For over 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues.

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company’s first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Writers Theatre opened its 14th annual tour of The MLK Project: The Fight for Civil Rights, written by Yolanda Androzzo, directed by Sophiyaa Nayar and featured Adhana Reid. A special Martin Luther King, Jr. Day public performance took place at 10:30am on January 20, 2020 at the Chicago History Museum, 1601 N Clark Street in Chicago. The kickoff event also included a post-show community discussion. The event was free and open to the public, and audience members also received free museum admission for the remainder of the day. The closing performance was also free and open to the public, at 7pm on February 28, 2020 at DuSable Museum of African American History, 740 East 56th Place in Chicago. Tickets were free and were reserved in advance by calling 773-947-0600. Visit dusablemuseum.org/events for more information.

Weaving together poetry, hip hop and history, The MLK Project: The Fight for Civil Rights is a one-woman show that follows Chicago student Alaya’s personal transformation through studying the Civil Rights Movement. Alaya used her fists as an outlet for anger. After interviewing local heroes of the Movement, she discovers she can put “anger into action” and that her power is in her voice and her hip hop, not violence.

Seen by more than 83,000 students, this dynamic, cross-cultural, multi-media performance interlaces personal interviews of Chicago-based Civil Rights activists, featuring both celebrated and unsung heroes of the Movement, such as Reverend Samuel “Billy” Kyles, spoken word artist and activist Sista Yo, Reverend Jesse Jackson and Puerto Rican poet and activist David Hernandez, among others. 

The 2020 production toured to more than 35 venues during its 6-week run, including:  

Chicago Public Schools, community centers, and juvenile detention centers.  All performances on the tour included a post-show discussion and a study guide with wrap-around curriculum.

The 2020 tour of The MLK Project is made possible in part by support from Allstate, Major Corporate Sponsor.  Additional supporters of The MLK Project and Writers Theatre’s education programs in 2020 include: The Crown Family, Polk Bros. Foundation, Dr. Scholl Foundation, and The Seabury Foundation.

Writers Theatre Education Programs are aimed at exploring text, nurturing the creativity of young people and instilling appreciation of the arts for future generations. Through comprehensive programming in schools, on-site and through community-based initiatives, WT Education’s curriculum is designed to emphasize collaboration, cultivate self-expression, encourage imaginative inquiry and promote civic responsibility.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.comNDigo.comChicagoDefender.comEmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine.  Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

A Taste of Theatre is a 501(c) organization dedicated to supporting self-producing playwrights by providing them a platform to showcase one scene of their play.

2012 – The very first festival occurred at the Portage Theatre. At the event, Shelly Garrett, the American Association of Community Theatre, Actors Equity, Mike Oquindo, IATW Rep, Dramatist Guild rep and the marketing director from Writers theatre provided insight on how participants can improve the marketing, performance and technical aspect of their shows. Monique Lisa won the Shelly Garrett award.

2013 – A Taste Of Theatre TV show was created to provide theatre professionals opportunities to showcase their work on cable access tv stations around the world. Cape Town South Africa, Phillidelphia, Chicago, Atlanta, Minneapolis, Boston, and 50 other cities.

2014 – A Taste of Theatre started a radio show on WGSJBC’s called – Playwright Tuesday’s Playwrights were given a free platform to talk about their shows. . A Taste of Theatre Festival continued at Carver Military Academy featuring Shelly Garrett. In addition ATOT started a new platform, Acting With The Stars. This is where up and coming actors perform a reading from a Hollywood movie with the actor who was in the movie. Cynda Williams and Cedric Young gave personal feedback to up and coming actors to help them improve their acting skills. Sabrina Perrin won the Shelly Garrett. Devin Banks won the Acting with the Stars competition.

2015- A Taste of Theatre festival occurred at Gwendolyn Brooks College prep with Phillip Van Lear, Lydia Diamond, Antoine McKay, Tommy Ford and special performance by Black Ice and Muzic Fusion. Playwrights showcased one scene of their play. The acting with the Stars winner Joy Steele Harris. Jackie Chambers won the ATOT Festival award.

2016 – A Taste of Theatre Festival occurred at Gwendolyn Brooks College prep. Featuring Jerome Benton from the time, Illunga Adel, Eric Lane, Drew Sidora, Cynda Williams and Harold Dennis. Roy Sherriff won the Playwright Award. Domonique Glover won the Acting with the stars competition.

2017 – A Taste of Theatre festival occurred at Gwendolyn Brooks College Prep again. This year acting workshops were taught by Runako Jahi. Drew Sidora, DeEtta West, Thea Camera and Eric Lane, The winner of the festival was Loretta Haskins. Mel Yarbrough won the Acting with the stars competition. A Taste Of Theater Team was started to serve as a support group for playwrights to share with one another what works and what doesn’t work. In addition, various members have not only volunteered to assist with other plays but have provided props and other support as well.

2018 – A Taste of Theatre completed their app Myupstage.com. This app modernizes the management of theatrical shows. THen the public can use it as a search tool to find any play within 50 miles of their phone.

2019 – A Taste of Theatre Festival returned featuring Robert Townsend and Leon Robinson from the five heartbeats. Robert taught Directing by the stars. The winner of the event was Jarren Hampton.

You can follow A TASTE OF THEATRE at http://www.atasteoftheatre.org/ and ALL social media platforms.

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.comNDigo.comChicagoDefender.comEmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine.  Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

 

Despite its humorous context, breaking into the comedy industry is no laughing matter. After experiencing the difficult politics of the funny business for himself, stand-up comedian, Darrick Jones, decided to take matters into his own hands. Inspired by his personal struggles within the field, he created an accessible platform for comedy s newcomers,

Darrick s Personal Battle with Comedy s Politics

Despite the fact that Darrick worked for Chicago s public transit system, he has always been a comedian at heart. Every morning, he would entertain his co-workers with jokes and anecdotes, creating a light and amusing atmosphere that everyone enjoyed. During this time, he was often told that he d missed his calling, but realized that this was not the case. He hadn t missed it. It was still waiting for him. After seventeen years with the Chicago Transit Authority, he took a risk, and quit his job to pursue comedy full time.

Upon entering the business, Darrick discovered that it required much more than the courage to stand on a stage and tell jokes (though this was a challenge in itself). New comedians also had to face the industry s strict hierarchies. According to Darrick, it s a common practice for venues to skip over the names of new comedians, giving coveted performance spots to those who had been in the industry much longer. This made it extremely difficult for Darrick to make a name for himself, and after a frustrating run on the circuit, he decided to call it quits.

A New Place for Comedians

For about two years, Darrick stayed away from the industry. But, in the end, he couldn t leave it behind. The joy he got from making people laugh and the way they relaxed as he turned real, culturally-infused anxieties into hilarious stories, was impossible to ignore. So, he decided to change the way the field operated, and created his own platform for stand-up. Not only that, but he made sure it was targeted towards new comedians, allowing them to enter the business without fighting through all of the politics he d witnessed himself.

Darrick believes that everyone can be extraordinary as long as they keep moving forward. Great things come to anyone willing to persistently pursue their passion, and if he can help provide a space for that passion to be displayed, he will. His Naughty Comedy Showcase and now Kill the Crowd Comedy Showcase is exactly that. It s an arena in which emerging comics can perform, without the fear of being replaced by bigger name comedians.

Darrick host Free Showcase/Open Mics thru out the month where you can see comedy in it’s rawest form, from this he brings you the Fantastically Funny Kill The Crowd Comedy Showcase! Showcasing the best of Comedy’s Up and coming Talent!

Search #DarrickJ #DarrickjComedy #NaughtyComedyShowcase #LaughsInLakeview #KillTheCrowdComedy #LeadersOfTheNewSchool

GO BANG! Magazine: Where did you grow up and spend your childhood?

Darrick J.: I grew up on Chicago’s southeast side. The neighborhood changed from Polish to Black and Latino. This was in the 70’s, and we were the second Black family to move in on the block.

GO BANG! Magazine: How did you get started in comedy?

Darrick J.: How I got started in comedy? That’s a perception question. I would say I’ve always been a comic since grammar school, but for the sake of this article, I got started like comics do, by going to “Open Mics” and trying to get noticed and practicing. I would go to the famous “Jokes and Notes” off 47th and King Dr. in Chicago. That’s where I got my first experiences in the Comedy scene.

GO BANG! Magazine: How would you describe your style of humor?

Darrick J.: I have a very energetic, in your face, clever, while delivering a message and being personable style. My style of stand-up is more of a conversational, storytelling style.

GO BANG! Magazine: What do you think sets you apart from other comedians?

Darrick J.: Never thought of it, but I would say that Im about taking the audience on a ride, a journey. Certain parts of my set are to be listened to until I hit you with the punch line. My sets are interesting, with a funny twist. Each night is different because each crowd is different. I like to start organically, and then go into my sets. Objective for me is for the audience not to know where my sets start, but we are having a long conversation, and they are in on it..

GO BANG! Magazine: The politics of the comedy circuit left a bad taste in your mouth. Please describe your past experiences in the comedy club scene.

Darrick J.: Starting out in comedy there were a lot of cliques. No one would give the new person a chance to fail unless you were recommended by someone who was in the “in crowd” it seemed. I saw people that would come, week after week, and not get a chance to go up. I was one of them. I didn’t know anyone. I didn’t know anything about comedy, just knew it was what I was suppose to do. After that experience, I stopped for two years until I made up my mind to try it again in 2014! It was brutal, with little to no assistance for the new comers. (There was) a lot of what I would call comedic hazing, if you didn’t do well, coming from the other comics. These experiences were a blessing. It gave me the platform to build one, that I saw was much needed, one that I still have and continue to build today.

GO BANG! Magazine: What advice would you give to an aspiring comic trying to break into the comedy world?

Darrick J.: Find out who you are on stage and don’t be afraid of it, trust in it and trust in yourself! Everyone will give you advice; take from that advice what you can use to benefit you, and anything else, put it to the side. No one knows your journey but you. Live in it and embrace it. Everything else will come!

GO BANG! Magazine: You’re a business man as well. You have branched out into business, giving up-and-coming comics a platform to perform. Tell us about your comedy showcases.

Darrick J.: All of my Showcases are based on my basic premise; you can’t be great, unless you help someone else be great. The first show that I created in 2014 was called “The Naughty Comedy Showcase.”  I basically used the same five comics every show, and it was a once a month. By doing that show, it opened up other opportunities.

I was able to get rooms to run a once-a-week “Open Mic.”  That’s where “Laughs In Lakeview” was born and has been running for about four years now. We are at Shakers on Clark, 3160 North Clark Street in Chicago, every Monday 8 pm, FREE! Here we do what is called “joke development.” If you want to get into comedy or you are a seasoned comic that needs to practice your sets, this is the place. This “Open Mic” is my spring board for my once a month showcase called “Kill The Crowd Comedy Showcase,” where I have the best comics from Chicago and the Midwest, come and showcase their comedy for Chicago!  What makes these shows different, is the variety that I showcase. I am the host for all of these events and they all can be found on Eventbrite.

GO BANG! Magazine: What comedians do you admire and/or inspire you?

Darrick J.: When I got into comedy, I didn’t study comedy or was a comedy buff. When I decided in 2014, that’s what I was doing, I started looking at comedy to see how it’s done. The people I most identify with are Patrice Oneal and Dave Chappelle. I say them because it wasn’t just about their comedy, but the journey they took to be who they were.

GO BANG! Magazine: What are you currently working on at this time, that you can tell our readers to be on the lookout for?

Darrick J.: Currently, because of the Coronavirus…NOTHING! JUTS KIDDING!! Be on the look out for” Kill The Crowd Comedy Showcase” coming to Shakers On Clark St., 3160 N. Clark Street in Chicago, as soon as we get off punishment!

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Darrick J.: I’m doing my part by staying in the house and keeping with social distancing. We really must think of others at times like this…

Follow him on Facebook:
Darrick Jones Instagram DarrickJComedy Twitter @Darrick913

Video Link: https://youtu.be/mGAJpg4fKyk

Pierre A. Evans

Freelance Writer; Contributing Writer – Soultrain.com, Ndigo.com, EmpireRadioMagazine.com, UrbanMuseMag.com, and TheSOULetter.com; Singer/Songwriter; Actor; Model; Poet; DJ; TV Booking Agent – Chicago Talent Factory; TV Host – A Taste of Theater; Host – A Taste of Theater Festival; and Owner of Pinnacle Entertainment Productions. You can follow me on Facebook or on Twitter @Playerre, and on Instagram @ pierre_andre_evans

Founded by Wayne Williams in 1977, the Chosen Few Disco Corp., a group of popular DJs from Chicago’s South Side – Williams, Jesse Saunders, Tony Hatchett, Alan King and Andre Hatchett – were part of the first wave of DJs and producers in Chicago who created the sound that became known as House Music. Later naming themselves the Chosen Few DJs, the collective first played their unique brand of soulful dance music to huge crowds throughout Chicago, then spread their sound across the world. To the original group of five, the Chosen Few DJs added two new members – Terry Hunter and Mike Dunn, in 2006 and 2012, respectively.

Since 1990, the group has organized the Chosen Few Picnic & Festival, which draws more than 40,000 House Music fans to Chicago’s Jackson Park each July. In addition to their signature event, the Chosen Few DJs regularly host events in Atlanta, Chicago, Houston, Las Vegas, Los Angeles, and New York, perform at festivals around the globe, including the Amsterdam Dance Event, Winter Music Conference, Tribe Tambor Cruise, and Suncébeat, and continue to produce award-winning music.

WEBSITE LINK:  http://chosenfewdjs.com/

Dancer:ADVANCED TICKETS ONLY – NO TICKETS AVAILABLE AT THE DOOR!!!

TICKET LINK: https://www.eventbrite.com/e/house-music-dance-class-tickets-98875293665?aff=ebdssbeac

Sun, April 26, 2020 (PENDING CORONAVIRUS BAN)
2:00 PM – 4:00 PM CDT

Dance Studio
403 East 69th Street
Chicago, IL 60637

“GOTTA HAVE HOUSE” – House Dance Class Learn the basics through intermediate levels of house music club-dancing. House music began in Chicago in the 1980’s. The dance is primarily freestyle and there are few restrictions. Master the foundation steps, moves, gestures, and culture of the house community. Discover how to tap into your soul, free your spirit, and give in to the music. This class is for beginners through intermediate students looking to learn, brush up, or enhance their skills on the dance floor. “Dance like nobody’s watching!” DANCE INSTRUCTOR BIO: “ANDRE PIERRE THE DANCING MACHINE” https://www.facebook.com/AndrePierreTheDancingMachine/

Hailing from Chicago, IL, Pierre Andre’ Evans graduated from Columbia College Chicago, receiving a B.A. degree in Arts, Entertainment, and Media Management. He is a well-known fixture in the house community who was informally trained on the club dance floors under the tutelage of the late legendary DJ Ron Hardy, four time GRAMMY Award-nominee DJ Steve “Silk” Hurley, and the late GRAMMY Award winning DJ Frankie Knuckles. One of the highlights of his career was in 2015, dancing on-stage during the 25th anniversary of The Chosen Few DJ’s Reunion Picnic, with an attendance of over 40,000 “househeads.” Those in the house community affectionately refer to him as the “Dancing Machine” because of his carefree dancing skills and never-ending stamina. As a DJ for over 40 years, he’s well-versed in all sub-genres of house music and the dance styles associated with each.

Referring to his dancing alter ego, Andre’ Pierre, the community has coined the phrase: “If Andre’ Pierre is at your party, you know it’s going on!”