away shameful.

My name was already being recognized in Fairfield, Suisun City, and surrounding areas due to ministry, leadership abilities and my classmates referring to me as “the Pastor of Fairfield High School.” Not too long after that, we received word these same two White men were fired, due to other complaints from other Black shoppers. These men did not know that I had a cousin that worked at this same store in the poultry department, nor they did not know I am a member of a renowned famous family. My cousin was not working that day. My mother had a serious discussion with me about this situation on our way home. God was with me that day and I am grateful he revealed to my mother what was going on. If she did not see this, those racist white men would have called the police on me on a false accusation.

GO BANG! Magazine: The Covid-19 pandemic has dampened and ruined the entire year of 2020 thus far, for many people. They are dealing with it in various ways. Some are doing just fine, while others are depressed because of loneliness or death to loved ones, due to the virus. What words of encouragement or motivation can you provide to readers who need help dealing with our current new normal?

James C. Birdsong, Jr.: I have been asked this particular question in recent press interviews regarding the Covid-19 pandemic. The pandemic has been very challenging for all of us, especially for those of us in the Gospel music industry and Entertainment arena at large. We have been doing award ceremonies, concerts, and meetings virtually.

It does not matter what race, culture, or your social status maybe, we have experienced something that never came to our minds. For me and my family, we have been taking measures to remain safe. God is still blessing us in spite of the pandemic. This situation is only temporary.

At the same time, we need to take a close examination of ourselves and get more close to God. These are the signs of the last days. My thoughts and prayers go out to those who lost their loved ones to the pandemic. I want to encourage them to be strong and to remain positive.

GO BANG! Magazine: Many youth, particularly young black men, may look to you as a role model and an example of how to achieve success while being Black. Can you please explain how you overcame the many obstacles in your life to achieve the accomplishments you have?

James C. Birdsong, Jr.: God brought me through a mighty long way from Richmond, California to now. I could not talk at the age of three, due to being born with a speech impediment. He healed me and I share this story on multiple media platforms on television, radio, newspapers, and magazines. I attended school in the Special Education Program. I have experience teasing and bullying, the divorce of my parents, the death of my father and other situations. It made me strong. I thank God for the people in my life that loved me, supported me, prayed for me, and never gave up on me.

I never thought I would be the recipient of over 30 awards, including proclamations from mayors to members of the United States Congress. Now I am going to be honored in the Congressional Record. I have been told by so many people, “James, you are truly a role model to our young people, especially our young black men.” Recently, I had someone tell me, “You are about to be an icon.”

The prayers of my parents and the encouragement of friends, loved ones, teachers and mentors inspire me to be the man God placed me today. Your gift will make room for you. I was not raised to be a quitter and our young people need to remind themselves, “I am not going to quit. I am somebody.”

GO BANG! Magazine: What words of wisdom can you provide to our non-Black readers to help them understand what life is like being Black during these tumultuous times, and can you suggest what they can do to help make this world a better place for us all?

James C. Birdsong, Jr.: I want to encourage the non-Black readers to learn and be open about our struggles. It is not easy for us as Black people. We go through so much, but more so as a Black man. If you truly love and care for the Black community, demonstrate how much you care through your actions. Be an effective listener and be yourself. Remember, action speaks louder than words.

I believe the world can be a better place if we apply God’s Word in our lives and perform the works.

I want to thank you for giving me this opportunity to share my story with your audience.

Be safe and may God bless you.

GO BANG! Magazine: You are more than welcome…Thank YOU!


Additional Links
James C. Birdsong, Jr. Website:  www.jamescbirdsongjr.net.  
Birdsong Association of Broadcasting & Arts Website: http://www.babaonline.org
Facebook: http://www.facebook.com/jamescbirdsongjr
Instagram: http://www.instagram.com/jamescbirdsongjr
Twitter: http://www.twitter.com/TheRealJBOnline




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

DJ Matt Black is a UK based House and Techno producer and DJ most known for his funky, driving baselines, and uniquely engaging style. Born Matthew Belcher, Matt is a House/Techno producer and DJ most known for his first official release “Let Them Groove” which generated over 1 million streams worldwide.

Starting his career in England’s notorious seedy underground scene, he released white label mash-ups. He owned one of the first pirate FM radio stations in the southwest. He has also been featured multiple times on BBC Radio.

DJ Matt Black has become a prominent influencer in the House and Tech House scene, collaborating with many artists, and entertaining crowds around the world with his funky, driving baselines, and uniquely engaging style.

On August 21, 2020, Matt released a new track titled 2AM. 2AM is bringing back the old-school vibes of the 90s with its raw underground rave feel. He wanted to create something modern, but at the same time keep with the decade of love. Matt has found that the music of today is no contribution of the years of yesterday, and it has lost its path with same sounding tracks spread throughout the charts. He wanted to relight the good years and bring some feel-good music to the table and contribute to the music scene. That’s why he chose to make 2AM. Matt has said that after making this track, “My love for the music has grown even deeper!” and has even gone to the extreme to say “I am now ONE within my house!”

GO BANG! Magazine: When and how did you get interested in music?

DJ Matt Black: From a very young age, my household was playing music, all different genres from Hip Hop to Rave and House. I mean everything. So I heard literally everything and anything. Growing up just with my mother was quite liberating. Without the father figure in the picture, I looked to other individuals in my life and in music.

My mother was like a New Age Hippy-Go-Raver and she had mountains of tapes from UK raves. I listened to all of them and it was a mixture of Breakbeat and House and all sorts mixed up together, which today would be considered sub-genres. One of the first steps in music for me was admiring these amazing tunes.

GO BANG! Magazine: When did you develop an interest in House and Techno music?

DJ Matt Black: I started really loving music between the years 1998–1999. Since that time, I have never stopped listening to and admiring music, regardless of the genre. In 1999 I got my first tape player. Like I said, I grew up with just my mother. Times were tough back then and we couldn’t afford internet or even cable television. So literally, music was my escape and still is to this day.

My love for these genres comes from UK Jungle and all of the House samples used, no names mentioned, and also watching “The Top of the Pops” (UK TV show) before it went all wired.

GO BANG! Magazine: Please describe the House music scene in the UK.

DJ Matt Black: The House music scene here in the UK is amazing. Even from the beginning, it’s been so multicultural and literally a place of pure love. The British people have infused all their own cultures into this genre. So many great sub-genres and new genres have been a result of it. I grew up at an amazing time to be able to experience the greats of House music, the ones that shaped House music, and see the birth of new House music, like UKG (United Kingdom Garage: a sub-genre to House called Garage. It’s made in the UK from Hip Hop House or Two Step).

I may have not have been with the founding fathers of House in the beginning, but I’ve sure enjoyed the fruits it has produced and watched it turn into something great. I couldn’t see a world without House or could image a world without the other genres it has created.

We are the children of House, we are that what follows and it’s up to us to maintain its glory, add to its perfection, try new things, take it too new directions, and most of all do not let the music groups saturate it.

GO BANG! Magazine: You started your career in England’s notorious seedy underground scene. For those that may not be familiar with England, please describe the scene to our readers, and how you got started.

DJ Matt Black: I first started my journey into music at around the age of 10 or 11 years old. I used to go ‘round my friend Gary’s house. He was the first person that induced me to music production software and DJ’ing. He had a set of Technics 1210 MK2s and I used to spend every day around his house, without fail. He would have to literally boot me out to go home. I begged my mother for ages to get me some decks, and it was my auntie that finally got me my first set when I was about 13 years old. They were some belt-driven bad boys. Oh they were some fun. I had my shed all set up with an old PC and decks and used to practice every day ripping samples from vinyl and all sorts.

I did my first gig at a carnival back in my hometown when I was about 14 years old. I met a few people and got offered to play at Bristol Festival. I obviously went. I had these two women looking after me. I can remember them trying to feed me mushrooms before I went on stage. Thank God I didn’t touch them. I went on after a group called the Freestylers.

After this, I realized that after being in front of a couple thousand people that I wasn’t quite ready to be in that position. So, I took a step back and started hanging around a few friends that loved music as much as me. We hosted illegal parties in many crazy locations like shut down stores, abandoned houses, and even gate crashed a few places and made the party ours, while still doing events in my hometown.

I then started my own pirate radio station. I made a good friend order a transmitter for me from China and another good friend brought the aerial for me. I hooked it all up and was live every weekend. It was more like a community radio, as everyone from everywhere wanted to come on. I also wanted them to come on as well, to boost their creativity and musical skill.

From my late teens to early twenties, I wasn’t making that much music for myself. I was doing it for other people and really was in the back seat. I made a ton of white label mashups and remixes during this time, with some being pressed. I even had known figures steal music.

If I had to describe what the underground is to me, it’s simply these so-called friends that take advantage of you for their own personal gain. It’s bitchiness, backstabbing and all things bad that you expect to see on a drama show. That’s what it is, just pure drama with each other and the outside world because they’re not involved in your “clique.”

I have now disassociated myself from all things underground or group associated and moving in a more positive direction for myself and my music.

GO BANG! Magazine: As a producer/DJ, how would you describe the DJ Matt Black production sound and the DJ Matt Black sound?

DJ Matt Black: If you listen to any of my newest productions, you will hear that I’m swinging from 90s House vibes to Tech-House, with dark elements and hidden messages for the masses.

I have two moods when producing: very dark or very bright and energetic. The love and support I’m getting at Trax Records, creativity-wise, is unreal. They are allowing me to push some boundaries and try some new sounds.

GO BANG! Magazine: You’ve collaborated and performed with numerous House artists. Have you ever performed with any House music artists/DJs that are from my hometown of Chicago? If so, who? If not, are there any particular Chicago artists or DJs that you would love to perform with?

DJ Matt Black: No, I haven’t as of yet performed with anyone from Chicago, but I would love to perform with Green Velvet – “Bruce sort it out”, Marcus Mixx, Marshall Jefferson, Farley and many more.

If you are asking what I would really like, I would love to see a “Legends of House” world tour. All the acts for one last time tour, before it’s too late. Nobody’s getting younger and this will help the artists and the House community. I know for a fact, many of the big artists today would buy tickets.

GO BANG! Magazine: Are there any events that you would love to participate in that are here in the States?

DJ Matt Black: Yes! I would love to come and mash out some nights in Chicago and hit up everywhere in the United States. Do a nice three to six-months, if possible.

GO BANG! Magazine: What is next on the agenda for Matt Black that our readers should be on the lookout for?

DJ Matt Black: Well, I may be at a rave near you soon (cough cough) Essex. Apart from that, I have a few tracks lined up and actually some wicked collaborations too. I’m trying to hit a release-a-month. So, we’ll see how that goes.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

DJ Matt Black: I have been personally put on a local lockdown and it’s hard, not only for myself but for everyone else too. The Entertainment industry has basically been destroyed. All gigs for 2021 have been canceled until further notice. It’s crazy!

GO BANG! Magazine: What would you like say to GO BANG! Magazine’s international audience across the world, which may not be familiar with you?

DJ Matt Black: Good morning, and in case I don’t see ya, good afternoon, good evening, and goodnight.
Peace out!

SoundCloud link:  https://soundcloud.com/dj-matt-black-920551655

YouTube Link to “2AM” track: https://www.youtube.com/watch?v=maq1LCHfZCo

Follow DJ Matt Black on social media:
FB: @ThatDJMattBlack
IG: @DJ_Matt_Black
TW: @ThatDJMattBlack



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Jeniqua grew up expressing herself through poetry, writing songs and filling the home with singing… her own tunes and those of her favorite’s, Whitney, Stevie Wonder, Kirk Franklin, Ce Ce and Be Be Winans etc.

She is equally comfortable with R&B, soul, jazz fusion, Gospel & dance and appeals to a wide demographic. Her voice has been often referred to as angelic. Her music oozes soul, heartfelt lyrics and an exceptional delivery of infectious melodies, backing vocals and vocal arrangements, all created and mastered by Jeniqua herself.

Some of her credits include: semi-finalist for R&B / Hip Hop category in the ISC (International Songwriting competition), semi-finalist in the Christian and Vocal Performance categories of the Unsigned Only Music Competition, nomination for a Shorty Award, NY for ‘Best Singer’ on social media and ‘Best Female Vocalist’ nomination at the 32nd Chicago Music Awards. Jeniqua has also had songs on the top of various music and radio charts in Australia and abroad.
“Jeniqua’s voice is an unmistakably unique and divine gift. Her voice, stage presence, raw talent and work ethic will have a huge impact on the industry.” – Ron Simmons, former Artist Manager, Chicago USA.

“Love this lady and her music! A highly talented songwriter, Jeniqua’s music touches life in the most personal ways, but always is positive, encouraging and very entertaining!” – Hank David, Aussie Home Grown Radio Host.

GO BANG! Magazine: Where are you from and where do you presently call home?

Jeniqua: I’m from Sydney, Australia, and presently residing in Sydney.

GO BANG! Magazine: Please explain to our readers how you became interested in R&B/Soul and Gospel/Christian contemporary artists and music?

Jeniqua: Growing up I just naturally gravitated towards R&B / Soul music and inspiring soulful voices in pop, such as Whitney Houston, Michael Jackson, Stevie Wonder, Gloria Estefan. I bought all their music, back in the tape days and some vinyl. Our house would be filled daily with their music and me dancing around the lounge room. Whitney used to get the most play. She was and still is my FAV. Nearly wore a whole in the vinyl playing her constantly on repeat. My mum also used to give Barbara Streisand a good go too. I loved her tone.

I also grew up listening to and singing hymns in the church we attended since my birth… and from my teenage years, moved on to other churches along the way, volunteering in their creative / worship teams. Mostly in roles such as worship leader, vocal director and choir director and assisting others in the team with their vocals, songs, vocal arrangements and also song writing for the church. I am still involved to this day with the Creative team at church.

I’d write praise & worship songs for the church congregation and outside of that I was writing my R&B Soul Gospel songs, they were different to the songs we sang at church as a congregation, though were added as bonus tracks to the church albums. So I write both types.

There are other genres/artists I listened to at various stages in my late teens, though I definitely loved soulful music, R&B and my favourite, Gospel. It resonates with my soul. Some of my favourite Gospel artists are, Ce Ce and Be Be Winans, Kirk Franklin, Marvin Sapp, Smokie Norful and many more.


GO BANG! Magazine: Your vocal rhythm, timbre, tones and energy are infectious. Your voice has been described as angelic. Where does your soulful energy originate?
Jeniqua: Aaah thank you!

The soulful energy comes from my soul. It just seems to be what comes out without trying. It’s the gift that God placed in me and I’m so glad He gave me a gift that allows me to create and express myself with all that’s in me. It’s just what I flow in when expressing myself through song.

GO BANG! Magazine: How would you describe yourself and your musical styles to someone that may not be familiar with Jeniqua?

Jeniqua: Describing myself:
I’m passionate, creative, love God, love writing songs, performing, recording, love a good laugh and having fun, love seeing people win and have breakthrough in their lives. I also use my experience and love for what I do to help other singers and artists with their vocal development, in my vocal teaching business VoxConnect (www.voxconnect.co). I offer lessons in person or over the internet.

Two of my spiritual gifts are Exhortation (encouraging others) and teaching.

At the core of my songs is a message that is usually birthed in my quiet time with God. I write my songs from that place. Life’s experiences and revelations, relationships, love, lessons learnt etc… whatever it may be. Whether it is an R&B/Soul song for the mainstream market, a praise or worship song for church or an R&B/Soul style Gospel song that I release into the Gospel market….. they all carry truth and an uplifting message. They cross over boundaries and genres and appeal to a wide demographic and I am so grateful. My goal / mission is to inspire and empower others through my music.

Musical Styles:
My writing style is quite versatile. My songs have been played on playlists and in charts for genres such:
R&B / Soul
Urban / Hip Hop
Adult contemporary
Dance
CCM (Contemporary Christian Music)
Praise and Worship
R&B / Gospel
Inspirational

GO BANG! Magazine: Dance/EDM/House music is very popular here in the U.S. and abroad. Some may even argue that is even more popular in the UK than it is here in Chicago, where it was born. I recently interviewed Australian DJ/Producer Xander James who specializes in dance music. He described the Dance/House scene in Australia as vibrant. How would you describe the scene and do you plan to make a bigger splash here in the U.S.?

Jeniqua: Yes, more than R&B/Soul, the Dance scene here is more vibrant and popular. There are a lot of cover bands that cover R&B, though DJ’s that play and create dance songs get more play in clubs and in venues that require just a DJ.
I didn’t focus on the Australian market. I felt to spread my wings elsewhere, knowing Australia will eventually come across one of their own.

The songs I wrote for church were sung here in Australia, and we toured Canada, NZ and the USA back in 2003 and 2004.
I’ve just stayed in my own lane, doing me and focusing on what God has given me to use through song form & the industry and it just so happened the market for my music has been and still is in the UK, USA and various other countries, more so than Australia. The industry is smaller here, so I have more support in other countries.

There is more access to the type of style I do through internet radio and other connections throughout the internet. That has helped greatly in people far and wide coming across my music and what I do. They make up my supportive audience.
GO BANG! Magazine: You are also an award winning Gospel/Christian contemporary artist. Many might say that being involved with both Dance music and Christian music is a conflict of interests and beliefs. What would you say to those individuals?

Jeniqua: I write from the heart and as mentioned above, most of my songs come from the time I spend with God or through growth in Him and my everyday journey with God. I have strong faith and it has gotten me through a multitude of things and it will continue to.

At the end of the day I can express myself through any style of music, drum beat or genre I choose. If it is uplifting and spreading a message of hope and empowerment to others, it shouldn’t matter if it is 130bpm or 60bpm. I don’t get caught up in all that nonsense.

If my songs have resonated with another human beings, made them smile, made them dance, changed their day for the better, or helped them through trauma or a battle with mental illness, pointed them to Jesus, encouraged them in their walk…. then I have done my job and that is part of my God given purpose here on this earth.

GO BANG! Magazine: You have a Chicago connection being once managed by Chicago’s own Ron Simmons of Celestial Productions. You also were nominated as “Best Female Vocalist” at the 32nd Chicago Music Awards. What would you like to say to Mr. Ron Simmons, to the Chicago Music Awards, and more importantly to our Chicago readers?
Jeniqua: Yes, it was many years ago, around 2011, for a short time, as Ron was in the midst of writing a movie and that required all his attention.

I’d like to say, Hey Ron…. thank you for your advice etc during that time and the connections made. A few I will mention… 1. His mum Miss Edie… I love her. She is just delightful. 2. To be included in the 32nd Chicago Music Awards as a nominee, I am so grateful…. 3. Getting to meet and work with world class Photographer and great friend of Ron’s… the late Ernest Collins… what a man! Gifted, and so lovely. His smile lit up the room.

I’m grateful for all that Ron helped with and I wish him nothing but the best for his movie and all other projects he has in the pipeline. I so look forward to seeing his movie ‘Cabrini Green’… so much heritage and greatness came out of that place, so many stories and testimonies that Ron has to share.

And to Chicago listeners and Chicago itself… I love you. I love your city, it’s so beautiful, the buildings and the people I have met… I’ll be back! Oh and of course a fav….. SOUL FOOD (Yeeeeeeaaaah baby!!). OH MY GOODNESS…. (even now typing this, I’m getting a hunger pain and a craving for some beloved soul food). We don’t have it over here in Australia.


My first trip to Chicago some years back, I think around 2011… was my first time trying soul food. A whole group of us went out for a feast. The portion size was so massive, at the time I couldn’t fit it all in… To this day, I have flashbacks of it and wished I had finished all that goodness on my plate, especially the rib tips. Yum

GO BANG! Magazine: Are there any artists or producers, American or non-American that you would love to work with, that you haven’t so far?

Jeniqua: I would have loved to work with Leon Ware. There was talk of it, though Leon has since passed away. He worked with Maxwell, Donny Hathaway, Minnie Ripperton, The Jackson Five and Michael Jackson etc.+ I’d also love to work with Charlie Singleton (aka. The Phantom). A former member (vocals, writer and guitarist) from super group, Cameo. He is an incredible vocalist, performer, writer, guitarist and multi instrumentalist and producer. He has produced, written for, recorded and performed with some of the biggest names in the music industry, such as; Chaka Khan, Mariah, Charlie Wilson, Shanice Williams, Sheila E, amongst many others.


In general, I’d just love to work with those that are authentic, have great work ethic and have integrity. Those artists or producers that are respectful, genuinely love what I do, and are there for the right reasons.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?

Jeniqua: Yes, it’s a shocking thing for the whole world to experience… and I continue to pray for those who have lost loved ones to Covid and also thankful to all those on the front line… the Health workers, risking their lives to help others.

For me personally, I have remained in peace and getting on with whatever I can carry on with in this season, where obviously work has ceased somewhat for many. I don’t let that effect me. My faith is strong and gets me through anything.

The Pandemic has not been able to stop me from continuing to write or prepare. I am using this time wisely and also investing in myself as I do on a daily basis… in my faith and prayer, spending time with loved ones, laughing lots, study, building my vocal teaching work back up and modelling work and being grateful for life, my loved ones and all the blessings along the way.

GO BANG! Magazine: What are you working on now that our readers should be on the lookout for? Do you have any projects lined up for later in the future after the COVID-19 pandemic that you can tell our readers about?

Jeniqua: I have many songs already written and recorded and at various stages in the process of releasing music. Many of them are at mixing stage.

For some time now I have not had access to the things that would usually be more available to me eg: studio for mixing etc… I have had to wait for various reasons and for numerous things to get back up and running… so I will not be releasing anything anytime soon. Though I plan to release more singles and an album for both R&B/Soul mainstream and another Gospel Album.

I will keep you updated on my website, social pages and via my mailing list, for all releases. Look forward to sharing them all with you.

God bless you all!

Thank you for this interview Pierre. God bless.
Jeniqua J

YOU CAN FOLLOW JENIQUA BY VISITING WEBSITE: www.jeniqua.com


Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Reginald Corner is one of House music’s greatest assets in Chicago and has been extremely instrumental in keeping the peaceful celebration of music alive.

On the House scene since it began in 1980, Corner has had the pleasure of watching House flourish over the past four decades. During that time, he formed relationships with some of the most relevant DJs, party goers and communities in the Chicago area. His stance with everyday Chicago helped shape the powerful production entity “The Way We Were” which is celebrating its 20th anniversary this year.

Some of his notable accolades include working with the City Of Chicago to provide platforms throughout the land celebrating the power of House, specifically, how its music brings together all ethnicities and sexual orientations. Some examples are helping curate an exhibit of House music at the Chicago Cultural Center in which Corner shared photos, as well as knowledge of how it all started at places such as the infamous Music Box with DJ Ron Hardy. He also worked to put together House in the Park, one of the city’s favorites, giving people a chance to relax after work with different platforms of House music.

Some of Corner’s work includes promoting the Chosen Few Picnic yearly, where tens of thousands flock to Jackson Park to celebrate music in a family-friendly atmosphere.

Corner, along with The Way We Were Productions, looks forward to remaining a part of the House music journey in Chicago and abroad. Corner can be considered an orator, watching to ensure its past is not tarnished and remains a powerful force of peace between all who partake in its glory and continues to “beat the box” into 2020.

GO BANG! Magazine: When and how did you first become involved with DJ’ing and music?

Reggie Corner: Sauers was down the street from my house as a youth. I went over there being nosey and stumbled on House music/Disco/Preppy/New Wave Punk, and I liked it. They were playing a lot of music I’d heard from my older siblings at the house.

I played around with it as a kid. But I’m not a DJ. The opening slot gave me the opportunity. The party must go on, so I would step in. I started off by necessity. Sometimes DJ’s were late or not showing up on time. I had to keep the party moving.

GO BANG! Magazine: What is it about you or your personality that make you effective as a promoter?

Reggie Corner: I was popular among the people. Knowing people made it easier. I learned from my elders Butch and Craig, as well as Robert Williams who really showed me promotion and production… the art of producing events. My personality makes me a people person and my job is to make sure people enjoy themselves. That is my priority.

GO BANG! Magazine: There are many people that may call themselves promoters that simply share flyers or events on Facebook. Is that all it takes to be a promoter or does promoting consist of more than that?

Reggie Corner: For me, do whatever works to make you successful. Social media is not the only tool to reach people. There’s text messaging and emails too, basically creating databases. I have databases I have built for years. You have to be tenacious and master every social platform. I still go back to my roots of what I was taught. Simply print flyers, etc. The promotion game has changed and will continue to change, but never forget the old way.

GO BANG! Magazine: Are there any promoters or producers, past or present that inspire or motivate you to do what you do?

Reggie Corner: The love of House inspires me.

GO BANG! Magazine: How has the House music promotional scene in Chicago changed over the years and has the change been positive or negative, in your opinion?

Reggie Corner: Some of the people and the places have changed, some of the music has changed, but I always keep it close to the roots……for the love of house. Love cannot exist with negativity.

GO BANG! Magazine: Why is it important to you to keep the spirit and history of the House music genre alive, peaceful and accurate?

Reggie Corner: History is what we stand on for the future….. “In the beginning” is always important….The beginning sets the stage for now.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?

Reggie Corner: It’s fucked up! But, like everything in life, it’s a tragedy that we have to adapt to. Stand up or fold! Hopeful you’ll stand up and succeed.

GO BANG! Magazine: What is next on the agenda for you? Do you have any projects lined up for later in the future, after the COVID-19 pandemic that you can tell our readers about?

Reggie Corner: House is in a stall, in limbo, because of COVID-19. All plans are at a standstill. But, hold your punches right now. You can never let your right hand know what the left hand is doing.

GO BANG! Magazine:  HAPPY BIRTHDAY TO YOU MY FRIEND!!!   HAPPY 20TH ANNIVERSARY TO THEWAYWEWERE!!!!!



YOU CAN FOLLOW REGGIE C. CORNER & THEWAYWEWERE ON SOCIAL MEDIA:

Facebook:

https://www.facebook.com/reginald.corner

https://www.facebook.com/reggiec.corner/

LinkEd In:

https://www.linkedin.com/in/reggie-c-b4b30b15/

Instagram:

https://www.instagram.com/reggie_corner/?hl=en

https://www.instagram.com/reggieccorner/?hl=en






Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Photo courtesy of: https://www.facebook.com/HydeParkRecords

GO BANG! Magazine founder Pierre Andre’ Evans recently approached Hyde Park Records owner Alexis Bouteville, in hopes that Hyde Park Records would stock and sell his debut book “INSIDE THE MINDS OF ENTERTAINERS.”  Alexis responded that he was more than happy to support local talent and would definitely place the book in his front window, on full display!  That’s the kind of support we ALL need!

You can purchase “INSIDE THE MINDS OF ENTERTAINERS” at Hyde Park Records and on Amazon:    https://www.amazon.com/Inside-Mind-Entertainers-Book-ebook/dp/B07JGDT18X/ref=sr_1_1?dchild=1&keywords=inside+the+mind+of+entertainers+pierre+andre+evans&qid=1601488870&sr=8-1

The following is a reprint of the Chicago Reader “Faces of 53rd Street” advertisement:
VIDEO/AD LINK:  https://www.chicagoreader.com/chicago/hyde-park-records-53rd-street/Content?oid=53837742

You could say that Alexis Bouteville, owner of Hyde Park Records, discovered Chicago by way of Paris. Alexis had a record store in his native France and was going on frequent buying trips in the United States to keep the store stocked. Chicago always had the best selection of unique vinyl, and it wasn’t long before he fell in love with Hyde Park and the whole South Side area.

In 2011, Alexis took over the existing Hyde Park neighborhood record store that had been there since the 1970s – Second Hand Tunes – and renamed it as Hyde Park Records. Located at 1377 E. 53rd Street, the store is always listed as one of the best independent record stores in the city. Thrillist referred to it as “…everything a neighborhood record shop should be. With live DJs, a chummy community vibe, and a bangin’ selection of wax never short on hip hop or international flair, there’s always something happening at this crate digger’s paradise… If anyone tries to tell you all record stores are the same, a visit here provides for an unimpeachable rebuttal.” Alexis explains that Hyde Park Records “… specializes a lot in older music and vinyl, and especially R&B, blues, and jazz. We also sell a lot of tapes so everything vintage is really coming back.” The store also buys used records, and on any day you can see Alexis expertly (and very quickly!) flipping through collections to find the rare records he knows his customers want, as the owners look on hopefully.

A recent Chicago Reader article noted that local rapper Vic Mensa counts Hyde Park Records as one of his favorite neighborhood hangouts from when he was a young kid. He started coming to the store when he was just 11 or so and it “…helped (him) develop his diverse musical taste.” And Mensa is not the only one. Hyde Park Records is more than just a record store – it’s an important part of the neighborhood, ingrained in so many music lovers’ lives. Alexis says, “The store is also a great place for people to meet…to talk and share about music, musicians, DJs, (and) producers – people need a place like this. The community interaction aspect is one of his favorite parts of being a small business owner in the neighborhood, and Alexis adds, ”To go further south is different, further west is different, further north is different. (Hyde Park) is really a little town within Chicago.”

It’s not uncommon to find customers making buying trips from as far away as Europe and Japan. Wellknown hip hop producers DJ Spinna, Pete Rock, and Large Pro are regular customers from New York, as well as DJ QBert from San Francisco.

The store is a part of major local events such as the recent Silver Room Sound System Block Party, held on July 21, hosting Mr. JayToo, DJ Marbll, Erica Kane, Brian Reaves, James Vincent, and DJ Mikey Mike. WGFM’s annual Soul Reunion takes place every spring and summer, and the store hosts a monthly “All Vinyl Series” with visiting DJs. In addition to records, Hyde Park Records stocks CDs, DVDs, books, and vintage Ebony and Jet issues.

1377 E. 53rd Street
773-288-6588
http://www.hydeparkrecords.com

Reprint of the Chicago Reader “Faces of 53rd Street” advertisement:
VIDEO/AD LINK:  https://www.chicagoreader.com/chicago/hyde-park-records-53rd-street/Content?oid=53837742

Photo courtesy of www.facebook/com/DJTonyPeoplesHouseGroup

Young Tony Peoples was only seven years old when he picked up a new toy and a record player with two speakers. He would place one speaker outside of his bedroom window and DJ for the neighbors or anyone walking by that could hear him. He knew at that moment he wanted to be a DJ and he wanted the whole world to know.

Later at 12 years old, his older brother came home with a mixer and two belt-driven turntables. He immediately started DJ’ing a small selection of records. His brother asked him “how do you know how to do that and blend music so easy?” He replied “I’ve been doing it for years in my head when I was pretending to be a DJ.” We both started doing parties for people in the neighborhood where we lived. Word got around real fast that we were the ones to hire as DJs. We did cabarets, basement parties and backyard parties.

When Tony turned 19, he went professional after he got a call that hired him as a club DJ for Tuesday nights at the Grand Quarters in Detroit. The theme night was “Tuesday Night Illusions” produced by Keith Giddings and a young lady named Pam. He played music between the shows. After the show he would mix music for the closeout. That was the beginning of his career.

He has DJ’d for clubs, cruises, major cities and outside of the country too. Even though he had a day job working in the factory for many years, he managed to do both. Now he’s excited to explore the world and see the world while using his talents. Tony calls it “a vacation while working.”

Lastly, he has shared the “1 & 2’s” with several notable DJs including Ken Collier, Melvin Hill, DJ Semaj, Melvin Gentry, DJ Cent, DJ Dream, DJ Red Dawg, DJ Marquis Detroit, Mojo Detroit, DJ Eddie Fludd, DJ Tone and many more.


GO BANG! Magazine: What is it about DJ’ing that attracts you to it?

DJ Tony Peoples: People enjoying the music is what attracts me to it. I basically get a rush from people having a good time and dancing.

GO BANG! Magazine: The Chicago House sound, the home of House, is different than Detroit’s House. How would you describe Detroit House and what is similar and different from the Chicago sound?

DJ Tony Peoples: Most definitely is different, however they are very much alike. Detroit’s House has been known as a soulful sound, hard hitting hand claps and a fat bottom bass with what sounds like a fat woman or a fat man singing. What I mean by that is that we want our House sang by a powerful, mature vocalist, not a lil girl or boy that needs to mature.

GO BANG! Magazine: Techno and EDM are also very popular in Detroit. What is YOUR favorite style of Dance music and why?

DJ Tony Peoples: Disco Dubs, Deep House, Garage and Gospel House because I need the type of House that will pierce your soul. Once again must I say I want a fat woman or fat man singing, not a skinny lil boy that needs his voice to mature. I need a vocalist singing about their problems. Something I can relate to .

GO BANG! Magazine: If you had the opportunity to DJ at ANY venue in the world, where would that be and if you had the opportunity to DJ with any other DJ, who would that be and why?

DJ Tony Peoples: I would want to play a big party on Miami Beach. I would like to spin with Louie Vega. He moves me through his music and for me to be on the same platform to spin with him would be a dream come true.

GO BANG! Magazine: Please describe the DJ Tony Peoples sound to our readers and what separates you from other DJs?

DJ Tony Peoples: The DJ Tony Peoples sound is that sound from the 70’s, 80’s and 90’s. My format is that I make sure I stick to the basics. I try to keep the same sound I had 30 years ago, so people appreciate me not changing. I’m me.

GO BANG! Magazine: Who are your mentors, who inspire you and who motivates you?

DJ Tony Peoples: Ken Collier, Melvin Hill, Larry Levan and Louie Vega motivate me.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?

DJ Tony Peoples: I am making sure I limit the people I am around. If I have an event, I make sure we keep a distance. I also wear my mask. I only go to my gigs and very few other places.

GO BANG! Magazine: What is next on the agenda for you? Do you have any projects lined up for later in the future, after the COVID-19 pandemic that you can tell our readers about?

DJ Tony Peoples: Most of my events are in Michigan. I’ve recently started a new party every Thursday at Georgiz419, 1205 Adams St., Toledo, Ohio 43604. So far, it’s doing well on the patio deck and parking lot. It’s called “Jack’d up and Grinded Thursdays.” I will be doing something in Atlanta in the summer of 2021.

GO BANG! Magazine: On May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world. How do you feel about this unfortunate situation and call for police reform due to the horrible treatment of minorities by the police?

DJ Tony Peoples: I am disgusted that not only a life had to be taken, but the fact how it was done. How could anyone do something like this and not feel it was wrong.


Follow DJ Tony Peoples:
Facebook @Tony Peoples, Instagram @djtonypeoples, Snapchat @djtonypeoples, Tik Tok @djtonypeoples and Twitter @musesolo




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Robbi The Promoter is based in New York City. He began promoting in 1995 and currently promotes dance parties (in and outside of New York), web sites, clothing, dance music videos + releases, and is affectionately known as the “5 Time Award-Winning Best Promoter”, winning Undergroundarchives’ Best Promoter award five years in a row (2000-2005). His promotional reach extends from Chicago to Philly, Miami and beyond.

He also “shops” music to labels and has played a major part “raising” (promoting/managing) a few DJs, from the ground up, such as Ian Friday, Mr.V, Alix Alvarez, Adam Rios + Mark Francis, and Miguel Ortiz, just to name a few.

His managing and promoting has single-handedly made Chicago legends DJ Wayne Williams and DJ Alan King more popular in New York and cities outside of Chicago.

He’s also a “filter” for DJs, which simply means that promoters from all over contact him to book DJs which in turn, he refers them to the actual DJ or their booking agents.

He has a blast doing all of this all day, which makes his “pro” life pretty much his personal life.

GO BANG! Magazine: Why did you decide to pursue the business side of the House music industry and become involved in the marketing and promotion of dance parties?

Robbi The Promoter: Actually I never planned for it to get this far nor be a promoter. I simply love the music but was always too broke to get into clubs. I used to go to these parties called the “Underground Network” and asked around if there was anything I can do to help. So, I was introduced to Cedric Freedom (RIP), Barbara Tucker (yes the Queen of House music), and Don Welch, who ran that party. So funny! It was a meeting that lasted not even 30 seconds…..They gave me a stack of flyers and told me to go hand them out!

GO BANG! Magazine: Over the years you have become what some would call a legendary promoter in the House community. How do you feel about possessing that title?

Robbi The Promoter: Without a doubt I feel great about it. First, I’m probably the only one in the world that uses promoting as an art form. I mean from the time I was handed that first stack of flyers, I’ve been extremely creative with the way I do things. My aim daily is to impress folks with insane thought process that constantly evolves ……for most part, it’s like watching a legendary DJ do those distinct tricks.

GO BANG! Magazine: There are many people that may call themselves promoters that simply share flyers or events on Facebook. Is that all it takes to be a promoter or does promoting consist of more than that?

Robbi The Promoter: Well to be honest, one can succeed in doing just that if they have a ton of followers, but of course promoting consists of way more than that.

GO BANG! Magazine: What is it about you or your personality that make you effective as a promoter?

Robbi The Promoter: I actually don’t have much of a personality and very poor social skills. When I’m out, I don’t talk much, sit at bars, engage in convos or any of that stuff. But, it’s the way I do things and the artists I’m associated with that brings attention to me and the things I’m involved in.

GO BANG! Magazine: Not only do you promote dance parties, you also promote websites, clothing, music and more. What is the difference in promoting products versus events?

Robbi The Promoter: Parties, websites, and clothing, I target everyone. As far as for Music, I target DJs and people I know who collect music.

GO BANG! Magazine: You’ve promoted events in the U.S. and abroad, including here in Chicago, the home of House music. What in particular do you like about promoting Chicago DJ’s and events?

Robbi The Promoter: When working with the Chosen Few DJs and Ron Trent, first the most important thing they NEVER do is crowd or micromanage me (as I’m quick to get away from the controlling types.) They’re swift in providing me with tools I need and working with them is naturally smooth and exciting. Speaking of tools, lemme give a quick shout out to dude MOE (moeknowsbest.com ) the media/artwork/web design guy for the Chosen Few. In my 26 years, his work is the best I’ve seen.

GO BANG! Magazine: What advice would you give to someone that is interested in becoming a promoter, but don’t know exactly how to begin or if they have what it takes?

Robbi The Promoter: First learn and love whatever you’re interested in doing. If you’re desperate and just geared on becoming a star, it’s not going to happen and you’re going to look stupid (to me at least.)

Just starting off?? I’d suggest take a course in Marketing.

Avoid being exclusive to working with one person it never ends well. For example, I’ve seeing tons of so called EXCLUSIVE promoters benched during the pandemic.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?

Robbi The Promoter: I’ve been keeping things moving here. Closed clubs have been replaced with promoting VIRTUAL DJs, festivals and there’s still music, etc.

GO BANG! Magazine: What is next on the agenda for you? Do you have any projects lined up for later in the future, after the COVID-19 pandemic that you can tell our readers about?

Robbi The Promoter: As soon as clubbing restarts (if ever), I’m ready to relaunch my UPTEMPO party (residents Franke Estevez and Duce Martinez) at a nice club in Brooklyn.

You can follow Robbi The Promoter on ALL social media formats:
IG@robbipromoter05
FB@robbiethepromoternyc




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Boxx – An established presence in House music, as well as being a complete DJ and Producer in the industry. He’s a long time Chicago DJ, beginning from his first residency at the Galaxy Disco in 1985 at the age of 17.

Boxx has had the opportunity to play in many cities and venues in recent years throughout the country and world including Nassau Bahamas, Dallas, TX – Crown & Harp, Sandaga, Renaissance, Truth, The Shrine, “The Silver Room Block Party”, The Mid, Da House Spot, The Garage, Evil Olive, Cuatro, and several other Chicago venues.

Boxx also plays consistently at venues and events across the country. For instance, New Jersey’s Club Elevation and Club Lush to New York’s Coney Island, Houston’s Club 4212, Detroit’s Club Mix, The White House, TV Lounge, “Beautiful Sundays” at Motor City Wine, Atlanta’s Club Velour, “House In The Park” and many more venues in Miami.

Having had the opportunity to live in Chicago and Dallas at the same time, he held a dual city residency at The Garage / Code Red in Chicago and “The Deep Inside” parties in Dallas for three years.
Boxx has been a Cyberjamz Radio programmer, the founding member of Ascension, and a member of Nu Bang. Along the way, he has produced many new releases, edits and re-edits that eventually lead to the launch of his label Bosar Music.

GO BANG! Magazine: When and how did you first get interested and bit by the DJ bug?

DJ Boxx: The DJ bug didn’t hit me until 1978. I was 12 years old. Me and a few friends from 35th, where I grew up, loved skating and there was skating on Saturdays at the old YMCA on 37th and Wabash. Well, we had normally been going to other rinks like Markham, etc. so I never really saw the DJ equipment being used. Well at the YMCA, the DJ was set-up basically on the skating floor. We walked in and I could see a table with the two turntables and some device in the middle, for which I had no idea what it was. But, I stood there on my skates basically the whole time watching him transition from song to song in amazement. I was instantly mesmerized that this could be done. I was used to playing one record after the other at home. After bugging the DJ and asking him “what’s this?” and “what’s that?” I immediately came home and began to ask my Mom to get me some equipment. Of course she was not having any of that once we realized the prices. LOL. But, two years later, my mom sent me to go live with my Dad in the 100s’.

My Dad saw the need to keep me busy when me, my brothers and cousins weren’t playing baseball, to keep us (me) out of the streets. Well of course he got the pitch about turntables and DJ gear since he was an audio & music enthusiast himself, but he never said ok. Well…one day in the summer of 1980, he came home and yelled from the garage, “Reggie, Mark, Kevin, come get this equipment out of my car!” Imagine the shock! I had already been buying music, etc. because I knew I would DJ someday. It was an undeniable passion that still burns just as hot on that June day in 1980.

GO BANG! Magazine: Please describe the DJ Boxx sound to our readers, explain why you named yourself Boxx, and what separates you from other DJs?

DJ Boxx: This is going to be a long answer (LOL). The DJ Boxx sound is fluid, flexible, energy received and energy returned. It can be gritty, soulful, energized, good feeling, tone setting, encompassing and far reaching. I’ve had many people over the years, suggest or say I should drive this lane or that lane, but the music in me needs to be expressed. I stay ready to lead or adjust, based on what’s in front of me. So the lane thing never intrigued me. Why can’t I play new music, as well as disco, classics, afro, pure underground, acid and even stretch to hip hop, R&B, Jazz, Reggae etc.? I still study music. My musical mental library is etched in my brain and soul. I get booked to do several different types of events and some actually require a full pallet of music to be played. But best believe, whichever it is, it’s going to be played at the highest of levels…bar none!

The name Boxx does not connote what most believe it to (LOL). Way back in the day, I went by another DJ name (Reggie ‘Remixin’ Anderson). After starting my pro DJ career in 1985, I abruptly stopped DJing due to some personal things going on in 1990. I wouldn’t play again professionally until 2003. Well, in between that time, I met some buddy’s and we worked together for a number of years. We always roasted and cracked jokes on each other. One day, me and a good friend Cedrick Hicks were going at it. I made a crack on him and he replied, “I know you’re not talking with yo’ big Boxx head ass.” It just so happened that about eight guys we knew and worked with were coming thru the door at that exact moment. They chimed in, “Yeah Reg, you do have a big ass Boxx head.” From that point on, everyone I knew and was around at the time started calling me Boxx. It ended up sticking and when I started DJing again, I just leveraged the nickname into DJ BOXX.

What separates me from other DJ’s is that number one, we are all a total of our own individual experiences in life and music and that is going to always lend towards individuality. Now I do believe my mental musical library, my flexibility to play extremely well, no matter the format, are huge for me. But one thing I truly believe is a factor, is my accessibility. I am not stand-offish and I actually truly enjoy all of my supporters.

GO BANG! Magazine: Who are your mentors, who inspire you and who motivates you?

DJ Boxx: I was actually a self-taught DJ. So when the radio mixes started in Chicago, I was already pretty well into the culture and techniques of it. I would say Herb Kent was a huge influence because before we had House, as we would come to know it, Herb would do this “Punk Out” hour every Saturday and he opened my ear and mind up to all this cutting edge new wave / punk music that was taking over the city. Then we began to take a turn toward House, as we would come to know it, and the radio stations began playing the mixes.

Well, I had the equipment and a little know how, but I wasn’t polished. So, I keyed in on a couple DJs on the radio for different aspects. I listened to Ron (Hardy) & Farley (Keith) live and Farley and Scott Silz on the radio for content. I would key in on Scott Silz and Ralphie Rosario for technical aspects. I would then go mimic everything I heard until I got it refined. Then, I met Julian Perez when I transferred from Simeon (HS) to Proviso West in 83′. I worked with him for the next three years as an understudy, you could say. His technical ability was the best I’d seen at the time and I emulated what I saw. He put me on at the Galaxy Disco/Dilligafs to open up for him and after he left. That lead to my very first professional residency as a teenager.

The people / DJs that were mentors are Craig Loftis and Celeste Alexander. Celeste is a big sister and we both played integral parts with each other in coming back into the DJing world. Ronda Flowers and Koko were huge in giving me a residency, shortly after I started back DJ’ing in 2003. Craig Loftis was right there too. He put me into rotation on some pretty cool events early on and I can’t leave out DJ Reg (Reg McClain.) He booked me for my first pro set after coming back. DJ Emanuel and Ms. Wynell were huge as well.

The people that motivate me are…the DJs that I have helped and continue to help me: Boolu (Master) is my cousin. To see where he’s gone after breaking all my needles trying to learn is massive. G-Whip is another cousin that is coming into his own. To see the spark light up and turn into a fire is motivating to me. Eric “DJ Eaze” Robinson was an understudy of mine and he wanted to learn bad, but didn’t know much about DJ’ing. I had him carry equipment, roll cables, hook up gear, break down and repack…thinking he’d say F-this! (LOL) But, he never gave up. He stuck with it, has become his own DJ, with his own brand, and now gets his own bookings. He also takes some overflow gigs for me. My other motivation is Fiddy Millz and Dee Jay Alicia. I think we all push the hell out of each other, kinda like steel sharpening steel. But not just in music, but in the walk of life. Music brought us together, but it’s love and family now. In helping others, it brings motivation. Not just musically, but personally. I always tell people if you’re feeling down and out…go help someone!

GO BANG! Magazine: You are a member of two entertainment groups, Ascension and Nu Bang. Please describe your connection to the groups and explain their impact to the nightlife community.

DJ Boxx: I first became a member of Nu Bang in 2009, so it’s been a while. Immediately upon becoming a part of Bang, I began working closely with Greg Gray, Celeste (Alexander), Craig Loftis, Sammy Rock, Tim Mc Callister and others on DJ’ing, promotion, production and the growth and representation of the Nu Bang Collective. Nu Bang connections opened many, many doors for me that probably would’ve been otherwise closed. It created opportunity to create relationships outside of Chicago that stretch around the globe.

Ascension (Elevate Your Mind, Body & Soul) – Ascension was an idea I came up with in 2013, but never acted on it because it was a lot going on DJ-wise for me. I currently had two residencies at the time, one in Chicago and one in Dallas. I had the vision and the idea of what I wanted it to look and feel like. So, when the Chicago residency ended, I sat down with my Ascension co-founder, (she didn’t know she was going to be that at the time) Lisa Henderson and I expressed my vision and desire for her to be a part of it. I really loved Lisa’s presence and energy. I felt as though she was the missing piece to the puzzle. Besides being friends and working together on events, she showed a level of professionalism, engagement, compassion and energy that I felt was needed to craft the Ascension characterization.

This ideology was the idea of impact on the nightlife scene that was envisioned. We wanted to be inclusive and not exclusive. Sure the music is paramount, but we wanted people to have a great time, grasp the good energy, vibes, the hugs and the laughs. Don’t think you’re just welcome…know that you’re home! We wanted the warmth, so we brought even more good vibes with G-Whip and Toni Marie joining us. We wanted to bring in and book DJs that are far reaching, as well as the DJ that maybe needs to get heard more. We are a collective of people that genuinely care about your experience at any Ascension event, rather it be at one of our monthly parties, personal party, party in another city or on an island in the Bahamas!

GO BANG! Magazine: In addition to being a DJ, you were a radio programmer and you have your own record label, Bosar Music. How has being a DJ influenced your abilities as a programmer and a label owner?

DJ Boxx: DJ’ing is the catalyst for all of that. I feel to be an effective, well-rounded DJ, you really have to have the study of music and its organization has to be almost effortless mentally. The ability to recall names, sounds, feels and sound textures is really what a DJ does. So, joining Cyberjamz and doing a mix show for three years was huge for me. I also did “Gotta Have House Radio” with my man Kenny Ray. The gathering of newer music at the time and its presentation was huge in getting in step with what the scene had become. Launching the label was natural. I felt as though the DJ opportunities and the programming show had given me the ear I needed to say, “I’m just not going to produce music for release on others labels.” I thought I’d start my own. So I went to work to gather the knowledge to do it correctly. House music was fresh, energized and new again to me.

GO BANG! Magazine: What type of music does Bosar Music produce, who are some of your past/present artists, what type of artists are you looking for, and how did you arrive at the name Bosar?

DJ Boxx: Bosar produces mostly Soulful House. Under the Bosar identity, even prior to starting the label, I’ve worked with Darryl Pandy…unreleased at this time. (DJ) Gene Hunt and I are about to re-work. My first full release was “Send For Me“ with Carla Prather: https://www.youtube.com/watch?v=qoHAXgwPmLc. Wincie Collins did a beautiful spoken word on “Music Is My Love: https://www.youtube.com/watch?v=2QtUhcC7MQ4 . Both released on Sophisticado Recordings. I’ve worked with Derrick Sales (DJ Sound) on a Luther Vandross remix “Wanna Love” that was released on TMC and eventually Bosar Music. Lafayette Parker was the vocalist on “Heavenly Journey” with me doing the spoken word part released on Joe Smooth’s label. Franky Parker performed on “Fly Free” with remixes from Sean Ali and Salah Ananse, released on Bosar. https://www.traxsource.com/title/775661/fly-free. I’ll also be releasing a production with Koffee (First Flowetrest of House) from New Jersey this year and two projects with some amazing performers from Detroit as well. It’s literally about six projects on the table including one with my Carla Prather.

Bosar is an acronym for – Boxx of Soul and Rhythm.

GO BANG! Magazine: You’ve experienced the House community as a DJ from various cities of America. Could you please describe the House scene here in Chicago and compare and contrast the scene to other locations you’ve spinned in?

DJ Boxx: Excluding the current pandemic (COVID-19), up to that point, and for as long as I can remember, Chicago has had the most consistent number of events / parties on weekly basis that I’ve experienced. Not being a homer either, I do believe that Chi has the largest concentration of DJs of any city, but also the best DJs. I think the number of DJs and opportunities to play created a vacuum. DJs in Chicago had to get good, out of sheer desire for a chance to even be considered to play.

I’ve played just about everywhere there is to play in the U.S., from the east coast to west coast, South Beach to Canada. Most of these other cities tend to have a complete diverse mix of dancers at a higher concentration than Chicago, I must admit. In Dallas, depending on the section, the music is wide ranging and accepted. If the doors open in Dallas at 9pm, at 9:05 the DJ has a full floor. In Chi, we are fashionably late. (LOL) I love the symmetry between the DJ and the Dancer in New York, it’s a flow. They get it in, but different than in Chi. It’s the same energy, but different. New Jersey is very close to Chicago in terms of feel, flow and energy. I really feel of parties in Houston as well. They are very receptive to the DJ, as well as in San Diego. Atlanta is very natural in its feel. It is a great chance to be very expressive with natural vibes and rhythms, when you DJ there. Detroit is awesome…gotta bring your energy! Chicago is a collective of all of these in my opinion. You can find all these aspects in one degree or the other here, while still holding on to the Disco/House foundation.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?

DJ Boxx: Maaan, it’s heavy. It has thrown off a number of things for me professionally, as well as personally, like everyone else. Personally, I have been very selective about what I do, where I go and whom I’m around.

I can say that I can count on my hands and toes, the number of people I’ve been around constantly. I don’t do conspiracy theories. I’ve believed the seriousness of the virus since it was first made public. I know individuals who have lost their lives to it. So to that aspect, it is very personal.

As I type this, I’ve just had my third Covid test a few days ago. I believe we owe it not just to ourselves, but to our families and society, to make sure we follow the guidelines to limit the spread of this virus.

GO BANG! Magazine: What is next on the agenda for you? Do you have any projects lined up for later in the future, after the COVID-19 pandemic that you can tell our readers about?

DJ Boxx: Of course! The Bosar Music Production is in full-ops mode at the moment for upcoming releases as we speak. Nu Bang Clan is moving toward bringing in new members.

Ascension plus “The Squad”, which extends beyond Ascension itself, is planning some things for the near and far future, virtual events later in the year and hopefully real events next year. We are putting our faith in hopes that we’ll be beyond this pandemic.

Virtual events coming up are:
“BACK2BACK” w/ Dee Jay Alicia every Saturday 7:30 – 1:30am – http://Twitch.com/deejayalicia 

“HOUSE STOCK 2020” Virtual Broadcast Sunday Sept 6th: https://facebook.com/events/s/house-stock-2020-virtual-broad/1202551810099670/?ti=cl

And of course mixes are always on Mixcloud:https://www.mixcloud.com/djboxx/

GO BANG! Magazine: On May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world. How do you feel about this unfortunate situation and call for police reform due to the horrible treatment of minorities by the police?

DJ Boxx: I found the officers’ actions and lack of care and concern for Mr. Floyd to be completely void of the level of humanity to even call oneself a human. What I saw was evil in action. Hate in its purest form.

Individuals that will behave in that fashion do not need to hold a badge in this society. Regarding police reform…sure. There’s also a need for further psychological training, in relation to arrests and responses. Hell, maybe even some sensitivity training. However, I do not feel that the “defund the police” aspect would be good for society…well definitely not here in Chicago.

You can follow DJ BOXX on FB: @DJ Boxx, @RegAnderson, @BosarMusic, on IG @DJBoxx, and on Twitch @BoxxBosar




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

International singer and songwriter, LADY ALMA, is bringing her soaring, searing vocals back to eager audiences who desire her incomparable funk-house-soul stylings. From her dynamic live shows that left critics and fans alike breathless across the globe for two decades, to the recent revival of her hit single produced by The Rainmakers entitled “Let It Fall”, LADY ALMA continues to be a widely praised source of true sonic satisfaction since her introduction.

Born in San Diego, and raised in Philadelphia, LADY ALMA began her entry into the house music scene recording club anthems helmed by the likes of super-producers Yukihiro Fukutomi, Masters at Work, Fanatix, 4Hero, and fellow Philly mainstay King Britt, where she was featured on his legendary album When the Funk Hits the Fan. She has worked with Mark de Clive-Lowe – fan favorite songs include “Keep It Movin’”, “Believe”, “Hold Your Head Up” and their infectious 2010 cover of Michael Jackson’s “I Can’t Help It”. In 2014, she released her single “It’s House Music”, produced by Osunlade, on Yoruba Records, which is still considered a fan-favorite world-wide. In 2017, her single “Peace You’ll Find” was released on Reelsoul Musik, produced by Will “Reelsoul” Rodriguez.

Her track “Let It Fall”, made a resurgence in 2018 when the song went viral via Facebook with over 30 million views (video of a fan seen dancing and lip-syncing to the song in Johannesburg, Gauteng South Africa). Not long after, another video of legendary choreographer Toni Basil, dancing to “It’s House Music”, went viral with over 5 million views on Twitter, and was also seen on Inside Edition. The demand for LADY ALMA’s infectious groove went off the charts. Her single “Glory & Honor” (produced by Darryl James) was released in March 2018, and quickly followed by “A Time And A Place” with producer/DJ Ralf GUM, which was released in June 2018 on GOGO Music. Also, in 2018, LADY ALMA was recognized by Traxsource as “Best of 2018” including: “2 Top 10s”, “16 Top 100 spins” and “60 features in DJ Top 10 Charts” to name a few.

The following year, LADY ALMA released her highly anticipated anthology album entitled Twilight (June 28, 2019), with longtime collaborator Mark de Clive-Lowe, via Mashibeats. LADY ALMA’s powerhouse vocals were also featured on a number of tracks including: Low Steppa’s “Make You Move”, which reached #1 on Traxsource; Dego’s (2000Black) third album “Too Much”, on song entitled: “Just Leave It”; Valvin V. Roane’s “Just Call”; and the revered and anthemic “Let It Fall” remix with legend DJ Spinna (“Let It Fall” Galactic Soul Remix), was released on Moulton Music fall 2019. The year concluded on a high note, as Lady Alma performed at the 29th annual Chosen Few Picnic & House Music Festival in Chicago on July 6th, 2019.

In 2020, LADY ALMA hasn’t slowed down! She’s featured on “Landlord” by Swift Technique, which was released on Swift Technique’s indie label in January. Also in January, LADY ALMA released a compilation of remixes of her track “Make You Move” featuring renowned DJs including: Terry Hunter, Mark Francis, DJ Shannon & Lil Dave on T Box’s Records.
She plans to carry this momentum throughout 2020 and beyond, with an upcoming re-release remix of the 2015 track “Your Time To Shine” (Wipe The Needle Remix) by Sol Brown featuring Lady Alma via Makin Moves Records. LADY ALMA’s fam can also look forward to her newest single, “All The Way Far Away” scheduled for release in August 2020, with more new tracks with features from the likes of Rich Medina and Present Tense coming later in 2020.

Whether you’re in Toronto, Japan, Berlin, London, Paris, Johannesburg, or major cities across the US, LADY ALMA’s music is revered by many fans and DJs alike. As quoted by legendary dj/producer DJ Jazzy Jeff, “Oh my God…if you’re looking for some true soulful emotion, movin’ vocals…here you go…she makes me wanna throw my hands in the air & party the nite away… that’s Philly soul for ya!”.

GO BANG! Magazine: How did you first get started in music and when did you know that you wanted to pursue it professionally?

Lady Alma: l was born into this from day one. I knew I wanted to do this the moment I could talk and so it began my musical journey.

GO BANG! Magazine: How did you receive vocal training as a child growing up?

Lady Alma: I went to Girard Academic Music Program (GAMP) from 7th grade to 12th grade, graduating 10th of my class, receiving the “National Honor Roll” and “Alto of the Year” award. After school, I attended Settlement Music School for classical voice and piano.

GO BANG! Magazine: Growing up in Philly, you had to have been influenced by the Philly sound. How would you describe the Philly sound and how has Philadelphia influenced you?

Lady Alma: Absolutely! I would have to describe The Philly Sound as being an eclectic sound of funky jazzy uplifting soulful music, only the way Philly can do it, and if you know you know.

GO BANG! Magazine: Your vocal rhythm, timbre, tones and energy are infectious. Your vocals cause spiritual reactions similar to gospel music. Where does your soulful energy originate?

Lady Alma: I would have to say from my soul and my life experiences, good and bad.

GO BANG! Magazine: Another signature sound of your music is the Chicago House music vibe. How were you introduced to House and what is it about House music that attracts you to perform it?

Lady Alma: I was introduced to House when I attended college for a spell. Coming from a gospel background, it was inevitable to be attracted to the driving forces that House had to offer (ie..drums, keys, bass) the sounds that the producers was doing surely seduced me on the dancefloor. As for why I love to perform house music? It’s the people, the atmosphere, the music…what more can I say?

GO BANG! Magazine: In 2019, you performed here in Chicago at the 29th annual Chosen Few Picnic & House Music Festival. It is a required event to attend in the House music community worldwide. It attracts over 40,000 House music lovers each year. Can you please describe to our readers how it made you feel to be invited, to perform, as well as the audience reaction to you?

Lady Alma: First I would like to give a mad shout out to my brothers in music, The Chosen Few Djs and thank you for giving me the opportunity. If I had to describe how it was to perform for House elites, well I’ll just say it was humbling and a great big honor to rock. I’m still on cloud nine!

GO BANG! Magazine: “Let It Fall” and “It’s House Music” are two songs that are staples in the House community. Your vocals are totally different on each one, yet the feeling is the same… pure joy. When choosing songs to record, is there anything in particular that you look for that helps you decide if it’s a fit for you and do you have any input in creating the music tracks?

Lady Alma: I want to say thank you and yes it’s a feeling that I get in my heart that usually hits the moment the track starts, and yes sometimes I get to have input in the music process.

GO BANG! Magazine: You’ve had a chance to perform overseas and in other countries. How are you received by foreign audiences and is there any difference in the love that you receive from U.S. audiences?

Lady Alma: If you had asked me this years ago, I would say yes, however I have been blessed lately to be received by both sides of the world with love equally.

GO BANG! Magazine: What are you working on now that our readers should be on the lookout for?

Lady Alma: At this present time, I just released a remix of one of my tunes entitled “Your Time To Shine” by yours truly and Sol Brown and Lee Gomes (Wipe Me Down mix.) Next month I’ll be releasing a track entitled “Far Away All The Way” with my brothers in music Dj Rob Payne and David Marston on BBE records, and more works to come.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you personally dealing with it personally?

Lady Alma: I’m dealing the best way I can. I stay in quarantine and only come out when I need too. I stay safe, sane and sanitized and I’m watching and waiting.

GO BANG! Magazine: Lastly, on May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world. How do you feel about this unfortunate situation and call for police reform due to the horrible treatment of minorities by the police?

Lady Alma: “We are truly living in historic times, and the conversation happening now in our country is so important, and long overdue. Continuing the conversation is the key for us all; and as a collective, to bring about real change.”

GO BANG! Magazine:  HAPPY BIRTHDAY TO YOU!


FOLLOW LADY ALMA:
Lady Alma Social Media Links: https://linktr.ee/theladyalma


Lady Alma & Sol Brown new single released 7/17/20:

“Your Time To Shine” (Wipe The Needle Remix) – https://makinmoves2.bandcamp.com/album/your-time-to-shine-wipe-the-needle-remix

 



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram