One of our own…Chicago’s own…House’s own…Craig Loftis, pioneering DJ, music producer, club owner and one of Frankie Knuckles’ proteges, needs our help. His club, “The Lodge”, one of Chicago’s only southside clubs dedicated to House music, culture and the community, was recently closed by the City of Chicago due to minor licensing violations and structural issues.
He has set up a GO FUND ME account asking the community to help save The Lodge. CLICK HERE
For those that may not be familiar, Craig Loftis has been a DJ in the Chicago music scene since 1979. He realized that music was his true gift from God and he decided to take it further. He attended Columbia College Chicago, where he received a degree in Arts and Entertainment Management and Sound Engineering. In the early years, he redesigned the sound system for Frankie Knuckles’ legendary “Power Plant” and became Knuckles’ personal sound engineer, opening DJ and General Manager for the next four years. In 2000, Loftis started a new promotion company, Loftwerk Productions, working with Loleatta Holloway, Ava Cherry, Sharon Pass, Darryl Pandy, Byron Stingley, Rochelle Flemming, Georgy Porgy and Martha Wash, to name a few.
Craig says, “The Lodge is in need of your help and support. The Lodge is located at 5108 S. Prairie Avenue in Chicago. It’s a Black-owned-and-operated private dance club. The Lodge is a place that welcomes all regardless of race, sexual orientation, and gender identity. It’s also a great place to hear HOUSE MUSIC in the city that it was born in… CHICAGO!
The Lodge
Just recently, the global House community united to save the historic building in Chicago that housed Frankie Knuckles’ “The Warehouse”, which resulted in getting it designated as a national historic landmark. Let’s come together again to save The Lodge, a possible future national historic landmark!!!
GO BANG! Magazine is asking all lovers and supporters of House music and the House culture across the world, to unite and save a historic and important structure in the legacy of House, The Lodge!
Please dig deep and donate whatever you can. We have a goal of reaching $50,000.
Loftwerk Production is the name of the production company that hosts and manages the The Lodge guest memberships events @ The Great Lakes Elks Lodge #43 5108 S. Prairie ,Chicago Il. 60615. The sole purpose of the group is to promote and preserve the rich legacy of Chicago House Music . All like minded individuals are welcome to join. Being a member of Loftwerk Productions (THE LODGE) in no way makes you a member of Great Lakes Elks Lodge #43 . What it does do, is allows you to enter the event hall as a guest of Craig Loftis, member of Great Lakes Elks Lodge #43. THE LODGE IS NOT OPEN TO THE PUBLIC.. you must be invited by a member of Great Lakes or a guest member of THE LODGE.
Lastly, Craig requests, “To everyone who has donated and that plan to donate, please send me a SHORT VIDEO SNIPPET of what “The Lodge” means to you. Please end it with ‘25 to stay alive’…Support The Lodge.’ You can drop it in my inbox or email it to cl60643@aol.com . Thank you!”
#25ToStayAlive
1Love1House
LEAVE YOUR COMMENTS BELOW!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Popularly known as JESSE KING BUGA, a Contemporary, Urban High-Life and Afro Jazz singer, was born in the 1970’s to the family of Pastor and Mrs. Omokagbor, originally from Okpella in Edo State. He grew up in Lagos and attended The Boys Academy (Lagos Island), Ikeja Grammar school and Badagry high school. After graduating, he proceeded to the Ondo State University, Ado-Ekiti.
Jesse began his early life growing up in Lagos in a Mission House. He started his music career in church and was able to organize many events while attending the university. He started his journey into music as a pianist/producer, before delving fully into music professionally. Most of his tracks are self-produced and he released his debut album “Buga” in 2006, within a year of going fully professional. It has inspired a lot of youths within his community. It has also made him an authentic brand leading the way in campaigning for unity and peaceful coexistence, heritage, and upholding the positive values entrenched in our tradition.
Popularly now known and referred to as “Buga”, he is easily recognized by his traditional style of dressing, infused with modern day styling to promote and encourage the younger generation to embrace African dressing and fabrics. His signature hat, with the long tail used by the Yoruba hunters, looks like a Santa Claus hat, makes this all interesting. The hat has recently taken up the new name “buga”, named after Jesse King Buga.
One of his popular tracks, “Mummy” remains the preferred choice of song to celebrate women on Mother’s Day, birthdays and at traditional weddings of the Yoruba speaking tribe, both home and abroad. One of his signature productions amongst many is the music, dance and drama concert titled “Eko Benin Connexion.” Jesse King doubled as a producer and director of this production and to date, still remains one of his greatest and biggest productions. This concert depicts a kind of cultural rebirth using education as the tool to rekindle and unite the cultural ties between the Benin Kingdom and the Eko (Lagos) of today. As a curator of the idea which is born out of the unpleasant nature of events stemming from tribal wars and hatred, the intent behind this not-so-common type of concert is simply to bring back the memories of where humans evolved from so that we don’t miss the big picture of our being connected and having the same source. It is simply a wake-up call for people to reconnect with their roots and stay in peaceful co-existence.
Jesse is a certified music producer/director, member of COSON Nigeria, and uses music to promote his undying passion for the African culture and tourism. His aim is to use music as a medium through which he expresses his heart and connects to the world. Buga, as fondly called by many, is an enigmatic artiste with a bag full of thinking hats; a producer, energetic stage performer, creative director, voice trainer, voice over extraordinaire, set designer, arranger and pianist.
In one of his recent award nominations in the United States of America, he was acknowledged and appreciated for his tireless contribution towards the advocacy and promotion of positive African values which typify love and unity. Sometimes addressed as “Oba”, which means King in Yoruba language, Jesse exudes a unique charming character which he compliments with his signature smile and effortless royalty portrait. Jesse says, “I wish the world can come together and sing one sound, song of love and peace, not religion, not tribe, that is my dream.”
GO BANG! MAGAZINE: Where were you raised and what was it like growing up as a child? Do you have any special childhood memories that you can share with our readers?
Jesse King Buga: I was born into a clergy family, Pastor and Mrs. Omokhagbor. I’m from Okpella, Edo State of Nigeria. My early days in Lagos can’t be ignored. It was a fantastic experience and a great influence of Lagos culture.
As a church choir boy, I discovered my talent at a very young age, listening to my church organist playing beautiful hymns. Being part of the church choir, I was able to learn the rudiments of music. The church prepared me by teaching me the fundamentals of music through singing symphonies and hymns, which laid the groundwork for my music career.
GO BANG! MAGAZINE: At what age did you first get interested in music and how were you introduced to it?
Jesse King Buga: I got interested in music as at the age of five. It’s always interesting and soulful for me, listening to beautiful music. I decided I was going to do music, but as a small child, it was just hope then, but now it’s reality.
GO BANG! MAGAZINE: Please describe to us the moment when you knew that you wanted to pursue music professionally?
Jesse King Buga: My vision was totally cleared in my University days. I was a member of a performing theatre group. Our performances on stage and me singing was always amazing with warm applause from the audience. It was then I realized my strength and choice of career today.
GO BANG! MAGAZINE: How would you describe your style of music and what message are you trying to convey through your music?
Jesse King Buga: I call my music Urban High Life, African-Metro Jazz, basically Afrocentric. My music is unique and I incorporate traditional African drums with a focus on embracing my African heritage. I am advocate for women, charity for the less fortunate and I thrive to support and to bring life to those who are depressed.
GO BANG! MAGAZINE: Who are some of the people that you admire or that motivate you, and why?
Jesse King Buga: A lot of great artists have inspired me in my career. Victor Olaiya, Bobby Benson, Rex Lawson, Victor Uwaifo and many others, to mention a few.
GO BANG! MAGAZINE: You are very influential in your homeland of Africa, but some here in America may not be familiar with you. How would you describe yourself to the rest of the world and what can they expect from you and your music?
Jesse King Buga: I’m a custodian of culture and history, preacher of love, and a unifier promoting cultures without boundaries. I’m leading a movement to reduce poverty through my art.
GO BANG! MAGAZINE: You are not only known for your music, but you are also quite popular for your style of dressing. It’s traditional, but infused with modern styling. Have you always been a fashionable dresser? How would you describe your style and what influences your style of dress?
