Blake Hawthorne is a performing singer, songwriter and actor hailing from Indiana destined to leave a mark in Chicago and the world. At the youthful age of 21, he has already performed in several musicals and released his own music, independently.

He’s performed in a number of stage productions in the Chicagoland area including “The Other Cinderella” and “You Can’t Fake The Funk” which are also two of his most favorite musicals.

Blake plans to continue releasing new music independently, as he works to accomplish all of his goals. He believes in making music that reflects his life. Although he’s just beginning his journey, he’s quickly gaining momentum and has nowhere to go but up.

Possessing plenty of experience in both music and acting, he plans on becoming a legend in the entertainment industry that will last for decades to come.

Lastly, Blake is the son of one of my Kenwood Academy high school classmates, Marcus Hawthorne. I know you and your family are so proud of your son bro! #BroncoForLife

GO BANG! Magazine: When and how did you get started in entertainment?

Blake Hawthorne: I started singing at 8 years old. I sang in a school recital and realized that I was pretty good at it. After that, I started taking lessons to get better. It took a long time to reach the point I’m at now but I was ready for the work.

GO BANG! Magazine: Are you primarily a vocalist or can you/do you write lyrics, compose music, play an instrument or produce tracks as well?

Blake Hawthorne: While I am a singer, I also play guitar, produce music, and write lyrics. I believe in trying to do as much as possible.

GO BANG! Magazine: How would you describe the Blake Hawthorne sound?

Blake Hawthorne: The Blake Hawthorne sound has evolved plenty of times over the years. I tend to mix genres together. RnB and Blues will always be apart of my sound. I like to do those genres my way and update them for today.

GO BANG! Magazine: In addition to singing, you’re also a stage actor. How does your acting experience influence your singing style or stage presence?

Blake Hawthorne: Being a stage actor has really influenced my performance style. The stage taught me that I need to make sure every person is feeling the performance the way I do. Doing shows for such a long time gave me the experience I need to make my shows better.

GO BANG! Magazine: What is it about acting that attracts you to pursue it?

Blake Hawthorne: I got into acting at around 13. I always loved movies and dreamed of being in one. Today, I still want to be the main star in a big movie. Being able to take a script and make it feel real is such a fun challenge.

GO BANG! Magazine: Are you primarily interested in stage acting or are you also interested in television and film?

Blake Hawthorne: I’m definitely interested in film and tv. I would even say that I’m not interested in doing film and tv. I’ve always wanted to do those but I haven’t had a huge opportunity yet.

GO BANG! Magazine: Please name any producers, songwriters or other artists that you would LOVE to work with.

Blake Hawthorne: My number one producer that I would work with is Nile Rodgers. I like his music and his style of funk. I think we would make great music together. He’s easily at the top for me. He’s also my favorite guitarist. I’m heavily influenced by his style.

GO BANG! Magazine: What is your ultimate goal in the entertainment industry?

Blake Hawthorne: My first goal is to reach the point where all I do as a career is entertainment. I want to be able to fully support myself with only acting and singing. From there, my goal is to try just about everything in the entertainment industry that I can.

GO BANG! Magazine: What are you currently working on that our readers should be on the lookout for?

Blake Hawthorne: I’m working on new original songs. They’ll be released on my YouTube, Blake Hawthorne, and available to download and stream elsewhere. It’s time to take my sound in a new direction and I’m excited.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Blake Hawthorne: I make sure to get outside and keep working on my craft. The pandemic has made a lot of people lose interest in their goals. I stay conscious of that and make sure I’m still doing all I can. I make sure to remind myself how much I need this. It’s very important that I don’t lose sight of what I’m here for.

Follow Blake on ALL social media platforms.

 



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

 

TRIBUTE: DJ Anji Stone (Beu)
(June 19, 1970 – November 11, 2020)

“If u Don’t Stand 4 Something, U’ll Fall 4 Anything!”

“I am a LOVER of the music culture. 3rd Generation Legends of Vinyl”

“Live, Love & Enjoy Life!!!..2morrow isn’t promised, and don’t wait 2 make things right, do it right now!!..4give those that have wronged u, and love “unconditionally.”

“I am a “work” in progress, and He’s working 2 make me a “BETTER” person…Love!!!”

-Anji Stone

(Per Dee Jay Alicia’s Facebook post):

It’s a celebration of life!

Join us as we remember our dear sister and friend, Anji Stone. December 5, 2020 at 11am CST.

Elder Darnell Payne will officiate the service.

The memorial celebration will be held on zoom via the following link:
https://us02web.zoom.us/j/83703051710?pwd=bnFlaDlBUTRXa05hUERGeFBmZDBGQT09&fbclid=IwAR3VlkkNNXXCgbY0HM_mbcnXLZNpNJhQqR14gEJW5ThuC-R9R_z94x9StoY#success

(Meeting ID: 837 0305 1710 – Passcode: 885733)

We hope you join us in sharing memories and in honoring Anji by those who loved her most.



“I’m the one that’s got to die when it’s time for me to die, so let me live my life the way I want to.”
― Jimi Hendrix



In Anji’s OWN words:
( Courtesy of Resident Advisor: https://www.residentadvisor.net/dj/anjistone/biography )

Born and raised on the Southside of Chicago. Been spinning records since I was 14. I took a “brief” intermission from the House scene. I came back onto the scene in 2009. I have had the pleasure of working with some important people in the industry.

Includes, but not limited to: MzNicky Morrison (D’Vine 1 Ent., Leo’s Den, The Celebrity & Tantalizing Thursdaze), Dorian DuPree (The Dating Game), Erick Mosby aka E5 (The President’s Lounge), Snooze Reid (WHPK), Derek “Smoking” Jones (PMG1, Genesis & Knockouts), Matt Zilla (Dungeon Muzik/Linc’s Records & Knockouts), Czarina Marini (Knockouts & The President’s Lounge), DJ Philander (The President’s Lounge), Eric “MrE” Potter (The Celebrity, Buzz Bomb), DJ Anton (Block Club DJ’s & Power 92), Dee Jay Alicia (Artis’ Lounge, Family Den & The Celebrity), DJ Ike Williams (Empowerment Zone), Emmanuel Pippen (The Dating Game), Gene Hunt (Family Den, The Celebrity, Knockouts & Rendezvous), MeMe Hughes (The Shop & Jus Muzik www.stickam.com), DJ Shadow (Buzz Bomb), DJ Fiddy Millz (D’Vine 1 Ent.), UFC DJ’z (DJ Boozie, DJ Tony Jakks, DJ Kat Chasa, Matt Zilla, DJ Rocky), Club 5 (Madison, WI), DJ Semaj (The Hydrate), Celeste Alexander (The Checkerboard Lounge), MushroomNGrass (The Checkerboard Lounge), Darrell “DJ Fat Cat” (The Carribbean Lounge), Urban Myths After Hours Spot, Corky “Traxman” Strong (GETO DJ’z Inc.), and DJ Clash Titan (GETO DJ’z Inc.)

I have a serious “PASSION” for my craft, and I love bringing enjoyment to people’s hearts w/the music I play. Stay tuned for music from me soon. I “continue” to grow as a DJ, and I’m venturing off into PRODUCTION as well. Mu goals are to bring you, “HOT, UP & COMING” DJs, Producers, Musicians, etc. I’m striving to go ABOVE the norm. I am “HUMBLED” in everything I do. I have “GENUINE” passion 4 HOUSE MUZIK…and I hope that each and every one of you take the time out to “listen” to my music, mixes, as well as the people that I present to you.”

In Anji’s OWN words:
( Courtesy of The DJ LIST: https://thedjlist.com/djs/anji-stone/ )

Everyone talks about how they have a “passion” for deejaying. Well, I say that it’s the “PASSION” that drives me 2 play the way that I play. I was told that DJs are “performers,” we are hired to “perform.” When people come out 2 hear you play, they wanna hear music that isn’t “NORMALLY” heard… They want 2 dance the night away…

That’s how I play..I play not just 2 “tell” a story, but 2 keep you dancing till it’s time 2 go!!They call me “Bang Em Up<” and 2 be honest, I didn’t understand the name until I realized, that’s what I do…I BANG! I go “Hrd” and I feel that’s what deejaying is..You go hard, each and every time you play. You are “suppose” 2 go HARD!!..That’s what draws people to you..That’s what makes and keeps the crowd moving..

I’ve been spinning a looooonnnng time, and I have seen DJs come and go…I’ve seen DJs make it big, and I’ve seen DJs “full” of themselves..But, if you stay “TRUE” 2 your passion, and “expand” on that passion…..There IS no limit as to what you can do or become…but don’t let a little “exposure” change your disposition about the people that come 2 hear you play…

A few words from Sizzler GloveMaster Siz Lee, a lifetime friend and who taught Anji to DJ:

I MET DJ ANJI STONE WEN SHE WAZ JUZ A TEEN. SHE WAZ A BEAT GURL B 4 SHE WAZ HOUZE, BUT SHE ALWAYZ LUVD MUZIK…..& HOUZE MUZIK A LIL BIT MORE…SHE ASKED ME 2 TEACH HER HOW 2 DJ WEN SHE WAZ 14 COZ SHE WANTED 2 LEARN…SHE TOOK DA TIME & DA EFFORT 2 LEARN.

I TOOK HER 2 HER 1ST DJ BATTLE. WAZ AGAINST DWAYNE BROOKS & SHE WON… & BATTLES AFTER DAT…1986 DEY LABLED HER AZ DA “BEST FEMAL DJ N DA WORLD,” WHICH SHE TURND DOWN, HER EXACT WORDZ WAZ ‘I DNT WANT IT, COZ U DIDNT GIVE IT 2 ME COZ OF MY SKILLZ.’

HER 1ST NAME SHE WENT BY WAZ “KIDD KICKIN ANJI” & DEN SHE FOUND HER OWN STYLE & HER SOUND,WHICH SEPARATED HER FROM DA REST OF DA FEMALE DJZ. SHE FORMED HER OWN BRAND WHICH WAZ CALL “B.E.U” PRODUCTION( BEAT EM UP PRODUCTION) DA NAME DAT FIT HER STYLE.”

DJ ANJI STONE…
MY BEST STUDENT OUT OF ALL DA REST…MY LIL SISTA UR BIG BROTHA LUV U…… I BASICALLY RAISED HER….



You can follow Anji Stone on ALL social media @djanjistone

 


Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Photo credit:  Tyler Curtis

 

Vince Lawrence of Chicago, IL is an American dance music producer, businessman and is one of the leading innovators of the genre of music called “House music”. Industry insiders recognize Lawrence as co-author of “On and On”, the first recording officially designated “House music”. He worked with Jesse Saunders in the initial creation of Jes Say Records, designing its logo by hand. He served as Head of Marketing and was the lyric writer for “Funk U Up” (the first House track to ever make it onto the Billboard charts), “Undercover” by Dr. Derelict, “Real Love”, and many other songs released in the label’s heyday. He also co-authored “Love Can’t Turn Around” which featured Daryl Pandy, which reached #10 in the UK Singles Chart in 1986 and started the House music revolution in the UK. He organized Trax Records, a Chicago House label. He is the founder of Slang Music Group, which has received numerous gold and platinum awards for their contributions. As founder of Slang Music Group, Vince has evolved from artist and producer to entrepreneur and marketer, creating a unique symbiosis between music and brands.

As a remixer, he worked on Michael Jackson, Beyoncé, John Legend, R Kelly, and others. Vince composed soundtracks for major brands and was contributing composer on one of the most successful daytime talk shows in history. Vince has directing, writing, production and music supervision credits for work in film.

Above all, he is a veteran of the street with an intuitive understanding of what youth culture craves – be it style and music or consumer products that he telegraphs to the street through soundtracks for advertising or non-traditional “under the radar” field marketing programs. Vince Lawrence’s intimate relationship with pop culture and lifelong love of music have evolved into a unique insight that is eagerly sought out, from the trend hunters of Madison Avenue to the likes of pop stars the world over.

“LEGACY: From Soulful Horns to House Music”, a new documentary that tells stories of hidden figures in the history of Chicago’s Black Music, was directed, produced, and narrated by Vince Lawrence. These stories shed light on individuals whose musical contributions changed the world. It broadcasted in Chicago on WTTW on Friday, November 13, 2020.

Many South siders are working to bring aid to the homeless youth of Chicago by raising funds and awareness for Covenant House Illinois (CHIL), a place of community, safety, and trust for youth experiencing homelessness and trafficking, and participated in SLEEP OUT: CHICAGO, on November 19, 2020. “We’re stepping up and answering Covenant House Illinois’ challenge to spend a night sleeping on the street so that, one day, homeless youth won’t have to”, according to the website.

The Sleep Out is not about pretending to be homeless. It’s an act of solidarity with the 4.2 million young people who experience homelessness each year. It’s a decision that we, as a society, can’t stay indoors while so many youths remain outside.

“One thing I firmly believe in is that in the midst of all our accomplishments, we should always find ways to give back to our families, society and the community. What we put in is what comes out”, says Vince.

GO BANG! Magazine: How did you first get started in music and what about it attracted you?

Vince Lawrence: My initial connection in music came via my dad, Nemiah Mitchell aka MITCHBAL. My father is a songwriter, having worked with people like Eddie Thomas (Curtom Records) and others. He started his own label in the 70s and put out a few 45s before I aided him in discovering new culture centered around 12 inch singles and dance music.

GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized as one of the pioneers. What influence, if any, do you feel you have brought to House music and how has House music influenced you?

Vince Lawrence: While not wanting to “take credit” for this and that as many people do, I can say that I did help bring people together socially around the thought that we could express our creativity through music and by making actual records that we could play at parties and on the radio. I always try to encourage people to pursue their dreams using whatever tools they had available.

I helped a lot of guys get their first recordings created by collaborating as a songwriter, musician or producer. Early days, I worked with Jesse Saunders, Marshall Jefferson, Byron Stingley, Wayne Williams (Dr. Derelict), Chip E., Victor Romeo, Duane & Co. and others. As a remixer, I along with Slang Musicgroup team members have worked with Beyoncé/Destiny’s Child, Whitney Houston, Donnell Jones, R Kelly, Charles Jenkins, Sisqo, Joe, Michael Jackson, John Legend and others.

I have always worked to elevate others by teaching, advising or providing employment. There are many great artists, producers, engineers, managers and such that began their careers as part of our team.

GO BANG! Magazine: You’ve had the opportunity to travel around the world, in the name of House. How would you describe House’s acceptance in other countries, in comparison to here in the States?

Vince Lawrence: Outside of the US there seems to be less distinction between House music and other forms of R&B. I think that we Chicagoans separate or dance friendly Black art forms from the rest. It seems that this is a new phenom did not seem to occur in the past. For example, Harold Melvin and the Blue notes is thought of as an R&B group, despite having created “disco classics”. The sum total, that’s the difference in the US and with American Black listeners in particular.

GO BANG! Magazine: Over the years you’ve morphed and accomplished great success as a producer, remixer and businessman. You’ve worked with many icons in the music industry. How does it feel to be requested to remix songs from artists of this caliber?

Vince Lawrence: I am honored to be invited to creative circles with great artists such as this. There are no words for the way it feels when you have the opportunity to participate in this way as a fan. My connection to music started as an admirer, in the audience, listening and enjoying. A remix invitation feels as if I am being invited behind the curtain, backstage to share in the creation of the show.

GO BANG! Magazine: After working with such high ranking artists over the years, are there any other artists, current or classic, that you would love to work with?

Vince Lawrence: I have listed these in no particular order:
Lianne De Havas
Kirby
Dua Lipa
Queen Nadja
Jeremih (he visited the studio but I did not produce)
Miley Cyrus
Mereba
Katy Perry
Gaga
Fat Joe (he visited the studio but I did not produce)
Black Thought
Trevor Horn
Lailah Hathaway
H.E.R.
James Blake
Shawn Mendez
Alicia Keys

If anyone can connect me, please reach out!

GO BANG! Magazine: As the original House generation matures, if it’s not passed down to the next generation, it will die out. What are your thoughts on the future of House music and the House culture?

Vince Lawrence: I honestly am saddened by this question because it seems so localized. House Music as Black music is not dying. Beyonce makes a whole album full of music that if it weren’t Beyonce, people would call House Music. Check FIND YOUR WAY BACK from her latest record if you need perspective, but the thought of this dying out is a myth. The discounted self-image expressed when we fail to recognize how our art has traversed the globe and come back dressed as pop star cultural exploration surprises me. Local people only need to decide to stop sitting in the stands and get in the friggin game. The discussion of stuff “being passed down” or not is also a false narrative. If people want to make records, I have always been here, people engage me as a producer all of the time. Think about it, you “found” me and it was not hard. We are the originators. The new generations find the paths that we laid down before. Those that are truly interested will actually participate. These “next gen” conversations are not about getting anything actually done.

GO BANG! Magazine: You’re the founder of Slang Music Group and you’ve received numerous gold and platinum awards. Please tell our readers about these awards, about your company, and plans for your company’s future.

Vince Lawrence: Slang is a multi-featured music and sound house that produces national Gold & Platinum award winning recording artists and delivers modern sounds to the ad industry seamlessly. Our producers have worked with many best in class artists and continue to do so. Our mix engineers are some of the words best, working with the greatest talent. Examples: https://open.spotify.com/playlist/1IKd1PFQdStInJKsmaZMFq

Along with music for television, film and commercials, members of Slang Music Group have also been working with burgeoning new talent from all over the world. We create content presentations for both the boardroom and the web. This year we launched a library of economical, easily licensed music for use in creative projects. www.Slangmusicvault.com was developed in hopes of creating new collaborations with creatives everywhere. We have created thousands of high quality music tracks for this purpose. Hopefully someone out there has written perfect songs for some of them. In 2021, Slang Music Group is evolving, creating original long format and digital content for television and theatre.

GO BANG! Magazine: Recently a new documentary titled “Legacy: From Soulful Horns to House Music” premiered here in Chicago on WTTW on Friday, November 13, 2020. You directed, produced and narrated it. I viewed the show, as did many others that I know. Tell us what inspired you to bring that to the public, what your mission was, and if you achieved your goal.

Vince Lawrence: I grew up amongst Chicago’s music elite. I was raised on stories of the “amazing feats of music” described by people like Kanye West. I bear witness to miracles when I say that Black Chicagoans have, generation after generation, created art from nothing that changes the landscape of music worldwide. These amazing people hail from housing projects and streets that people say are impossible to survive, yet they thrive…and create. I owe a piece of my existence to my parents and these greats. My film shines a light on what they have done through the lens of how they affected me specifically. By acknowledging all of this, I hope to pay it both back and forward. These men deserve to be in the Rock and Roll Hall of Fame and get life awards from places like the Grammys. I plan to submit this film as part of my effort to see this done while these gentlemen are still alive.

GO BANG! Magazine: More recently, on November 19, 2020 you participated in “Sleep Out: Chicago”, which brings attention to the youth homeless and trafficking population. Please explain how you feel about this tragic population and how you participate in this much needed cause.

Vince Lawrence: I grew up here. When I found out that 4,000,000 youth are homeless in the US, I was stunned because I couldn’t recall seeing homeless youth. But then, I found out that I had seen youth homelessness, I just didn’t know it. You see, it’s not just sleeping out on the street. It’s couch-surfing, sleeping in a car, or trading your body for a warm bed…that’s youth homelessness. And it happens because you age out of foster care, or tell your parents you’re gay, or your mother looks at you one day and says “I don’t want you no more.”

So, I’m supporting Covenant House Illinois starting on “Giving Tuesday”, December 1st to raise money to help thousands of Chicago youth overcome homelessness. Facebook is matching donations on “Giving Tuesday” from 7AM Central until their budget is exhausted. Please go to my FB Fundraiser and donate. Let’s show our youth that House music fans know they matter and they are not invisible. Please give on “Giving Tuesday” to my Facebook Fundraiser for Covenant House Illinois.

These days, there are so many kids displaced. Any effort to create a chance for our city’s youth is everyone’s responsibility. I am simply a man with a hill to stand on… Shouting! You can shout too, everyone can. Small contributions combined and repeated actually help.

GO BANG! Magazine: On November 19, 2020, you participated in a virtual panel event presented by Eric Williams and The Silver Room. It featured you and the legendary House music producer Marshall Jefferson. It was moderated by Duane Powell. It was titled “Chicago Created House Music.” Its purpose was to discuss everything House: including how it started, how it’s been and where it’s going. I tuned in and enjoyed every moment of it. The Silver Room has had a major influence on House culture over the years. What are your thoughts on The Silver Room’s contribution and influence on culture, and more specifically House culture?

Vince Lawrence: My relationship with The Silver Room is perhaps a little different. When I look at that group, I don’t see a business, I see people dedicated to Black positivity. I have watched Eric and his team grow their business, start a festival and share their thinking on the inter webs. I commend Eric for creating a platform to share these stories, while helping artisans extend their brands, personal or otherwise.

GO BANG! Magazine: When others in the entertainment industry reach the level of success that you have, some of them go “Hollywood” and become arrogant and cold-hearted. You seem to have not gone down that path. How have you maintained your level-headedness and why is that important to you?

Vince Lawrence: I have been lucky to have the opportunities that I have. I see every day that creatives struggle, hoping that one day they can make any sort of living doing work they love. I realize how lucky that makes me. I don’t take any of this for granted, not for a nanosecond.

GO BANG! Magazine: What are you working on now, that our readers should be on the lookout for?

Vince Lawrence: I continue to create great music for records, film and TV. I have two new films in development, LEGACY hopes to become a series and find its way into more homes via streaming platforms and such. I have new records (and a bunch of old ones) coming out via arrangements with UNITED MASTERS as well. www.slangmusicvault.com continues to be a resource for creatives spanning many genres and art forms We are also working to develop a great set of tools to help DJs all over the world to become the best version of themselves.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Vince Lawrence: I accept this as the current reality. COVID has killed too many friends and friends of my friends. That stated, I have been working “remotely” for many, many years. My clients are literally all over the world. I have a great studio set up in my home and tools to connect to anybody anywhere. COVID presents an opportunity to refine those efforts and reach out to more people who now have to get accustomed to communicating and collaborating in this way. I won’t let this stop me; actually it’s a chance to grow. Can you imagine all that time we were wasting commuting for meetings even? When COVID is gone, who wants to go back to that?

For more information on the Sleep Out, log onto:
https://www.sleepout.org/index.cfm?fuseaction=donorDrive.event&eventID=844

You can follow Vince on ALL social media @vingoslang and on the Slang Music Group website: https://www.slangmusicgroup.com/ and http://www.slangmusicvault.com

 



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

 

Photo credit:  SEED LYNN

 

Duane Powell’s love for music started an early age growing up in the 1970’s being exposed to Chicago’s rich Soul music scene. His uncles were disc jockeys until the mid 80’s and artists including Minnie Riperton, The Emotions, Chaka Khan, Miki Howard and The Staple Singers were their classmates and/or family friends.

In 1985, Duane entered into the world of street promotions pounding the pavement promoting events for prominent DJs within Chicago’s burgeoning House music scene starting with Lil Louis. In a five-year span, because of their Avante Garde style and presence, Duane and his crew became the “go to” individuals in marketing to get all of the “cool kids” to events. By 1990, Duane had done street promotions and served as Marketing Manager and Consultant for many clubs and DJs including the historic Powerhouse. In 1998, he became an Import Buyer for Cargo Music Distribution and by the end of that year, an employer at one of Chicago’s most legendary record stores, Dr. Wax Records. It was his 12 years there that the title of “tastemaker” really took shape by almost single-handedly breaking several artists in the market, including Ledisi, Eric Roberson, Julie Dexter, Jill Scott, Raheem Devaughn, N’Dambi and many more.

As a promoter, he launched the SOUNDROTATION brand in 1999, further cultivating the underground soul scene in Chicago giving many of those acts their performance debuts in the market. Through this, he became a fixture on the global Soul scene and began speaking about his knowledge of the business on panels and workshops including The International Soul Summit (ATL), Urban Organic (Detroit), I Got Soul Conference (Dallas), Chicago Artist Resource and the Chicago Cultural Center.

As a DJ, he had a popular internet radio program on Swank Society. He has spun at and has residencies at many of the most popular venues around the city including the House Of Blues, Virgin Hotel, The Promontory and Reggie’s Music Club. In addition, he has opened for many heavyweights in Soul music including opening for Frankie Beverly & Maze at The Taste Of Chicago and has shared the bill with many legendary DJ’s and Grammy-winning producers in the Dance music world including Joe Claussell, DJ Spinna, Steve “Silk” Hurley, Maurice Joshua, Josh Milan, Timmy Regisford, Ron Trent and more.

Thousands of people are glued to his social media pages for his updates on music, as well as his knowledgeable tributes to the greats in music history. He also served as the Soulful Sundays Editor for the reputable Hip-Hop blog kevinnottingham.com. According to his following, his SOUNDROTATION compilations create sonic satisfaction that impinge on their emotions and lend freedom to their souls.

Duane’s choice of music genres include Soul, Jazz House, Acid Jazz, Nu Grooves, Broken Beat, Bossanova and Afro Rhythms.

Lastly, his influences include Ron Hardy, Lil Louis, DJ Rush, The Twilite Tone, Ron Trent, Oscar McMillan and countless other Chicago legends.


GO BANG! Magazine: Where did you grow up and spend your childhood?

Duane Powell: Predominantly Roseland with Auburn-Gresham and Englewood in the mix.

GO BANG! Magazine: How did you first become involved in the appreciation of music?

Duane Powell: I’ve been a lover of music as early as three years old. My Mom tells a story of how at that age I would tell her which records to put on and what side to play just by seeing the label. (I couldn’t quite read yet of course). She also says that when I was three she bought me a tricycle, but instead of riding it I would lay it on its side, put 45 records on the wheel and spin it thinking it would make a sound. lol. All of her brothers were DJs all throughout my childhood and one of them in particular, my uncle Buster, was my first inspiration. His record collection was VAST and his knowledge of music was unmatched.

GO BANG! Magazine: There was a time when you were homeless. Please describe that moment in your life and how you overcame it?

Duane Powell: This happened when I was 27 years old. I just left a job that I hated with no clear path as to what to do next. Things got ugly with my roommate and me, but it was his place so I had to leave. I didn’t have a great relationship with my stepfather at all so going home wasn’t an option and I had no other immediate relatives in the city at the time. I had a few friends who’d let me sleep over, here and there, including Eric Williams who had just opened his new business The Silver Room. I started a new job as an Import Music Buyer at a distribution company but needed to work a bit to get up enough money to get on my feet again. I hated asking people for help, so I put my belongings in a storage facility right across the street from my job and pretty much lived out of it. Slept a few nights on the blue line train, a few nights in Wicker Park (the actual park on Damen) before finally moving into The Milshire Hotel, this transient hotel on Milwaukee in Logan Square where lots of addicts resided. (No, I never did drugs lol). My luck again, the company I worked for was going under so I moved out of the hotel and moved in with my brother DJ Rush who had just come home for a spell, but was still residing in Germany. The next day after moving in, I started my new job at Dr. Wax in Hyde Park and remained there for 12 years. A year into that job, I finally moved into my own apartment in Hyde Park. I also have to mention reading metaphysical books including Celestine Prophecy, Seat Of The Soul and Conversations With God helped me immensely during those times. It was actually a game changer.

GO BANG! Magazine: Working at the legendary Dr. Wax record shop in Hyde Park changed your life. Can you please explain to our readers the impact that job had on you?

Duane Powell: Being the person putting great new music into the hands and homes of the people was invigorating. I created so many relationships, friendships and bonds in that time. Music is truly the healing force of the world and seeing others enjoy the natural high, as I did, was life. So many artists became household names because of us at Dr. Wax pushing the music.

GO BANG! Magazine: In addition to being a successful DJ, you are also an entrepreneur. In 1999 you launched the Soundrotation brand and blog. Please describe what Soundrotation is.

Duane Powell: Soundrotation initially was the name of a weekly event I used to host with Anthony Nicholson and Joe Bryl when Joe was managing the Buddha Lounge. We were in love with music and artists on the Nujazz, Nu-Soul and Broken Beat scenes of the UK, Japan and other places around the globe and desired to showcase them here, as no other venue was doing it at the time. We brought in acts and DJs like Gilles Peterson, Jazzanova, Phil Asher, Joe Claussell to name a few. I held on to the name as a brand for all things related to promoting the good music I loved. I started throwing concerts for up and coming Indie Soul artists as well as consulting them. Grammy nominated singer Ledisi’s Chicago debut performance was with me at the Buddha. I did Soundrotation compilation cds. I had a blog to promote all the great music from around the world that I felt wasn’t getting the shine it should and eventually had a Soundrotation radio show which will be revived soon.

GO BANG! Magazine: You are known as the ‘Tastemaker’ in the Soul music world, breaking new Soul artists on a regular. How do you select artists and know which songs are gonna be hits?

Duane Powell: That was a title given to me lol. I’m not sure. I just love great produced music and you know it when you hear it. The senses are aroused. Something funky in the beat pattern that make you frown up, a chord change that make the hairs stand up on the back of your neck or that voice and phrasing that just soothes or give you goosebumps. It’s a feeling.

GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized as one of the Soul music DJ pioneers. What influence, if any, do you feel you have brought to the House music scene and how has House music influenced you?

Duane Powell: I’d like to think I bring or have brought freshness to the House scene. I’m always thinking progressively and since the 90s, I’ve always influenced those younger to experience the scene and the culture. It’s the only way it’ll survive. I love what House culture has done for the city. This city is known in a negative light as being segregated. House culture broke down those barriers for me and many others. We got out of our insular bubbles, our hoods and experienced all sides of the city and surrounding areas following the music. I lived in the 100s but partied and hung out downtown, far north, west, and even as far as Dekalb, IL. We went where the music was. Because of this, we partied, fellowshipped and formed bonds with people from all walks of life and still do til this day. It liberated us.

GO BANG! Magazine: How would you describe the DJ Duane Powell sound?

Duane Powell: In terms of DJing, I’m influenced by the very things that created the genre of House; Soul, Jazz Funk, New Wave, Italo, Industrial, B Sides, etc., etc. so I have to have a combination of it. Nothing is off limits. I love music with great energy. I was a dancer in dance crews years and years before I threw my hat in the DJ ring. I gotta have movement, peaks and valley…a journey…a climax.

GO BANG! Magazine: After working with several high ranking DJs over the years, are there any DJs that you would love to work with now?

Duane Powell: There are several I would love to share a bill with. Lil Louis, Theo Parrish, Louie Vega, Dego, and Jamal Ahmad are the first names that come to mind.

GO BANG! Magazine: As a DJ, you’ve traveled extensively over the years, but you’re still down to earth, humble and a considerate person. When others in the entertainment industry reach the level of success that you have, some of them go “Hollywood” and become arrogant and cold-hearted. You seem to have not gone down that path. How have you maintained your level-headedness and why is that important to you?

Duane Powell: Well, a couple of things. I haven’t nearly traveled as much as more accomplished DJs have, but even if I did, I don’t see the need for anyone to not be a nice person. We all have fallen on hard times at one point or another. I always treat people how I want to be treated.

