Category: Music

FRANKIE KNUCKLES: “THE GODFATHER OF HOUSE” The Man; The Music; The Memories

Posted on by GO BANG MAG

Photo courtesy of Wikipedia

 

IN HONOR OF FRANKIE’S 68TH BIRTHDAY, I AM REPRINTING A TRIBUTE I PENNED FOR FRANKIE ON  3/31/14, THE DAY OF HIS PASSING….

FRANKIE KNUCKLES: “THE GODFATHER OF HOUSE”
The Man; The Music; The Memories
(January 18, 1955 – March 31, 2014)

First of all, I want Frankie’s family and loved ones to know that the WORLD sends our deepest, heartfelt condolences to all of you and that you have the entire planet praying for your healing.

The “House” community from all over the world are mourning the loss of our Godfather. Chicagoans in particular are devastated by the loss of one of our own. I am still in shock after hearing late Monday night of his death. Reports say that he died from complications related to diabetes. Knuckles had developed Type II diabetes in the mid-2000’s. Health problems had slowed him down in recent years – a bone disease stemming from a 2000 injury and intensified by diabetes, which resulted in the amputation of his foot in 2008. He still continued popping up at clubs and festivals.

A Bronx native, he was born Francis Nicholls aka Frankie Warren Knuckles, Jr. He began working as a DJ, playing soul, disco and R&B at The Continental Baths with childhood friend and fellow DJ Larry Levan and forged a career as a DJ in New York in the late 1970’s. He then moved from New York City to Chicago. In 1977, he was invited to move to Chicago and be the Resident DJ at a new club, The Warehouse.

It was here in Chicago, at the Warehouse, that he put house music on the map, fusing disco and its soul foundation with textures from rock and European synth music. No one can deny that house music came from Knuckles. There would be no Knuckles in Chicago though, had it not been for one man, Mr. Robert Williams.

Robert Williams, you know him, the older dude at the parties with the glasses on. He is responsible for bringing us two of the most influential people and after-hour clubs in music history. He introduced us to DJ legends Ron Hardy and The Music Box; and Frankie Knuckles and The Warehouse (where the term “House” is derived). He was born in Queens, NY but in 1975 came to Chicago and wanted to liven up Chicago’s dreadful party scene. “When I came here, there was just absolutely nothing going on. I returned to New York and told my buddies that Chicago was dreadful. They said ‘…give parties in Chicago like we do in New York!’” Like the saying goes…the rest is history.

In 1976, The Warehouse was opened and was the first after-hours club in Chicago. “My parties start at 12 midnight Saturday and ended 12 noon Sunday, sometimes midnight Sunday, depending on how I felt,” Frankie once said. It has had several addresses including 116 S. Clinton, 1400 S. Michigan, 555 W. Adams and the infamous 206 S. Jefferson. Surprisingly, Robert himself was DJ’ing at The Warehouse in the early days. In 1983, Robert and Frankie went their separate ways and Robert opened up The Music Box with Ron Hardy as the DJ and Frankie opened The Power Plant. The Power Plant had its last party and shut its doors in 1986.

When the Power Plant closed, Frankie played for four months at Delirium in the United Kingdom. He also was the featured resident DJ at The World, and had numerous other residencies. He had a stint in New York, where he continued to immerse himself in producing, remixing and recording.

Frankie bought his first drum machine from Derrick May, who regularly made trips from Detroit to Chicago to see Knuckles at The Warehouse. He also had a musical partnership with Chicago artist Byron Walford aka Jamie Principle and helped put “Your Love” and “Baby Wants to Ride” out on vinyl after these tunes had been regulars on his reel-to-reel player at the Warehouse for a year.

Soon after that, producer Chip E. took Frankie under his wings and produced his first of many recordings, “You Can’t Hide”, featuring vocalist Ricky Dillard. Then came more production work, including Jamie Principle’s “Baby Wants to Ride”, and later “Tears” with Robert Owens (of Fingers, Inc. {Larry Heard})

His debut album “Beyond the Mix (1991), released on Virgin Records, contained his biggest hit to date, “The Whistle Song.” Eight thousand copies of the album had sold by 2004. Frankie Knuckles continued to work as a remixer through the 1990’s and into the next decade, reworking tracks from Michael Jackson, Luther Vandross, Diana Ross, Eternal and Toni Braxton. In 1995, he released his second album titled “Welcome to the Real World” and by 2004, 13,000 copies had sold. In 2004, he released a 13-track album of original material titled “A New Reality,” which was critically well received. More recently, Frankie was regularly on the global club and festive circuit; converting kids who’d never heard of The Warehouse.

Many local and world-famous DJs got their starts from Frankie letting them DJ at his clubs. Here are few house testimonies from legendary, as well as average, everyday people:

Steve “Silk” Hurley (4-time Grammy nominated Producer/Remix Artist/DJ/ Entrepreneur):
“As I look up to you in heaven, I can honestly say that’s what I’ve always done. Looked up to you…as a big brother.

Who else but a big brother would welcome a young kid with open arms, as he brings his demos on “Radio Shack” Reel To Reel Tapes to the Powerplant…hot off the press from his bedroom studio in 1984 and 1985? And not only plays it once, but twice, to break it to his crowd.

Who else but a big brother would BUY that same kid’s records, even while he is at a peak of his own career, and play that record until the Vinyl wears out?

And who else but a big brother would support that kid, and countless other producers, regardless of what rung they are on in the “ladder of success”, all for the sake of inspiring the world with what he believes is great music?

As that ‘kid”, I would like to thank you for being a big brother to me in music. And I know that I speak for all of Chicago and the rest of the world when I say they we will miss you, and we will find ourselves looking up to you in heaven when we hear great music.

We Love you Frankie”

Irwin Larry “Chip E.” Eberhart II (Record Producer/DJ):
“I think of death differently than a lot of people. I realize that it’s part of everyone’s life. I’m never surprised when someone dies. Sad that I didn’t get to say goodbye, but usually happy for them…they don’t have any more worries. Life is hard work. I don’t run towards death or run away from it. I simply try to do the best I can for myself, family and friends while I’m above ground. I’ve already told those close to me that I want my passing ceremony to be a celebration with loud music and people enjoying themselves as they remember me. I don’t want to make people sad, not even in death. Frankie lived much longer than many of his close friends. He did good work on Earth, and will be remembered forever. In a way, he’s become immortal. I’m sure that with his success came much pain and suffering. I’m sure that he is at peace.”

Farley “Jackmaster” Funk (Record Producer/DJ):
“Frankie was an absolutely great guy to those who needed encouragement in the business and he stuck to his guns about the music, therefore becoming a solid foundation for the sound of music he loved.”

Jesse Saunders (DJ, music and film Producer/Remix Artist/Promoter/Entrepreneur):
“Without Frankie, there is no foundation…What Ronnie (Hardy), myself, Vince Lawrence, my brother Wayne Williams, Steve Hurley, Jamie Principle, Marshall Jefferson, Lil Louis and Farley “Jackmaster” Funk (to name a few) built was on the foundation of Frankie’s spirit and guidance. There are so many others that made important contributions to build our House in Chicago and subsequently the world, but had it not been for a fateful first night for each of us at The Warehouse, none of us would be who we are today! Frankie Knuckles’ spirit has touched every hemisphere and will live in #Housemusic !”

Teena Sloan-Hendricks (Entrepreneur/Founder of Soul Train Impact!):
“Frankie is what Don Cornelius hoped for all of us. He brought people together in love, peace and soul, with a combination of unity, acceptance and love of MUSIC.”

Dorado “Jockenstien” Evans (Chicago DJ/ Entrepreneur):
“In 1984, I was introduced to house. I began Djing and mixing as soon as I taught myself to do so. Shortly after my introduction to house, I began going out to house parties and clubs throughout the city. The Power Plant was one of the better clubs in the days. Frankie Knuckles was the owner and Resident DJ. He was kind enough to allow me opportunity to spin one night; WHAT A THRILL!!! His laid back, smooth house blends incorporated with the old school sounds of disco, was the reason I and many other people, from miles around migrated and flocked to 1015 N. Halsted St. at 12 midnight to party til noon Sunday; the best of times. Frankie has influenced many DJs around the world, including myself, and he will be truly missed. R.I.P”

Marcus “Dawg House” Balenton (Chicago DJ):
Without Frankie, there would be no house music. I think every “house head” DJ has a little Frankie in them. Thank you Godfather!”

Eric “DJ E” Miles (Chicago DJ):
“Frankie was a trailblazer, a gentleman and a classy DJ. His mixing skills evolved wonderfully and he was always a crowd pleaser! His sessions told stories and spoke volumes. I am saddened by this loss, but we will all eventually go the same route. Rest in peace my turntable brotha!”

Timothy “Midas ReTouch” Jackson (Internet DJ):
“Growing up in the 1980’s, on the Southside of Chi, house music was such a big part of our collective identities and lives. Hearing tracks now from Frankie brings back a flood of great memories the moment I hear them. No matter whether it was hearing a track played on WBMX, being at a party where he was spinning, or even seeing the posters on 79th and Stony or 87th and Stony advertising a party with Frankie, he was a HUGE part of the Chicago landscape and my younger years…and forever will be.”

Frankie loved Chicago as well, as you see here in his own words: https://www.facebook.com/photo.php?v=10202826380612125

Frankie has had a major impact on the music industry and is considered a Boss. “Knuckles is, hands down, one of the dozen most important DJs of all time; one of the 50 Most Important People in EDM (electronic dance music),” according to this Rolling Stones magazine article http://www.rollingstone.com/music/news/frankie-knuckles-godfather-of-house-music-dead-at-59-20140401

He collaborated with Jamie Principal and brought us instant classics like “Your Love” (1986) http://www.youtube.com/results?search_query=jamie+principle+your+love; and “Baby Wants to Ride” (1987) http://www.youtube.com/watch?v=bu8hVn_0Lq4; his own “The Whistle Song” (1991) http://www.youtube.com/watch?v=QIdimVDuSEU; and remixes of Chaka Khan’s “Ain’t Nobody” (1989) http://www.youtube.com/watch?v=tTzsJ8ScngA and Sounds of Blackness’s “The Pressure” (1992) http://www.youtube.com/watch?v=YDAr7WKmxk0.


This is his entire discography
Releases
• “Rain Falls” (single)
• “You Can’t Hide from Yourself” – CBS Records
• “Tears” (single); Frankie Knuckles presents Satoshi Tomiie – FFRR
• “Your Love/Baby Wants to Ride” – Trax Records
• Beyond the Mix – Virgin Records
• “The Whistle Song” – Virgin Records
• Sessions Six – Mixed by Frankie Knuckles – Ministry of Sound
• Choice: A Collection of Classics – Trax Records
• “Keep on Movin'” – Definity Records

Remixes
• “Change” – Lisa Stansfield
• “Power Of Love/Love Power” – Luther Vandross
• “Left To My Own Devices” – Pet Shop Boys
• “This Time” – Chanté Moore
• “Happy” – Towa Tei
• “Let No Man Put Asunder” – First Choice
• “Ain’t Nobody” – Chaka Khan
• “Watcha Gonna Do with My Lovin'” – Inner City
• “Talking with Myself” – Electribe 101
• “The Pressure” – Sounds of Blackness
• “Where Love Lives (Come on In)” – Alison Limerick
• “I Want a Dog” – Pet Shop Boys
• “Notgonnachange” – Swing Out Sister
• “Because of Love” – Janet Jackson
• “Love Hangover” – Diana Ross
• “Bring Me Love” – Andrea Mendez
• “Rock with You” – Michael Jackson
• “Scream” (remixed by Knuckles and David Morales) – Michael Jackson
• “Thriller” (remixed by Knuckles and David Morales) – Michael Jackson
• “You Are Not Alone” – Michael Jackson
• “Closer Than Close” – Rosie Gaines
• “Unbreak My Heart” – Toni Braxton
• “Sunshine” – Gabrielle
• “I’m Going to Go” – Jago
• “Blind” – Hercules & Love Affair
• “You’ve Got the Love” – The Source ft. Candi Staton
• “Million Dollar Bill” – Whitney Houston
• “Forever Came Today” – The Jackson 5 (Released On The Remix Suite)
• “Wrong” – Depeche Mode


He has also been the recipient of numerous awards and recognitions, including:

• 1997: Grammy Award for Remixer of the Year, Non-Classical
• 2004: The city of Chicago – which became notorious in the dance community around the world for passing the so-called ‘anti-rave ordinance’ in 2000 that made property owners, promoters and deejays subject to $10,000 fines for being involved in an unlicensed dance party – named a stretch of street in Chicago after Knuckles, where the old Warehouse once stood, on Jefferson Street between Jackson Boulevard and Madison Street. That stretch of street , called Frankie Knuckles Way, “was renamed when the city declares 25 August 2004 as Frankie Knuckles Day. The Illinois state senator who helped make it happen was Barack Obama.
• 2005: Knuckles was inducted into the Dance Music Hall of Fame for his achievements.

He and/or his works have appeared in media and popular culture, including:

• He was featured in the documentary films Maestro (2003), written and directed by Josell Ramos, and The UnUsual Suspects: Once upon a Time in House Music (2005), directed by Chip Eberhart aka Chip E.

• In October of 2004, “Your Love” with vocalist Jamie Principal, appeared in the videogame Grand Theft Auto: San Andreas, playing on house music radio station, SF-UR.

I met him several times, but I never really knew Frankie Knuckles. Even so, he changed my life for the better and influenced me as a DJ. In 1979, I was a 12 year old DJ, and I as grew older I began assisting DJ Jockenstien. This opportunity gained me entrance into several nightclubs, posing as the DJ assistant. During my high school years, all of my friends were attending The Warehouse and later The Power Plant and The Box, if you could get in. This was achieved by going on 63rd and Halsted, here in Chicago, and purchasing a phony ID. We all had them, saying that we were 21 years old. It worked! Those days kept me, and several other children out of trouble and off of the streets. Frankie Knuckles and house music saved a generation or two!

Those experiences in The Warehouse were out of this world! I was seeing things that I had never ever saw before. There were young people, old people, Blacks, Whites, Hispanics, Asians, homosexuals, lesbians, transgendered, cross dressers, thugs, nerds as well as average day Joes and Jills. The thing about it though, was that everyone was getting along. No criticisms or anything out of the sort. Everyone was laughing and joking and dancing. People would share their cigarettes, drinks, etc. with you. It was always a “family” atmosphere and Frankie set the mood for that! To this day, we of the house community call each other family and treat one another accordingly. You can always count on being accepted and welcomed at a house party; wherever it is, whatever country.

Frankie’s style of mixing music has influenced me greatly. He has a smooth, bassline influenced groove with vocals that tell a story and send a positive message to the listening audience. I adopted that strategy and I based my own DJ style on that. If you have never heard Frankie Knuckles aka The Godfather of House spin, here’s a sample for you to groove to from a DJ set at The Boiler Room in NYC: http://www.youtube.com/watch?v=644UU55eyzk

In conclusion, THE GODFATHER OF HOUSE http://www.youtube.com/watch?v=GPJcsDqJNyw has left the building. Although he is no longer with us, his spirit lives within all of us and his music and mixes will live on forever. Rest in peace Frankie…Rest in beats! Heaven is a House party now. “FRANKIEEEEEEE…YOU GO BOY!!!!”



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Music: SIMONE GREEN – SULTRY SINGER / SONGWRITER / BUSINESSWOMAN

Posted on by GO BANG MAG

Photo Credits: Evan Marcus Imagery

Simone Green is a singer and songwriter from Little Rock, Arkansas and is a graduate of the University of Iowa with a Bachelor of Arts in Sociology. While at the University of Iowa, Simone was a member of the popular band Shade of Blue in Iowa where she opened for such renowned artists as the late “Queen of Blues,” Koko Taylor, Raheem DeVaughn, George Clinton & the P-Funk All Starts and Jazz legend Joe Lovano, Maceo Parker, and Roy Haynes. As a solo artist, she opened for Stokley and Denise Williams.

In 2022, Simone released her solo EP, East of Ordinary, on Anka Shank Music LLC, which delivers R&B, House, Contemporary and Adult selections. It is currently available across all major digital platforms including Apple Music, Spotify, Amazon Music and Bandcamp.

She is an active member of the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and has lent her voice to several award-winning television commercials for major international companies such as Wal-Mart, Charmin, Toyota, WVON and the Illinois Lottery. Her songs have been used on the wildly popular dance video game, Dance Dance Revolution. Additionally, her song “Keep Ya Body Movin” was featured on the hit television series, Ugly Betty. The ADDY Awards is the world’s largest advertising competition with over 50,000 entries annually. The American Advertising Federation bestowed this honor upon advertising jingles performed by Simone in 2006.

Not only is Simone a celebrated vocalist, but she is also a highly respected businesswoman in the Chicago legal community. She is the Founder and Director of CLS Legal Staffing, which is one of the premier companies of its kind in Illinois. She is a sustaining member of the Illinois Paralegal Association, National Association of Legal Assistants and was a member of the Northwestern College and Wright College Paralegal Advisory Boards. Simone has served as an invited speaker at several major university paralegal programs on legal recruiting maters. She has conducted mock interviews at the Institute of Paralegal Studies at Loyola University Chicago and was a Career Counselor for the Chicago Daily Law Bulletin’s resume critique program.

East of Ordinary EP is a music project recorded to debut all original material developed on behalf of Chicago, Illinois based singer, songwriter, and entertainer, Simone Green. As destiny would have it, the teaming of Simone with music producers Lee Pearson Jr and Erwin McEwen brought about many creative vibe sessions where these songs on East of Ordinary manifested from a synergy of artistry. Pearson and McEwen curated the music with the specific mindset to allow Simone’s vocals and authentic talents to shine. An added benefit to the project was Simone’s complete involvement from start to finish that includes conceptualizing song story lines, vocal arrangements and mixing of each song presented on the forthcoming EP release.

East of Ordinary delivers R&B, House, Contemporary and Adult-Oriented selections. While Simone has many outstanding proven performances that deliver on just about any musical genre, confidently, she takes her stance with this release to give existing and new audiences a taste and peek into her musical soul. Eager to have her recorded project in universal circulation, even more exciting will be her live performances of this body of work where she skillfully displays her ability to entertain and engage audiences far and wide.


GO BANG! Magazine: How did you get started in music?

Simone Green: I fell in love with music at a very young age. My parents always played music around the house, in the car and it was part of our daily lives. I heard my cousin sing a Clark Sisters song and from then on, I knew I wanted to sing.

GO BANG! Magazine: When did you know that you wanted to pursue a career in the music industry professionally?

Simone Green: In college at the University of Iowa. I was part of a four-girl group (Harmoney) and we performed at talent shows and showcases around the state.

GO BANG! Magazine: Who are some of the artists that inspired you early in your career and who inspires you now?

Simone Green: From the very beginning, I’ve been a huge fan of Prince. His talents are off the charts! I really miss him! Patti LaBelle was a big inspiration for me early on because I connected with her powerful vocals. As I’ve grown as an artist, I’m simply in awe of Aretha Franklin. Her range and what she can do vocally is impressive as hell! Right now, I’m inspired by artists right here in Chicago like Terry Hunter, Isaiah Sharkey, Terisa Griffin, and Maurice Mahon.

GO BANG! Magazine: How would you describe your “sound”, as far as your singing tone and songwriting style?

Simone Green: I would say my singing tone is more sultry and sometimes coarse. I sing hard! LOL.

GO BANG! Magazine: You are vocally and musically fluent in several different genres of music including R&B, Contemporary, Adult-Oriented and HOUSE! Of the four styles of music you perform, which is your favorite and why?

Simone Green: The House music and ballads are my favorites because I love how the audience responds to them. I feed off that energy and lose myself in the moment. That’s when you have some truly magical musical moments.

GO BANG! Magazine: March of 2020 is when the world went on lockdown due to the Covid-19 pandemic. The world opened back up in 2022. How did you cope during the pandemic?

Simone Green: For the first six to nine months of the pandemic, I was completely depressed. I have a very busy and hectic schedule and when all of that came to an abrupt halt, I didn’t know what to do with myself. I thrive on routine and suddenly that was thrown into chaos. I had no structure, nowhere to go and nothing to do. I coped by drinking lots of wine and snacking all damn day!

GO BANG! Magazine: Things are getting a lil better now and a “new normal” is here, which means live concerts are returning. Are there any concert tours planned for you any time soon? If so, when?

Simone Green: My dream is to go on a European tour in the next two years. In the short term, I’m hoping to take my Aretha Franklin Tribute on the road throughout the US in 2023, so stay tuned!

GO BANG! Magazine: Chicago loves them some Simone Green. What would you like to say, not only your Chicago supporters, but to your supporters and the GO BANG! Magazine readers, aka THE BANGERS, across the planet, regarding their support and love for you and your music?

Simone Green: To all my fans and THE BANGERS, I love y’all and thank you from the bottom of my heart for your continued love and support! It means the world to me, and I promise to keep striving for excellence!

GO BANG! Magazine: Earlier this year, you released your solo EP, “East of Ordinary.” Can you tell our readers all about the EP and what they can expect from it?

Simone Green: I am immensely proud of this project! I collaborated with a fantastic team of writers, Lee Pearson Jr., and Erwin McEwen, of Anka Shank Music on every song. The EP consists of all original songs and I’m proud to say that I’m a songwriter on every tune. It’s a mix of R&B and House music. It’s a nice and chill vibe that will make you wiggle in your seat and dream a little bit.

GO BANG! Magazine: One of the songs on the three-track EP that stood out to me, because it was House, is “Don’t Say Nothing.” I loved it! Tell us about that song and your involvement in the House music community.

Simone Green: I absolutely love that song! I connected with the track the first time I heard it! It’s a great dance tune and I hope to have a few remixes out before the summertime. I love House music and have been a fan since my college days in Iowa City. I’m from Little Rock, AR and didn’t hear House music until 1990. Several of our campus DJs were from Chicago, so House music was everywhere.

GO BANG Magazine: Are there any artists you would love to perform with or write for that you haven’t thus far?

Simone Green: To share the stage with the likes of Jill Scott, India Arie, The Roots, or Silk Sonic would be a dream come true. I love them all and it would be an honor to work with all of them.

GO BANG! Magazine: To follow up on that, are there any “dream” producers that you’d love to work with, but haven’t yet?

Simone Green: I would love to work with Terry Hunter (I’ve been manifesting it for a few years!) and I’d love to work with Raphael Saadiq. I love Raphael’s music and writing style….and Terry Hunter is the king of House music right now. I’m a big fan and praying I get the opportunity to work with him, sooner rather than later!

GO BANG! Magazine: In addition to being an outstanding singer/songwriter, you are also an astute businesswoman in the Chicago legal community. How has your legal background aided you in your career in the entertainment industry?

Simone Green: I’ve been working in legal recruiting for 25 years and have met and worked with lots of lawyers and legal professionals. The biggest benefit of this experience as a performer has been the skill of negotiating. I negotiate contracts and offers with my clients and candidates daily and I’m proud to say that I know how to close the deal. Because I manage my singing career, the art of negotiating has helped me with booking my gigs and executing contracts across the board.

GO BANG! Magazine: As we’re doing this interview, it’s the holiday season with Christmas and New Year’s knocking at the door. What are you thankful for this year and what are you hoping for next year?

Simone Green: I’m thankful for good health, my supportive and loving family and friends and the gift of doing what I love. I’m looking forward to recording with a couple of Grammy-award winning producers from Chicago this year and broadening my fanbase in 2023.

GO BANG! Magazine: In conclusion, I want to thank you for granting me this interview. I also want to wish you a HAPPY HOLIDAY SEASON, as well as inform you that you have now officially been BANGED!!! GO BANG!

Simone Green: Thank you so much!

Watch Simone Green’s performance:

https://www.facebook.com/SimoneGreenLive/videos/413158447238898


https://www.facebook.com/SimoneGreenLive/videos/dont-say-nothing-by-simone-green/1240135716517302

Video courtesy of: Q’s Lounge

Video courtesy of : YouTube/Bird’s Eye View Productions

Simone released her solo EP, East of Ordinary, on Anka Shank Music LLC, which delivers R&B, House, Contemporary and Adult selections. It is currently available across all major digital platforms including:

(CLICK to purchase/download)  Apple Music, Spotify, Amazon Music and Bandcamp.


You can catch Simone Green performing locally, in the Chicago area, at the following upcoming shows:
Friday, January 13th: Ques Lounge, 8404 S. Kedzie, (Chicago)
Sunday, January 15th: Linger Martini Bar, (Oak Forest)
Friday, January 27th: Copper Still Martini Lounge, (Homewood)
Friday, February 10th: Ques Lounge, 8404 S. Kedzie, (Chicago)
Saturday, February 11th: Dining On The Green (Park Forest)
Saturday, February 25th: Linger Martini Bar, (Oak Forest)
Friday, March 3rd: Ques Lounge, 8404 S. Kedzie, (Chicago)

Follow Simone Green on social media and website:
Website: http://simonegreenlive.com
Facebook: https://www.facebook.com/SimoneGreenLive/
Instagram: https://www.instagram.com/simonegreenlive/
Twitter: https://twitter.com/SimoneGreenLive



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Music: FELTON PILATE / CON FUNK SHUN

Posted on by GO BANG MAG

All Photos courtesy of Felton Pilate/ConFunkShun


Felton Pilate is best known as the lead singer of Con Funk Shun, an R&B Old School band created in 1974, while in Memphis, TN.

Pilate was born in Jackson Mississippi to Felton Pilate Sr., a naval physician, and Benita Akines Pilate, a music major and social worker. After many military assignments, The Pilate family’s last move would be a move to Vallejo, CA, where Felton Jr. would spend his formative years.

Pilate knew from a very young age that music would be an important part of his life. He took trumpet and piano lessons very early and self-taught himself to play guitar and trombone. In high school, he created a band and performed locally while honing his craft.

Michael Cooper, who had another local band, asked him to join his group during their final high school years and with no hesitation, Felton said yes. That was the beginning of his career as a member of Project Soul who went on the road with Stax recording artists, The Soul Children, and moved to Memphis, TN.  Project Soul got a record deal and were asked to change their name. The band chose Con Funk Shun and the rest, as they say, is history.

The band went on to record hit after hit in the 70’s & 80’s where Pilate served as co-producer and songwriter. He still performs with Con Funk Shun to date and proudly proclaims that the music business has been his only income since 1972.

ConFunkShun

Photo courtesy of ConFunkShun

Pilate’s accolades include Record Producer, Songwriter & Recording Artist with (USA) Diamond Platinum Sales Status and numerous Gold, Platinum, Multi-Platinum, and Mega-Platinum selling albums; participated in and contributed to numerous Grammy winning and nominated recording projects; Recording Engineer, Mixer, and Mastering Engineer. Pilate has 45+ years touring history as an internationally recognized R&B artist principal, recording studio owner and manager having trained numerous other eventual Grammy winning record producers.

Pilate gained his greatest world-wide acclaim for production/writing with rap phenom M.C. Hammer. The Hammer-Pilate joint effort staggers the imagination with sales from ‘89 to ‘92 alone, of 30 million, including “Please Hammer Don’t Hurt Em” the #2 all-time selling R&B LP. Other landmarks in Pilate’s Capital records days include his film and TV soundtrack work, such as his Oscar-nominated “Addams Groove” (Addams Family Movie theme) and “Hammerman” (Hammerman cartoon show). Pilate has many other accolades to his credit including his 2010 contribution of “I Wanna Play For You” to the Grammy award winning “The Stanley Clarke Band” album. Pilate has produced artists in other genres, such as Country, Rock, and Gospel.



When Pilate began touring, his soulful falsetto voice, sexy, romantic lyrics and his guitar, keyboards and trombone skills immediately gathered a loyal fan base that has remained with him for almost 50 years. His style of music is not just limited to R&B but is also influenced by many other music genres. His melodic mix creates a distinctive sound that intrigues and transports his listeners, and his larger-than-life persona on stage penetrates his fans hearts and souls.

In 2004, Pilate released a fantastic solo LP entitled, “Nothing But Love Spoken Here”. He provided all the production, vocals, and instrumental tracks and most of the songwriting. A Taste of Honey’s Janice Marie Johnson duets with him on it, and on “Only For You“, which is about that elusive quality: Devotion.

Pilate exquisitely demonstrates his many talents in the recording booth and at the mixing console too. During Covid, he released two singles, “We’re Still Here” and “Waiting Just to Dance” and is currently in the studio working on finishing the album. Both songs are doing extremely well on the charts worldwide. As for Con Funk Shun, Felton and Michael Cooper fine tuned Con Funk Shun’s new Christmas album, “Home For Christmas” released in the fall of 2022, and a new R&B album set for release in early summer 2023.

Pilate has a gift of perfecting and creating multiple projects at one time and is extremely busy with his music as well as writing, editing, and creating a soundtrack for a new TV pilot. Over the last two years, he has also developed several stage shows including “Everybody Dance!“, a tribute to Nile Rodgers and Chic, “I Love Music!”, a tribute to the Philly Sound, and “Rock Steady!”, a tribute to Kenneth “Babyface” Edmonds.

In Pilate’s spare time, he loves to show off his magician skills to friends and family. He also enjoys taking photos, recording videos, and editing them, cooking, watching movies, and traveling!

Pilate resides in the Atlanta area with his wife Jennifer and loves spending time with their children, family, and friends.

 



GO BANG! Magazine: It is a pleasure and an honor for GO BANG! Magazine to have this opportunity to interview you Sir. When you were developing your talent in the early years of your life, who was your inspiration then and who do you admire now?

Felton Pilate: There’s been a piano in my home as far back as I can remember. My first inspiration was my mother, who was a music major and a very accomplished singer and pianist. Latter inspiration came from music I heard around the house. If my mother got to the “hi-fi” first, it was classical music, and if my father got to it first, it was the jazz masters of the day, like Duke Ellington, Count Basie, Frank Sinatra, etc.

GO BANG! Magazine: March of 2020 is when the world went on lockdown due to the Covid-19 pandemic. The world opened back up in 2022. How did you cope during the pandemic?

Felton Pilate: It was a difficult year for Con Funk Shun performing live. We did a quarter of the gigs that we would have normally done. However, on the creative side, it gave me a lot of time and opportunity to work on the songs for the Christmas album that we just released within the last 30 days. It’s called “Home for Christmas” and has five original songs on it. We had a chance to perform four of the songs in front of our Bay Area audience when we performed at Yoshi’s this past weekend.

 

Home For Christmas – ConFunkShun

Video Courtesy of YouTube/ConFunkShun Band

ConFunkShun – Love’s Train – LIVE

Video courtesy of YouTube/LiveLikeItShows


GO BANG! Magazine: Things are getting a lil better now and a “new normal” is here, which means live concerts are returning. Are there any concert tours planned for Con Funk Shun and for you as a solo artist, any time soon? If so, when?

Felton Pilate: Silk Sonic’s release of “Loves Train” this year just happened to coincide with the song being released on the “To The Max” LP, 40 years ago. Although it’s been one of our most popular songs, the newfound interest allowed us to tour even more this year. We’ll have one more concert before the end of year that will be the end of the “Loves Train 40 Year Anniversary Tour.” We already have 20 or more gigs lined up for next year and are talking to promoters about us possibly touring Europe after the first of the year.


(L to R) Felton Pilate, Bruno Mars, Anderson .Paak, Michael Cooper

GO BANG! Magazine: As you just said, Love Train was recently revived and covered by Silk Sonic on the 2022 Billboard Awards show this past spring in May. What did you think about their performance of your song, and have you had a chance to speak with them and provide any feedback to them? If so, what did you say and how did they respond?

Felton Pilate: Mike (Cooper) and I had a chance to fly to Las Vegas, meet with them, and thank them personally for recording the song. We were invited backstage at their performance at the MGM Grand in Las Vegas. After 10 minutes of waiting in the reception room, Bruno Mars, followed closely by Anderson .Paak, burst through the door, dropped to his knees, and did his best Michael Cooper imitation singing “If by chance…“!! We spent the next few minutes talking music in general and learned that Silk Sonic initially had concerns about doing the song justice. Bruno asked did they do ok…

Silk Sonic Billboard Music Awards 2022 Performance “Love’s Train”

Video courtesy of YouTube/Bruno Mars

 

Puh-leezzzzz!!!! I think they did a magnificent job! They managed to keep the emotional intensity of the original recording, while adding their own signature flourishes. We didn’t know in advance that they were going to be recording it. Mike and I both found out on February 14th and the first time I heard it, I was blown away!

GO BANG! Magazine: Congratulations are in order for you as a producer, songwriter and Grammy award nominee and winning recording artist. Who are some of today’s producers, songwriters and recording artists that you admire?

Felton Pilate: I’ve been a Bruno Mars fan since he first came out. I will have to admit that I knew nothing about Anderson .Paak until the last two years, but I have recently come to really like what he does as a writer and producer. Artists such as Neyo, Kem, and Khalid are on my playlists and I’ve been paying close attention to producer, Ian Kirkpatrick.

GO BANG! Magazine: In that same vein as my previous question, are there any creatives that you would love to work with that you haven’t thus far? If so, who are some of them?

Felton Pilate: In addition to everyone I’ve mentioned, I would have loved to work with Quincy Jones. I still may get a chance to work with Babyface and Teddy Riley.

GO BANG! Magazine: You are a survivor in the music industry, with over 45 years of successful international performing and touring. While others have faded away. You have withstood the test of time. What is the secret to your longevity?

Felton Pilate: Well, I wouldn’t call it a “secret”, but I actually try to create with the word “longevity” in mind. There’s a reason why songs such as Lionel Richie’s “Endless Love“, Whitney Houston’s “I Will Always Love You“, and Michael Jackson’s “Rock With You“, have survived over the decades and will be around and loved for decades to come. I believe it is entirely possible to stay relevant without having to completely depend on whatever the current musical trends are.

GO BANG! Magazine: Besides being a legendary artist, you have something else up your sleeve. We here at GO BANG! Magazine are fans of magic, and we heard that you are quite the magician. How did you get started in magic and are you really that good?

Felton Pilate: My mother bought me a magic set one Christmas when I was young and I’ve dabbled in it ever since.  Nothing elaborate, just spur of the moment stuff with cards, rope, coins, etc.

GO BANG! Magazine: What’s your most popular, and, what’s your most favorite magic trick that you like to perform?

Felton Pilate: My best one so far was done decades ago (before cell phones). I had my girlfriend randomly select a card from a deck and put it into her back pocket. No one left the room and everyone stayed in plain sight. A few moments later her home phone rang and a mysterious voice told her what the card was. Everyone was quite impressed!

GO BANG! Magazine: What other hidden talents do you have, that our readers may not be aware of?

Felton Pilate: I take my cooking VERY seriously! I’m a big fan of Asian food of all kinds. I’ve got a wok and I’m not afraid to use it! I also have a salmon salad with sundried tomato pesto that’s quite popular.

GO BANG! Magazine: Felton, I want to give you your flowers while you’re still alive. You are blessed, talented and your music has touched the world and made it a better place to live. Your music has been the soundtrack to millions of people’s lives. Thank you! In conclusion, what would you like to say to all the GO BANG! Magazine readers, aka the BANGERS, around the world?

Felton Pilate: I have been blessed to have my music be my only source of income for over 50 years and I’m honored for my songs to have been a special part of people’s lives. Thank you, BANGERS, for allowing that to happen!

Stay tuned… there’s more to come! Happy Holidays!!!

GO BANG! Magazine: HAPPY HOLIDAYS Felton Pilate. You have now been BANGED!!!

You can follow Felton Pilate on social media @Felton Pilate and check out his website.



 

 

 


Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Music/Business: DJ/PRODUCER TERRY HUNTER

Posted on by GO BANG MAG

Photo courtesy of Terry Hunter

 

It’s one thing to hit the top. It’s another thing to stay there!

With over four decades of traveling the globe sharing his passion for House music, Terry Hunter’s career is the stuff of legends. As a DJ, his name consistently headlines some of the most renowned festivals including Miami’s Winter Music Conference, SuncéBeat, Groove Odyssey, 51st State and Amsterdam Dance Event. As a producer, his discography constantly updates with the music industry’s top artists including Michael Jackson, Aretha Franklin, Jennifer Hudson, Jill Scott, John Legend, Mary J. Blige, R. Kelly, Raheem Devaughn, Terisa Griffin, Estelle, Chantay Savage, Byron Stingily (of Chicago’s Ten City), Syleena Johnson, Kanye West, Rhymefest, Barbara Tucker and as of recent, Chaka Khan and Beyonce’.

Born and raised in the city where it all began, even the start of his career includes the Chicago parties and nightclubs credited with creating the foundation for an entire genre. His first release in 1990 titled “Madness,” became an underground hit and would prove to be a precursor to a plethora of successful releases and #1’s on Traxsource & Beatport from his own label, T’s Box Records, started in 2004. Becoming the first new member of Chicago’s Chosen Few DJs in 2006, Terry went on to release the global dance classic, “Wonderful”, featuring Chicago songstress Terisa Griffin, followed with a remix of Marshall Jefferson’s house music anthem, “Move Your Body” and a hit remix of Avery Sunshine’s “Ugly Part Of Me.”

Named “Producer of the Year” by 5 Magazine in 2009, Terry’s work includes numerous collaborations such as 2011’s “Mass Destruction” project with his friend and colleague, Kenny Dope, with whom he remixed Kanye West’s “Addiction.”

In 2013, he released “We Are One: A Movement for Life,” a contemporary ‘message record’ addressing the violence impacting Chicago communities, from which all proceeds were donated to local non-profit organizations working to reduce the issue.

In 2014, Terry earned his first Grammy nomination for Jennifer Hudson’s “It’s Your World” followed by a career highlight of producing two songs — “I Will Survive” and “You Keep Me Hangin’ On” — for Aretha Franklin’s “Aretha Franklin Sings the Great Diva Songs” project.

Signed to Ultra Records in 2019, Terry’s first full length album “Imagine No Music” is already making its mark. The first single “Angel” held a number one spot on Traxsource for over two weeks, and the second single “TSOC: The Sound of Chicago” featuring Common, Mike Dunn, Deon Cole, Chantay Savage, Corey “Coldhard” Johnson of Crucial Conflict, AM7 and Jamie Principle captured the same position after only four days of being released.

In December 2022, Terry Hunter was nominated for his 2nd Grammy Award in the Best Remixed Recording category for Beyonce’s “BREAK MY SOUL (Terry Hunter Remix).” Hunter was nominated by his peers of producers and engineers for his remix of the #1 smash hit.

After 40 years, Terry Hunter relevancy is stronger than ever. Sky’s the limit.



“During the completion of this interview, we are deeply saddened to report that Terry Hunter lost his dear mother, Myrtle Hunter (November 17, 1955 – December 8, 2022). Terry, we at GO BANG! Magazine offer you, your family, and friends our deepest sympathies and condolences on the loss of your mother. We pray that GOD comforts all your hearts during this difficult time.” – Pierre Andre’ Evans

Photo courtesy of DJ Terry Hunter/Facebook

“Just want to take a moment to thank everyone for their calls, emails, and text messages. The outpouring of love, encouragement, and prayers has meant the world to me and my family as we deal with this unimaginable loss. Thank you for your continued prayers and for respecting my family’s privacy during our time of grief. Now Rest Momma ❤️” – Terry Hunter 12/17/22

 

GO BANG! MAGAZINE: When and how did you get started as a DJ, and when did you know that you wanted to pursue it professionally?

Terry Hunter: I was about 10 years old when I got introduced to House music. The first DJ I ever heard live as a kid was Frankie Knuckles and right after that DJ Brett Morrison from Chicago. After seeing them both, it changed my life. From that moment, I knew that I wanted to do music.

TERRY HUNTER’S T’S BOX RECORDS

 

 

 

GO BANG! MAGAZINE: In 2004, you started T’s Box Records. What prompted you to start your own record label?

Terry Hunter: It was time for me to take the next step in my career and really get in the business. I wanted to start a label for music that I thought was missing at the time.

 

 

 

GO BANG! MAGAZINE: Then in 2005, you were the first new member to be added to Chicago’s The Chosen Few (TCF) DJs, a pioneering and groundbreaking DJ collective group. What do you feel you bring to TCF DJs?

Terry Hunter: All the others were good friends from back in the day. When my friend Wayne Williams asked me to join, I said yes without any hesitation. Not to put words in their mouths, but I think I brought more of an international look on the group, because of the records I had put out and because of the travels.                                                                                                                                                                                                                       Photo courtesy of ChosenFewDjs.com

GO BANG! MAGAZINE: You were recently signed to Ultra Records in 2019 and you’ve released your first full-length album, Imagine No Music. “Angel” and “TSOC” have been released and both charted exceptionally well. How would you describe your album and what other songs can we expect soon?

Terry Hunter: I’m super excited about this album and it’s going to feature so many dope artists. The first song was “Self-Love” featuring Estelle, Chantay Savage, and J. Ivy.


GO BANG! MAGAZINE: Music vibrations can affect or influence society. In my opinion, House music radiates love and peace. If YOU were to attempt to describe House music to someone that is unaware, how would you explain it?

 


Terry Hunter: It’s Simple. House music is something you can feel. When people say House Music is a spiritual thing, it’s really true.


 

 

Photo courtesy of thetribe.com

 

GO BANG! MAGAZINE: You have produced for Chicago’s own Chaka Khan, R. Kelly, Kanye West, Jennifer Hudson, Chantay Savage, and Terisa Griffin. Why is it important for you to work with hometown artists?

Terry Hunter: Chicago has some of the most incredible artists in the world. Tapping into the talent here keeps our city and the artistry here on the map. That’s important to me. Chicago has a “sound” and talent that influences the world.

 

Photos courtesy of Terry Hunter/Facebook

 

GO BANG! MAGAZINE: Most recently, you were called and asked to do an official remix to Beyonce’s mega hit “Break My Soul.” You had a record release party for your new song “TSOC: The Sound of Chicago” and debuted your remix of “Break My Soul” here in Chicago’s Hyde Park neighborhood at Chemistry. The remixed track was well received. I was there! Even more recent, you were nominated for a Grammy Award for it.  CONGRATULATIONS!!!  What are your thoughts on Beyonce’ and Drake making “House” inspired music and their attempts of bringing House to the mainstream?

Terry Hunter: Thanks! I think what Beyonce’ and Drake did was nothing short of incredible. They shed some light on House music.

YouTube Video of Break My Soul – Beyonce (Terry Hunter Remix)  debuted at The Chosen Few Picnic 2022–

(video courtesy of PRECISE VIDEOS / ROLLING OUT MAGAZINE)

 

Terry and his mom

Photo courtesy of Terry Hunter/Facebook

GO BANG! MAGAZINE: Lastly, I want to thank you Terry for granting me this interview and appreciate you even more for completing my interview during this mournful time of your life.

You have now officially been BANGED! GO BANG!!

 

“We Are One: A Movement for Life” -Terry Hunter

A contemporary ‘message record’ addressing the violence impacting Chicago communities, from which all proceeds were donated to local non-profit organizations working to reduce the issue.

Video courtesy of Terry Hunter/YouTube

 

Follow TERRY HUNTER on Social Media @ImagineNoMusicFestival

Booking Website: https://mn2s.com/booking-agency/dj-roster/terry-hunter/

T’s Box Records:  http://terryhuntermusic.com/

 



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Event / Music / Dance: THEE DEBAUCHERY BALL 2022

Posted on by GO BANG MAG

THE DEBAUCHERY BALL IS TODAY!!!!!!

Friday, December 9, 2022

Location to be announced to TICKET HOLDERS/MEMBERS ONLY

Tickets/MEMBERSHIP:  https://www.theedebaucheryball.com/contact-8

 

THEE FOUNDER:

Khari Bowden – The Church of the Funky Soul presents – THEE DEBAUCHERY BALL

 

THEE MISSION:
The Debauchery Ball is a celebration of sensuality, liberation, and consent from a Black cultural lens. We reserved inclusive melanated spaces because African descendants across the diaspora deserve and are worthy of having places to feel safe, protected, and free where we may fully express our beauty, creativity, and sensuality, away from the European gaze and of our own making. House music is our foundation. Freedom is our creed. Lames, creeps, and inhibitions are strictly prohibited.

THEE EVENTS:

Black
Fantasy Ball

October 29th, 2022
St. Petersburg, FL


Representation, liberation, and a combination of Black fairies, cosplayers, and lifestyle communities in a beautiful collaboration with friends in Florida are behind this presentation. In sync with the DBall, a premium play space is arranged for creative expressions, kinks, and costuming complete with the most heart-racing soundtrack to keep the People moving all the night through.

Thee Debauchery
Ball

December 9th, 2022
Chicago, IL

The Afrofuturistic Black BDSM-themed flagship of the series. 18 years running, the DBall is the defining celebration borne out of the sensual and electric nature of Chicago’s House music culture. Today it is an audience revered, protected space for POCs to marvel and be marveled at as living works of art and experience an uninhibited abandon they may not have known they needed. It’s a sensory engaging feast designed 2 fill its attendees up with joy and a greater sense of self simply by being their most beautiful selves.

winter
babies
revenge

Summer 2023
Chicago, IL

Once upon a time some of the liveliest people in the Western zodiac born under particular signs were forced to celebrate their entrance into this world in the wintertime, specifically in the Midwest. Such an egregious error and insulting assault has been corrected with WBR, a summer Debauchery celebration.

PAINTED, DARK & DIVINE is a living exhibition of AfroEroticism, dance, and Black divinity. Think Met Ball but WAY nakeder, sweatier and more Afrocentric!

The Rebirth Reverie 

Spring 2023
New Orleans, LA

Can you feel a brand new day? Honoring the hemisphere’s actual new year/Spring equinox, the doors of the “Church” open to costume, dance, and sweat into the wee hours of the night in one of the most celebratory cities in the country, New Orleans! The wonderful world of Oz (in the spirit of “the Wiz”) is the theme. Attendees wear elaborate costumes of red, gold, or green; to be seen.


THEE DOCUMENTARY:

 


What is Thee Debauchery Ball?

THE DEBAUCHERY BALL LIVING EXHIBITION IS, on its face, a tasteful, erotically-themed festival series where music, art, and live performance are synthesized into a memorable, highly-charged, sensual, sensory-engaging experience. Its foundation, however, is an odyssey into the world of sexual boundaries and allowance; into the protocol, custom, and social mores; into evolving attitudes and individual empowerment. It is a celebration of brown bodies freed from societal norms and conventional sexual expression. It’s a study of the relationship between collective freedom and individual comfort, all from a Black cultural lens. It’s a party but…
THE DEBAUCHERY BALL IS SO MUCH MORE THAN JUST A PARTY.


Y’all did a documentary about the ball?


Yes! We did! The story of Chicago’s Afro-futuristic, BDSM/kink/fetish-themed House music party and how it has reshaped the Black social scene and challenged the narratives of Black sexuality. Thee Debauchery Ball, tells the story of a single house music event that was intended to pay reverence to the original intention of House Music culture of Chicago. Born in 2005, it has grown to become the only
fetish-themed, BDSM-friendly, body-positive, House party in the city. It has helped to redefine Black music, community, art, and sexuality, all topics that are often maligned in the Black community. The documentary tells the personal story of the founder, the DJs, and the participants who look upon this event and the culture within as a bastion of freedom and an escape from preconceived notions.

THE BALL IS TODAY!!!!!!

Tickets/MEMBERSHIP:  https://www.theedebaucheryball.com/contact-8


For more information, go to the WEBSITE: https://www.theedebaucheryballdoc.com/

As seen and captured by Seed Lynn.
Ring by CopperCandy
Shirt by Mike Sims

Khari Bowden: “I make poetry a contact sport.”

4 booking: bookings@disco-poetry.com

 

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Events / Music: ELECTRONIC MUSIC CONFERENCE “DECADE OF DANCE 2012 – 2022”

Posted on by GO BANG MAG

EMC announces final Conference Speakers & Festival Line Up of more than 150 artists including Calvin Harris, Green Velvet, Anna Lunoe, John ‘Jammin’ Collins (Underground Resistance), Anna Morgan, Joseph Capriati, Nina Kravitz

Electronic Music Conference (EMC) celebrates its 10 year anniversary under the theme ‘Decade Of Dance: 2012 – 2022’. They have now announced their full speaker and festival line up, which includes more than 80 speakers from across the industry with influential global players. Maintaining a strong focus on diversity and inclusivity, this year’s line up will further showcase speakers and performers with representatives from Asia, Europe, USA, First Nations community leaders, LGBTQ+ pioneers, whilst giving a firm nod to the original curators of electronic and dance music from Chicago and Detroit.

John ‘Jammin’ Collins (Underground Resistance) said:
“I am excited to participate in the Electronic Music Conference and share my unique perspective of being involved in techno since it was created in Detroit by four African American men and also as a frequent participant in the Australian music scene as a touring performer. Electronic music and the culture surrounding it continues to shift and change in Detroit, Sydney, and around the globe creating opportunities and obstacles that vary depending on where you are. One question shared in all of these markets is “who creates and controls the culture?”. Streaming services and social media are so prevalent you could understand why their influence is so strong – however the answer is the same today as it was 40 years ago when it started – it’s the community.”

Eora/Sydney artist Moss said ahead of his masterclass at EMC:
“First Nations dance music is on the rise and there’s so much talent out there waiting to be heard. Music and dance are part of who we are, and how can we create an ongoing space for the future to foster rising electronic artists? I’m excited to have a yarn alongside some great mob discussing ways we could give access, resources and support for electronic musicians in cities but more importantly remote communities.”

The roster includes a compelling selection of pivotal brands including Red Bull, Warner Music Australia, Strawberry Fields Festival, Astral People, Glasgow Underground, NITV, triple j Unearthed, Green Music Australia, Spore Festival, Bakehouse Studio, FBi Radio, NSW Government and the City Of Sydney.

The prominent EMC10 Festival further highlights exactly why EMC has become a trusted and innovative model. Running for a consecutive 10 years they have continued to drive the envelope forward. This years Festival line up covers a diverse range of artists and crosses genres with Calvin Harris, Green Velvet, Sub Focus Boyz Noize, Caribou, Joseph Capriati, John Summit, Cosmic Gate, Richie Hawtin, Len Faki and Nina Kravitz as a part of 150+ artists across 35 events on the festival program running from November 25th until December 15th.

The program commences with EMC’s Emerging Artists Showcase, curated by Dave Ruby Howe (triple j Unearthed Music Director). This will accentuate the current abundance of electronic music talent throughout Australia, aiming to help discover and uncover the most exciting next generation artists breaking through.

On the Emerging Artist Showcase, Dave Ruby Howe said:
“From the talent pool that applied to perform at EMC 2022, it’s clear that this generation of Australian artists has remained creative and vibrant in the face of the last few years of hardship. Producers, solo acts and bands have been finding new ways to hook in audiences and build their communities with them. The crop that we’ve selected for this year shows how the local scene is responding to fresh influences and innovating their own sounds; we’ve got emergent hyperpop party starters, hypnotic lo-fi house selectors, and future club stars bound for main stages all smooshed together like a colourful electronic tapestry.”

This special 10th anniversary edition of EMC will see an increased expansion that now stretches across multiple local government areas across the Sydney CBD, Inner West, Western Sydney and Northern Beaches.

A marquee event on the Festival Program is EMC presents ‘Decades of Dancing’ at Powerhouse Late on Thursday December 1st. Celebrating milestone anniversaries of EMC (10th), Roland (50th), Vicious (30th), Hardware (30th), Condesa (10th), Charades (10th), Motorik (10th) and Lucky Ent. (10th), this promises to be a birthday bash of epic proportions. Taking over the Powerhouse Museum, the event features DJs, installations, exhibitions and talks from 5pm – 9pm.

EMC Director Jane Slingo said:
“We’re thrilled to celebrate not only our own milestone but also the milestone of respected friends, businesses, partners and brands that have contributed so much for a decade or more. The Powerhouse Late takeover will feature a wide range of sights and sounds from across the spectrum of electronic and dance music, and is free to attend – so we can’t wait to welcome everyone to celebrate with us.”

This monumental celebration is set to put the Asia Pacific’s Electronic Music scene back on the map and prove to be a necessary strategic destination for all artists, labels and events.

Growth of EMC
Over the past five years, the EMC platform has seen immense growth and expansion, more than tripling its verticals to include a diverse and forward-thinking offering. These include the annual conference for industry professionals and artists, next generation scholarships for emerging talent, the annual festival with underground parties and larger-scale events, the EMC Connect series of virtual events that analyse current trends and challenges, break-through artist showcases, the global United We Stream network, special events and initiatives in collaboration with a range of partners from not-for-profits to artistic institutions, research projects including the mental-health-focussed ‘AKAR’ and the ‘Club Culture Census’, and ‘SYNC’, a fully immersive VR club experience.

EMC10
At EMC10, 8,000+ estimated combined attendees are expected across the activities which includes EMC10 CONFERENCE, EMC10 FESTIVAL, EMERGING ARTISTS SHOWCASE, EMC FILMS PROGRAM and SPECIAL ANNIVERSARY CLOSING EVENT.

EMC Conference Program https://electronicmusicconference.com/emc10-conference-program/

EMC Conference Speakers
https://electronicmusicconference.com/emc10-speakers/

EMC Festival Program
https://electronicmusicconference.com/event/emc10-festival/

EMC presents ‘Decades of Dancing’ at Powerhouse Late
https://www.maas.museum/event/powerhouse-late-emc/

Last chance to buy Industry and Artist Passes
https://electronicmusicconference.com/event/emc10/

More information available https://electronicmusicconference.com/
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Dance/Music: JA’PAN NATION: A Provocative & Dynamic Performer

Posted on by GO BANG MAG

All photos courtesy of Ja’Pan Nation

“His vocals are dynamic!”
“He disrupts equilibriums!”
“His style is renowned!”
“Ja’Pan Nation is refreshing!”



Charles Hall, Jr., better known as Ja’Pan Nation, embodies the definition of sound.

A collage of versatility, composing tones of dance and choreography, while conquering all haters, Ja’Pan Nation represents adversity, redefining your average perception of rhythm and movements with each technique.

To understand the existentialism of his craft, one must understand the barriers of his past. 25 years of dedication, determination and endurance have prepared him for this level. A product of Texas, Ja’Pan Nation is determined to sleep with success.

Aware of his talent at a young age, Ja’Pan sacrificed to become the epitome of entertainment. Rehearsing, studying, researching, practicing, and becoming nothing less than iconic. Endless competitions and accolades he attributes to his dominance.

Artists before him such as Janet Jackson, who he considers to be the most influential artist of his time, paved the way. She is innovative and unique. These are characteristics Ja’Pan replicates in his own realm of performance.

Threads of retro, urban, vintage, and couture, Ja’Pan pops tags of originality. This fabric is authentic, which no market can ignore. Fashion wise, Ja’Pan illustrates diversity. He intertwines graphics. His style expresses all artistry.

Ja’Pan Nation is a trailblazer that thrives from taking risks. Whatever you’ve seen before, you have no idea what you’ve missed. Ja’Pan appreciates all those before him, however, he is his own muse. Ja’Pan pays homage to many, but this is his destiny, and he refuses to lose!

Ja’Pan enlightens cultures with his different variations of creativity. The force behind his movement is God. He gives all praise and recognition to the Lord. He ordered his steps, and he enforced them. Get ready, you’ve just been introduced to the humble beginnings of a star!!!

GO BANG! Magazine: Where were you born and raised and how would you describe your childhood?

Ja’Pan Nation: I was born in Dallas, TX and raised in Arlington, TX. I would describe my childhood as imaginative, fun, and adventurous.

GO BANG! Magazine: How did you get started singing and dancing and what do you like about it?

Ja’Pan Nation: I started learning dance routines from some of my favorite artist growing up, like Usher, Janet Jackson, Beyoncé, Aaliyah, TLC, and Michael Jackson to name a few. I really was intrigued with how cool their choreography and formations were and how they were able to sing/rap while killing these intricate routines. This definitely piqued my interest. My aunt Debra would also have me sing leads in my church choir.

GO BANG! Magazine: When was the moment that you knew you wanted to pursue the entertainment industry professionally?

Ja’Pan Nation: I went into a studio in Dallas, TX just to record a hook for an upcoming artist. People really liked my sound and what I offered as a singer. I won several talent competitions in DFW metroplex. I created a nice buzz from just enjoying myself and doing what I loved. In that moment, I knew I wanted to try this professionally.

GO BANG! Magazine: Why did you choose the name Ja’Pan Nation?

Ja’Pan Nation: Ja’Pan was given to me in school. I was known to love Anime, Kung Fu movies, and the culture and fashion Japan offered. My former manager, Mr. John Carrington, added the accent to make it resonate more as a name for me and not the country. Nation was added as my last name because Janet Jackson is my Michael Jackson. Rhythm Nation was the very first professional choreography I learned as a kid, and I built from there.

GO BANG! Magazine: How would you describe the Ja’Pan Nation brand, sound, and style of dance?

Ja’Pan Nation: I would describe my brand as sexy, classy, and innovative. My sound, versatile. I can go from Pop to RnB/Soul to Rap. My style of dance, I would describe as well rounded. I do a little of everything in my routines. Street Jazz being my favorite. I am very strong in Hip Hop, Lyrical, and Modern styles.

GO BANG! Magazine: Your dance skills are excellent. What dancers or performers inspired you growing up and who inspires you now and why?

Ja’Pan Nation: Janet Jackson, Michael Jackson, Usher, Beyoncé, Aaliyah, Chris Brown, TLC, B2K, Britany Spears, NSYNC, Justin Timberlake and Nicki Minaj were and are artist that inspire me as an artist and as a dancer.

GO BANG! Magazine: Michael Jackson, Janet Jackson, Usher, Beyonce’ and Chris Brown are all considered superb dancers. What do you think about them as dance performers and how have they influenced you, if at all?

Ja’Pan Nation: I can go on and on about these icons. These are all naturally gifted entertainers. All of them are genius in their own way. I am inspired by them all.

GO BANG! Magazine: You are a very sexually overt person when performing and a self-described nudist. Why is it important for you to include sexuality in your performances?

Ja’Pan Nation: The female artists always give you edge, controversy, and sex appeal with class. That’s what I describe it as in male form. Male artists always play TOO safe for me. I do not believe in gender specific mannerisms as a man. Thongs are for us too lol. I identify as non-gender conforming, so it makes sense.

GO BANG! Magazine: Your new singles “Cake & Candles” and “Fluid” are club bangers. How would you describe these songs to someone that’s not familiar with your music?

Ja’Pan Nation: “Cake & Candles” really showcases who my RnB inspirations are. It’s within that realm of Michael, Chris, and Usher. “Fluid” is more of that bright upbeat energy that makes you want to twerk or go crazy lol. These two records are for the dance community and people that enjoy music that compels them to move, whether that be sexual, choreography or freestyle. I have a deep adoration for dance. Any song I release, you will most likely get a routine with it lol.

GO BANG! Magazine: You are quite a well dresser. Please describe your fashion sense and where it originates from?

Ja’Pan Nation: My fashion sense is very androgynous, like that of Milli Vanilli, Michael Jackson, Prince, and Grace Jones, with a hint of Janet, Aaliyah, BTS, drag queens, and Nicki Minaj lol

GO BANG! Magazine: Where does your song ideas come from?

Ja’Pan Nation: I don’t have ideas. I just say what I feel and name the song later.

GO BANG! Magazine: Being a great dancer, are you also a choreographer and do you choreograph your own performances?

Ja’Pan Nation: Yes, I am. I have choreographed for several step teams, cheerleading squads, and drill teams. I also choreograph for myself. However, I have also worked with other choreographers to keep everything fresh and set apart from the last effort.

GO BANG! Magazine: What advice would you give to someone that is pursuing their dream of dance and performance?

Ja’Pan Nation: Never stop climbing that ladder. There definitely will be obstacles and people that will try to deter you. Practice is the best advice I can give. The artists named above are great because they train hard! You must work on your craft and sharpen yourself as much as possible. There are millions of other artists out here wanting the same thing. If you want to stick out and be deemed the best or tough competition, you must be disciplined and train hard.

GO BANG! Magazine: Thank you Ja’Pan for this interview and good luck with all that you are doing. You have now officially been BANGED! GO BANG!

You can follow Ja’Pan Nation on social media and the following links:

Recent Performances/Video –

https://youtu.be/076BKWQ0RNU

https://youtu.be/6qQ4cDLHvok


Link tree/Spotify/Youtube –

https://linktr.ee/JaPanNation

https://open.spotify.com/artist/4WBdtVA4aohX2sYW22kQci?si=93AJo7j4StS-z5N4UFZkuw

Instagram –

https://instagram.com/japannationofficial?igshid=NDA1YzNhOGU=

Website:

https://www.japannation.net/




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.


Film/Television/Music: COMPOSER ROBERT “DIGGY” MORRISON

Posted on by GO BANG MAG

Photo courtesy of:  Quincy  J. Trent


Rob Morrison has emerged as a powerful force in the film and entertainment industry. As an award-winning composer, Morrison has worked with a wide variety of artists across multiple genres. In 2004, Morrison became a highly sought-after composer when the world-renowned artist, Beyoncé released her multi-platinum album, “Dangerously In Love.” The album featured the smash hit, “Crazy In Love,” which earned the Chicago based composer a Grammy® and a certified gold record for his exceptional keyboard arrangement and musicianship for the remix.

Known as, “The Sixth Man of Music, ” Morrison has worked with the likes of the esteemed music producer, Vassal Benford, where he served as a session keyboardist that helped to showcase the music of many artists who have gone on to have great success. As a highly sought-after composer, Morrison has worked with various TV and film projects and spent a good amount of time with the Sophia Session Orchestra of Bulgaria conducting scoring sessions for various film projects. His work was well received, and he was subsequently considered for a nomination for the 62nd Grammy’s® regarding the song titled, “Imagine.”

Morrison has always stayed relevant by using his talent to create unique content for others. His many interviews also reflect his passion and purpose when it comes to his craft. He recently scored Carl Weber’s The Family Business on BET+. He is currently working on additional film and TV projects for various streaming networks. With an arsenal of experience in his entertainment portfolio, Morrison continues to show and prove why he is a top-notch composer with the talent and success record to thrive in today’s ever-evolving world.

It all matters!
Photo courtesy of: Rob Diggy

GO BANG! MAGAZINE: What is a film composer and what’s your role?

Rob Diggy: A film composer’s job is to create a flow of music that accentuates the actor’s movement and dialogue, and to create a theme around the characters to kinda help with the storyline. It’s the thing that a director can’t imagine.

GO BANG! MAGAZINE: Why is scoring so important to a film?

Rob Diggy: A really good score will connect your audience and bring something extra to the screen. Treat the film like it’s your right arm, that’s how important it is.

GO BANG! MAGAZINE: How long have you been scoring films?

Rob Diggy: I have been scoring films since the early 90’s. That’s kinda a late start, but I quickly figured out that I could have more fun with a full score, than a R&B track. Scoring a film is like chess. You gotta know when to move.

GO BANG! MAGAZINE: About how many films you have scored?

Rob Diggy: I have scored over 100 films and counting. All of them didn’t make it to IMDb.

GO BANG! MAGAZINE: What would you tell a young aspiring composer?

Rob Diggy: A young cat needs to stay hungry and stay ready. Study the latest sounds, subscribe to different sites about composing, create your style, and be you. Place your music online, like on Soundcloud or Distrokid. Invest in your craft. Spend damn near every penny on your talent. Google free sounds and create such an arsenal of sounds, that directors will wanna use you.
GO BANG! MAGAZINE: How did you get the job on BET+, scoring for The Family Business?

Rob Diggy: I had always said you never know when the phone will ring or get that email or text. Well, it was the phone that rang, and on the other end was the director for The Family Business, Trey Haley, who is President of Tri Destined Pictures. He introduced himself and asked if I was interested in scoring season four and was I busy. I told him I was good to go. He said he found me on my Instagram page and my Soundcloud link was there. He said he liked the sound and wanted me on board. A few days later, he called and laid out the details of how I was gonna receive the deliverables. He sent two episodes a week and I got started.

GO BANG! MAGAZINE: How many episodes did you score?

Rob Diggy: There were a total of 10 episodes, each having its own identity. Trey was very impressed. Once I got started, he really didn’t bother me much. He kinda allowed me to do my thing.

Photo courtesy of:  BET+


GO BANG! MAGAZINE: Did the series help you get other work as a result?

Rob Diggy: The series has opened some doors, yes. I have worked on a project for one of the producers of the show and some great referrals.

GO BANG! MAGAZINE: Did you feel a bit intimidated having to score scenes with such iconic stars?

Rob Diggy: Na… you seen one star; you’ve seen them all. But, excited to have scored Ernie Hudson’s scenes, as well as Stan Shaw’s scenes.

GO BANG! MAGAZINE: What advice would you give to aspiring film composers wanting to get into episodic tv?

Rob Diggy: Study other shows and network with some of the actors on social media. They may not respond but keep at it. Getting to know the showrunners is very important.

GO BANG! MAGAZINE: What were some of the challenges while scoring The Family Business?

Rob Diggy: I completely lost one of the episodes. My computer was having an episode lol! I never said anything, I just started over.

GO BANG! MAGAZINE: What is a theme and how did you know what character(s) need what music in an episode?

Rob Diggy: Themes are used to identify the characters. My best example is from the movie Jaws. Every time you saw him coming, you heard his theme music. It’s the recurring motif that plays when you see that character. Of course, you can manipulate it adding a sound or two, but still having its core.

GO BANG! MAGAZINE: What projects are you currently working on?

Rob Diggy: Currently I am working on a suspense thriller titled Lipstick starring Camille Winbush of the Bernie Mac Show, directed by Kimberly Connor. Also scoring a horror film titled The Unseen, directed by Vincent Shade, and a few more with Christopher Nolen.

GO BANG! MAGAZINE: What software do you use for making music?

Rob Diggy: I use Logic Pro X. It’s the industry standard for scoring films and making hip hop beats… a one stop shop.

GO BANG! MAGAZINE: You’ve really been getting great gigs, whose your publicist?

Rob Diggy:  Desirae Benson!  She has been helping me along the way and has continuously been pushing my name out there!!

GO BANG! MAGAZINE: How can people find you?

Rob Diggy: You can find me mostly in Dubai, but for now Instagram and Facebook. The handle is “Rob Diggy” or simply Google me.

Photo courtesy of:  Quincy J. Trent


GO BANG! MAGAZINE: Well Rob, thank you for this interview and good luck with all that you are doing. You have now officially been BANGED! GO BANG!

You can follow Rob Diggy and Composer4Filmz at the following links:

SoundCloud
Facebook
Instagram
ConradSeries



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.





Music: CHANTAY SAVAGE…CHICAGO’S OWN!

Posted on by GO BANG MAG

Photo credit:  Ernest Collins

 

The daughter of a jazz musician who hails from Chicago, was raised on the sounds of jazz and soul legends Sarah Vaughn, Chaka Khan, Marvin Gaye, Al Green, and Anita Baker. Also, a Prince devotee, Chantay possesses a range and power that accentuates her vocal versatility. Like so many professional singers, she got her start in the church choir. After numerous standout solo performances, she was appointed “Minister of Music” at the tender age of 13, in charge of adults three and four times her age. It was there where she honed her skills as a vocalist and keyboardist, as well as her mastery of four and five-part harmonies.

Chantay soon got bit by the performance bug in the secular arena and entered an open mic contest at a local club. Not only did she win eight times in a row, but she also parlayed this success into gigs as a session singer and songwriter for artists like CeCe Peniston and Tonya Blount. It was Chantay’s contributions to Peniston’s single “We Got a Love Thang,” which she wrote, arranged, and sang backgrounds on, that earned her a deal with RCA Records in 1992. During her time with RCA, she released three albums, securing her first top-twenty single on the R&B charts with “Betcha’ll Never Find,” followed by a platinum single via her second album, with her R&B rendition of Gloria Gaynor’s disco anthem “I Will Survive,” including a remix featuring rapper Common that further surged the record. She returned the favor and appeared on Common’s lead single, “Reminding Me of Sef” to his third album – One Day It’ll All Make Sense. On her third and final album with the label, she wrote and co-produced a bulk of the songs, which also included a lead single produced and written by Keith Sweat.

Now independent, Chantay continues to collaborate with various artists and producers from around the world, as well as touring abroad. Her most memorable performance took place over one weekend in Johannesburg and Bloemfontein, South Africa, where she co-headlined at the Macufe Festival. She explained, “The love, hospitality and fan reception is unmatched and something I’ll never forget.”

Currently, Chantay is most excited about her new project, an EP that she and world-renowned DJ and producer Terry Hunter are hard at work on. “Terry is a multifaceted producer, our musical tastes across-the-board are very similar. I’m loving what we’ve been creating.” Chantay describes her new project to be released on her own label in conjunction with Terry’s T’s Box Records, as a “soul album.” “I appreciate my independence and freedom to record whenever and whatever I feel and not be boxed-in and told what to do and when and where to do it. I’m even revisiting my early House/Dance music days, being from Chicago. House music is on the upswing now, but I’ve always been rooted in it and Terry’s a master of that sound. The bulk of the new material, if I had to choose, is R&B, like some of my previous stuff, sprinkled in with some Pop, House/Dance, and even Hip Hop… always soulful.”

“My main goal is to make you feel something when you hear it – – from my soul to yours.”

GO BANG! MAGAZINE: When did you first know that you had real vocal talent and wanted to pursue music professionally?

Chantay Savage: Well, I was singing as far as I can remember. At three-years-old, I sang my first solo in the Sunshine Choir at church and got a standing ovation. Ever since then, the stage kept callin’ me!

GO BANG! MAGAZINE: In addition to being a vocalist, you are also a keyboardist and a drummer. When songwriting, what inspires you to write, and do you compose the lyrics first or the music?

Chantay Savage: My inspiration as far as songwriting comes from experiences, and not just mine. Also, it could be my mood or the state of the world or a message I want to get out. There is no set order in terms of lyrics first or track first. Sometimes a track can inspire the theme or tone of the record and my writing direction sometimes something I jotted “sans” (without) music can fit perfectly with a track. There are times where I sit at the keyboard and freestyle ideas lyrically.

GO BANG! MAGAZINE: As a Chicagoan, I know that you are a House music lover. How has House music influenced you and your music?

Chantay Savage: House music is what my generation grew up on, so I’d danced the night away to House music. We used to have a little clique called Front Row, where we’d go party hopping and take over the dance floor, partying to Frankie Knuckles and the like. Since Chicago is the birthplace of House, it’s been innately in me before I even sang on a House track.

GO BANG! MAGAZINE: You have written hit songs for many artists including CeCe Peniston’s mega-hit single “We Got a Love Thang.” In 1995, you teamed up with Aaliyah, En Vogue, TLC, BlackGirl, Mary J. Blige, Vanessa Williams, SWV, and others for the single “Freedom” from the movie Panther. Is there any artist, dead or alive, that you would love to work with, that you haven’t yet? What about any producers?

Chantay Savage: Not to be morbid, but let’s go with Tupac, Michael Jackson, Marvin Gaye … Anita Baker too. Producer-wise, Gamble & Huff and Stevie Wonder.

GO BANG! MAGAZINE: In the past, you were under recording contracts with labels, who dictated and directed your career. You released three stellar albums with RCA, which included the hit singles “Betcha’ll Never Find” and a remake of “I Will Survive.” Now that you are an independent artist, how are things different and what are some of the advantages and disadvantages of being an independent artist?

Chantay Savage: Independently, the difference is the freedom to record when and where I want, and to experiment musically. The one con that all independent artists can attest to is having to budget meticulously and sometimes having to forgo certain things because it’s prohibitive, budget-wise. You definitely have to put your creative hat on, with respect to promotion, because you don’t have the machine behind you who go big on promotional costs.

As far as the majors, the music business is a copycat business, so they want you to follow the trends always, and want to put you in that proverbial box. There aren’t many majors left, but I’m speaking from my time with RCA. Also, it was a lot of “hurry up and wait.” You must wait to get put on a schedule, sign off on this, sign off on that, get approved for this and that, and ultimately, they have the last say so on the songs that make the album, unless you have extreme power. It was often a power struggle with picking singles, though “I Will Survive” picked itself because we leaked it and it exploded at radio. So, like anything, independent vs a major has its pros and cons.

GO BANG! MAGAZINE: You had the opportunity to perform in South Africa at the Macufe Festival. I know that had to be one exciting experience. Please tell our international readers about South Africa, the people, the performance and how it affected you.

Chantay Savage: When I did MACUFE, it was wonderful! I performed in Joburg and Bloemfontein, South Africa, in front of a beautiful, amazing, and very receptive audience. They appreciate me and I appreciate them. The hospitality was first-class! The love was indelible. My spins at radio from two of my RCA albums are consistent there still. Can’t wait to go back!

GO BANG! MAGAZINE: Terry Hunter recently released a new hit single “T.S.O.C.”, which features you, Common, Mike Dunn, Deon Cole, Coldhard of Crucial Conflict, AM7, and Jamie Principle. Please describe what that experience was like and what you like about working with Terry.

Chantay Savage: That was such a fun record. It was Deon Cole, who himself got convinced to rap by Terry, who turned around and suggested that I rap too. He and Terry called me on a three-way with the idea and I was wit it! And regarding working with Terry, our chemistry is incredible in the studio and our musical tastes are so similar. We know each other’s likes and dislikes and the biggest thing is our trust for one another. The love is real, that’s family!

GO BANG! MAGAZINE: Recently, Drake and Beyonce each dropped albums that are heavily influenced by House music. What do you think about their albums and what effect do you think their albums will have on the youth and House music becoming a mainstream genre?

Chantay Savage: I truly like both albums. I’m not a Chicago House music snob and besides, my brother Terry blessed ‘em with that Chicago sound on one of the official remixes of “Break My Soul.” Actually, I was at Terry’s house when he got the phone call from Beyoncé’s manager. I think it will propel House music to new heights. As I said, the majors are a copycat business, so Terry’s phone is ringing off the hook! Even rappers want a House track from him, so I’m here for it!

GO BANG! MAGAZINE: If you were not an entertainer, what would you be doing with your life?

Chantay Savage: I’d would definitely be doing something creative. If it were not for music, I would want to create a lifestyle brand centered around black women.

GO BANG! MAGAZINE: Lastly, you’re about to drop an EP on your own label, in conjunction with Terry’s T’s Box Records. Can you please tell us more about your label, describe this project, as well as what our readers can expect?

Chantay Savage: Yep! I’m at the helm, so along with Terry, we’re cooking. My EP is a mixture of R&B, House, and Disco … always soulful! Can’t wait for the world to hear it! We’re putting the finishing touches on it. It’s coming!

GO BANG! MAGAZINE: Thank you Chantay for this interview. You have now officially been BANGED!

You can follow Chantay Savage:
Socials:
IG: ChantaySavage
FB: Chantay Savage
Twitter: MsChantaySavage



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Music/Business: PRODUCER/DJ LOUIE GOMEZ & BASSMENT TAPES RECORDS

Posted on by GO BANG MAG

Photo credit:  Paris Brightledge

 

Louie Gómez has been involved in the Chicago House music scene since day one. As a House music pioneer, Gomez stepped onto the stage of dance music history by discovering, a then unknown, Jamie Principle. Louie went on to produce the original eight minute “Dub Vocal Mix” of “Your Love”, an unreleased track of Jamie Principle’s at the time. This House music anthem, along with another original unreleased production from Gomez entitled “Change”, became staples in Frankie Knuckle’s DJ sets at the legendary Warehouse and Powerplant nightclubs in Chicago.

After taking some time to hone his skills as an audio engineer at local recording studios in Chicago, Louie Gomez was ready to show his growth as a producer/remixer and DJ. His productions aren’t limited to one style. He is comfortable producing tracks that are elegant and soulful, to deep House or funky dancefloor excursions, always striving to go beyond the ordinary.

In 2015, he marked the launch of a new record label, Bassment Tapes Records with Jesse Rivera. The label is a multi-media imprint, encompassing live DJ sets, music videos and a roster of talent signed from the underground House music scene from across the globe. The label is coming up on their 100th release and to commemorate this milestone, Louie Gomez and Jesse Rivera will collaborate on a 4-track vinyl only release.

Aside from running a label, music, and video production, you can also catch him and Jesse Rivera on their monthly show “Gruvbox” and his solo DJ show “Happy Hour” on the Sugar Shack Radio twitch stream.


GO BANG! MAGAZINE: When and how did you get an interest in DJ’ing?

Louie Gómez : Well as a young boy, I was exposed to all types of music, having grown up with older siblings and a father who all bought music on vinyl. There was always music on the hi-fi stereo in our home, and my dad taught me how to use his reel-to-reel tape deck to record my own “playlists.” By the time I was in high school, I had a nice collection of Disco and Funk records. So naturally, when the opportunity to play at a school dance came up, I was asked to play. The response from friends, while I played records, really got me hooked on wanting to play again

GO BANG! MAGAZINE: How did you first get started in the House music scene?

Louie Gómez : Before the term “House music,” we’d go to parties where the Chosen Few were spinning, for example, The Tiki Room, The Loft, The Mansion, Sauers, South Commons. I was around 16 at the time. I think this was my intro. But it wasn’t until I was about 17, when my friends and I actually ventured to a club that we had only heard of until then. It was this place called U.S. Studio Warehouse, on Adams and Jefferson, that I became fully baptized in the “House music” scene.

GO BANG! MAGAZINE: You are also a music producer/remixer. Can you please explain if DJ’ing and music producing started at the same time or did one lead to another?

Louie Gómez : During my high school years, I was DJ’ing on the south side at small basement parties and events for friends. At this time, I hadn’t thought about producing. It wasn’t on my radar. I didn’t even consider it a possibility.

GO BANG! MAGAZINE: Who are some of the music producers, artists or DJs that inspire you or inspired you in the past?

Louie Gómez : Those who I continually draw inspiration from are, Patrick Adams, Vincent Montana, Randy Muller, August Darnell, Giorgio Moroder, Gino Soccio, Kraftwerk, Dan Hartman, Roy Ayers, D.C. LaRue, Eric Kupper, Antonio Carlos Jobim, and Joao Gilberto, to name just a few.


Photo credit:  Louie Gómez

GO BANG! MAGAZINE: You’ve stated that you discovered Jamie Principle, an icon in the House music community. Please tell our readers how and when you first met Jamie and how you introduced him to the world, by producing one of his House music classics “Your Love.”

Louie Gómez : I met Jamie Principle when I was 17 years old, while working a retail job at Evergreen Plaza. I saw him walking across the lower level and because of the way he was dressed, he caught my eye. This guy was the epitome of “new wave” head to toe. I just had to strike up a conversation, so I stopped him and asked him about his Fiorucci sunglasses and his lavender knit gloves. He was just too cool for that plaza – LOL. It turned out that we had a lot in common, music, love of fashion, and trends.

Over the course of the next year, we became good friends. I would share my stories of the parties I’d attend, and I spoke enthusiastically about going to The Warehouse a lot. He in turn would share his original music with me. I would actually play some of his original tracks (off cassette) at the parties I DJ’d at. We talked about music production a lot and he showed me his project studio at his home. It was during one of these visits that he played a rough draft of a new song for me (later to become “Your Love”) and I immediately responded positively to it. In an off-handed remark, I said “you should let me remix this.” I thought it had potential to be played at The Warehouse.

A few weeks later, Jamie called and invited me to Soto Sound Studio to do a mix on his newly completed track “Your Love.” I enthusiastically accepted the invite and off I drove to Evanston, having no idea what I would do once I got to the studio. However, once there, we got comfortable and just started the playback of the track learning the song and taking some notes. I began to mute, solo, add delays and various effects, while the engineer helped with editing the actual tape, to create a longer intro/outro, which I knew was imperative to make it DJ friendly. The result was a 10:00 minute hybrid vocal/dub. I knew I had to get this into the hands of Frankie Knuckles.

I belonged to I.R.S. Record Pool at the time, and I knew Frankie did too. I had run into him there on a couple of occasions. So, that following week, I showed up to I.R.S. and waited for Frankie to come in and pick up his promos for the week. When he arrived, I handed him my remix of Jamie Principle’s “Your Love” on a 7” reel-to-reel tape. I explained that it was a new song by a brand-new artist and kindly asked if he would have a listen when he got the chance.

That following Saturday, my friends and I, as usual, headed for a night out at The Warehouse. I recall around 3am, the lights going dark on the dancefloor and over the sound system that infamous arpeggio intro that seemed to last forever started. Then that throbbing synth bassline from the Korg/Mono Poly plays. I couldn’t believe my ears. Frankie was playing “Your Love” off the reel-to-reel tape, and to my surprise everyone on that dance floor was feeling it. Over the next year Frankie played my dub mix every weekend and basically established this as an anthem.

The following week, back at the record pool, Frankie asked to meet Jamie (which was easier said than done, having strict parents). But eventually I was able to introduce them to one another and that’s a whole other chapter of the origins of House music.

So, I really owe it to Jamie Principle for allowing me to remix his track and showing me that music production is something that I could pursue. I immediately went out and bought my own drum machines and synthesizer and started to learn the craft of songwriting and production.

GO BANG! MAGAZINE: As one of the pioneers in the House music scene, you must’ve worked with and DJ’d with many other pioneers of House. Who are some of the people that you have worked with or spun with over the years?

Louie Gómez : As a DJ, I’ve been on the same roster as Victor Simonelli, Laura Branch, Craig Loftis, and Mike Winston. I’ve produced tracks for Shawn Christopher, Kym Sims, Marisa Lopez, and Roxy.

 

 

 

 

 

 

 

 

 

 

Photo courtesy of: https://www.facebook.com/louie.gomez

 

GO BANG! MAGAZINE: In addition to all that you do, you are also and entrepreneur and the co-owner of Bassment Tapes Records, along with Jesse Rivera, which launched in 2015. Please tell us about your label and your co-owner Jesse Rivera.

Louie Gómez : Jesse Rivera is a talented musician, producer, engineer, DJ, graphics artist, and tech-head. Originally from Detroit, he brings an ear for the organic, experimental, and cutting edge to the label. Our friendship has grown over the past 11 years. He and I launched Bassment Tapes Records to curate a sound we ourselves were interested in spinning, with roots in; Deep House, Funky, Soulful, Disco, all with an underground vibe. Throughout the 7 years running this label, we’ve showcased producers and vocalists from around the globe which fit into our vision for keeping this genre that we love, vibrant and forward looking.

GO BANG! MAGAZINE: How would you describe the Louie Gómez sound, both as a DJ and as a music producer/remixer?

Louie Gómez : Well, I would say that my productions aren’t limited to one style. I’m comfortable producing tracks that are elegant and soulful, to Deep House or funky dance floor excursions, but always striving to go beyond the ordinary.

As a DJ, this all depends on the mood. Maybe you’ll get all the new stuff, or a classic Disco set, or perhaps I’ll mix it and go where the vibe takes me.

GO BANG! MAGAZINE: Over the years, House music has evolved and has branched out over the world in many new variations. What do you see as the future of House, as a music genre and as a community?

Louie Gómez : Well, there will ALWAYS be music being made for the dance floor. The name may change, but the roots will always be Disco and House music. I really like a lot of the new music being produced. There’s a lot of great original sounding music coming out, but I will always have a soft spot in my heart for the classics and will continue to include those tracks in my sets.

As far as community, I hate to sound cynical, but I’m just not feeling “community” like there was in the past. Perhaps this is due to COVID separating a lot of us, or people just looking out for themselves. I don’t really fret over “community” because I’ve surrounded myself with great friends who are supportive, believe in what I do and always have my back no matter what. Holding on to that is important for me.

GO BANG! MAGAZINE: In conclusion, please tell our international readers what we can look forward to from Louie Gomez and Bassment Tapes Records.

Louie Gómez : Well, Bassment Tapes Records is soon coming upon its 100th release. In commemoration, Jesse Rivera and myself are collaborating on an album to be released in limited edition on vinyl and special editions available digitally. I ask your readers to please check out our YouTube channel. We frequently post promotional videos to accompany our releases and select DJ sets. Look for us to drop a DJ set in your area soon.

GO BANG! MAGAZINE: Thank you Louie for this interview and you have now officially been BANGED!

Photo credit:  Louie Gómez

 

CLICK THE FOLLOWING LINKS FOR FURTHER INFORMATION ON LOUIE GÓMEZ:

Juno Download Releases

Traxsource Releases

Bassment Tapes Video Promos

https://soundcloud.com/louie_gomez

http://www.mixcloud.com/louiegomez/

https://twitter.com/Louie_Gomez





Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

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