Jesse King Buga: I use my style of dressing to promote my culture and to communicate to the world my heritage and values. At the same time, I’m open and respect other cultures. It’s rebranding era. I noticed I needed to do some touches to my dress style to make it flexible to run through our new generation. Rebranding is key in every business.
GO BANG! MAGAZINE: One of your most popular songs “Mummy” has become quite popular because it celebrates women. Can you please describe to our readers what inspired you to write this song?
Jesse King Buga: Women in Africa have faced social and employment discrimination, poverty and inequality. This has hurt them so much and is the reason why I decided to write a song in celebrating women in Africa titled “Mummy.” It has been so well-received, up to this day.
Mummy – Jesse King And The Queens In The Palace
I get inspired writing my songs with situations, my environment and everyday people.
GO BANG! MAGAZINE: You’ve produced several albums from 2006 to the present. You’ve performed at numerous festivals throughout Africa and have received awards, recognitions and nominations in Africa, as well as in the United States. Is there anything that you haven’t done that you would love to do?
Jesse King Buga: Yes! I would love to perform in the US festivals. I hope someday my dream will come to past. It’s going to be a great privilege to reach out to my old fans and the new ones.
GO BANG! MAGAZINE: What would you like to be remembered for and what would you like your legacy to be?
Jesse King Buga: A unifier, promoting culture without boundaries and Spreading love across the globe.
GO BANG! MAGAZINE: Well Jesse King Buga, you have been officially BANGED!
Productions
1. Buga – Album released 2006
2. Mr Jeje – Album Released 2008
3. Gbatiketike – Single Released 2011
4. Rooted – Album Released 2012
5. Eko Benin Connexion- Music, Dance and Drama Concert, 2013
6. My Money feat. Jaywon – Single Released 2014
7. Baba All the way – Released 2020
8. The Rebirth Medley – Released April, 2022
9. Ijebu – Single – Released Sep, 2022
10. Holy Water Dec, 2022
11. Gbabenson –ft Adewale Ayuba (soon to be released)
You can take a listen to all of Jesse King Buga’s music and productions on Youtube, social media and streaming platforms.
LEAVE YOUR COMMENTS BELOW!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
PHOTOS COURTESY OF ISAIAH JAMAL EVANS / CALI VISUALS EXCEPT WHERE NOTED OTHERWISE – @IsaiahJamalEvans @CaliVisuals
On Sunday, August 13, 2023, Chicago native and former Soul Train Dancer Brandy Sanders brought her fabulously fun “Disco Ball” to the town where the dance began, CHICAGO! It was held at the posh South Shore Cultural Center, 7059 S. Shore Dr., from 4pm – 11pm. In the words of the late great Don Cornelius,, “You can bet that it was a stone cold gas!”
SOUTH SHORE CULTURAL CENTER
Since 2008, “Brandy’s Disco Ball” has celebrated the culture and the spirit of the 70s Disco era through music and fashion. So, this event paid tribute to the legendary entertainers of the era. Each year, the Los Angeles legendary Soul Train Dancers are the honorary guests. But this year, Brandy honored and recognize the original Soul Train Dancers from Chicago, along with many other Chicago born entertainers and celebrities.
Maurice Christian (center) and 2 other members of “The Puppets” receiving their honoree certificates.
WORLD FAMOUS SOUL TRAIN LINE
It was a night of fun and an exciting evening of live entertainment, “Best Dressed” Contests, Dance Contests, Games, Raffles, Vendors, the Soul Train Scramble Board and of course, The World Famous “Soul Train Line!!”
Remj
Special featured musical guest performers were Remj (a Michael Jackson Tribute Entertainer)
Nu Skool Sings Old School star Mesiyah and Gospel Soul Recording Artist “Lady Leah.” Special celebrity guest and Chicago born actress Cynda Willliams, from “Mo’ Better Blues” and Oprah Winfrey’s “The Wedding” was also in attendance, donning her funky and fabulous 70’s outfit. While the distinguished special guest was the SEIU African American Caucus.
CYNDA WILLIAMS & OTHER DISTINGUISHED GUESTS
CYNDA WILLIAMS & PIERRE ANDRE’ EVANS – GO BANG! MAGAZINE FOUNDER
One of the highlights of the event was Brandy’s award presentation to the honorees, which included Chicago original Soul Train Dancers Mable Buckner, Albert Adams, The Puppets (Maurice Christian, Anthony Fairchild, Melvin Shumpert, Willie Fultz, Carlton Knight, Yolanda Cooper, Wayne Ward and the late David Crockett), Captain Sky, Poppin Chuck, Robin Roberts Mister, the late Diane Roberts Mister and Stefon Patterson.
POPPIN CHUCK & PIERRE ANDRE’ EVANS – GO BANG! MAGAZINE FOUNDER
POPPIN CHUCK
ORIGINAL SOUL TRAIN DANCER ALBERT ADAMS AND HIS ORIGINAL DANCE PARTNER MABLE BUCKNER
Albert Adams performed a fantastic dance routine and The Puppets put on a spectacular dance performance as well.
THE PUPPETS & DARRELL ROBERTS
Photo courtesy of Darrell Roberts
Also honored were Chicago’s legendary entertainers, including Blues Singer/Songwriter Deitra Farr, entertainment veteran Lee “Mr. Lee” Kirsky, musical group, The Notations (Clifford Curry, Eric Rapier Bryant, Marzette Griffith) and lastly, the Jazz & Blues artist Legendary HolleThee Maxwell, who spoke about her time with Ike Turner and wanted to dispel the talk about Ike being a monster. She stated that he wasn’t like that with her. She also promoted her memoir book titled, “Freebase Ain’t Free.” The book describes Maxwell’s wild ride as Turner’s friend, trusted associate, and closest ally.We cannot forget to mention the special tribute to Chicago House music pioneer, the late Ron Hardy and Chicago Original Soul Train Dancer Adolfo “Shabba Doo” Quinones. The tributes ended with a special dedication to Soul Train Founder, Producer & Host Don Cornelius and Chicago Soul Train Host Clinton Ghent.
THE NOTATIONS
This event not only celebrated the Chicago Soul Train dancers, but it also celebrated 50 Years of Hip Hop with a special presentation by Chicago Hip Hop Historian Darrell “Artistic” Roberts of the Chicago Hip Hop Heritage Museum, located in Chicago at 4505 S. Indiana Avenue, 773.414.2006. We got a chance to briefly speak with “Artistic” and he is just an incredible individual filled with great spirit, personality and knowledge.
Once the presentations and performances were over, the lights were dimmed, the music was pumped and the world famous Soul Train Line was formed. Everyone in attendance jumped out of their seats and hit the dance floor. From young teenagers to seasoned seniors, they all showed off their moves while going down the Soul Train line. This lasted for hours, as the line grew longer and longer. Then, the line broke up and all of the dancers just took to the floor and jammed, packing it from wall to wall.
DARRELL ROBERTS – CHICAGO’S HIP HOP HERITAGE MUSEUM CURATOR/DOCENT/HISTORIAN
Photos courtesy of Darrell Roberts
Brandy Sanders says “It’s always been my dream to bring my show from LA back to Chicago. It’s going to be a full circle moment for me. Grab your bell bottoms, your platform shoes, your miniskirts and your go-go boots. It’s Gonna Be A Ball Y’all!!!”
THE PUPPETS & BRANDY SANDERS
Brandy promised this to be one of the most epic and historical events to ever hit Chicago….and IT WAS!!!
We leave you with the famous words of the late Don Cornelius, LOVE, PEACE & SOULLLLLLL!!!
Brandy’s Disco Ball 2022
Video courtesy of Brandy Sanders @ https://www.youtube.com/@nuskoololdschool
BRANDY SANDERS
Photo courtesy of Brandy Sanders/Facebook
Special shout out and thanks to Desirae L. Benson, my publicist and PR EXTRORDINAIRE DesiraeBBB@gmail.com
Please follow photographer Isaiah Jamal Evans and Cali Visuals:
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
With the support of House music fans, Preservation Chicago, the city of Chicago, and Mayor Brandon Johnson, the building that once was the location of The Warehouse received landmark status by the Chicago City Council. City Council’s Committee on Zoning, Landmarks and Building Standards approved landmark status for the building during its Tuesday meeting. It was announced Thursday, June 22, 2023.
In the late ’70s and early ’80s, “The Warehouse”, a building known as the birthplace of House music, located at 206 S. Jefferson St. in the West Loop, was home to dance parties hosted by legendary Chicago DJ Frankie Knuckles, who helped create House music and popularize it around the world.
The road to landmarking The Warehouse started earlier this year when thousands of people signed an online petition calling on the city to “save” the West Loop building. The landmark designation protects the building’s facade and roofline from being altered by the current owner.
The building — today home to a law office — has been at the center of a recent push to recognize Chicago’s contributions to House music, as well as the numerous LGBTQ+, Black and Latino Chicagoans who helped define the genre.
“The Warehouse opened in 1977 with DJ Frankie Knuckles and a state-of-the art sound system per the vision of owner Robert Williams to convert an old industrial building into a vibrant nightclub creating dancefloor freedom for Chicago’s Black gay community,” Preservation Chicago stated. “It was at this club, with the iconic DJ Frankie Knuckles at the helm, that house music was developed. From The Warehouse this new sound spread from Chicago living rooms to the rest of the world,” Max Chavez, the Director of Research and Special Projects with Preservation Chicago, said at Tuesday’s zoning meeting. “This landscape of world music, because of The Warehouse, because of Frankie Knuckles and because of Chicago was changed forever.”
EDITOR’S NOTE: As a lifetime city of Chicago resident, former DJ, and lover of the House culture, I along with many of my House loving friends who were either pioneers in the creation of House music, patrons of the Warehouse, or simply fans of Frankie Knuckles, made it our mission to put a petition together and UNITE to secure the protection of the place that started it ALL. The entire House community, across planet Earth, came together as a family, to ensure that 206 S. Jefferson would stand forever!
I felt proud to see the House community come together, especially the Chicago House community come together. LET’S KEEP THAT SPIRIT!!!
Click here to see a previous GO BANG! Magazine tribute to Frankie Knuckles upon his passing.
For more background information on the Warehouse and Frankie Knuckles, follow this link to a “Bassement Sound’s” article.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com. In addition, he’s an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, on Instagram @Pierre_Andre_Evans.
Born and raised in St. Louis, MO surrounded by successful business owners within her family and a grandmother who shared her life in the entertainment world, Kalonda followed in her footsteps and began dance and music as early as five years old. She began dancing at Judy Best Talent Center and began singing opera at the Fox Theater’s Annual “Nutcracker” production from age 6 – 15 with the Gospel Music Workshop of America.
She has used her many talents and has been blessed with opportunities in various areas of entertainment. She began teaching dance throughout the St. Louis region as early as 19 years of age. In 2010, Kalonda earned a leading role in the historical Urban Hip-Hop musical held at the historical Black Repertory Theater based in St. Louis, MO. “Real Life” was directed and produced by Joel PE. King, founder of JPEK Theatre Group as her first acting experience. She not only had a leading role but was also cast as a lead dancer and vocalist. Kalonda continued to utilize her dance experience throughout the years by performing with many national and local recording artists.
She also received a record deal as a vocal artist with Universal Records at the age of 21. She’s currently an independent lead singer showcasing with various local bands performing at various public and private events throughout the area.
Kalonda recently dabbled more into her acting career. She worked as a lead actor alongside celebrity actor Carl Anthony Payne II for the “On the Set” Summer Film Camp in Nashville, TN and casted on the BET (Black Entertainment Television) Network for an upcoming series and a lead role for “Don’t Go There” on St. Louis Public Radio.
She’s a jack of all trades. Kalonda was also the Associate Director, Lighting Director, and Choreographer for the recent play “Meeting at the Elder’s Circle” under the direction of Joel P.E. King in August 2022, at the Grandel Theatre. In September 2022, she performed two lead monologues for Sankofa Live under the direction of writer Maya Maedell Singh at the Grandel Theatre. She has performed with national and local recording artists. Kalonda recently signed a management deal with Major Moves Music Group. She is co-owner of Under Grace Home Health, Adult Day Program, U.G. Commissary LLC, and New Avenue Inc.
GO BANG! Magazine: Well, hello there Kalonda Kay. You’re a quadruple artistic threat, being a singer, actress, dancer, and performer. What is it about the entertainment industry that attracted you to it?
Kalonda Kay: I truly believe that the industry pulled me in subconsciously. I was too young to know anything about the life of entertainment, however I knew good music when I heard it. I knew how the music made me feel when listening. I realized that it was therapeutic and that because I had a gift to sing, I wanted to share with the world the sensation I received when I listened.
GO BANG! Magazine: Your first talents blossomed in singing and dance. How was your talent discovered and when did you know that you wanted to pursue the entertainment industry professionally?
Kalonda Kay: I have always been very shy, but whenever I was put on any stage, I became a different person. I lost all shyness. My mother was the one who placed me in many events and competitions as early as six years old. At that time, I only knew I enjoyed performing and drowning myself in my talent. Many of my teachers and community groups would sign me up to sing and/or dance for programs and various events. They must have seen something in me that I had no idea would place me where I am today.
GO BANG! Magazine: Soon after, at age 19, you started acting and landed the lead role, lead dancer and vocalist in “Real Life,” an urban, Hip Hop musical. What was the highlight of that fantastic opportunity and what did you learn from it?
Kalonda Kay: I had never acted a day in my life! (Lol) That experience gave me more confidence in my talents and introduced me to the brand-new talent of acting. My highlight was the “baby momma dance.” I would perform in the very beginning of the show. I was interpreting the worst nightmare in my castmate’s dream. The dance was always everyone’s favorite. The entire musical was fast paced and intense, especially since I played so many parts (actor, singer, and dancer.) “Real Life” taught me how to juggle many things at one time, to be quick on my toes, and how to multi-task when it comes to my talents.
GO BANG! Magazine: At the age of 21, you were blessed with a record deal from Universal Records. Being your first commercial record deal had to be quite an exciting time. What did you like the most from that experience and what shocked you the most about the music industry?
Kalonda Kay: Being able to walk into a label and perform for label execs and they see my talent. What a blessing!!! I enjoyed meeting and working with Static Major. What shocked me was to hear him tell me how talented and how professional he thought I was. That meant everything!! He was an amazing talent for the world to witness. Especially ME! I also traveled and enjoyed meeting so many other talented individuals. It was definitely an experience that I’m grateful for.
GO BANG! Magazine: More recently, you’re strengthened your acting chops by working alongside famed “Martin” hit tv sitcom star actor Carl Anthony Payne. Please describe that experience and what it was like working alongside a famed actor.
Kalonda Kay: Wow, Wow, Wow!!! That experience was hilarious and so fulfilling. Before filming, I studied my lines to be sure I would be ready to work with such an icon. However, the day of filming on set with him, he basically freestyled. All my studying went out the window. He pushed me to fall right in order with his goofiness. I was honored. He said I did an awesome job, especially because he was so off script. I enjoyed every minute.
GO BANG! Magazine: You currently have a hit new single “Too Soon”, produced by 3x Grammy Nominated Producer Joe “Capo” Kent. “Too Soon” is bringing back the 90’s feel in a modern way. Please describe your hit single to our readers, “The Bangers”, who may not have heard it yet?
Kalonda Kay: “Too Soon” is a vibe. It’s a song you listen to when you’re doing your weekend cleaning, riding in the car, or pretty much anywhere. The song gives you that 90’s feel, but the video gives you a more visual vibe of the song. I love it and it feels good.
GO BANG! Magazine: What other new music or projects are you working on that our readers should be on the lookout for?
Kalonda Kay: I’m planning to release my next single in June 2023! It’s also synchrotronic to “Too Soon” as far as the vibe is concerned. My goal for my entire project is to create “timeless” music. Something anyone can listen to and enjoy. I’m looking forward to the release. I’m currently lining up shows and appearances to build connections which will lead to more opportunities.
GO BANG! Magazine: In addition to being a super-talented artist, you are also technically gifted, being an Associated Director, Lighting Director, and Choreographer of a recent play “Meeting at the Elders Circle.” Please describe that experience and how working behind the scenes differs from working in front of the camera.
Kalonda Kay: I enjoy the planning and operations of many genres of entertainment, as well as in family or business settings. I’m the “Hostess with the Mostess,” as the saying goes. I go over and beyond with anything that I do. I like to give good products, whether I’m on stage or behind the scenes. What’s important to me is what the audience will like and how it makes them feel. I’m always intentional when it comes to bringing a writer’s vision to life.
When you’re on stage, you can’t see everything. You miss the good stuff, as well as the things that need to be adjusted. When you’re looking from behind the scenes, you see it all. I’m such a perfectionist at times. It’s probably a good thing that I can’t see what’s happening when I’m on stage. (lol)
GO BANG! Magazine: You are also an entrepreneur, being the co-owner of Under Grace Home Health, Adult Day Program, U.G. Commissary LLC, and New Avenue Inc. Please tell our readers about your businesses and how to contact you if they are interested in your services.
Kalonda Kay: I have been working for myself since 2017 and it has been a blessing. I wish I had stepped out on faith many years ago. Yet, I also believe everything happens when it should.
My businesses all focus on helping the community. Each business has its’ specific area of expertise. Under Grace Home Health program helps individuals to receive assistance with daily needs in the comfort of their own homes. The Adult Day Program, on the other hand, gives a safe space for seniors or disabled adults to come and experience many different recreational activities with their peers. UG Commissary provides a commercial kitchen incubator for food truck operators, caterers, bakers, and business owners to create and expand their businesses. New Avenue Inc. is a Non-profit organization that is dedicated to the mental, spiritual, physical and financial enrichment of family by introducing or re-introducing strategies to create healthy sustainable lives and businesses.
GO BANG! Magazine: In conclusion, what do you want your legacy to be Kalonda Kay?
Kalonda Kay: I want the world to see the joy in my journey. How I didn’t set the bar but allowed GOD to move me as HE saw best. I want to always be remembered for my loving spirit and how I love and accept everyone for who they are. Also, how trauma, bad experiences and things that didn’t work out never poisoned my spirit. Lastly, for those who know me or see me from afar, to remember that I’m always smiling.
GO BANG! Magazine: Well Kalonda Kay, I want to thank you for granting me this interview. I also want to inform you that you have now been officially BANGED!!! GO BANG!
FOR ADDITIONAL HISTORY, PLEASE FOLLOW KALONDA KAY ON SOCIAL MEDIA:
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Born in Chicago, raised in South Bend, IN, Anthony Tswang Gullens is a graduate from John Adams High School, Ivy Tech College and attendee of IUSB College for Business. He got started doing music while living in Chicago, IL from listening to his uncles’, mother, father, and grandparents’ listening to Blues, Funk, R&B, Pop, and Gospel music. He picked up his first instrument while imitating Michael Jackson and James Brown on TV. From elementary, through high school and some college, Tswang got into music classes and vocal choir. Fast forward to 1994, he was in a group by the name of N.I.N.E and wrote his first hit for the group which aired on a local radio station (Smoking99.1FM) from his hometown in South Bend, IN. Since then, Tswang has opened for Drake, Lyfe Jennings, Jeremih, Carl Thomas, Ginuwine, The Notre Dame Football Pep Rally, Trina, Sonya D, Michael Colyar, Michel’le, Full Force, Bizzy Bone, Jagged Edge, Usher, The Whispers, Rome, and Public Announcement.
Tswang, the multi-talented producer, writer, singer, and performer, is quickly establishing himself as one of the most exciting artists in the music industry today. Drawing inspiration from some of the most iconic figures in R&B and pop music, including Babyface, Roger, Michael Jackson, and Teddy Riley. Gullens’ music is characterized by its smooth melodies, infectious rhythms, and soulful vocals.
As a producer, Gullens brings a unique vision to the table, combining his knowledge of music theory with his creativity and expertise in the studio to create rich, dynamic soundscapes that enhance the emotional impact of his songs.
Photo courtesy of Dj Rick Williams
As a writer, his lyrics are heartfelt and honest, drawing inspiration from his personal experiences and the world around him.
As a singer and performer, Gullens brings a powerful presence to the stage, commanding the attention of his audience with his electrifying performances and magnetic charisma. His ability to connect with his fans on a deep level, both through his music and his live shows, has helped him build a loyal following and establish himself as one of the most exciting artists in the industry.
Gullens’ music has been featured on various platforms, and he has collaborated with several well-known artists in the music industry.
His brand-new singles “V.I.P Status” feat Lady Resin, and his groundbreaking single “I Aint No Quit-TA” are streaming on Spotify, Pandora, Tidal, iTunes, Amazon, Deezer and Apple Music.
VIP Status video
The second song, “I Aint No Quitta” written by myself and produced by J-Stylz from the Grammy Award winning group Blackstreet, is available on all digital platforms. Tswang even submitted some material to the “New Jack Swing King” himself, Teddy Riley.
“V.I.P Status feat Lady Resin” and “I Aint No Quitta” are finely crafted studio productions, fully written by Tswang. “V.I.P. Status” features the powerful vocals of both Tswang and Lady Resin. The track is intense with its bass-filled beats. “I Ain’t No Quitta ” features a fully realized hip hop melody with Tswang’s unique take on Hip Hop.
Tswang has gained fame opening for artists and writing songs for other artists in the studios like Teddy Riley. He also worked with Thrill Tha Playa from the 69 Boyz.
Tswang is quickly becoming a headliner in the hip hop scene.
Photo courtesy of DJ Rick Williams
GO BANG! Magazine: As a child, you had a talent in music and singing. Which instruments do you play and how long have you been performing?
Tswang: Yes, from what my mom says, I was always singing and dancing. Even in my pampers, I would be beating on the walls or trying to play on the red and white piano at our church, back in Chicago.
My main instrument is the Talk box. It’s the instrument that Teddy Riley, Roger Troutman, and his brothers Zapp, were known for. I also play keyboards. I can play drums, bass, and piano a little too. I used to play the violin and flute back in the day.
GO BANG! Magazine: Who are some of the groups or artists that influenced you and why?
Tswang: I’m mostly inspired from some of the most iconic figures in R&B and Pop music, including Al B Sure, Stevie Wonder, Babyface, Roger Troutman, Michael Jackson, Teddy Riley, and Usher.
GO BANG! Magazine: If you had the opportunity to perform with anyone in the world, dead or alive, who would it be and why?
Tswang: Hands down, Michael Jackson, Al B Sure, Prince, and Teddy Riley.
Photo courtesy of Anna Marie Photography
GO BANG! Magazine: How would you describe Tswang the artist’s sound?
Tswang: I have always said I do Funk Hop, because of the wide range of musical influences. I listen to everything from Gospel, Rock, Pop, Jazz, EDM, and House music. I like Prince, Rick James, and Parliament. I also like Old School R&B like Sarah Vaughn and Billie Holiday. Then there’s Blues songs from B. B. King, Howling Wolf, and Muddy Waters.
My style is heavily influenced by Hip Hop, Bass Music, New Jack Swing, and anything by Quincy Jones or Stevie Wonder. You see what I mean? With Funk Hop I can do anything I want musically!
GO BANG! Magazine: What do you think about the current state of R&B and Hip Hop music?
Tswang: I think R&B and Hip Hop are at a level of expansion. We’ve always had changes in music over the years, from Blues, to Rock, Jazz to B Bop, R&B to Disco to Funk, to Hip Hop, to Rap, to New Jack Swing to Dirty South, to Mumble Rap, etc. History has proven that change is bound to happen. I think everything that’s happening in music right now is necessary.
GO BANG! Magazine: In addition to being a performer and a multi-instrumentalist, you are also a producer. How would you describe your production style?
Tswang: My production style varies. It depends on a lot of things, like what’s going on in my life or what I see or hear. Any producer, writer or arranger will tell you this. The way we produce is by what mood we are in or going through. Now there are a few of us who can give you an upbeat song even though we are feeling sad or a sad song when we are feeling completely happy. That’s where the said “genius” comes in. That’s where you learn to get out of the way and let the magic happen.
Teddy Bop video
GO BANG! Magazine: You’re also a dancer and you’ve created a dance and a movement called “Teddy Bop.” What inspired you to create the movement, the dance and how do you do it?
Tswang: Yes, I really do love dancing and creating new dance steps. It’s just one of my passions. The Teddy Bop dance was inspired by the one and only “King of New Jack Swing” himself, Teddy Riley.
Back in 2016, I had the pleasure of meeting Teddy Riley and J-Stylz after a “Black Street featuring Dave Hollister and Teddy Riley” show. This was in Indianapolis at the Black Expo. Any and everyone who knows me know that Teddy Riley is like one of my favorite producers.
So, I got a chance to talk with him about it. My A&R person, Oscar Shorty G Gullens, set up a meeting to happen between us. So, there was the man who had influenced my music career standing right in front of me. First, I met J-Stylz, one of the newest and younger members of the Black Street aka BS2 group. I got a chance to let him know that the show was amazing, and we talked about music and writing songs. We exchanged numbers right then and there because he was looking for some talk box on a couple of songs. Like I said earlier, the talk box is my instrument of choice.
Photo courtesy of Debi Landry Photography
After we finished talking, I could hear this group of women singing for Teddy Riley. He listened and gave some tips. Then Shorty G said, “Now listen Swang, you are going to meet him.” My heart dropped to the floor. But before I could even get myself together, there he was right in front of me saying. “What up T?” I looked at Shorty G, he looked back at me, and all I could do was smile and show him my music.
So, Teddy Riley asked me a question only true talk box players know the answer too. He said, “So tell me, did you downsize your tube?” My voice cracked and I said “Yes.” Not too many people will know the feeling of having Teddy Riley listening to your music while my friend, DJ Quicks Track and my Talk Box on top of music and be straight dancing to it. But yep, it happened to me.
But I’m not done. After we started to talk, we talked about songwriting and production and the new stuff he’s got coming out. I was asked to write some songs for the GUY Album, Black Street and his Solo Book project. So, Teddy Bop was one of the first songs I had wrote for Teddy Riley. But he wanted something slower. So, I kept it for myself. And put a dance to it, shot a video for it, and the rest is history. But that’s not all! I had started working on music with J-Stylz, who is now like my brother, and Teddy ended up calling my house, through Shorty G, and was like, “Swang. What’s up bro? Were you able to get the songs finished?” I’m like, “Yes, I have seven for you already registered with BMI and ready to go.” Right after that phone call, I got a call from both lead singers from the group TROOP (Allen and Steven) about working on some new songs, then Thrill Da Playa, from the 69 Boyz, J T Money, Uncle Luke, etc.
Photo courtesy of Anna Marie Photography
GO BANG! Magazine: Where do you see Tswang in the next five years?
Tswang: I see myself as an artist, writer, and producer mentioned amongst the top names. I see headlining with sold out shows. I see myself giving back to my community. I see myself as a top business “go to”, because I will be so wealthy from all my wonderful investments, which will enable me to bring wealth to my family. SUPERSTAR STATUS!
GO BANG! Magazine: What can our readers expect from you in the near future?
Tswang: April 2nd of this year, I will be giving a “Fan Appreciation Party” to all my superfans from the South Bend, IN community. I will be shooting a video to my new single “What I’ve Been Waiting On” feat Shorty G. With the pandemic being not as bad, I will be doing some live shows TBA and more radio interviews. I also have new music with J-Stylz coming and a lot of features coming through the label I’m signed under, Bentley Records. My latest is the “Arcane Compilation” album, which is #1 in top Hip Hop/Rap albums in Belgium’s Amazon charts Top 10. It had Bow Wow, Ayoo KD, Aridbeatz, Future, and Luca Dayz.
The next drop will be with Lil Wayne and Gucci Mane. This project, “Celebrity Compilation” is anticipated to be dropping during the upcoming couple of weeks.
GO BANG! Magazine: In conclusion, what do you want your legacy to be?
Tswang: I truly just want to make music to inspire and create some type of escapism. I want you to feel good, dance, have fun, understand, and be thankful for this thing called life. It is truly a blessing, even in all its ups and downs. We all are going through something. The key is to just keep on living.
I want to be able to create generational wealth and tell our story from our perspective so that people can see that we are not animals that live for death. Our people are intelligent and heartwarming individuals. We are soldiers, but underneath the shield, we are people.
GO BANG! Magazine: Well Tswang, I want to thank you for granting me this interview. I also want to inform you that you have now been officially BANGED!!! GO BANG!
Photo courtesy of Anna Marie Photography
Upcoming Events
Thursday, March 23 Wedding Reception • Md, MD • 7:00pm
Sunday, April 2 Tswang Fan Appreciation Party at The Majestic on the River • South Bend, IN • 6:00pm
YOU CAN FOLLOW TSWANG ON ALL SOCIAL MEDIA PLATFORMS
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
John Hill, Grammy nominated singer, songwriter, producer, actor, and entrepreneur is not new to the entertainment industry. By the age of seven, Hill was already singing and performing for presidents and other political officers, as well as competing in opera competitions. Born and raised in Chicago, he has built his empire in the Chicagoland area and is currently working to extend his expertise in the entertainment industry by signing and promoting musical talent. Hill, already the co-founder of J&M Company, CEO of Team John Hill, and co-founder of Star Born Records, only wants to expand.
One of Hill’s memories of meeting a music mogul in the industry was meeting artist R. Kelly in the Water Tower mall in downtown Chicago, when they complimented each other’s singing in the elevator they rode together. This sparked a relationship between the two artists and led to Hill writing, producing, and performing with R. Kelly on his “R. Kelly Live: The Light It Up Tour” in 2007. Getting nominated for his work with R. Kelly led to even more opportunities writing and producing for artists such as Juelz Santana, Jason Derulo, Young Berg, Ray J, 50 cent and Omarion. Hill then attended the Billboard Music Awards where he met other artists such as Gwen Stefani and Pharrell Williams whom he has collaborated with to produce projects with as well. Hill’s own song and music video titled “Cinema” has had success in most of eastern Europe, where he has also established a producing career with Romanian singer/songwriter Inna.
Hill’s skills in producing and songwriting have not gone unrecognized since he has won awards such as the “Icon Award” for Bucharest Fashion Week, “Producer of the Year” by The Media Awards, “Entertainment’s Man of the Year” on the front cover of M&M Modeling Magazine International Fashion Magazine, “Platinum Award Winner” for 50 cent’s “Before I Self Destruct”, the “Gold Award” for Jason Derulo’s self-titled album and he is credited for Ray J’s “Sexy Can I” hit song. “Life inspired me to do music,” says Hill. “In high school I received an abundance of offers from colleges for music and all of the opportunities I have had up to this point in my life have been amazing.” Just after attending the Music Institute of Winnetka for one year, Hill was already lead of background vocals at the “BET 25th Anniversary Show.” After building a strong foundation in the industry at such a young age, Hill now works to produce and promote new up-and- coming artists in the music industry.
Contributions •
● TP3 Reloaded, R.Kelly –Writer • ● R. Kelly Album: “Untitled,” song “Pregnant” –Writer • ● R.Kelly Live: The Light It Up Tour –Producer/Writer/Singer • ● “Chose Me” Music Video by Corey Mo ft. Snoop Dogg -Producer • ● Collaborations with Mr. Saxobeat and Romanian singer/songwriter Inna – Writer/Producer • ● 50 Cent Album: “Before I Self-Destruct” -Producer • ● Diddy Dirty Money Album: “Last Train to Paris” -Producer • ● “The Model Idea” TV show –Writer/Producer/Actor • ● “Austin & Ally” TV show (Season 1, Episode 3) –Music composer • ● “The Game” TV show (Season 4, Episode 2) –Music composer, one episode • ● MTV’s The Real World –TV personality • ● Jimmy Kimmel Live! (Episodes from 2003-2007) –Singer/Himself • ● “Wrong Package” unreleased film short –Actor • ● “Vulture City 2” film –Marquee Star
Awards •
● Grammy Nominated for TP3 Reloaded, R.Kelly –Writer • ● “Icon Award” Bucharest Fashion Week • ● “Producer of the Year” –The Media Awards • ● “Platinum Award Winner” –50 Cent, “Before I Self-Destruct” Album • ● “Gold Award” –Jason Derulo, Self-Titled Album • ● “Platinum Award” –Ray J, “Sexy can I” single • ● “Platinum Award” -”R. Kelly: The Light it Up Tour”
GO BANG! Magazine: When and why did you start playing music?
John Hill: I started my craft when I was five years old with the violin. I then expanded to piano, drums, guitar, and bass.
GO BANG! Magazine: Is your family musical?
John Hill: My grandfather was a talented singer and went to school with Elvis Presley in Memphis, Tennessee. My grandfather also sang and collaborated with Presley.
Photo courtesy of Ikjong
GO BANG! Magazine: How did your childhood, growing up in Chicago, help mold you into the person you are today?
John Hill: Well, my father John Hill Sr. came from Cabrini-Green, a terrible housing project in Chicago, and my mother Belinda grew up in Englewood, a neighborhood with a low rate of life expectancy. They met and made excellent examples of themselves. My (father) being a political food chief and (mother) the first Black woman in Chicago to sell over $1,000,000 in real estate sales. I had no choice but to continue to be great for my future spawn and family legacy.
GO BANG! Magazine: What are your fondest musical memories?
John Hill: My fondest memories involve having band practices at 14 years old, winning state competitions and rocking a crowd of 20,000 people for the first time with artist R. Kelly.
GO BANG! Magazine: Which famous musicians do you admire?
John Hill: I have learned from powerhouses such as R. Kelly, Jay Z, Jerry Lee Lewis, Etta James, Duke Ellington, and Louis Armstrong.
GO BANG! Magazine: What skills/personal attributes are most important to being successful?
John Hill: The best skills to have are sheer determination, militant discipline, commitment, and loyalty to your projects and becoming the best performer and version of yourself.
GO BANG! Magazine: What is the importance of the connections you make? How can you utilize them?
John Hill: The whole entertainment industry is about relationships. If you are not willing to work with people and take criticism from people who know the business, then no one will remain in a relationship with you to help build your career.
GO BANG! Magazine: What are typical mistakes people make when trying to pursue this career?
John Hill: Most people hope that their success will happen overnight, but there are many musicians and actors who don’t even reach their ultimate success until later in life.
GO BANG! Magazine: How do you get people to take you seriously as a musician or a producer?
John Hill: If you take yourself seriously and show you are confident in your work and the work you are doing for others, whether it is production or writing a song, people will want to work with that.
GO BANG! Magazine: How do you balance your music with other obligations – partner, children?
John Hill: Life is about balancing between your family and your passions. If you are passionate about your career and your success, you find the time for both.
GO BANG! Magazine: Now that you have enjoyed a fantastic career as an entertainer, you’re currently signing and promoting up and coming talent. Tell us more about this chapter in your life.
John Hill: I felt it was my responsibility to give artists opportunity, especially with so few opportunities out here. However, it is never given, but earned. They have to work for it, pray for it, pay for it, and stay for it. They will get the “hooray” for it.
GO BANG! Magazine: As an entrepreneur, you are CEO of TeamJohnHill (TJH). Please tell our readers why you decided to become a serial business owner?
John Hill: One simple word… “legacy.” Many people have different reasons, like money, power, fame, sex, etc. Mine is simple …”Legacy!”
GO BANG! Magazine: TeamJohnHill is a unique name for a company. How was this name chosen and what does TJH do?
John Hill: Its very funny actually. I was venting about how unfair the entertainment business can be on social media one day and a celebrity photographer for the Oscars by the name of ATOC posted the phrase “don’t worry king its always #TeamJohnHill.” From then on, people started saying TeamJohnHill. I used it as an identity that rolled out into a brand and company that is a brand management company, a label and lifestyle.
BRAND MANAGEMENT …….is the process any musician goes through to develop their craft and skills necessary to build a professional career in the music industry. This means everything from voice, songwriting, image, branding, music/video production, live performance, marketing, and social media.
With our award-winning staff and passion for development, we take a blank canvas or half drawn pictures and create a masterpiece!!!
GO BANG! Magazine: Please describe TeamJohnHill Records, its’ unique sound, and some of the artists signed to the label.
John Hill: Working with some of the world’s largest artist, it has given me a sound that people call undeniable. My artist roster includes: the 16-year-old artist hailing from Wisconsin, Knox Boomin; my Hip Hop artist Remey Le Flow; Anna Shilove our Pop princess; and Marley Caprice, the “Turn Up Queen.” Our Rap Diva will definitely take the world by storm!
GO BANG! Magazine: Many people are divided when it comes to R. Kelly. Supporters can separate the artist from the person, while others can’t. How was it working with R. Kelly and what did you learn from this experience?
John Hill: R. Kelly, in today’s society, is a hot-button trigger. However, him as a person is definitely not what the media would like to create. In fact, he is a super-charismatic musical genius whom I’ve written and produced music with. My experience (with him) has led me to understand the world of “Public Figures” in a whole new, raw, uncut light.
GO BANG! Magazine: You’ve worked with several heavy hitters in the music industry. Is there anyone that you haven’t worked with, dead or alive, that you would love to work with, musically?
John Hill: I had a chance to work with some of Michael Jackson’s producers on a project he was working on. This was before his “This Is It” tour. He died suddenly, before the ink dried. (smh) I would also love to work with the living legend Sting. Lastly, I’m a bit of an Alternative Rock lover, so Goo Goo Dolls and Nickelback.
GO BANG! Magazine: What can our readers expect from John Hill in the near future?
John Hill: I will be touring Australia with my good friend and 2x Grammy Award winning reggae artist Max-A-Million. We are producing some phenomenal new music, which I will be featured on as an artist. I will also be featuring our artists on the “Book Of John” project, which I’m dropping soon. So many executives and celeb features. I’m also working on Fabian James’ project, “Betty & Jimmy: A Love Story.” David Givens and the staff are prepping a tour. I also just closed a book deal with Hydra Publications, educating the up and comers on how to survive.
Photo Courtesy of TeamJohnHill
GO BANG! Magazine: In conclusion, please finish this sentence. “John Hill is……….”
John Hill: “…inexorable!” (in·ex·o·ra·ble /ˌinˈeksərəb(ə)l/ adjective 1. impossible to stop or prevent.)
GO BANG! Magazine: Well John, I want to thank you for granting me this interview. I also want to inform you that you have now officially been BANGED!!! GO BANG!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Surprise Your Valentine with Tickets to Reasons: A Tribute to Earth, Wind & Fire.
Previews start February 25th!
Written and directed by Daryl D. Brooks
Previews February 25 – March 4
Opening March 5
Running Through April 16
Reasons takes us on a journey of how Earth, Wind and Fire was formed from their humble beginnings, to become the musical revolutionaries that changed the course of music. They took a vision that no one said would work, and turned it into a musical powerhouse that still lives on today.
All photographs courtesy of Glenn Gordon and Timothy Coles
Glenn “GG” Dale Gordon has felt a burning desire for singing since the age of five. Born in Hemingway, South Carolina, his first stage performances were in small country churches and a school marching band. Hoping to travel the world and possibly gain another outlet for his music, Glenn joined the US Army in 1973. Glenn’s army buddies gave him the nickname GG. He has kept the moniker of GG, using it as his stage name to this day. With a strong conviction to follow his heart and pursue a music career, he formed a band called GG and The Shock Waves.
Later in the 1980s, GG joined the Columbia, SC band “Rush Hour” as a lead vocalist and light percussion player and opened for concert headliners, Bill Pinkey and The Original Drifters and Billy Paul (“Me and Mrs. Jones”). On August 27, 2006, GG AND FRIENDS played the opening at Lakewood in the Atlanta, GA area on the side stage for the Mary J. Blige concert “The Breakthrough Experience.”
He left the military all together, without retiring, in 1988. Shortly after, he started experiencing back problems. The military would not allow him any disability for his back, but they gave him 10% disability for his foot operation while he was still in service. Since Glenn could not get any disability for his back, and the only thing the government would give him is many different back support belts that did not work and extremely strength pain killer pills, he decided to create his own back support belt and that is when “WE GOTCHA BACK” was born.
Today GG resides in Atlanta, GA. For the most part, GG is a solo performer, using his bass guitar as a soulful accompaniment. His sound is an exciting combination of artists like Luther Vandross, Larry Graham, Teddy Pendergrass, Lionel Richie, and the Motown sound. GG adores performing for audiences who like to dance to the sounds of legends such as Kool and the Gang, Frankie Beverly and Maze, Ohio Players, Sly Stone, the Isley Brothers, and Rick James.
With over 20 years in the music business, along with releasing his first single, “I Can’t Live Like This”, GG has been helping musicians, artists, and others to learn how to protect their work. As an expert in copyrights, he conducts workshops and seminars, offers instructional books, kits, and forms, speaks, and presents to panels, and does one-on-one consultations in his areas of expertise.
Support GG and Friends Band’s latest CD Exposures. 10% of all sales go to helping homeless veterans and other homeless individuals.
GO BANG! Magazine: You joined the US Army, like many others in your family, in 1973 at the age of 17. Thank you for your service. Can you please describe how that experience helped mold you into the person that you are today?
GG: I am honored to have served my country and I was already prepared to meet any challenge. I grew up in South Carolina and my dad did many jobs to keep the family fed and farming was one of them. So, to be honest, joining the military was actually a vacation for me because my dad was ex-military. That meant you got up early every morning to go to the fields or unload tobacco barns. Sometimes you would get up at midnight to unload tobacco barns so you could take in tobacco later that day or morning.
The Army gave me the opportunity to deal with individuals of other races, with me being in charge. You had to be 100% on your game because to be given an opportunity by the sergeant for you to be a squad leader/team leader meant that they believe you can be a good soldier and I was. My dad had prepared me from being on the farm overseeing others, some older and some mostly the same age as myself, who would help us gather tobacco. My dad taught me the importance of getting the job done to the best of your ability, while still treating others with respect and fairly. So, I was ready for whatever the Army had to offer, mentally and physically.
GO BANG! Magazine: Your time in the army helped in causing your debilitating backpain. Since the Army would not take responsibility for it, you had to find a solution for yourself and created the “WE GOTCHA BACK” back support belt. How did you manage to invent such a belt?
GG: Well, after complaining to the VA hospital for years about my lower back and their refusing to give me any disability for it, but willing to give me pain shots and dangerous pain killer pills like 800 extra strength Tylenol, I decided I needed to educate myself about the different types of back support belts and the pain that I was experiencing. The back support belts that the VA hospital issued me was not helping and neither was the dangerous drugs. So, for over 30 years, I researched and experiment with many different types of raw materials until I found the right one. I even had filed and received a patent on my first back support belt in year 2000, but the material wasn’t exactly what I thought it was, because it would lose its stability over just a very short period of time. So, it was back to the drawing board for me.
Then after about 15 years, I tried it again, but this time I felt that I found the perfect raw material to create my belt. I felt so good about this raw material that I had the product made and, in the marketplace, before I even filed for the patent. The material felt great, but I wanted to educate myself more about body compression and the type of chronic body pain I was experiencing. I had to create three different back support belts before “WE GOTCHA BACK ” was born. Once I understood how compression helps the body and help reduce chronic pain in the body without so much dangerous pain killer drugs, I then filed for the patent.
GO BANG! Magazine: Besides being an Army veteran, where you were given the stage name “GG”, you are also a gifted musician and vocalist. How would you describe the GG sound?
GG: I actually got the nickname GG from my military buddies when I was going through AIT at Fort Leonard, Wood Missouri in 1973. I got into a fight with another soldier at the on-post club and it was pretty bad. The next day they came looking for Glenn Gordon to report to the company commander, but they got the wrong Glenn Gordon. There was another Glenn Gordon in our barracks which we had never met. The company commander almost punishment the wrong Glenn Gordon until someone said private Glenn Gordon is Black. Ooooops!!! Well from that day, December of 1973, until this very day, everyone calls me GG. I started using GG as my stage name in Mannheim, Germany in 1979 when I formed a band on Turley Barracks named “GG AND THE SHOCK WAVES.”
GO BANG! Magazine: Over the years, you have opened for numerous legendary acts and more recently, you even opened for Mary J. Blige. What would say is the secret to your longevity in the business?
GG: I believe my secret to be given the opportunities I’ve been given over the years is always, always, ALWAYS, keep yourself ready to take advantage of opportunity when it is looking for you. I believe in practicing every chance I get as if I got to perform minutes from now. This is something that I truly believe in because opportunity waits for no one. I was just in the right place at the right time when I opened for Mary J Blige.
I was working behind the music scene on a call by a local labor company in Atlanta name CREW ONE and they were the ones who setup the Mary J. Blige show. I don’t know what happened, but I was asked by the manager would I like to perform on the side stage, as an opening act for Mary, because her opening act either didn’t show or she didn’t have one. Whatever the reason, I was asked to perform on the side stage, and it worked out perfectly. We only had an hour or so to pull everyone together because none of us was expecting anything like this. My band “GG AND FRIENDS ” played almost an hour on the side stage because the people were enjoying it. Some people asked us where the band was from and how long we’ve been traveling with Mary. The fact of the matter is that we were doing Mary a favor because we did not get paid and she did not have an opener. BUT, as far as we the band was concerned, this was truly a blessing. Our band gained new followers. More people now know GG AND FRIENDS BAND. Even my co-workers were shocked when they saw me performing, because they didn’t know me as a songwriter, singer, and bass player. They know me as a forklift, stagehand, climber, steel builder, spotlight operator, and entertainment rigger.
This is what I mean by ALWAYS be prepared to take advantage of opportunity because now I can add MARY J BLIGE’s name to the list of legendary artists I have been given the opportunity to open for.
GO BANG! Magazine: As a veteran in the entertainment industry, you have years of knowledge and wisdom, which you have focused into conducting workshops, instructional books, speaking engagements and one-on-one consultations. Please describe your many different entrepreneurial endeavors to our readers.
GG: I am an old school guy who grew up with bands like BRICK, CON-FUNK-SHUN, EARTH, WIND AND FIRE, COMMODORES, JAMES BROWN, PARLIAMENT, ETC., and I felt that I would’ve made it in the music industry if I never joined the Army. But after meeting some of my music idols, they educated me on how the music industry works and then they shared with me about how many artists were taken advantage of. At that point, I knew I had a lot to learn, and I wasn’t going to get educated by any record label, promoter, manager or an entertainment attorney. So, in year 2000 I decided to take a job working as an independent stagehand, forklift operator, climber, steel builder, supervisor, and rigger for 22 years behind the scenes in the music industry. This is the greatest way for anyone to educate themselves about the music, whether you’re a singer, musician, dancer or just music lover. I encourage you to get a job in the entertainment industry behind the scenes. It’ll make you more aware of where your money is made and how it is spent in the industry.
I’ve made a commitment to help singers, musicians, and bands out who are struggling and don’t even know about the opportunities behind the music scene, that are available to them. I can now focus on just creating my music and inventions. I earn enough income working part-time that I can afford a 5-star publicist, which you absolutely need, to promote you while you’re working and creating your music. I have created an entertainment online rigging course. I help people worldwide earn a good living working in the music industry behind the scenes, while pursuing their dreams, regardless of what their dream might be. Now, granted not everyone will qualify as a rigger, but anyone can qualify as a good stagehand, but you must be properly trained. I don’t have a training course for stagehands, but I have a friend, Kenny Barnwell who is on Facebook, that has a great stagehand book and program.
My advice to all struggling musicians, singers, songwriters, rappers, music producers, etc., is as follows. If you are 100% serious about your dream, work in the industry behind the scenes, educate yourself about the business, learn copyrights, publishing, indie labels, start your own website, and get yourself a 5-star publicist that truly believes in you.
I train individuals at my home and online. If I cannot help them, I refer them to someone who can. Mostly everything I have learned about the music business come from me working behind the scenes. I am in the process of writing a very small, but brief book about the music industry behind the scenes. I advise you to keep your focus on what is your true purpose for working behind the scenes in the music/entertainment industry. I don’t want anyone to get a job working behind the scenes in the industry and abuse a great opportunity by not understanding the rules, like NOT becoming star struck, because that can cost you your job.
GO BANG! Magazine: Your latest musical creation is the “Exposure” CD which contains numerous hits including the single “I Can’t Live Like This.” Please describe that track, the CD and why you chose to donate 10% of all sales to helping homeless veterans and homeless citizens.
GG: I have never ever really told anyone the truth about the ” I Can’t Live Like This ” track but I guess now is as time to tell why I wrote the song. After my divorce, it became difficult trying to date again because I am a father and was missing my children daily. But after about 20 years, I decided to move in with someone who I THOUGHT I was really in love with. Well, all of a sudden things rapidly changed and I blamed myself at first. I hadn’t lived with anyone in years, and I felt that I may have been over-reacting. But then later I realized that I was making an effort and giving 90 % of my time to please her when she was giving less than 10% of her time to the relationship. I told her things had to change or I will learn to love her from a distance. I also had to informed her that I didn’t sign up to be her fool or doormat, so I expect a 50/50 love or there wouldn’t be any love at all. So, when she refused to change her ways and try to meet me halfway with love and affection, that’s when the song “I Can’t Live Like This” was born.
God blessed me, when I was homeless, three different times. I still managed to stay disciplined, focused, and went to worked, when I could find work through the labor pool. I met many people living on the streets who are very intelligent and some use to be school teachers, business owners, etc. But the drugs got to some and others, believe it or not, their pride would not allow them to ask for help, veterans and civilians. My problem was that I was still new to the city and was learning my way around. I am in a much better place now.
My goal is to work with the ones who are in the SALVATION ARMY, because they have been vetted, getting the help they need from drugs and alcohol use, and are in the process of getting their own home. I know this first hand because I came through that system when I needed both hips replaced. I am hoping to get as many sales as possible from my music website and back support website. I need the money to buy hard hats, gloves, and a wrench. They will need these to start work. I will help some get stagehand jobs and I will personally train others who can qualify to be riggers. But I need sales of my music and invention product so I can raise the money for the tools they will need to get the job. I would ask everyone please help me help the homeless veterans and civilians.
GO BANG! Magazine: What current artists or producers would you love to work with if you had the opportunity to and why?
GG: “CON-FUNK-SHUN” because they are about those strong love songs and play real horns. They are also funky. I am hoping to get that opportunity to go into the CON-FUNK-SHUN recording studio this year, 2023. Then there is one of my favorite bands “BRICK” because their funk is a smooth style of funk to me. The kind of laid-back funk, but you can’t stay still when you hear a “BRICK” song. If it wasn’t for JIMMY “HORNMAN” BROWN from “BRICK”, I don’t think I would’ve stuck with my music. I was beginning to think that I was getting too old, because not many know of me or my music in the industry. But Jimmy told me, “Man I am older than you and you have your own style so keep doing what you do.” Jimmy even helped me by arranging and playing all the horns on my cd EXPOSURES which re-energized me immediately. It was definitely motivating to have one of my musical legendary idols tell me to stick with what you’re doing and that you really have something to offer music lovers. There is one other person I would love the opportunity to work with as an opener for her, and that is SADE. When I was working as an entertainment rigger behind the scenes in the music industry, I was fortunate to have rigged many shows from JAY Z, BEYONCE, TAYLOR SWIFT, WILLIE NELSON, BRICK, FRANKIE BEVERLY, STING, CHARLIE WILSON, and many more. But when I rigged and shot spotlight for SADE show in Atlanta, man I fell in love with her smooth style, which is what I would like to do as a male performer. So, these are groups and individuals I hope to get the opportunity to work with soon. I have a first-class publicist and with her, anything is possible. She is truly one of the best in the business, regardless of the product.
GO BANG! Magazine: What can our GO BANG readers, aka the BANGERS, across the world expect from you soon?
GG: Well, I have my interest in a few things right now like my music, inventions, and my online entertainment rigging course that teaches individuals worldwide how to become an entertainment rigger or a better entertainment rigger. So, there is no one thing that I am 100% focused on right now. You can look forward to me doing more music and promoting my invention, the “WE GOTCHA BACK” lumbar compression support belt this year.
Whatever I am doing, you can rest assured that it will be done to the best of my ability. I am going to be following my publicist lead because she is doing a wonderful job in getting me what and where I need to be to fulfill my dreams.
GO BANG! Magazine: In conclusion, please finish this sentence. “Glenn Gordon is……”
GG: …an extremely humble, generous, grateful, honest, and loving human being with integrity, who loves all other human beings, regardless of race or where you’re from. Glenn worships music because it’s the greatest form of communication when you don’t verbally speak or understand a language.
GO BANG! Magazine: Well Glenn, I want to thank you for granting me this interview. I also want to inform you that you have now officially been BANGED!!! GO BANG!
GG: Thank you for this wonderful opportunity to introduce me, my music, and invention to the GO BANG FANS and the world!
You can follow Glenn GG Dale Gordon on social media.
Desirae L. Benson / DesiraeBBB@gmail.com Entertainment Publicist | Multimedia Journalist
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Wednesday, January 25, 2023 was the day in Chicago, IL for a celebration of The Chosen Few Djs’ Terry Hunter being nominated for a Grammy Award, for the remix of Beyonce’s hit single “Break My Soul.” In addition to Terry Hunter being nominated, poet J. Ivy was also nominated for a Grammy Award and was celebrated as well.
Photo courtesy of GO BANG! Magazine
The Grammy celebration was held at The Loft, located at 2251 N. Lincoln Avenue and brought out ALL of Chicago House Royalty, including House legend Senior Robert Williams, Singer/Songwriter Chantay Savage, Singer Chuck “ThaVoice” Roberts (“In the Beginning There Was Jack….”), Singer/Songwriter Jon Pierce, legendary DJ/Producer/The Lodge club owner Craig Loftis, DJ/Producer Stacy Kidd, DJ/Producer Steve Miggedy Maestro, DJ/Producer Dee Jay Alicia, and DJ/Promoter Mz. Nicki Devine, to name a few. All were there to congratulate and celebrate both, before they head out to Los Angeles for the big show!
Pierre A. Evans w/Chuck Roberts Craig Loftis Pierre A. Evans w/Stacy Kidd Donald Burns & Afrika Porter
Photos courtesy of GO BANG! Magazine
Dani Deahl, President and Mark Hubbard, Former President of The Chicago Chapter of the Grammys hosted the event.
Photos courtesy of Facebook
The turntables were manned and BEAT by Terry Hunter, Wayne Williams, Julius “The Mad Thinker” and Emmaculate DJ.
Terry Hunter
Photo courtesy of Facebook/Kellie Croasdell Hayles
The Chosen Few DJs founder Wayne Williams
Photo courtesy of Facebook/Arlis Ball
Julius “The Mad Thinker”
Photo courtesy of Facebook/Zeke Torres
DJ EMMACULATE
Photo courtesy of Facebook/Emmaculate
During the event, Terry played his Grammy nominated remix of Beyonce’s “Break My Soul” and J. Ivy blessed the crowd with a soul stirring poem and ALL of the Chicago artists and DJs that were in attendance all joined in on stage for a massive and historic Chicago Artist photo shoot with the Grammy reps and nominees. It was quite a night to remember!
Join GO BANG! Magazine and the entire Chicago House music community in congratulating and wishing Terry Hunter and J. Ivy luck in winning their Grammy awards!
They’re already winners, just by being NOMINATED!!!
TERRY HUNTER J. IVY
GO BANG fellas!
GO BANG!!!!
LEAVE YOUR COMMENTS BELOW!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