I will say though that sometimes people would label someone “arrogant” “difficult” or say someone has gone “Hollywood” when that person knows his worth and asks to compensated accordingly. If you’ve worked hard to build your brand, your name and your audience, you’re not gonna continue to accept $100+ gigs. You’ve earned that right.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Duane Powell: This year has been rough to say the least. I was deeply depressed for a second, although not from the virus itself. I lost a lot of loved ones and losing my sister to cancer in September was/is the hardest thing I’ve ever had to live with it. Outside of that, I shook off my depression and was able to navigate in the virtual world and gigged online between DJ sets, artist talks and history panels. I’m one of the few DJs that are lucky enough to get paid work online. It filled in the gaps a bit, although nothing can replace the feeling of playing live and being out, feeling that vibration amongst a crowd. Also, there was soooo much great music that came out this year, in the midst of it all, that kept my spirit lifted.

You can follow Duane here: https://allmylinks.com/djduanepowell

 



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Photo credit: Leslie Carroll

 

Born in the Philippines to a Filipina mother and Indian father, Czarina (aka Czboogie) moved to the United States and attended Northwestern University majoring in Theater. She wanted to be an actress and did films, TV, commercials, and modeling, (all that lovely shit) for 15 years, but also had a serious love affair for House.

Czboogie’s style of sexy Disco-infused House music has made her an in-demand DJ all over Chicago, in cities around the US, as well as in Asia. She has had DJ residencies at Smartbar (Chicago’s number one club for electronic music), Evil Olive, Grandbar, Hydrate, 3 Degrees at Primary, Circuit, Crocodile, Uptown Lounge, Cocktail, Drop Chicago, and with the legendary Boom Boom Room (the longest running House nightclub in the world.) One of the highlights was her Nu-Breed Residency with the world-class House legends Cajmere and Chez Damier at Smartbar.

Czboogie has played alongside some of her favorite DJs such as Kerri Chandler, Dennis Ferrer, Derrick Carter, Cajmere, Joey Negro, Osunalde, Chez Damier, Karizma, Spen, Mark Farina, Timmy Regisford, Miguel Migs and Gene Ferris.

She is also part of the DJ collective The Untouchables with Farley Jackmaster Funk, Paul Johnson and Gene Hunt, 3 Degrees Global the Strictly 90s crews.

In August of 2005, she began 5 Magazine and says “House music has now become my full time job!” 5 Magazine is the nation’s only magazine committed exclusively to the dance music that grew out of Chicago’s club scene. “It’s very much a labor of love,” says Mirani. The monthly magazine, with 10,000 copies distributed free of charge throughout Chicago, includes stories on artists, DJs and producers from House music’s past and present.

Aside from being the Publisher and Editor-in-Chief of 5 Magazine, she also does 5 Magazine radio shows and podcasts. She currently is doing ‘Cz’s Boogie’ which won New City’s ‘Best House Music Podcast’ as well as the ‘Conversations’ podcast where she interviews some of the most prominent names in the dance music field.

Loving all aspects of the House world, Czboogie promotes several events in Chicago and has her own dance company (Fivestarboogie Productions) with dance performances and classes throughout Chicago. Her House dancing classes have been named by the Chicago Reader as the ‘best dance class in the city.’

She has faced several cultural barriers throughout her professional life. But being a female, Asian DJ made her stand out and helped propel her career. She goes on to say, “House music is multicultural and it’s a very accepting culture.”

GO BANG! Magazine: What do you remember most about living in the Philippines and when and why did you decide to move to the United States?

Czboogie: My mom is Filipina and my dad is east Indian and that is where my family home is. My mom was a socialite and always had big parties in our house. We even had a little disco of sorts, and she would jam out Disco tunes all night long!
I decided to move to the States because I wanted to pursue an acting career, so I went to Northwestern University to major in Theater.

GO BANG! Magazine: When and how did you first become interested in spinning?

Czboogie: I had become interested in spinning because I was already at year 5 of the magazine and I had interviewed so many DJs by then. I was actually curious as to the technical aspects of it, not really thinking I would eventually play out. I was dating Rees Urban at the time and he was kind enough to show me the ropes.

GO BANG! Magazine: The House music in Chicago varies depending on what side of the city you’re on. How would you describe the music played on the north side in comparison to the south and west side?

Czboogie: Well I suppose the traditional answer would be that the north side of Chicago tends towards newer music while the south side plays more of the classics. I’m not really sure about the west side, as I didn’t frequent as many establishments there. That’s a really broad generalization though, because we all know that statement can get easily flip flopped depending on what night, venue or DJ is taking place!

GO BANG! Magazine: In addition to being a legendary DJ, you are also a talented actress, model and dancer. What is it about being a performer that you like most and keeps you inspired to perform?

Czboogie: You are too kind! I love performing because it’s what I’m naturally drawn to do. I love the rush of being onstage and either playing a role or dancing. I’m an extrovert and I have a lot of energy so a lot of it comes from getting it all out there to a bigger audience!

GO BANG! Magazine: Can you tell our readers about your dance company Fivestarboogie Dancers and how they can find out more information about performances or classes?

Czboogie: I had originally started Fivestarboogie Dancers as a side project while dancing and training at Joel Hall Dance Company. I was really into different styles of dance even then…so aside from being classically trained in studio dance (ballet, jazz, modern) I loved House dancing, Vogueing, Bboying, etc. I wanted an outlet to be able to mix all of those styles together. So I would go out to New York, take a million classes in different styles, write a show, choreograph the pieces and cast my dancer friends in these shows. We would then perform at theaters and nightclubs around the city. The shows were always well received because they were a happy mix of club and party vibes…we would have an absolute blast!

In terms of classes I used to teach House dance classes on and off throughout the years, the last class being for the Chicago House Music Festival at Millennium Park. I don’t teach so much anymore, mainly because I have some major dance related injuries in my legs that make it difficult. That’s why I took up Aerial arts so I can use more of my upper body and stay active.

GO BANG! Magazine: Besides being a House dancer, you are also trained in other styles of dance. What other types of dance can you do?

Czboogie: I’ve trained in Ballet, Jazz, Modern, Hip-Hop also loved Vogueing, Waacking and B-girling!

GO BANG! Magazine: As an actress, you performed in commercials, TV and film. What types of roles were you drawn to and most interested in playing, as a character actor?

Czboogie: I used to always get cast in roles as the bad girl lol. Also back then diversity was not what it was at it is now, so they would often try to pigeonhole me in very limited “minority” roles. It was frustrating, so I finally wrote my own production which was a Hip-Hop adaptation of Cinderella complete with full dance numbers. It was a huge success and we ended up doing a second run of it. After that I got out of the acting audition game to focus on my dancing.

GO BANG! Magazine: You’re a beautiful woman with a unique look. It’s quite natural that you would be interested and experienced in modeling. Which types of modeling did you like doing the most: print, runway, sports, industrial or any other?

Czboogie: Thank you for that, you are much too kind! Modeling wise I did print, runway and quite a few industrials. But I don’t really stress this part of my career as I didn’t pursue it. I just took gigs when they were offered.

GO BANG! Magazine: Czboogie is not only known all over the United States, but in Asia as well. How would you describe the Asian House scene in comparison to the scene here in the US? What’s similar and what’s different?

Czboogie: Ooh it’s hard to tell because each country is so different. I think there are huge pockets here and there of underground House in their clubs. I used to play in Manila whenever I would visit my family and was happily surprised how big House was there. Now of course, commercial House and Dance music in general is much more prevalent over there.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Czboogie: Honestly, in the last two years I’ve become less of a party girl and more of a hermit lol. So the whole staying home thing is nothing new to me and I’m ok with it. Of course I count my blessings every day because I know there are so many people that are not as fortunate in their circumstances living with this pandemic. Many House artists I’ve spoken to say they’ve taken this break to sort of recharge their batteries, slow down and focus on other areas of their lives. I’ve become 100% focused on my fitness and am ok with no nightlife right now. It will come back. Thankfully the magazine is still going strong.

GO BANG! Magazine: In conclusion Czarina, did you know that you and the success of 5 Magazine inspired me to launch GO BANG! Magazine? I want to thank you for inspiring me. I also want to thank you for taking the time and giving me the honor of interviewing you for GO BANG! Magazine.

Czboogie: I did not know that! I’m so flattered and honored! And I’m very proud of you, it takes a lot to start a magazine and to keep it going. Bravo!

GO BANG! Magazine: Thanks! 😉



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

SONG VIDEO LINK:  (courtesy of YouTube)
https://www.youtube.com/watch?v=yGOAXdva_LE

Visit http://vote.org to find your local polling place.

KEKE PALMER in “Actually Vote”
brought to you by GENERATOR COLLECTIVE + STARRPIX

directed by JAKE WILSON
written by FINNEAS, BENJ PASEK, JUSTIN PAUL, KALEENA ZANDERS
produced by FINNEAS

featuring ILANA GLAZER, JULIA LOUIS-DREYFUS, JULIANNE MOORE, BELLA THORNE

video produced by KARL FRANKENFIELD, ILANA GLAZER, KELSIE KILEY, GLENNIS MEAGHER, ELENA RIDKER

cinematography by MATTHEW TOMPKINS
edited by CAL LAIRD
color by DAN EDWARDS
visual effects by TDH MEDIA
assistant camera COLIN SCHOSTAK

opening titles by GRACE HWANG
end titles by FELIPE MOLLICA

music supervisor JORDAN CARROLL
backup vocals KALEENA ZANDERS
vocal producer JOSH WOOD

hair ANN JONES
makeup JEREMY DELL
executive assistant to Ms. Palmer CHANCE DAVIS
additional spoken material by KEKE PALMER

Photo Credit:  Victor Price

 

Growing up in Chicago in the South Shore area, Tony Evans (DJ Tony Madd) fell in love with music. His creativity was sparked, being able to walk out of his back door and hear live bands playing nearby. In the 70’s and 80’s Tony was fortunate to grow up with friends who were attracted to music and the Chicago music scene.

Tony would hang out in the neighborhood record store, and was able to listen to good music and hone his ear for great mixes. He carried crates, moved speakers, dug in crates, promoted and partied with different friends, crews and DJs that created HOUSE MUSIC!

Tony Madd later joined the ARMY and relocated to Germany. While overseas, he had the luxury of spinning in military clubs, as well as securing resident DJ spots in Europe. After 15 years overseas, Tony returned to the United States with a MADD original style and the sound of Chicago mixing!


You can hear the passion and love in his mixes!

GO BANG! Magazine: Can you please explain the origins of your DJ names Tony “SunDance” and Tony “Madd?”

Great question!

DJ Tony Madd: DJ Tony SunDance originated with my introduction to House music in my neighborhood, 68th and South Shore Dr.. My buddies and I would hang out at a record store on 71st Street. In the back, aspiring DJs would be mixing music. Vincent Spark ran/owned the shop and he had a group called ISE (Infinity, Space, & Eclipse). Infinity was girl dancers, Space boy dancers, and Eclipse the DJs. I would later join the dancers so I could hang out, get in the parties for free and learn how to DJ. My favorite thing is the SUN, and I always danced, so Tony Sun-Dance.

DJ Tony Madd began in Germany. I was in the Army. One month after I arrived, I landed a DJ job at the local club, off post. I use to run a talent show called the “Apollo Show” on Sunday nights. I met a civilian brother, Derek Clark, who entered a show and he could really sing. We joined together and won about 20 something shows singing R&B hits. They made him the MC because they couldn’t pay us anymore, after 500 DM. On our last show together we had tough competition. It was a young brother, named Mike “Booze” aka Polo, who was in Germany with his family. We won the last competition and we thought he should have won!

The name M.A.D. originated from Michael, Anthony and Derek. We formed a rap group called The MAD FAM and I was the Producer/DJ, Tony Madd. The name later changed to mean Making A Difference Daily.

GO BANG! Magazine: How did growing up hearing live bands playing spark an interest in you to want to become a DJ?

DJ Tony Madd: Hearing live bands sparked my interest in music, which has become a life-driving force. Spending summers in Morgan Park, you could come out of your back door and hear bands practicing Earth Wind & Fire and Con Funk Shun live. That gave me an ear for great music. I always followed good music, which led me to hangin’ at the record shop on 71st Street. I heard some great DJs practice there. That led me to dance and hang out at parties. We passed out flyers, hung posters, carried equipment and crates for Darryl Willams, Butch Mcaffee, Mario Short, David Allen, Chip Mitchell and Steve Poindexter! (Name Drops, Name Drops)

GO BANG! Magazine: Growing up in the South Shore area of Chicago is something that we have in common. Being a DJ too, I spent lots of my time in record shops going thru the new music. Scorpio Records on 71st and Crandon was one record shop, and then later another record shop emerged, Track One Records on 71st & Jeffrey, owned by the late Dedry Jones. What record shops did you hang out in as a youth and what knowledge did you gain from those experiences?

DJ Tony Madd: Those record shops on 71st Street were the ones I went to also. I bought my first 45 there on Crandon. After making some money from my first job at age 13, I walked up there and bought “Me and Ms. Jones.” Everybody in my hood use to go there.

I learned to read the album covers and how to take care of my collection. After joining ISE, I learned how to take care of my collection and count BPM’s (beats per minute). I learned what genres were. I also learned how to pick good sounding music. Lastly, I learned what intro, hooks, verses, bars counting, back ground singers and harmonies were!

GO BANG! Magazine: Before you actually became a DJ, you were more like an apprentice/roadie for several other DJs. Who were some of those DJs and what did you learn during those years of training?

DJ Tony Madd: Darryl Willams, Butch Mcaffee, Mario Short, David Allen, Chip Mitchell and Steve Poindexter. They all started before me. I had to pay my dues before I could touch some turntables. I never got to play in the shop. Maurice Macklin, First Lady (Krissy Hutchinson) and Pharris Thomas came up after me and split to different groups.

I learned patience, timing, how to pick the next song and when to mix the next song. I learned that DJ’in is a competition. You gotta have the hot music and know when to play it at a party. I learned how to rock a crowd. I learned about hooking up DJ equipment and how the music should sound in different rooms, like Sauer’s vs. Mendel. I learned how to white out my 12” (records) from Import Etc. (record shop) so no DJ’s looking over my shoulder would know who made it, and much more!
GO BANG! Magazine: When did you get your first chance at DJ’ing for a crowd and how did that opportunity happen?
DJ Tony Madd: Oh Snap!

My first time DJ’in solo and rocking the house was a night when my crew; Chip, Steve, David, and Mario Short, all had parties at different spots: South Shore Prom, Aquinas H.S., some other place, and a house party.

By then I had started my own crate, which had a little to nothing in it. We wanted all that money, so I was solo dolo and I only had scraps of the main crates, which went to the bigger parties. I was dropped off early and used the last basic system we had for a birthday party. Well after the other parties were over, equipment packed up and everything, I was the last one to be picked up.

When they came into the party, the walls were sweating and kids were jackin’! When my crew brought in the crates, they let me know I did my thang and let me play them hits for the rest of the night!

GO BANG! Magazine: Sometime later, you joined the ARMY (thank you for your service) and relocated to Germany. While there for 15 years, you perfected your DJ’ing by spinning in military clubs and DJ residences in Europe. Please describe that time of your life and how that had an influence on you, as a person and as a DJ.

DJ Tony Madd: I joined the Army in 1985. I took my mismatched turntables with me. To my surprise, no one in North Carolina liked House music. So, I would bang out R&B and Jazz in the barracks and unit functions. In 1988-89, I went to Germany. It was the best time in my life! I got my first residency, after being there a month. I mixed R&B, Hip-Hop and any House I could squeeze in, ‘cause there were people from all over the world, some from Chicago! I played in Germany until I returned home in 2005.

I have DJ’d all over Germany, on-post, off-post civilian and military crowds. I’ve played at Club Jimmy’z for the Prince of Monte Carlo and for thousands at an open air venue in Austria. I’ve opened up for Aaliyah, DJ Kool, Keith Sweat, 69 Boyz, and Luniz, amongst other! We actually were on tour with the Luniz, while in Germany, when “I Got Five On It” was hot. We were “The Madd Famm!”

GO BANG! Magazine: After 15 years in the military overseas, you returned to the US. What year was this, how would you describe the DJ Tony Madd sound, and what did you do to get your name out into the House music scene?

DJ Tony Madd: I returned to the States in 2005, way after House music did its thing, always wishing I had stayed on the scene and at the same time not caring because I did things I’ve always wanted to do, mix and travel. I was home and a childhood friend that had always loved House music, Ken White (DJ Big Ken), had heard one of my mix tapes that he jacked from his cousin British Ford back in the day. We connected because he was on the scene mixing in Chicago. We vibed and decided to make a crew to DJ, promote, and what we called “saving” house music.

He had an idea to call a crew Scandalous Gentz Entertainment. I joined in and said let’s call it Scandalous Gentz International. One of our old school friends stated we could never do it, so we did. I designed the first “I Love House Music” T-Shirt and began to promote. We got 15 years and counting,

SGI IS THE SQUAD!

GO BANG! Magazine: Are there any DJs that motivate or inspire you, past and present?

DJ Tony Madd: So many DJs inspired me, and still do…(name drop time) RIH Frankie Knuckles, Darryl Williams and Butch Mcaffee. Then there’s Andre Hatchet, Lori Branch, Celeste Alexander, Craig Loftis, Farley Keith and Jesse Saunders were my influences before I left Chicago.

I’m still inspired! Nowadays, it’s Big Ken, Reverb Kirb, DJ Vernell Byrd, Timothy Tripplet, DJ Brett, Fiddy Millz, DJ Peace RTG, DJ Alicia, Mike Dunn, Terry Hunter, DJ Kemit and Black Coffee, to name a few!

GO BANG! Magazine: In addition to being a DJ, in 2005 you started working with SGI Entertainment. Please describe to our readers what SGI Entertainment is and what it does.

DJ Tony Madd: SGI was created to promote parties, mix good music, throw live parties / events, and to keep the House Nation informed of the community. Also, as I said before, SGI is the Squad! It’s a DJ crew. But, it was mainly created to keep House music alive, so that the world understands we started this in Chicago! There are many stories in House music. How it started? House was banging in many different neighborhoods at the same time!

GO BANG! Magazine: You, your wife Yvette, and I affectionately call ourselves cousins, because we share the Evans last name, although we’re not related. Since meeting the both of you years ago, there have been nothing but good times and good vibes between us. You all supported my book, “Inside The Minds Of Entertainers” and I supported your Madd House Group T-shirt line. As one of my favorite married couples of the House community, how did you two meet and how has House enhanced your relationship?

DJ Tony Madd: Alright cuzzin’, Grumpy and I met when I was 18 and she was 16. My best friend came to my house and said there were some fine girls where he was going and I should come. I was skeptical, but went! Little did I know that it was a cotillion and he had his date already. When I got there, I was paired up with a partner on the first day. I did not know that Grumpy had a plan. She told her brother, who was her escort, that he was going to take my partner and she would be mine, and it happened! We were boyfriend/girlfriend after that and I was in love. But me being older, on the scene and moving and grooving, we grew apart and I joined the Army.

When I returned to Chicago, I returned to the House scene. I always would go to the Hatchets’ picnic aka Chosen Few Picnic (CFP). The same friend that took me to the cotillion told me he saw Grumpy at the picnic after the picnic was over.

During one CFP, I think it was 2011, I ran into her with her friends and we hugged and those feelings came back to me, but I was with someone and left the city. After a conversation, and some added correspondence, I was compelled to return to her! Madd & Grumpy! She and I are hugh fans of House and she has acquired a good ear for music. She is my greatest supporter!

House music is our life!

GO BANG! Magazine: Being a Black man in America today is dangerous on a daily basis. We have ALL experienced it in different ways. How have you been affected by systematic racism and have you witnessed White privilege? If so, please describe the instance for our readers.

DJ Tony Madd: As a Black man in Chi-Town, I grew up in an era when I could ride my 10-speed bike from the north side to the south and back, at night, without any issues.

My neighborhoods were special. My family wasn’t rich, but being middle class at that time, I never went without. As a single child I was always moving and have friends from different walks of life, some rich, some not, some preppy, some thug, pimps, playas, and hustlers! I learned from all and have walked with them all. I hung out with groups that might not ever interact, except by knowing me.

Returning from Germany gave me a larger perspective on life and I realized what being a Black man was really about. I realized how we are viewed and treated and how I want to be treated as a man, a Black man! I’ve never been more FREE and respected like I was in Germany, but not just Germany. I have traveled to more countries than states in this country, before I was 18. I learned that the Constitution was not made for us, even though we made everything in this great country. I learned that everything that we made is stolen and all advancements we make are destroyed. I learned that we are systematically being destroyed and that we own nothing in this country.

GO BANG! Magazine: The Covid-19 pandemic has dampened and ruined the entire year of 2020 thus far, for many people. They are dealing with it in various ways. Some are doing just fine, while others are depressed because of loneliness or death to loved ones, due to the virus. How has the pandemic affected you?

DJ Tony Madd: I worked at a Mental Health hospital for seven years and I’ve watched as Covid-19 gets worse, depression and racism get worse. I’ve watched White people treat co-workers that are there to help them, so degrading. I’ve watched Administration not care if you are spit on or called nigger! It’s business as usual. What can you do, because you need that job.

As a first responder, large facilities will not pay these workers decent benefits or proper pay for being on the frontlines of mental illness! Still waiting to get my just due!

GO BANG! Magazine: How would you describe the House community, as far as how it is dealing during these times of the pandemic?

DJ Tony Madd: I’ve witnessed some DJs squad up and use other platforms to keep their name out in the public. I’ve seen some DJ’s fold. I’ve been lucky enough to have different platforms to get my mixes to the public. Like most DJs, ego is involved and I just wanna be heard and acknowledged!

GO BANG! Magazine: In conclusion, although you’ve had the opportunity to spin at several well-known venues/events and with numerous DJ’s, please describe one or more venues that you would like to spin at, as well as any DJ or DJ’s that you would love to spin with, if any, that you haven’t thus far in your career.

DJ Tony Madd: Man…I’d like to play at the Boiler Room, The Cocoon Club (Ibiza), Back @ The Airport (GE), Barcelona, and at any House music spot where people dance versus taking selfies. I’d like to play with Terry Hunter, Black Coffee, Mike Dunn, Louie Vega, DJ Spen, Dennis Ferrer, and Martin Solveig. JOE CLAUSSELL is a Beast…!

But, I will play wit anyone who understands “Blends Matter!”

You are welcome!

Follow DJ Tony Madd on:
Soundcloud: https://soundcloud.com/tony-madd
Mixcloud: https://www.mixcloud.com/djtonymadd/
Facebook: https://www.facebook.com/djtonymadd

 



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Photo Credit: Brandon Appleton/Refined You Studio

 

It is a proven fact that only two percent of people truly pursue their dreams, while 98% spend most of their lives lamenting lost opportunities. Chicago’s Lorenzo Owens is not one of those unfortunates. As a finalist on Oprah Winfrey’s “Pop Star Challenge” back in 2004, he finished with the second-highest vote total at slightly over 11 Million votes.

The production prowess of Grammy winning producer Michael J. Powell (Anita Baker, Tyrese, Aretha Franklin), led to his debut album “After The Show”, being well-received by audiences and critics alike. His breezy, soulful debut single “Wanna See You Smile” captured music fans everywhere. Lorenzo’s magnificent voice, a brash register that brings to mind the late, great David Ruffin, stunning sensuality and a dazzling smile, all continue to produce an amazing stage presence and powerful live show. He also holds the distinction of being one of the few artists to make Ms. Oprah Winfrey shed a tear.

It wasn’t until he had begun attending college that he realized singing was his life’s calling. Says Owens, “Singing was something I’d always done, but I never paid much attention to it. It was something that just came naturally.”
One of his most recent offerings “Walk Away From Love” is a stirring dance-tinged remake of the David Ruffin classic, that has set dance floors ablaze everywhere. Lorenzo’s current single “When The World Says No” is a soulful yet inspirational Top 40 hit impacting charts all around the world.
Lorenzo is presently working on a new album expected in spring of 2021.

GO BANG! Magazine: Where did you grow up and spend your childhood and how interested were you in singing as a kid?

Lorenzo Owens: I grew up in Milwaukee WI. I have enjoyed singing since I was a tiny tot. I am told I sang full songs at three years old. Much like my 3 year old nephew is doing now. It makes me totally smile.

GO BANG! Magazine: Please describe to our readers the moment when you knew that you wanted to professionally pursue a career in the Entertainment industry.

Lorenzo Owens: I got the bug early on. It was literally the first time I heard the roar of the crowd after singing. I knew that’s where I wanted to be, but it took time for me to realize that I could actually make that a reality. Coming from the Midwest, it was fairly unimaginable to me.

GO BANG! Magazine: David Ruffin has been an inspiration to you. What is it about David Ruffin’s voice and singing style that captured you and how has that influenced you musically?

Lorenzo Owens: It was the grit, the girth of David’s voice coupled with the extreme highs he could reach. It was very similar to my own (not that I would dare compare myself to him) but hearing him struck a chord in me. I noticed the similarities and I thought his voice was wonderful. I never quite felt that way about my own (lol) tho I do appreciate it and feel blessed to possess such a gift.

GO BANG! Magazine: How would you describe the Lorenzo Owens sound?

Lorenzo Owens: My sound is very me. That’s the best I got for ya. (lol) My sound is rooted in soul. It is literally an expression of me, how I feel, what I think and all that has influenced me.

GO BANG! Magazine: Are you primarily a vocalist or can you/do you write lyrics, compose music, play an instrument or produce tracks as well?

Lorenzo Owens: I would say that I am primarily a vocalist, but yes I do write as well and have written for all of my past projects. I will be doing the same for the forthcoming.

GO BANG! Magazine: As a finalist on Oprah Winfrey’s “Pop Star Challenge” you shared your talent with the world, as well as had the opportunity to network in a major way. How would you describe that unique time in your life, how did it affect your career, and what advice did Oprah or any of the judging panel give you that you took to heart?


Lorenzo Owens: That was a magical time in my life/career. It was not the silver bullet that some would think, but it definitely open many doors and instantly took me to much higher heights than I had ever been before.

As far as advice…well, it was more encouragement for me to keep going and reinforcement that I could do this.

GO BANG! Magazine: Please name any producers, songwriters or other artists that you would LOVE to work with, that you haven’t thus far, and why?

Lorenzo Owens: I would love to work with Babyface, Ryan Leslie, Brian Micheal Cox, I could go on.

Artist wise…Ledisi would be amazing. Again I could go on forever.

GO BANG! Magazine: The Covid-19 pandemic has dampened and ruined the entire year of 2020 thus far, for many people. They are dealing with it in various ways. Some are doing just fine, while others are depressed because of loneliness or death to loved ones, due to the virus. How has the pandemic affected you?

Lorenzo Owens:  We have never experienced anything like this before.  It’s been scary, sad, depressing and more.  But, as with all things in life, you will either stay the course or give up.  Giving up is not an option for me.  As the song goes, “I believe I’ll run on to see what the end will be.”

GO BANG! Magazine: Being a Black man in America today is dangerous on a daily basis. We have ALL experienced it in different ways. How have you been affected by systematic racism and have you witnessed White privilege? If so, please describe the instance for our readers.

Lorenzo Owens: Let me count the ways/days. Systematic racism and white privilege is literally almost a daily thing for most of us living Black in the United States. If you live in America, you witness it often, unless you decide to wear blinders. It just is.

GO BANG! Magazine: What current and upcoming projects are you working on that our readers should be on the lookout for?

Lorenzo Owens: I have a current single out called “When The World Says No” a collaboration with James Day. It’s available right now on all digital platforms. I am also working on a new protect slated for spring-ish 2021.

Watch “When The World Says No” VIDEO: https://www.youtube.com/watch?v=CIt1oOW6iFU


FOLLOW LORENZO OWENS ON ALL SOCIAL MEDIA PLATFORMS @Lorenzo Owens

IG: https://instagram.com/lorenzo_owens?igshid=1czhyj7x8olr5

FB: https://www.facebook.com/lorenzo.owens.58

DOWNLOAD HIS NEW SINGLE “WHEN THE WORLD SAYS NO” AVAILABLE ON ALL DIGITAL FORMATS




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

James C. Birdsong, Jr. is an aspiring gospel vocalist, songwriter, motivational speaker, entrepreneur, advocate for our children and author of The Best is Yet to Come: A Testimony of One Young Man’s Redemption, an inspirational memoir published nationally and to this date, received positive reviews and appearances on multiple television, radio and print media platforms nationwide and globally.

A native of Richmond, CA, his efforts have caught the attention and respect of politicians, community, media and entertainment leaders and luminaries. A member of the famed Birdsong family, his lineage includes R&B legend Cindy Birdsong, a former member of Patti LaBelle and the Bluebells and the Supremes, former four-time NBA All-Star pro basketball player Otis Birdsong and the late Edwin Birdsong, a GRAMMY®-Award winner and legendary 1970s era funk keyboardist, who’s music has been sampled by Kanye West, Snoop Dogg and Dalf Punk.

Mr. Birdsong was the great-nephew of the late Rev. Sidney Birdsong, Sr., a respected icon who served as the pastor of the historical Solid Rock Baptist Church in Los Angeles from 1959 to his death in 1976. A graduate of Fairfield High School in Fairfield, CA, Mr. Birdsong earned his Bachelor of Arts in Biblical Education at Beulah Heights University in Atlanta, GA. He is currently pursuing a Graduate certificate in Marketing at the University of Phoenix in Phoenix, AZ.

The recipient of the Albert Nelson Marquis Lifetime Achievement and Marquis Who’s Who Top Artist Award, a listee in Who’s Who in America and Who’s Who in the World, the Outstanding Georgia Citizen Award, the Congressional Record, the Black Essence Award in Gospel Music, numerous citations, honors, nominations, proclamations and resolutions and an inductee on the Wall of Tolerance at the Civil Rights Memorial Center in Montgomery, AL.

His memberships of major music organizations include the Gospel Music Workshop of America Atlanta Chapter (GMWA), the Stellar Awards Gospel Music Academy (SAGMA) and the Gospel Music Association (GMA Dove Awards). He is working on his next book for youth as a discussion of various topics they face today from dating and relationships to the hip-hop culture and advice on how to enroll in college. The book is scheduled for publication in 2021.

GO BANG! Magazine: When and how did you know that you wanted to professionally pursue a life in the church?

James C. Birdsong, Jr.: First and foremost, I want to thank the GO BANG! Magazine family for giving me this opportunity to speak with your audience and the many readers throughout the WORLD.

I was born and raised in Richmond, California. I lived at the corner of Maine Avenue and Harbour Way South in the inner-city southside. My father, the late Rev. James C. Birdsong, Sr., who died in 1997 at 58 years old, was a respected and well-known minister and community activist in Richmond. He was a gifted and talented singer in his own right. However, my father had the opportunity to record, but he never pursued it. My mother, Belinda Germany-Birdsong resides here in Atlanta, Georgia.

I am a member of the world-renowned famed Birdsong family that consists of R&B legend Cindy Birdsong, a former member of the 1960s iconic R&B female groups Patti LaBelle and the Bluebells, and the Supremes; retired NBA four-time all-star pro basketball player Otis Birdsong; and Grammy Award winner, the late Edwin Birdsong, who became famous in the 1970s funk era and sampled by today’s multi-platinum artists such as Snoop Dogg, Kanye West and others. My great-uncle, the late Rev. Sidney Birdsong, Sr. was the pastor of the historic Solid Rock Baptist Church in Los Angeles, California.

I always tell people that God, my family, and my upbringing became the foundation of what I am doing today in my career in the gospel music industry and being a public figure on the national platform. I received my calling and beginnings at a very young age.

GO BANG! Magazine: Nowadays many people are turned off by “religion” and the church, with all of the politics involved and the judgement that sometimes happens between the parishioners, and prefer to say that they are “spiritual” and not “religious”, meaning they don’t attend church. What do you think about that?

James C. Birdsong, Jr.: This is a question that has and still continues to raise awareness related to the church. My family roots are Baptist, dating back to my great-grandparents, the late Ed and Ida Birdsong of Greenwood, Louisiana. I come from a long line of preachers in the Birdsong family.

For me, I was raised in the Church of God in Christ and Apostolic denominations during the 1980s and 1990s. I have seen and observed a lot in my childhood and adolescence. I grew up around pastors, first ladies, ministers, evangelists, missionaries, deacons, choir members, musicians, Sunday school teachers and the mothers of the church. There are politics in the church, especially when it comes to the leadership role.

You asked me about people being spiritual and not religious. We are living in a time now that people are not attending church, especially our younger generation. They truly love God. At the same time, people are already wounded from hurts. Instead of them leaving the church delivered and set free, they are going home more hurt, more wounds, and more of their self-esteem being torn down.

There are some people in the leadership role, not all, in the church that are very judgmental and have that “holier than thou” mentality. I can go on and on with this response. This is another reason why the current state of the church is this way. We still have true men and women of God that live and stand on His Word and have a heart for the people. It is sad that certain individuals classified in a group of church leadership are doing wrongful deeds, and make it look bad for the good pastors, leaders, and congregants. The scripture tells us in Matthew 5:16 (KJV), “Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven.” In other words, our assignment is to be an effective and positive example to others by demonstrating God’s love towards one another. We are not doing enough of that today.

GO BANG! Magazine: In addition to being a religious leader, you are also a motivational speaker. What topics have you spoken about and why do you feel that you are an effective motivational speaker?

James C. Birdsong, Jr.: I have been doing public speaking since I was 12-years old. I have told this story many times before. I was attending Nystrom Elementary School across the street from my house in Richmond, California. The school still exists today. I was in the sixth grade and preparing to graduate. The day before the graduation, my sixth-grade teacher named Donna Grove, a white woman, accompanied me to the auditorium. She and her husband had supported me through the years. I had to rehearse my speech. When I walked on stage, I was feeling very nervous. I said, “Mrs. Grove, I can’t do this.” She looked straight at me and said, “James, you can do this.” Her words gave me confidence. The next morning, I gave my speech and resulted in a stand ovation.

In 2002, God blessed me to return at Nystrom Elementary School to deliver the graduation commencement address. The school honored me in 2003 as the first former student in history to receive their most prestigious award. I usually share my story of being an overcomer to the young people and give them encouragement on how to succeed. I also encourage the parents and adults to love our children and never discouraged them. Prior to speaking at my sixth-grade graduation, my mother told me it was already there.

GO BANG! Magazine: Please explain to our readers what child advocacy is and describe what work you are doing in this area.

James C. Birdsong, Jr.: Child Advocacy is promoting and supporting their needs through mentorship. I am a strong supporter of our youth. God has allowed me to do this in my profession and throughout the community.

GO BANG! Magazine: As an entrepreneur, you recently established Birdsong Association of Broadcasting & Arts, Inc., which trains and guides youth who are interested in performing arts and broadcasting. What motivated you to establish this organization, and why initially in Atlanta, then in Los Angeles, and soon in New York City?

James C. Birdsong, Jr.: I am very glad you asked me this question. Birdsong Association of Broadcasting & Arts, Inc. is a new 501©3 non-profit organization to help our Black youth in Atlanta, Los Angeles, New York City and throughout the United States, to pursue their dreams and careers in performing arts and broadcasting with various programs and initiatives, partnerships with public school districts, 39 HBCUs, productions, workshops, fundraising activities, scholarships, mentorships, an annual gospel concert and pre-concert VIP awards gala as our benefit and much more.

God gave me this vision in 2018 to move forward in my goal of mentoring today’s youth. I am a strong supporter of our children and have been recognized by elected officials and organizations in this effort. Coming from a family that has been blessed with rich, strong legacy in the entertainment industry, I wanted to do my part to give back. The Birdsong family are strong believers in community service and philanthropic efforts.

Since I reside in Atlanta, our main operations of the organization are located here. We will then move forward with the launch of our second operations in Los Angeles and by faith, a third operation will be established in New York City.

Many of my friends and colleagues in the Gospel music industry and the Entertainment arena at large along with media broadcasters, my supporters and the public at large are very pleased about this organization. They all agree about this effort is needed in the Black community for our children from 5 to 18 years of age. One of our main targets will be our inner-city youth. My publicist is working on an extensive media and marketing campaign for this organization locally and nationally.

GO BANG! Magazine: After all of the previously mentioned accomplishments, you are also an aspiring gospel songwriter and vocalist. I suspect that you are spreading “the word” through song. What is your mission or goal as a Gospel performer?

James C. Birdsong, Jr.: I grew up singing as a child by listening to my father’s old school records of Rev. James Cleveland and other iconic Gospel artists of the Golden Era. We had a popular gospel radio station, KDIA 1310 AM, in the San Francisco Bay area. I remember this radio station playing the popular hits by Shirley Caesar, Rev. Timothy Wright, Vanessa Bell Armstrong, the Winans and especially my fellow Bay Area natives, the Hawkins Family. They are from Oakland, California. I would make up songs, and later, I would sing in the choir at 10 years old.

By the time I was 16 years old, I begin my journey of studying the business side of the Gospel music industry while obtaining vocal coaching. God has blessed me to be connected in the Gospel music industry throughout the United States. My goal is to proclaim a message of hope while mentoring our younger generation as a vocalist, songwriter and industry professional.

GO BANG! Magazine: You have authored two books thus far, “One Marriage, Many Tales, And a Separation: A Message of Hope” and “The Best is Yet to Come: A Testimony of One Young Man’s Redemption.” In 2021, you plan to publish a third book, which is a discussion geared toward the youth and the various topics they face, such as dating, relationships, hip hop culture and college enrollment. I commend you and look forward to its’ publishing. What do you think about the current youth of today, in relation to their participation and responsibility in the civil-unrest movement going on today?

James C. Birdsong, Jr.: I am very concern about today’s youth. I am from the Millennial generation. Right now, I am going to focus on Generation Z, which are the children born between the late 1990s to now. A lot has changed in the course of 25 to 30 years. I am comparing my upbringing to the generation today. I was blessed with both parents in the home. When I see the current state of today’s youth, we have a lot of work to do. Many of them are from single parent homes, the fathers are not present, living in an environment where drugs, gangs and violence are around, and the list goes on. Many of these young people feel there is no hope for them, nobody is listening to them, nobody is giving them the chance to showcase their God given talents, and certain people they look up to as mentors and role models have failed them. I want to encourage our youth of today. God has chosen, created, and given you a purpose in life. You are going to succeed regardless of what is going on in society. Never allow any obstacles hold you back from your goals. Stay out of trouble. You are special in God’s eyesight. People are going to criticize and have their voice of opinion. Do not allow that to define you or your character. You are loved and respected.

GO BANG! Magazine: Being a Black man in America today is dangerous on a daily basis. We have ALL experienced it in different ways. How have you been affected by systematic racism and have you witnessed White privilege? If so, please describe the instance for our readers.

James C. Birdsong, Jr.: Growing up in Richmond, California in an all-Black neighborhood, I learned early in life who I was as a Black man in America through observations. I grew up surrounding by diversity, since I am from the San Francisco Bay Area. I had been blessed to attend schools in both the Black and White communities and had friends and acquaintances in different nationalities and cultures. I had Black and White teachers and they all pushed and encouraged me to strive for greatness.

I have experienced racism myself, but not on the systematic level. I remember during the 1990s, the Black community was being affected from being followed in the stores and shopping malls, as if they were going to commit a crime such as stealing. This particular situation made national headlines and caused anger throughout the Black community.

I had experienced this firsthand when I was 16 years old. My mother came to pick me up from school. I was in my sophomore year at Fairfield High School in Fairfield, California. My parents were already divorced. This happened a year before my father’s sudden death. Before we went home to our apartment, my mother needed to go to the store. This particular grocery store was very popular at the time before they merged with another company. I grew up shopping at this store with my parents in Richmond. While my mother and I were in the store, she went to the poultry department to purchase catfish and tiger prawn shrimp for dinner. I went to the area where the school supplies were located. I needed a pack of line paper for school. While I was over there, there were two older White men employed at this store. I saw them on other occasions prior to this incident. They followed me over there and assumed I was going to steal. My mother was nearby and saw what they were doing. She was about to go off on these men. Now, my mother is a sweet, God fearing woman. She said to them, “If you do this to my son again, I will report you to the NAACP.” They backed off and walked away shameful.

My name was already being recognized in Fairfield, Suisun City, and surrounding areas due to ministry, leadership abilities and my classmates referring to me as “the Pastor of Fairfield High School.” Not too long after that, we received word these same two White men were fired, due to other complaints from other Black shoppers. These men did not know that I had a cousin that worked at this same store in the poultry department, nor they did not know I am a member of a renowned famous family. My cousin was not working that day. My mother had a serious discussion with me about this situation on our way home. God was with me that day and I am grateful he revealed to my mother what was going on. If she did not see this, those racist white men would have called the police on me on a false accusation.

GO BANG! Magazine: The Covid-19 pandemic has dampened and ruined the entire year of 2020 thus far, for many people. They are dealing with it in various ways. Some are doing just fine, while others are depressed because of loneliness or death to loved ones, due to the virus. What words of encouragement or motivation can you provide to readers who need help dealing with our current new normal?

James C. Birdsong, Jr.: I have been asked this particular question in recent press interviews regarding the Covid-19 pandemic. The pandemic has been very challenging for all of us, especially for those of us in the Gospel music industry and Entertainment arena at large. We have been doing award ceremonies, concerts, and meetings virtually.

It does not matter what race, culture, or your social status maybe, we have experienced something that never came to our minds. For me and my family, we have been taking measures to remain safe. God is still blessing us in spite of the pandemic. This situation is only temporary.

At the same time, we need to take a close examination of ourselves and get more close to God. These are the signs of the last days. My thoughts and prayers go out to those who lost their loved ones to the pandemic. I want to encourage them to be strong and to remain positive.

GO BANG! Magazine: Many youth, particularly young black men, may look to you as a role model and an example of how to achieve success while being Black. Can you please explain how you overcame the many obstacles in your life to achieve the accomplishments you have?

James C. Birdsong, Jr.: God brought me through a mighty long way from Richmond, California to now. I could not talk at the age of three, due to being born with a speech impediment. He healed me and I share this story on multiple media platforms on television, radio, newspapers, and magazines. I attended school in the Special Education Program. I have experience teasing and bullying, the divorce of my parents, the death of my father and other situations. It made me strong. I thank God for the people in my life that loved me, supported me, prayed for me, and never gave up on me.

I never thought I would be the recipient of over 30 awards, including proclamations from mayors to members of the United States Congress. Now I am going to be honored in the Congressional Record. I have been told by so many people, “James, you are truly a role model to our young people, especially our young black men.” Recently, I had someone tell me, “You are about to be an icon.”

The prayers of my parents and the encouragement of friends, loved ones, teachers and mentors inspire me to be the man God placed me today. Your gift will make room for you. I was not raised to be a quitter and our young people need to remind themselves, “I am not going to quit. I am somebody.”

GO BANG! Magazine: What words of wisdom can you provide to our non-Black readers to help them understand what life is like being Black during these tumultuous times, and can you suggest what they can do to help make this world a better place for us all?

James C. Birdsong, Jr.: I want to encourage the non-Black readers to learn and be open about our struggles. It is not easy for us as Black people. We go through so much, but more so as a Black man. If you truly love and care for the Black community, demonstrate how much you care through your actions. Be an effective listener and be yourself. Remember, action speaks louder than words.

I believe the world can be a better place if we apply God’s Word in our lives and perform the works.

I want to thank you for giving me this opportunity to share my story with your audience.

Be safe and may God bless you.

GO BANG! Magazine: You are more than welcome…Thank YOU!


Additional Links
James C. Birdsong, Jr. Website:  www.jamescbirdsongjr.net.  
Birdsong Association of Broadcasting & Arts Website: http://www.babaonline.org
Facebook: http://www.facebook.com/jamescbirdsongjr
Instagram: http://www.instagram.com/jamescbirdsongjr
Twitter: http://www.twitter.com/TheRealJBOnline




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

DJ Matt Black is a UK based House and Techno producer and DJ most known for his funky, driving baselines, and uniquely engaging style. Born Matthew Belcher, Matt is a House/Techno producer and DJ most known for his first official release “Let Them Groove” which generated over 1 million streams worldwide.

Starting his career in England’s notorious seedy underground scene, he released white label mash-ups. He owned one of the first pirate FM radio stations in the southwest. He has also been featured multiple times on BBC Radio.

DJ Matt Black has become a prominent influencer in the House and Tech House scene, collaborating with many artists, and entertaining crowds around the world with his funky, driving baselines, and uniquely engaging style.

On August 21, 2020, Matt released a new track titled 2AM. 2AM is bringing back the old-school vibes of the 90s with its raw underground rave feel. He wanted to create something modern, but at the same time keep with the decade of love. Matt has found that the music of today is no contribution of the years of yesterday, and it has lost its path with same sounding tracks spread throughout the charts. He wanted to relight the good years and bring some feel-good music to the table and contribute to the music scene. That’s why he chose to make 2AM. Matt has said that after making this track, “My love for the music has grown even deeper!” and has even gone to the extreme to say “I am now ONE within my house!”

GO BANG! Magazine: When and how did you get interested in music?

DJ Matt Black: From a very young age, my household was playing music, all different genres from Hip Hop to Rave and House. I mean everything. So I heard literally everything and anything. Growing up just with my mother was quite liberating. Without the father figure in the picture, I looked to other individuals in my life and in music.

My mother was like a New Age Hippy-Go-Raver and she had mountains of tapes from UK raves. I listened to all of them and it was a mixture of Breakbeat and House and all sorts mixed up together, which today would be considered sub-genres. One of the first steps in music for me was admiring these amazing tunes.

GO BANG! Magazine: When did you develop an interest in House and Techno music?

DJ Matt Black: I started really loving music between the years 1998–1999. Since that time, I have never stopped listening to and admiring music, regardless of the genre. In 1999 I got my first tape player. Like I said, I grew up with just my mother. Times were tough back then and we couldn’t afford internet or even cable television. So literally, music was my escape and still is to this day.

My love for these genres comes from UK Jungle and all of the House samples used, no names mentioned, and also watching “The Top of the Pops” (UK TV show) before it went all wired.

GO BANG! Magazine: Please describe the House music scene in the UK.

DJ Matt Black: The House music scene here in the UK is amazing. Even from the beginning, it’s been so multicultural and literally a place of pure love. The British people have infused all their own cultures into this genre. So many great sub-genres and new genres have been a result of it. I grew up at an amazing time to be able to experience the greats of House music, the ones that shaped House music, and see the birth of new House music, like UKG (United Kingdom Garage: a sub-genre to House called Garage. It’s made in the UK from Hip Hop House or Two Step).

I may have not have been with the founding fathers of House in the beginning, but I’ve sure enjoyed the fruits it has produced and watched it turn into something great. I couldn’t see a world without House or could image a world without the other genres it has created.

We are the children of House, we are that what follows and it’s up to us to maintain its glory, add to its perfection, try new things, take it too new directions, and most of all do not let the music groups saturate it.

GO BANG! Magazine: You started your career in England’s notorious seedy underground scene. For those that may not be familiar with England, please describe the scene to our readers, and how you got started.

DJ Matt Black: I first started my journey into music at around the age of 10 or 11 years old. I used to go ‘round my friend Gary’s house. He was the first person that induced me to music production software and DJ’ing. He had a set of Technics 1210 MK2s and I used to spend every day around his house, without fail. He would have to literally boot me out to go home. I begged my mother for ages to get me some decks, and it was my auntie that finally got me my first set when I was about 13 years old. They were some belt-driven bad boys. Oh they were some fun. I had my shed all set up with an old PC and decks and used to practice every day ripping samples from vinyl and all sorts.

I did my first gig at a carnival back in my hometown when I was about 14 years old. I met a few people and got offered to play at Bristol Festival. I obviously went. I had these two women looking after me. I can remember them trying to feed me mushrooms before I went on stage. Thank God I didn’t touch them. I went on after a group called the Freestylers.

After this, I realized that after being in front of a couple thousand people that I wasn’t quite ready to be in that position. So, I took a step back and started hanging around a few friends that loved music as much as me. We hosted illegal parties in many crazy locations like shut down stores, abandoned houses, and even gate crashed a few places and made the party ours, while still doing events in my hometown.

I then started my own pirate radio station. I made a good friend order a transmitter for me from China and another good friend brought the aerial for me. I hooked it all up and was live every weekend. It was more like a community radio, as everyone from everywhere wanted to come on. I also wanted them to come on as well, to boost their creativity and musical skill.

From my late teens to early twenties, I wasn’t making that much music for myself. I was doing it for other people and really was in the back seat. I made a ton of white label mashups and remixes during this time, with some being pressed. I even had known figures steal music.

If I had to describe what the underground is to me, it’s simply these so-called friends that take advantage of you for their own personal gain. It’s bitchiness, backstabbing and all things bad that you expect to see on a drama show. That’s what it is, just pure drama with each other and the outside world because they’re not involved in your “clique.”

I have now disassociated myself from all things underground or group associated and moving in a more positive direction for myself and my music.

GO BANG! Magazine: As a producer/DJ, how would you describe the DJ Matt Black production sound and the DJ Matt Black sound?

DJ Matt Black: If you listen to any of my newest productions, you will hear that I’m swinging from 90s House vibes to Tech-House, with dark elements and hidden messages for the masses.

I have two moods when producing: very dark or very bright and energetic. The love and support I’m getting at Trax Records, creativity-wise, is unreal. They are allowing me to push some boundaries and try some new sounds.

GO BANG! Magazine: You’ve collaborated and performed with numerous House artists. Have you ever performed with any House music artists/DJs that are from my hometown of Chicago? If so, who? If not, are there any particular Chicago artists or DJs that you would love to perform with?

DJ Matt Black: No, I haven’t as of yet performed with anyone from Chicago, but I would love to perform with Green Velvet – “Bruce sort it out”, Marcus Mixx, Marshall Jefferson, Farley and many more.

If you are asking what I would really like, I would love to see a “Legends of House” world tour. All the acts for one last time tour, before it’s too late. Nobody’s getting younger and this will help the artists and the House community. I know for a fact, many of the big artists today would buy tickets.

GO BANG! Magazine: Are there any events that you would love to participate in that are here in the States?

DJ Matt Black: Yes! I would love to come and mash out some nights in Chicago and hit up everywhere in the United States. Do a nice three to six-months, if possible.

GO BANG! Magazine: What is next on the agenda for Matt Black that our readers should be on the lookout for?

DJ Matt Black: Well, I may be at a rave near you soon (cough cough) Essex. Apart from that, I have a few tracks lined up and actually some wicked collaborations too. I’m trying to hit a release-a-month. So, we’ll see how that goes.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

DJ Matt Black: I have been personally put on a local lockdown and it’s hard, not only for myself but for everyone else too. The Entertainment industry has basically been destroyed. All gigs for 2021 have been canceled until further notice. It’s crazy!

GO BANG! Magazine: What would you like say to GO BANG! Magazine’s international audience across the world, which may not be familiar with you?

DJ Matt Black: Good morning, and in case I don’t see ya, good afternoon, good evening, and goodnight.
Peace out!

SoundCloud link:  https://soundcloud.com/dj-matt-black-920551655

YouTube Link to “2AM” track: https://www.youtube.com/watch?v=maq1LCHfZCo

Follow DJ Matt Black on social media:
FB: @ThatDJMattBlack
IG: @DJ_Matt_Black
TW: @ThatDJMattBlack



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram