Category: Business
Longevity is the word that describes Tony Gray’s career. In a downsizing industry, the St. Louis native remains a principle player. In 2009/2010, Radio Ink Magazine named Gray one of the most influential African Americans in Radio. His client list includes some of the most successful Urban, Urban AC, and Hip Hop stations, to his first client KPRS in Kansas City, Mo (America’s first owned African American radio station). It was here that the late broadcast pioneer, Skip Carter, saw something special in Tony. Today, his passion to provide clients with top notch service preserves his place as a leader in his field.
Tony’s passion for music was fueled at an early age. His initial influences were Hall of Fame Broadcasters Harry Caray (KMOX) and Don St. John (Powerhouse KWK). While in high school, Tony landed an intern position at St. Louis rock station KSLQ. After graduation, he headed to Normal, Illinois to study communications at Illinois State. With a degree in hand, Tony got his first paying job at a small country station in Peoria, IL. However, it was not long before Dan Valle offered him a job at WEZB (B97), in New Orleans, holding down the 10p to 2a shift.
Tony’s career would take him to markets like Baton Rouge,
Detroit, and Philadelphia where he was a star radio personality on Power 99 under the name “Mike Jackson.” After a few years at Power, Tony’s mentor, Barry Mayo, offered him the job of a lifetime; Program Director at WRKS Kiss 98.7 in New York City. Kiss was New York’s number one radio station for nine books in a row.
In 1990 Tony left WRKS to start his own consultancy company. 25 years later, Tony is still living his dream.
GO BANG! Magazine: For our readers that may not be familiar with you, would you please briefly give our readers a synopsis of your professional work history?
Tony Gray: I began my career in radio as a intern at KSLQ in St. Louis, MO. From there, I worked at WGLT, the campus station, as an undergrad student at Illinois State University in Normal, IL. After college, I worked at WGOK in Mobile, AL for a short time, before accepting a job at WEZB in New Orleans, LA. That lead to programing jobs in Baton Rouge, LA at WTKL,WOWI, Norfolk, VA, WDRQ, Detroit, MI, WUSL, Philadelphia, PA and WRKS, New York, NY.
GO BANG! Magazine: When did you know that you want to be involved in Radio?
Tony Gray: I first became interested in Radio at the very early age of 13.
GO BANG! Magazine: What is it about Radio that attracted you?
Tony Gray: Aside from the ability to entertain, Radio offers the ability to inform and connect with the local community.
GO BANG! Magazine: As a Black man in Radio, with your own business, you are an inspiration to many. What advice would you give to a young person that’s trying to break into the Radio industry?
Tony Gray: My advice to anyone coming into the broadcast industry is to study the ever changing Media landscape and work hard to accomplish your long-term and short-term goals.
GO BANG! Magazine: You are currently the Radio President and CEO of Gray Communications in Chicago. Please tell our readers about your company and its mission.
Tony Gray: Our mission is to deliver quality programming to the markets we serve.
GO BANG! Magazine: You’re also a consultant. What type of specific consulting do you provide to your clients?
Tony Gray: Our consulting services focus on programming and management.
GO BANG! Magazine: I have personally witnessed you participating in several community events and student mentor programs. Why is it important for you to give back to the community.
Tony Gray: I have always believed in giving back and helping the next generation.
You can follow Tony Gray on social media and log on to the Gray Communications website: http://www.graycominc.com/
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
A grassroots organizer, activist, and spoken word artist, Soulfighter, uses multimedia and performance to bring awareness to social issues, small community businesses and community centered organizations. He uses cultural expression to encourage healing.
Maurice uses his voice to address issues of oppression, abuse in foster care, child molestation, and mental illness due to childhood trauma. Maurice created Poetic Recovery to create space for cultural healing through diverse cultural expression to build community and bring hope to those who feel hopeless in order to create change and bring us together to build healthy communities and for people in all aspects of recovery.
Maurice Taylor is the North East Regional Director of Hip Hop Congress. Hip Hop Congress is a national network of Hip Hop artists that are educators, activists, and community leaders. Maurice Taylor is also the founder of Community Against Hate, which is a social and local network developed to educate artist about social-political issues, as well as Poetic Recovery, an open mic and showcase to echo socially conscious artists and encourage artists to be conscious.
GO BANG! Magazine: Please tell our readers about your childhood, like where you grew up and your background.
Maurice Taylor: I was born in Chicago Ill, lived in Ohio in the Allen House which was a horrible and abusive orphanage. I live in two foster homes, that I know of, in Cincinnati. The first home there was a lot of abuse. I saw a girl be tied up to a beam in the basement and was beat until she was bloody. The next foster home was ok. What made it better was that I got to be with my sister. They knew how to beat kids there too, with switches and extension cords. So many of us know that experience. At eight, I was adopted in a home in Massachusetts that proved to be abusive sexually and religiously. My childhood is nothing to really write about and I don’t want to depress your readers, so I will stop there.
GO BANG! Magazine: How did you first become interested in alcohol and when did you know that it was a problem in your life?
Maurice Taylor: When I was in my first foster home, about five or six, on New Years they gave me champagne. The following year, I asked for some and they said no. So I snuck down stairs and poured all the glasses with a little bit left in them, into one glass and drank that. I didn’t know it was going to be a problem until I downed a big glass of vodka, in one shot, to prove a point out of peer pressure.
GO BANG! Magazine: Did you ever become involved with drugs?
Maurice Taylor: My first time smoking weed was when I was 13. The first time, I didn’t get high. I did it again and when I got high, I laughed. I loved that feeling and I chased it ever since. Fast forward to 19, when I was kicked out of my foster home because my foster mom didn’t want me to report she was having sex with me. I got more heavily into alcohol. When I asked my National Guard unit for help, they tuned me away. The guy I hung with, name G, convinced me that no one cared. Let me back up. I tried to convince him people did. He wanted me to help him get drugs with my cash assistance. I asked him for a week to prove someone cared. Every place I took him asking for help, everyone turned us away. That’s what convinced me that no one cared. I gave him the money.
Shortly after that I started putting crack into blunts. We called it “wollies” back them. I was never much of a drug dealer, like 90% of them I failed! One night when I couldn’t get weed, this guy told me about “shrooms” and I took some, but nahhh, that wasn’t my thing. The first time I tried crack is a really said story of wanting to belong somewhere. Let’s just say, I’m truly glad I’m clean and sober and hope my testimony helped someone, because much of it was about being miserable and suffering from trauma, abandonment, no community supports and misguidance.
GO BANG! Magazine: What inspired you to overcome your alcohol addiction and when and how did you do it?
Maurice Taylor: One day I was at a park and told my friends I was addicted to weed and they laughed. I was 19, kicked out of my foster home and homeless. I went to a place to find out what was going on. Before that day, I had been trying to quit smoking, but every time I got a check I would spend it all on weed. I tried everything, exercise regimen, paying the person that let me sleep on the couch, rent ahead of time. Nothing worked so that led me to the conclusion that I was addicted.
GO BANG! Magazine: How did you become involved in poetry?
Maurice Taylor: When I was in my first foster home, I would write in the back of books on the empty pages. Fast forward to the second foster home. I wrote one of the best essays for the California achievement test. Fast forward to the adopted home. I would write in journals about my feelings and being abused, when my adopted mother found out, I got in trouble. I think my brain picked up how powerful writing was. Fast forward to when I was 16. My first freestyle rap performance was at Williams colleges with Abul. Fast forward to 19, performing at the Hilton in Pittsfield. Fast forward to 21, when Rap music was no longer fun and conscious. Someone I met was Jaime Shaggy Flored who taught me about spoken word and it’s been a wrap ever since.
GO BANG! Magazine: How would you describe your style of poetry?
Maurice Taylor: Spoken Word, free flowing.
GO BANG! Magazine: What would you say to a young poet trying to break into the Poetry scene?
Maurice Taylor: Be honest with yourself about why you want to write poetry and that truth will guide you. Rap music is poetry!
GO BANG! Magazine: You created Poetic Recovery. Please tell our readers why you named it Poetic Recovery, what this business does and why you created it.
Maurice Taylor: I founded it in 2006. It’s an open mic for people wanting an alcohol and drug free place to perform. I didn’t wanna to go back to using and I saw the damage the new rap music was doing to our communities. I wanted to combat that, educate artists about social-political issues, give people a place to lay their troubles down while enjoying themselves, connecting and build a healing community. It was my way of building a community that I never had.
To be honest, it’s never really been a business. I hope someday it will be a worldwide phenomenon that the world embraces for cultural healing. It’s a place for those that fall through the gaps of society to find each other and lift each other up along with those that genuinely care. It’s about time to rise! All of the abused foster children, abused women, addicts and those who are hurt due to lack of health care. We deserve to be loved, so why not give each other the love we are missing.
GO BANG! Magazine: Many times, former addicts are stigmatized and looked down upon by society. What do you think about that and what would you like the world to know about former addicts in recovery?
Maurice Taylor: It’s true we are looked down upon and stigmatized. My story is all over and it’s hard for me to get jobs. I have an Associates degree in Computer System Engineering. Let’s not talk about my B.A., which was a racist experience at Westfield State University. Needless to say, I was going for my Computer Information Systems degree and got on the Deans list. I was forced off campus due to a white lady saying I threatened her. I lost that whole semester and didn’t have enough money to finish. My GPA dropped from a 3.4 to a 1.9 and I’ll never get into another college again.
However, I do have a B.A in Liberal Studies, with a focus on Computers, Political Science and Communications. I was also on the Model UN team twice. I was a good student. I have volunteered at numerous places, including AmeriCorps, and I can’t get a job anywhere with a computer. It’s due to two things I believe, me being open about addiction and my open stance against racism.
Yes racism played a great role in much of this and fuels addiction in the Black community. However racism doesn’t mean we can’t, it means we are going to have to work harder. I just have to keep pushing. I just finished my Cisco Certified Cyber Operations certification class, Entry NDG Linus certification, and working on my entry level python certification. I took my A+ class and I’m studying for my exam. By the end of this year I will have all my certs.
I hope to open my own small business, instead of begging “the man.” Recovering addicts and alcoholics are everywhere, in your dentist office, operating rooms, courts rooms, airports/ cockpits of planes and police stations. Alcoholism and addiction are diseases, and like cancer, some people beat it, and some people don’t. You don’t beat down someone for not beating cancer do you? I can never understand why the drug dealer is treated like a king in our communities and the addict is hated. Many times the dealer becomes the addict. I also believe this is perpetuated by the music industry and these companies are never held accountable. This is why I love Poetic Recovery. It is created to encourage, not pull each other down.
GO BANG! Magazine: What would you say to a young person, or any person, that is caught up in drugs or alcohol?
Maurice Taylor: I would ask them to tell me what they would say to themselves, and take that advice. I would tell them about me being raped, molested, beaten and told I was going to be helped, over and over again as a child, which led to nightmares. So I kind of get why you are here. Healing is possible. I’d give them information where they could go get help.
GO BANG! Magazine: Are you currently working on anything or would you like to mention anything that you’d like our readers to check out?
Maurice Taylor: We just completed the first International Black History Celebration that can be seen at my website at http://www.poeticrecovery.net along with our weekly “Open Mic” under that. It’s titled “Poetic Recovery Open Mic.” We have fun and support each other, whether it’s recovering from drugs, social issues, abuse, cancer, etc. It’s time for people to find their true selves under the hype of media, peer pressure, machoism, hatred and help created a better society. We aim to talk on all this and help create a better society.
Poetic Recovery is not a recovery program. It’s a cultural movement that I believe aids recovery programs. I ask for patience, because with little funds I can only do so much. The little I’m doing has gone and incredible long way. With support, we will help so many more people. I am working on a program where we get 1000 donors to donate $10 a month at http://www.gofundme.com/poeticrecovery, so that we can get the support we need to continue and build in every state and country.
GO BANG! Magazine: Why are you involved in all of the activities that you are part of?
Maurice Taylor: So many people are needlessly hurt, regardless of their color, sex, religion or educational level. The rich is getting richer. The say they don’t believe in Socialism, but get the most handouts of all from “other people’s” money. It’s the greatest con game ever. We deserve support. I hope one day to be able to help create that change.
GO BANG! Magazine: On May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world, demanding change. How do you feel about this?
Maurice Taylor: I stated, during Black Lives Matter protest for Treyvon Martin, these murders continue because we do not change our spending habits. We hardly boycott. The NFL has much of the support of the Black community while “NFL owners give nearly 9-1 to Republicans, including Trump” https://www.opensecrets.org/news/2020/09/nfl-owners-2020/
Racism is so powerful because internalized racism is powerful. Outside of internalized racism, racism is not powerful at all. It’s the social conditioning, that we refuse to change, that hurts us. For instance, if more of us were actually involved in politics and community spending, we would have so much power, despite racism, these cops would be saying “yes sir” and “no ma’am” every time they pulled us over. When we decide to do the hard work and change our spending habit and support leagues that help our community, racism will end. Think of it like this. If you are in a fight and someone is punching, are you gonna just stand there or defend yourself? If you don’t defend yourself you are letting them beat the hell out of you. Much props and love to those standing against the system, but there is an old saying “You can’t tear down the master’s house with the masters tools”- Audre Lorde.
Many of us are addicted to the hype of the NFL and media companies. We feel we are so powerless and if we lose our escape, there will be nothing left. That’s not true. As long as we are addicted, we can march, protest and nothing will change because marching and protesting are tools to bring attention to issues. We don’t really have the next step in place to implement solutions because we don’t have the capital to fund them. Our communities continue to spend our money with those who not only don’t care, but invest in our oppression. The NFL touts eight Black refs, out of the 80+ they have. We are 13-15% of the US population.
Our numbers should reflect that among the referees and more, given our contributions to the sport and this country. We shouldn’t support these organizations that support the police union and political leaders that support policies that oppress us. We will see many more George Floyd’s, which is why I’m of the opinion that we need a new political system… a new political party. This one is archaic. We should stop trying to force ourselves inside of a structure they control. We should create one we control and force them to the table, so we can save the future George Floyd’s.
GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?
Maurice Taylor: Poetic Recovery of course, which helps me promote and make virtual connections. By exercising, going to school, social media, learning about my body and other new things.
You can follow Maurice Taylor and find out more about Poetic Recovery on social media and on their website http://www.poeticrecovery.net
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Photo credit: http://www.cassiehastuphotography.com/
DJ/Producer/Label Owner Markiss Knobs has devoted over 25 years of his life to House music. Playing across the globe alongside top DJ’s and upcoming DJs at all types of venues from festivals, raves, clubs, lounges, bars, beach parties and underground parties including Pacha (Ibiza) and Oh! Marbella (Marbella).
For over a decade, he decided to put more focus on school and in 2004 and studied Audio Engineering, Mastering and Sound Design at the world renowned SAE Institute in Los Angeles, CA (School Of Audio Engineering), where he earned BME, BA, BS degrees. After graduation, he received an offer to be Director of Operations and Program Director for three channels on an online radio station geared to Online Gaming. During this time, he developed an extended network with labels, clubs, promoters, producers, studios, engineers and musicians.
His productions are influenced by growing up in a home where all music was accepted and enjoyed. They infuse Hip Hop, Freestyle, Disco, Funk, Rock, Pop, Jazz, and Blues with styles of Jackin House, Deep House, Funky/Disco House, Tribal and Breakbeats. They have been released on labels such as Instereo Recordings, Turtle Wax Recordings, House of the Sun (HOTS), Blackliquid Music, Paraiso Recordings, Groove Ventures Music, Fett Recordings, Midwest Hustle, Wetsuit Recordings, True House LA, Disco Balls Records, LB Recordings, Suitebeats and Clubbers Culture, just to name a few.
In 2019, Markiss Knobs established Turtle Wax Recordings (TWR). TWR is Hawaii’s first premiere House music label bringing world-class artists to focus on spreading the “aloha spirit” with our mana of Jackin’, Funky, Disco House with a splash of NuDisco Mai Tai’s.
In 2020, he launched a second label to represent Maui and Hawaii; House of the Sun (HOTS). This label focuses on wider range of Tech House, Techno, House, Afro House, Progressive House, Minimal, Deep House, Soulful House, NuDisco/Indie Dance, and Broken Beat from upcoming and world-known artists.
At the same time of launching HOTS, he announced his pseudonym project of Pasifika infused with House music elements…. Shaka Shakes.
Stay tuned!
GO BANG! Magazine: Where did you grow up and spend your childhood?
Markiss Knobs: With European and American blood, it was in between both. But if I truly had to call a place a home of my growth it would be a small town in Southern California called Palm Springs. And no, nothing from that town inspired my music. I was leap years beyond what they were into even into the 90’s.
GO BANG! Magazine: How did your childhood influence your musical style?
Markiss Knobs: I had an amazing family that was very eclectic and open to all types of music. I am the youngest of five kids. My father was into Classic Rock. He played acoustic guitar and Rhodes keys. My idol and brother Sam (R.I.P), was into Rap since 1982. My other brother Dan was into everything and was the person who introduced me to real House music. My biggest influencers were my brother Sam and my mother. She listened to everything from Jazz, Blues, Contemporary, Disco, Funk, Classical, Classic Rock and Pop Music. My mother allowed me to make my own choices from as young as four years old with music, which led to early experiments with making mixed tapes. You can hear a touch of each influence in my productions.
GO BANG! Magazine: How and when did you get involved in DJ’ing and producing?
Markiss Knobs: I actually started off producing first in 1994 to help make Hip Hop beats for my friends that had the original Akai MPC. With very limited resources of sounds, I noticed how other guys were just using instrumentals from either cassettes or vinyl. I connected with a friend in the same class that was learning how to DJ and had gear. I played around for a few months to chop up beats, but there was no passion to spin Hip Hop for me.
In 1996, my brother Dan played me a mix from DJ Dan and my whole life changed listening to it. It was a blend of every style of music, pumpin’ with hard beats. It was electrifying, inspiring and there was a feeling inside I never felt from music before. I immediately focused all my attention on learning how to mix vinyl.
In 1999, I started producing House/Techno/Trance/Breakbeats, along with going to school for music production, audio engineering and mastering, while earning a Master Degree at the world wide known School of Audio Engineering.
GO BANG! Magazine: When did you relocate to Hawaii and why?
Markiss Knobs: I moved to Maui, Hawai’i in 2017 to have a better family life with my kids and to raise them in an environment with nature, culture and a community of kind people. Best choice of my life.
GO BANG! Magazine: What is the House music scene like in Hawaii?
Markiss Knobs: It’s very unique as Hawaii is itself. Each island has its own vibe, but at the same time all Hawaii style. Oahu has more of a night life than the other islands. Good clubs, solid DJ’s and promoters. Big Island has had cool events and definitely has potential in the future to really build a strong scene. Kauai has small but very nice gatherings with solid DJs and promoters pushing there. Maui has a special close-knit ‘ohana. A handful of venues that host House music, intimate beach parties, really good local DJs, community support, and we are just getting started. We’ve brought acts like DJ Dan, Rescue, Joel DeMarzo, Thee-O, Trent Cantrelle, Mark Farina, Marques Wyatt, JJ Flores, Anthony Attalla, Joey Avila, Donald Claude, Scotty Boy and many more to help build the support inside the community and the future will continue bringing top level acts to showcase their talent and spread the sound of House to the Pacific.
GO BANG! Magazine: As a DJ and Producer, how would you describe your sound and style?
Markiss Knobs: As a DJ, my sound covers everything HOUSE… from Deep, Funky, Disco, Jackin, Techy and Tribal and my style is a platter of smooth seamless transitions, track flow, reconstruction of remixes and programming on the fly along with tons of tricks in the mix.
Production wise, I allow my feelings and the vibe during the session to guide the sound and I always stamp my signature jackin’ beats and arrangements.
GO BANG! Magazine: You’re also the label owner of Turtle Wax Records and House of the Sun. Please describe your record labels and some of the prominent artists in your stable.
Markiss Knobs: I’ve thought about starting a brand of labels for nearly 20 years. Each time my hold up was that I couldn’t commit to building a brand and help promote these amazing talented artists as well. I’ve spent over a decade building other labels and finally when I moved to Maui, I felt I had the correct balance and best inspiration to build a label.
Turtle Wax Recordings (TWR) is focused on Jackin, Disco, Nu-Disco and House Music. 2020 was an amazing year for TWR with two tracks in the Top 10, 38 Tracks in Top 100, 17 Tracks in the Hype Charts, 5 Weekend Weapons, 55 Essential Charts and featured on 370 Artists Charts at Traxsource. There’s so many amazing people on the label, and I hate to leave anyone out.
First, I have the gifted artist Curtis C. Flush and my right hand braddah Benjamin Jay for bringing my vision to life. Spot on with the logo design. Artists of the label include Superfunk, C. Da Afro, Fred Dekker, JedX, Disco Ball’z, Rhythm Staircase, AVA(IT), Col Lawton, Moon Disco (US) Dan Ros, Alex Rai, Federfunk, Max Esposito, DJ Threejay, Agent Stereo, Filta Freqz, Rick Marshall, Da Funk Junkies, Loris Altafini, Omson, Mike Chenery, Tony Garcia, Dafunkeetomato, PC Pat, Claud Santo, Paco Caniza, Kevin Allen, DiscoGalactiX, Oggie B, Marshall (UK), Sam Sky (Sam Righetti), Doc Link, Bonetti to name a few. TWR’s 100th release will release exactly one year to the date of the first release on Feb 22nd with a full length album by The Stoned.
House of the Sun (HOTS) is inspired by Maui’s myth of the island’s highest mountain Haleakala (House of the Sun) the label is all HOUSE. The first release was in September 2020 and within three months had two tracks in the Top 10, three tracks in Top 100, one track in Hype Chart, one track in the Weekend Weapons, two tracks in the Essential Charts, and featured in 24 artist charts. Artists of the label include Joel DeMarzo, Porgie, David Britton, Chris Kiser, Atlows, Kennedy, Gregory Charlz, Brejner & The Teacher along with many more. I am extremely grateful and blessed for my long term relationships with most of the artists in the ‘ohana (Family)
GO BANG! Magazine: House music in Hawaii is probably much different than House in Chicago? Can you compare and contrast the House music in Hawaii, as compared to here in Chicago?
Markiss Knobs: Yes, for sure. Chicago, from my experiences, has been a city of acceptance of whatever House you want to throw down. It’s the birth of HOUSE and regardless of time of the day, day of the week, and the venue, Chicago has a vibe of jack! There’s no question about that. Park parties in Chicago are more appreciated and loved by the thousands over most places in the world on the grandest stage. Hawaii is smaller, intimate and the gathering embraces the music as long as the vibe of the party is jivin’.
GO BANG! Magazine: You’ve had the opportunity to travel around the world, in the name of House. How would you describe House’s acceptance in other countries, in comparison to here in the States?
Markiss Knobs: This is the hardest to explain to anyone that hasn’t experienced it before. There are a few cities in the US that you can find House music that have a good following. Europe House music is a pleasure every day, at coffee shops, juice bars, restaurants, retail and more. It’s part of their culture because it’s considered popular music. In the US, it’s completely different.. The scene is much smaller. The network of people that have embraced their lives into House Music isn’t the same compared to Europe. This isn’t a new subject either. Americans love to party and do drugs. But for the masses, they aren’t there for the music.
In other parts of the world, they are there for the music, good company and vibes. This is something that has been an issue ever since I started international gigs. Places like Europe, Australia and Asia have pushed the scene into another level, compared to the US, with focusing 100% on EDM.
GO BANG! Magazine: Would you agree that House music has been commercially embraced in other countries, and not so much here in the USA? Why do you think that is?
Markiss Knobs: Absolutely! I believe that House music wasn’t formulated for the US culture of the 80’s, 90’s and early 2000’s. Although it’s the birthplace, I feel it wasn’t accepted in the US because of the money behind Hip Hop culture during the time. US have “no F’s given” when it comes to a culture of music. They are only focused on the culture of money making. House wasn’t going to sell top 10’s on the billboard so they don’t care. They did the same about Latin music until they realized it was sold more worldwide than their music that they focused on artists like Selina to make a profit. Of course, as a musician you want to make money off your material… regardless. Most artists worldwide enjoy “The Nod” more. From my experiences “The Nod” has always been more powerful and it’s the motivation I excel off of.
GO BANG! Magazine: Over the years, you morphed from being only a DJ. You’ve also accomplished great success as a producer. You’ve worked with many icons in the House music industry as well. Who are some of the DJs and artists you’ve had the opportunity to work with?
Markiss Knobs: I’ve worked with many talented people… The ones that have either set my bar higher or pushed my limits and have always been honest with me are DJ Dan, Superfunk, Rescue, Sam Sky (Sam Righetti), Kendo, The Stoned, Kennedy and many more.
GO BANG! Magazine: After working with such high ranking DJs over the years, are there any DJs that you would love to work with now?
Markiss Knobs: There are many I would love to work with. But, the top three that I’ve been itching to work with for 25 years is Hatiras, Conga Squad, and Jay Vegas. One of them is most likely releasing on TWR in 2021. Keep an eye out to see which legend!
GO BANG! Magazine: Are you currently working on any new projects or would you like to mention anything that you’d like our readers to check out?
Markiss Knobs: I am always working on new tunes, remixes and helping others tighten up their productions. I have over 50 tracks for release in 2021 from many different labels. 2021 is an extremely busy year for myself and both labels Turtle Wax Recordings (TWR) and House of the Sun (HOTS).
TWR will break its 200th release within 2021. HOTS will break its 100th release and two full length albums by Kennedy and Shaka Shakes (aka Markiss Knobs) within 2021. The main mission for the labels is to spread the love of House music in the Pacific. I trust with my ‘ohana we’ll complete the task. I’m extremely grateful for the ‘ohana I was able to build. Words can’t express. Without my extended ‘ohana, this year would have sucked like everyone felt. But, to be completely honest, my ‘ohana has made my year fabulous, very enjoyable and refreshing. To that I owe them all my love and respect.
ONE LOVE TO MY TWR & HOTS ‘Ohana. Check out all of Turtle Wax Recordings and House of the Sun releases.
GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?
Markiss Knobs: Covid did stop the movement of the parties for Hawaii and the groundbreaking events that were in the forecast. But, like I said before, my TWR & HOTS ‘ohana has made 2020 a fabulous year. The long convos, debates, and just love for each other is something special. I credit 100% of it to HOUSE MUSIC.
I’m looking forward to having all ‘ohana members join us in Maui for a show. The whole mission for the labels… bringing world class artists to the Pacific!
YOU CAN FOLLOW MARKISS KNOBS:
http://www.markissknobs.com
https://www.facebook.com/markissknobs
https://www.mixcloud.com/markissknobs
https://www.facebook.com/ShakaShakes808
https://www.facebook.com/TurtleWaxRec
You can also check out music at the following:
Markiss Knobs | Traxsource: https://www.traxsource.com/search?term=Markiss+Knobs
Turtle Wax Recordings Tracks & Releases on Traxsource: https://www.traxsource.com/label/48876/turtle-wax-recordings
House of the Sun Tracks & Releases on Traxsource: https://www.traxsource.com/label/53325/house-of-the-sun
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram
Photo by Marcus Pizer
Make up by Viola Nicholson
While other women were watching the game in the industry, DJ Celeste Alexander dared to play it.
Wife, mother, DJ and co-owner of a music label, Celeste manages to balance these responsibilities while delivering and creating some of the deepest, soulful mixes in today’s house music landscape.
Celeste was introduced to DJing by the legendary Steve “Silk” Hurley in 1982. During that time, dance music was still young, being shaped into a culture and genre that is now known worldwide as House Music. Celeste was learning her craft with the likes of many Chicago’s pioneers in the industry such as: Terry Hunter, Maurice Joshua, Ron Carroll, Ron Trent, Vick Lavender, Jamie 3:26, Mike Dunn and Gene Hunt, along with countless other DJs and producers from the Chicago area that have grown to giants in the industry. Celeste was the daring female in an otherwise male dominated industry, holding her own and making a name for herself in the Chicago music scene. She, to this very day, remains the only female who has played with the late legend Ron Hardy in his home, “The Music Box”.
Celeste’s motivation is to continue to play while debunking the myth that mixing was gender specific. Through mentorship and tutelage of such icons as Frankie Knuckles & Andre Hatchett, and the unwavering support of such noted DJs as Wayne Williams, Celeste has and continues to be a force to be reckoned with. Celeste took a hiatus for about 10 years, returning in 2006 with the desire to again be a part of the culture she left. She fell in love with how house music had progressed and wanted more than ever to play again.
In 2007, she didn’t miss a beat. With an offer of an opportunity to have her own internet radio show on Cyberjamz.com. This was the springboard to give Celeste a worldwide platform to express herself. Her show, The Celestial Odyssey is still going strong since its debut Cyberjamz.com. As a part of the Cyberjamz family for more than 13 years, she now is using The Celestial Odyssey as a personal brand on various internet mediums.
In 2009, she joined forces with Vick Lavender and Steven Stewart to become co-owner of Sophisticado Recordings, which is one of today’s most quality labels in the industry. To her credit, she has released several tracks under the Sophisticado name. “Nasty Bitch”, her collaboration with legendary pioneer Terry Hunter, was released that year and hit top 10 on the charts. Two years later, Celeste was named one of the top 100 most influential DJs in Chicago house history.
In 2013, she joined forces with BlondBabe Promotions. Under this management, she successfully maintained a residency at Chicago’s Underground Wonder Bar with “An Evening with The Lady of House” and quickly became one of the best experiences of music and dance on the Chicago House Scene.
In 2015, she was inducted to the DJ Hall of Fame and received the Frankie Knuckles Lifetime Achievement Award at the 25th Anniversary celebration of the Chosen Few Picnic.
Celeste has played in various clubs in various cities nationwide and has shared the decks with names like Ron Carroll, The Chosen Few, Jihad Muhammad, Ian Friday, Boo Williams, Lou Gorbea, and Grammy winning DJ Louie Vega, among many others. Today, she is the Musical Director/Talent Liaison for The Summer Oasis Festival in historic Idlewild, Michigan. She has played various festivals including Being the first female to play The Chosen Few Picnic, The Chicago House Music Festival, Divas of House, Herstory @ Chicago’s Dailey Plaza, several of The Silver Room Block club parties, The Attic Picnic, and at Coney Island in NY. She recently had a feature article in the re-launch of “Faith Fanzine” and closed out The Ron Hardy Tribute and fundraiser in grand fashion. She has partnered with Tastemaker Duane Powell in Sound Rotation events and been featured several times with the Honeycomb Music Radio show featuring Josh Milan, all while maintaining her internet radio show every Saturday now exclusively on Twitch.tv
“When I first started playing public, I would wear baggy clothes and a baseball cap so the people wouldn’t know it was a female playing,” says Celeste. “After I got them dancing, I would take off the sweatshirt, and baseball cap so they could see that they were dancing to a female playing. I love the shock factor!”
Staying true to her craft and shattering stereotypes remains to be Celeste motivation and dedication to an industry that is far more main stream than many give credit to.
Funky, Fearless, and Forever one of Chicago’s First Ladies of House!
GO BANG! Magazine: When did you first get started as a DJ, and what did you like most about it?
DJ Celeste Alexander: I started learning in 1981. My first paid gig was in spring of 1982. My first love was learning the technical side of mixing and blending. At the time it was thought mixing was gender specific, that females could not grasp the skillset. I was really into shattering that stereotype.
GO BANG! Magazine: It is truly incredible that you were introduced in to Djing by Steve “Silk” Hurley, the 4-Time GRAMMY® Nominated Remixer. Please describe how you two met and how he eventually introduced you to the 1s & 2s.
DJ Celeste Alexander: Steve and I went to college together (Loop Jr. aka Harold Washington Jr. College). I had quite the crush on him back then. We had a couple of classes together and use to hang out in the lunchroom together. He always talked about “hot-mixing”
I asked him what it was, and he described it to me. I asked were there any girls doing it, he told me no. The myth was that women couldn’t (as in we didn’t have the coordination for it) but, he knew it was a myth because he had taught his younger sister how to do it. That whole part about females not being able to do it kind of stuck with me. It made me want to dig deeper and learn. Steve was the catalyst to me wanting to learn more about the craft. Eventually we ended up playing a lot of parties together and doing a lot of record shopping together.
GO BANG! Magazine: While pursuing your DJ career, you broke down a lot of barriers that were up against women. You were literally one of the first lady DJs. Please describe to our readers how you felt at the time, when you were trailblazing a path for women in DJ’ing.
DJ Celeste Alexander: Most times, especially after being accepted by some of my male counterparts, the experiences were great. I had a lot of fun, both honing my skills, learning the craft and playing parties. There were other times when it was difficult. Being a “first” woman breaking into any male dominated field ALWAYS has its difficulties. I didn’t consider myself a trailblazer at the time, by the time I was in regular rotations, and grinding with the rest of the fellas, I was learning, creating, partying and having fun. I don’t think any of us thought this culture would be as large as it is now back then. We were just out having constructive fun.
GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized as one of the first female DJs. You were also one of the only women to perform with the late Ron Hardy at the legendary Music Box. What influence, if any, do you feel you have had on DJs and the House music scene? Also, how has House influenced you?
DJ Celeste Alexander: I was the ONLY woman to play with Ronnie at the Music Box, lol. And to be honest I can’t say what influences I may have had on someone else. I do know that I have mentored both women and men who are either breaking or grinding on the scene now. House music and the culture is one of the biggest influences of my life. Music has ALWAYS provided me with a place to be free. The underground dance scene is the place where I grew up, became an adult. House/Dance music has always provided a space of comfort and expression.
GO BANG! Magazine: In the past, female DJs were more of a novelty, and not taken as serious as their male counterparts. Do you think that image has changed and why or why not?
DJ Celeste Alexander: I have Never considered myself a novelty period. My grind is hard. I’ve ALWAYS strived to improve upon skillset and work ethic, I am constantly seeking out music and how to present it. Now a non-believer may consider me a novelty upon a first encounter, until they experience me playing!
Truth is presentation is everything. If you present yourself as a gimmick, that’s how you will be received. There are MANY Female’s in the field that are the REAL DEAL, because that’s how the present themselves, back that up with mastery of your skills, how can anyone NOT take you seriously? BUT, there are still many women that represent themselves with everything, but seriousness and true craftsmanship. If you show up like a joke, who is going to take you serious? Yes, some of the overall imagery has changed, but that’s because the glass ceilings have been broken in many areas, and many more women have stepped out and been extremely successful in doing so.
GO BANG! Magazine: You mentioned that in your early DJ years, you used to wear baggy clothes and a baseball cap, so that people wouldn’t know that it was a female playing. Then you would do your reveal and shock them. Please describe to our readers, one of your most memorable times when you made your revealed.
DJ Celeste Alexander: Until I had established myself as a DJ/mix-artist, I always wore baggy clothes. The baseball cap was added because when I did my first party, I showed up with lipstick on and clearly female when you saw me, I was not received well at all. In fact, I was booed and never actually given a chance to play. I was taken off the decks after my 3 songs, all based upon being female. The patrons had never seen a girl play before. I clearly was not a part of the scenario of their expectations.
I figured if the crowd didn’t know who was playing and assumed it was a guy playing, I would at least have the chance TO play. See, I needed the MUSIC to speak if allowed. So, after a few songs and the crowd doing what they came to do, DANCE, I would turn my back, to look for another record and return forward without the cap. After a couple of more songs, I would do the same and remove my sweatshirt, (with a tank top or tee-shirt underneath of course)! By then I had them there was nothing left to do but dance cause by then the crowd was rocking!
GO BANG! Magazine: In 2015, SolKat established “The Queens of House Picnic” here in Chicago. How does it feel to see the seeds that you planted years ago, currently sprouting and prospering in the House community?
DJ Celeste Alexander: I am proud to see the ladies finally getting the shine they deserve. I have played a couple of the Queens of House Picnics myself. It’s good to see women that are finally getting the respect, and to watch those seeds prosper and thrive.
GO BANG! Magazine: There are several DJ’s out there with mad skills, both male and female. Which ones do you personally like and which ones would you love to DJ with, but haven’t thus far?
DJ Celeste Alexander: I’ve been blessed over the years to make some awesome connections to other DJ’s I admire in the industry, and even more fortunate to have played with many of them. There are quite a few I would love to play with again. I have a plethora of personal favorites, too many to name them all. I think my desire is to play more-so in places I’ve never been, to cultures I have never experienced. For me it not Who I want to play with, its more Where I would love to play at!
GO BANG! Magazine: In addition to being a DJ, you’re a successful businesswoman. Please introduce our readers to your internet radio show on Cyberjamz.com.
DJ Celeste Alexander: I was afforded an opportunity to have my own internet radio show on Cyberjamz.com back in 2007. I was given a shot by my NuBang Collective brother Sammy Rock. Cyberjamz was at the time the first and only independently owned radio station totally dedicated to House Music platforms. My show The Celestial Odyssey ran every week until the end of 2019. In 2020, I went independent with the brand and started doing shows on FB Live and now exclusively on TwitchTV. 2020 and COVID bought a whole different set of challenges to many DJ’s. For the past 9-10 months, we all have been trying to find platforms to consistently showcase our talents. Fortunately for me, I had Cyberjamz, so live interactive video/audio/chat was not foreign to me as it may have been to many so the adjustment was not as major as it may have been for many. As of right now, you can catch The Celestial Odyssey- The Journey Continues live, every Saturday from 3-5 pm (CST) on Twitch.tv/Celestethedj I also have audio podcast on multiple platforms including PodOMatic.com, Apple Music, Google Music and soon to be on Amazon music. I will always be grateful to Sammy and my Cyberjamz family for the times spent on their station. If it weren’t for it, I would never have broken the siloed patterns that many Chicago DJ’s had fallen into. Due to my exposure through cyberjamz, I have been able to make connections to music lovers, other DJ’s, producers, artist, musicians from across the world. Cyberjamz opened up the world for me and made it my oyster.
GO BANG! Magazine: You’re also “Married with Children.” Has business or the music bug rubbed off on your children, or are they not interested in the entertainment industry?
DJ Celeste Alexander: Both of my sons love music of all kinds, my eldest probably went to more House music events than the average Househead growing up. Lol, my youngest is in college and dabbles in studio work currently, but loves the hip-hop culture.
I helped teach my husband how to play. He is one hellova DJ in his own right!
GO BANG! Magazine: You’ve joined forces with Vick Lavender and Steven Stewart to become co-owner of Sophisticado Records. How did this partnership come about and what is the mission of the record label?
DJ Celeste Alexander: Vick and I became very good friends after meeting at the WMC in 2008, I think it was. We have been very close ever since, he’s like a younger brother to me. While he was trying to get his label off the ground, I helped in any way I could. My contributions to the label would be more of the business and contractual side of the brand and business. I have however learned a whole lot about next level facets of the music industry through our connection. Vick is an incredible and very creative talent. He has a vision of his music and how he wants it presented. It has been a pleasure to watch him grow and flourish in the industry. It has been even more of a pleasure to be a part of it. ~ If it ain’t Soul, we don’t do it~
Go Bang Magazine: Are you currently working on any new projects that you would like to mention to our readers?
DJ Celeste Alexander: I have a couple of things in the works musically. I am the Musical Director for The Summer Oasis Music Festival held in Idlewild Michigan annually. Of course, COVID did a job on us this year, but we are already in the planning phases for 2021 and beyond. Now that I am an “Empty Nester” I have the freedom to spread my wings a little more, we will see what 2021 brings.
GO BANG! Magazine: The world just recently lost DJ Angie Stone, another DJ Queen. What do you remember most about her? If you have a fond memory of her, please share it with our readers.
DJ Celeste Alexander: I miss Anji. We were sisters and friends. I mostly appreciated her tenacity; she reminded me very much of myself when I was a younger DJ. The word “NO” was not acceptable; she would make her own way successfully. She was determined to make her own “Yes” and she did JUST THAT! Rest in Musical Paradise My Dear Sister of Sound.
GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?
DJ Celeste Alexander: One day at a time. A lot of prayer. Keeping busy inside as much as possible. Staying positive that this too shall pass. Staying diligent with my weekly show, the music and any music related projects that I have been able to immerse myself into. Trying to keep myself busy and my brand relevant, because one day the world will open back up, and I want to be ready to go jump in and play!!!
You can follow DJ Celeste Alexander:
FB: fan page https://www.facebook.com/celestethedjknowshouse
Instagram: https://www.instagram.com/celestethedj
The Celestial Odyssey- TJC -Every Saturday from 3-5 pm cst onhttps://www.twitch.tv/celestethedj
Podcast:
PodOmatic: Celeste’s podcast- The Celestial Odyssey- Celestethedj Alexander
Apple Podcast /ITunes: Celeste’s podcast- The Celestial Odyssey- Celestethedj Alexander on Apple Podcasts
Mixcloud:https://www.mixcloud.com/celestethedj-alexander/
HeartThis: https://hearthis.at/celestethedj-alexander-gk
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram
“If you risk nothing, then you risk everything. Art is all about taking these risks.”
-Marcos Luis
Raised in Pittsburgh, PA, Marcos got his start in the entertainment industry by appearing in stage plays, including being a host of “Kidsburgh”, later graduating to television and film. Since his introduction as an actor he has added singer, musician, award-winning host, photographer, and producer to his resume credits.
As the Artistic Director & Founder of 3SB Theatre Co LLC Theatre and Entertainment Production Company, based in New York, Marcos Luis may be most recognizable for his national commercials, print campaigns, and appearances in popular prime time TV shows. Marcos is also the host and creator of the 11+ year-long running live artist showcase and open mic, OneMicNite, in New York City, which showcases premiere talent in comedy, poetry, & music of every genre. OneMicNite has become an NYC staple responsible for launching the careers of numerous Independent Artists.
Marcos is a proud and active member of SAG-AFTRA, AEA, Spotlight Talent UK, and is a OneBigMop artist. He received a BS in Theatre Arts from Northwestern University, where he studied with famed international instructor Ann Woodworth (also B.A.D.A). His studies also include comedy improv at the famed Comedy Sportz in Chicago, dance training at the world renowned Giordano Dance Center, and a Jeff Award winning show, Pecong at Victory Gardens. Currently he serves as an active screening judge for the Miami Indie Festival (Mindie Fest), the International Independent Film Festival, and the SAG-AFTRA Awards Film Nomination Committee 2018.
CURRENT PROJECTS
• The Darkness of The Moor (2018)UK
• Los Viejos/ The Oldies (2018) Documentary Cuba
*World Premiere IFFCG, Guadalajara, MX, World Premiere MIFF Miami, FL USA
• Dreaming of Peggy Lee
*Screened before the Academy of Motion Picture Arts and Sciences for Oscar nomination*
Distribution and sales: Network Ireland Television
• I’ll Be Home Soon
*Long-Listed For Oscar Nomination 2016*
Distribution and sales: Freak Agency
GO BANG! Magazine: Where did you grow up and spend your childhood?
Marcos Luis: Aaahhh, that question! I was actually born in Nashville, TN. We then moved to the Pittsburgh are of PA and then went to boarding school, so I spent my childhood In those places.
GO BANG! Magazine: At what age did you realize that you wanted to be a professional actor involved in stage plays, film and television, and describe that moment to our readers.
Marcos Luis: I grew up singing, dancing, and acting from the time I was born. I think I was doing it in the womb! (You’ll have to ask my mother that one). I was in talent shows and the school plays, and hosting shows as a kid, so I guess I knew….but really didn’t know for sure then . It wasn’t until college that I decided for sure to be an actor. I remember meeting and talking to a then recent graduate of my alma mater , Northwestern University , named Harry Lennox (“Blacklist, The Five Heartbeats “) who returned to the University to encourage a group of students to pursue our dreams, and that it really clicked for me to do this as a career.
GO BANG! Magazine: How would you describe the opportunities for minorities in television and film?
Marcos Luis: Right now we are at a fantastic and pivotal point in the Film and Industry. Studios are listening to the call for Diversity and Inclusion for Black and Brown people in front of the cameras as well as behind and are making changes . We are creating content, producing, and allocating our funds to make, direct, and star in our own works . Our stories are being told and heard. Opportunities are increasing but we still have work to do on all fronts.
GO BANG! Magazine: You’re also a singer/musician with your own unique sound. How would you describe your voice, the Marcos Luis sound, and also what instrument(s) do you play?
Marcos Luis: The “Marcos Sound” is smooth and soulful. By I mean it comes from the soul and truth, just like my acting, and dance. “Issavibe” for sure. I started playing instruments when I was young. I started on woodwinds: the flute, clarinet, alto sax, tenor sax… then on to upright bass, and electric bass. Lately I’ve been hitting on some percussion with bongos..
GO BANG! Magazine: A man of multiple talents, you’re also a producer. As a producer, what types of films are you interested in making?
Marcos Luis: I’m interested in making films with good, good stories. Every genre is fair game. Making films is a different learning experience each time, problem solving, staying on budget, schedules, locations, etc. The light at the end of the tunnel is the story you present, feeling good about the end product , and also how others perceive your work.
GO BANG! Magazine: For our readers that may not be familiar with the duties of a Producer, can you please explain what producers do and what you find most interesting about producing?
Marcos Luis: A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script by the writing, directing , editing ; and arranging financing. There are different types such as Associate, Executive, and Line . Sometimes you wear multiple hats depending on how large and the budget of a project.
GO BANG! Magazine: There’s still more to you, being the Renaissance man that you are. You’re also an award-winning host and photographer. How did you get involved in photography and are you a professional or a hobbyist?
Marcos Luis: Hahaha, well, Photography to me is an extension of being an artist, how you view things, capturing it them in a truthful way, a beautiful way, or whatever the goal is. I started photography as a hobby, and then started shooting professional events, then was enlisted to shoot and document an Humanitarian expedition to Colombia, South America with www. Healing the Children.org , where I received an Award and had the honor of singing our country’s National Anthem live for thousands of people.
GO BANG! Magazine: Not surprisingly, you’re also an entrepreneur as founder of 3SB Theatre Co LLC Theatre and Entertainment Production Company. Please inform our reader about your company, its mission, and some of the projects you’ve done.
Marcos Luis: The mission is to create art with a purpose to shine a positive light on the Community. 3SB Theatre Company has not only sponsored International Artists for work here in the USA , but has created a few web series, sold out stage productions, and of course, the OneMicNite™️ Show.
GO BANG! Magazine: Being a creative person, as well as a businessman myself, I can relate to you creating your own live artist showcase and open mic event, called “OneMicNite” in New York City. For our readers that may not be familiar with it, please explain what the show is, how long it has been in existence and what its mission is.
Marcos Luis: OneMicNite™️ Is “NYC’s Best & Favorite Artist Showcase”. It’s been around for 14 years plus with its #LiveSeries performance shows. It’s been the start and home of many amateur artists, Indie Bands, as well as Grammy Award winning Artists. Starting in NYC’ Greenwich Village, with me as the Host and creator , it’s mission was to provide a space for a home to connect, perform, and network in all areas of the arts. We have held fundraisers for many other charitable organizations through performances of our artists such as Breast Cancer Walk, Women’s Prison Association, and AIDS Walk NYC. You can find out more at http://www.OneMicNite.com
GO BANG! Magazine: You studied comedy improve at Chicago’s own famed Comedy Sportz and dance training at the world-renowned Giordano Dance Center. Have you pursued a professional career in dancing and comedy? If so, please tell us about that and if not, why not?
Marcos Luis: For me knowing all areas of the Arts are important for balance, marketability, and to be well rounded. I’ve been on Comedy Improve Troupes and certainly have done Dance Shows in my career. My first professional Show which I did while still in college was called Pecong , a Caribbean version of the Greek Classic Madea , choreographed by T.C. Carson (Living Single Tv Show), I was a dancer and the Show won several Chicago Jeff Award. The Show was at Victory Gardens Theatre.
GO BANG! Magazine: Over the years, you’ve had national commercials, print campaigns, and appearances in popular prime time TV shows. Are there any broadcasts in particular that you can recall that may refresh our reader’s memory, so that they can connect that with you?
Marcos Luis: Mmmm Chicagoans may know me as The “Illinois Vehicle” commercial guy, which ran for many many years there. Three -four years ago you may have seen the “Madam President” editorial print campaign for designer Elie Tahari clothing line which was in every major publication, ad, billboard which I did along with supermodel Shlomit Malke. And of course.. the infamous “Sex and the City” Episode…
GO BANG! Magazine: What is your ultimate goal in the entertainment industry?
Marcos Luis: My ultimate goal is to continue to enlighten, inspire, tell stories through any art medium I can.
GO BANG! Magazine: Who inspires or motivates you?
Marcos Luis: So may people inspire me in so many ways. People who have had hard journeys and are resilient. People who do the same thing as I do. People who do different things than I do so I can learn from that . It all motivates me to be better, enjoy the experiences of life, and be thankful along the way. There is no competition, there is room for everyone on this journey. That motivates me.
GO BANG! Magazine: Are you currently working on anything or would you like to mention anything that you’d like our readers to check out?
Marcos Luis: Coming up next, I’ll be in an Off Broadway Show called ‘Edin’ written by a brilliant writer/artist named Marcus Harmon. Look out for me in two animated film projects as a voice actor , and definitely check out my Podcast: OneMicNite Podcast with Marcos Luis which is available on Apple podcasts wherever you download podcasts. Season 2 starts after the New Year tackling Social issues that affect Our Community and personal inspiring interviews of Artists’ journeys. www.OneMicNite.Podbean.com
GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?
Marcos Luis: Yes, this pandemic took everyone by surprise. The key for me was to 1) Be Safe and 2) Be Flexible and 3) Create 4) Gratitude Safety first, for sure, then be flexible with your Life in the day to day actions . Next, create new ways of thinking, to enhance your situation finance by learning as much as possible. Lastly, be thankful for everyone and the things you have. Simplicity is the key. www.MarcosLuis.com
YOU CAN FOLLOW MARCOS:
Official: http://www.iMDb.me/MarcosLuis
New: ‘Los Viejos/ The Oldies (2018) Cuba Documentario https://vimeo.com/246902579
‘The Moor’ (2018)UK Oscar Qualified
Trailer:https://vimeo.com/226166126
Muted the movie https://m.imdb.com/title/tt3279922/ HBO
Dreaming of Peggy Lee
*Academy of Motion Picture Arts and Sciences for Oscar nomination* BAFTA Qualified
*Distribution & Sales: Network Ireland Television
I’ll Be Home Soon
*Long-Listed For Oscar Nomination 2016*
*Distribution & Sales: Freak Agency
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Photo credit: Tyler Curtis
Vince Lawrence of Chicago, IL is an American dance music producer, businessman and is one of the leading innovators of the genre of music called “House music”. Industry insiders recognize Lawrence as co-author of “On and On”, the first recording officially designated “House music”. He worked with Jesse Saunders in the initial creation of Jes Say Records, designing its logo by hand. He served as Head of Marketing and was the lyric writer for “Funk U Up” (the first House track to ever make it onto the Billboard charts), “Undercover” by Dr. Derelict, “Real Love”, and many other songs released in the label’s heyday. He also co-authored “Love Can’t Turn Around” which featured Daryl Pandy, which reached #10 in the UK Singles Chart in 1986 and started the House music revolution in the UK. He organized Trax Records, a Chicago House label. He is the founder of Slang Music Group, which has received numerous gold and platinum awards for their contributions. As founder of Slang Music Group, Vince has evolved from artist and producer to entrepreneur and marketer, creating a unique symbiosis between music and brands.
As a remixer, he worked on Michael Jackson, Beyoncé, John Legend, R Kelly, and others. Vince composed soundtracks for major brands and was contributing composer on one of the most successful daytime talk shows in history. Vince has directing, writing, production and music supervision credits for work in film.
Above all, he is a veteran of the street with an intuitive understanding of what youth culture craves – be it style and music or consumer products that he telegraphs to the street through soundtracks for advertising or non-traditional “under the radar” field marketing programs. Vince Lawrence’s intimate relationship with pop culture and lifelong love of music have evolved into a unique insight that is eagerly sought out, from the trend hunters of Madison Avenue to the likes of pop stars the world over.
“LEGACY: From Soulful Horns to House Music”, a new documentary that tells stories of hidden figures in the history of Chicago’s Black Music, was directed, produced, and narrated by Vince Lawrence. These stories shed light on individuals whose musical contributions changed the world. It broadcasted in Chicago on WTTW on Friday, November 13, 2020.
Many South siders are working to bring aid to the homeless youth of Chicago by raising funds and awareness for Covenant House Illinois (CHIL), a place of community, safety, and trust for youth experiencing homelessness and trafficking, and participated in SLEEP OUT: CHICAGO, on November 19, 2020. “We’re stepping up and answering Covenant House Illinois’ challenge to spend a night sleeping on the street so that, one day, homeless youth won’t have to”, according to the website.
The Sleep Out is not about pretending to be homeless. It’s an act of solidarity with the 4.2 million young people who experience homelessness each year. It’s a decision that we, as a society, can’t stay indoors while so many youths remain outside.
“One thing I firmly believe in is that in the midst of all our accomplishments, we should always find ways to give back to our families, society and the community. What we put in is what comes out”, says Vince.
GO BANG! Magazine: How did you first get started in music and what about it attracted you?
Vince Lawrence: My initial connection in music came via my dad, Nemiah Mitchell aka MITCHBAL. My father is a songwriter, having worked with people like Eddie Thomas (Curtom Records) and others. He started his own label in the 70s and put out a few 45s before I aided him in discovering new culture centered around 12 inch singles and dance music.
GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized as one of the pioneers. What influence, if any, do you feel you have brought to House music and how has House music influenced you?
Vince Lawrence: While not wanting to “take credit” for this and that as many people do, I can say that I did help bring people together socially around the thought that we could express our creativity through music and by making actual records that we could play at parties and on the radio. I always try to encourage people to pursue their dreams using whatever tools they had available.
I helped a lot of guys get their first recordings created by collaborating as a songwriter, musician or producer. Early days, I worked with Jesse Saunders, Marshall Jefferson, Byron Stingley, Wayne Williams (Dr. Derelict), Chip E., Victor Romeo, Duane & Co. and others. As a remixer, I along with Slang Musicgroup team members have worked with Beyoncé/Destiny’s Child, Whitney Houston, Donnell Jones, R Kelly, Charles Jenkins, Sisqo, Joe, Michael Jackson, John Legend and others.
I have always worked to elevate others by teaching, advising or providing employment. There are many great artists, producers, engineers, managers and such that began their careers as part of our team.
GO BANG! Magazine: You’ve had the opportunity to travel around the world, in the name of House. How would you describe House’s acceptance in other countries, in comparison to here in the States?
Vince Lawrence: Outside of the US there seems to be less distinction between House music and other forms of R&B. I think that we Chicagoans separate or dance friendly Black art forms from the rest. It seems that this is a new phenom did not seem to occur in the past. For example, Harold Melvin and the Blue notes is thought of as an R&B group, despite having created “disco classics”. The sum total, that’s the difference in the US and with American Black listeners in particular.
GO BANG! Magazine: Over the years you’ve morphed and accomplished great success as a producer, remixer and businessman. You’ve worked with many icons in the music industry. How does it feel to be requested to remix songs from artists of this caliber?
Vince Lawrence: I am honored to be invited to creative circles with great artists such as this. There are no words for the way it feels when you have the opportunity to participate in this way as a fan. My connection to music started as an admirer, in the audience, listening and enjoying. A remix invitation feels as if I am being invited behind the curtain, backstage to share in the creation of the show.
GO BANG! Magazine: After working with such high ranking artists over the years, are there any other artists, current or classic, that you would love to work with?
Vince Lawrence: I have listed these in no particular order:
Lianne De Havas
Kirby
Dua Lipa
Queen Nadja
Jeremih (he visited the studio but I did not produce)
Miley Cyrus
Mereba
Katy Perry
Gaga
Fat Joe (he visited the studio but I did not produce)
Black Thought
Trevor Horn
Lailah Hathaway
H.E.R.
James Blake
Shawn Mendez
Alicia Keys
If anyone can connect me, please reach out!
GO BANG! Magazine: As the original House generation matures, if it’s not passed down to the next generation, it will die out. What are your thoughts on the future of House music and the House culture?
Vince Lawrence: I honestly am saddened by this question because it seems so localized. House Music as Black music is not dying. Beyonce makes a whole album full of music that if it weren’t Beyonce, people would call House Music. Check FIND YOUR WAY BACK from her latest record if you need perspective, but the thought of this dying out is a myth. The discounted self-image expressed when we fail to recognize how our art has traversed the globe and come back dressed as pop star cultural exploration surprises me. Local people only need to decide to stop sitting in the stands and get in the friggin game. The discussion of stuff “being passed down” or not is also a false narrative. If people want to make records, I have always been here, people engage me as a producer all of the time. Think about it, you “found” me and it was not hard. We are the originators. The new generations find the paths that we laid down before. Those that are truly interested will actually participate. These “next gen” conversations are not about getting anything actually done.
GO BANG! Magazine: You’re the founder of Slang Music Group and you’ve received numerous gold and platinum awards. Please tell our readers about these awards, about your company, and plans for your company’s future.
Vince Lawrence: Slang is a multi-featured music and sound house that produces national Gold & Platinum award winning recording artists and delivers modern sounds to the ad industry seamlessly. Our producers have worked with many best in class artists and continue to do so. Our mix engineers are some of the words best, working with the greatest talent. Examples: https://open.spotify.com/playlist/1IKd1PFQdStInJKsmaZMFq
Along with music for television, film and commercials, members of Slang Music Group have also been working with burgeoning new talent from all over the world. We create content presentations for both the boardroom and the web. This year we launched a library of economical, easily licensed music for use in creative projects. www.Slangmusicvault.com was developed in hopes of creating new collaborations with creatives everywhere. We have created thousands of high quality music tracks for this purpose. Hopefully someone out there has written perfect songs for some of them. In 2021, Slang Music Group is evolving, creating original long format and digital content for television and theatre.
GO BANG! Magazine: Recently a new documentary titled “Legacy: From Soulful Horns to House Music” premiered here in Chicago on WTTW on Friday, November 13, 2020. You directed, produced and narrated it. I viewed the show, as did many others that I know. Tell us what inspired you to bring that to the public, what your mission was, and if you achieved your goal.
Vince Lawrence: I grew up amongst Chicago’s music elite. I was raised on stories of the “amazing feats of music” described by people like Kanye West. I bear witness to miracles when I say that Black Chicagoans have, generation after generation, created art from nothing that changes the landscape of music worldwide. These amazing people hail from housing projects and streets that people say are impossible to survive, yet they thrive…and create. I owe a piece of my existence to my parents and these greats. My film shines a light on what they have done through the lens of how they affected me specifically. By acknowledging all of this, I hope to pay it both back and forward. These men deserve to be in the Rock and Roll Hall of Fame and get life awards from places like the Grammys. I plan to submit this film as part of my effort to see this done while these gentlemen are still alive.
GO BANG! Magazine: More recently, on November 19, 2020 you participated in “Sleep Out: Chicago”, which brings attention to the youth homeless and trafficking population. Please explain how you feel about this tragic population and how you participate in this much needed cause.
Vince Lawrence: I grew up here. When I found out that 4,000,000 youth are homeless in the US, I was stunned because I couldn’t recall seeing homeless youth. But then, I found out that I had seen youth homelessness, I just didn’t know it. You see, it’s not just sleeping out on the street. It’s couch-surfing, sleeping in a car, or trading your body for a warm bed…that’s youth homelessness. And it happens because you age out of foster care, or tell your parents you’re gay, or your mother looks at you one day and says “I don’t want you no more.”
So, I’m supporting Covenant House Illinois starting on “Giving Tuesday”, December 1st to raise money to help thousands of Chicago youth overcome homelessness. Facebook is matching donations on “Giving Tuesday” from 7AM Central until their budget is exhausted. Please go to my FB Fundraiser and donate. Let’s show our youth that House music fans know they matter and they are not invisible. Please give on “Giving Tuesday” to my Facebook Fundraiser for Covenant House Illinois.
These days, there are so many kids displaced. Any effort to create a chance for our city’s youth is everyone’s responsibility. I am simply a man with a hill to stand on… Shouting! You can shout too, everyone can. Small contributions combined and repeated actually help.
GO BANG! Magazine: On November 19, 2020, you participated in a virtual panel event presented by Eric Williams and The Silver Room. It featured you and the legendary House music producer Marshall Jefferson. It was moderated by Duane Powell. It was titled “Chicago Created House Music.” Its purpose was to discuss everything House: including how it started, how it’s been and where it’s going. I tuned in and enjoyed every moment of it. The Silver Room has had a major influence on House culture over the years. What are your thoughts on The Silver Room’s contribution and influence on culture, and more specifically House culture?
Vince Lawrence: My relationship with The Silver Room is perhaps a little different. When I look at that group, I don’t see a business, I see people dedicated to Black positivity. I have watched Eric and his team grow their business, start a festival and share their thinking on the inter webs. I commend Eric for creating a platform to share these stories, while helping artisans extend their brands, personal or otherwise.
GO BANG! Magazine: When others in the entertainment industry reach the level of success that you have, some of them go “Hollywood” and become arrogant and cold-hearted. You seem to have not gone down that path. How have you maintained your level-headedness and why is that important to you?
Vince Lawrence: I have been lucky to have the opportunities that I have. I see every day that creatives struggle, hoping that one day they can make any sort of living doing work they love. I realize how lucky that makes me. I don’t take any of this for granted, not for a nanosecond.
GO BANG! Magazine: What are you working on now, that our readers should be on the lookout for?
Vince Lawrence: I continue to create great music for records, film and TV. I have two new films in development, LEGACY hopes to become a series and find its way into more homes via streaming platforms and such. I have new records (and a bunch of old ones) coming out via arrangements with UNITED MASTERS as well. www.slangmusicvault.com continues to be a resource for creatives spanning many genres and art forms We are also working to develop a great set of tools to help DJs all over the world to become the best version of themselves.
GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?
Vince Lawrence: I accept this as the current reality. COVID has killed too many friends and friends of my friends. That stated, I have been working “remotely” for many, many years. My clients are literally all over the world. I have a great studio set up in my home and tools to connect to anybody anywhere. COVID presents an opportunity to refine those efforts and reach out to more people who now have to get accustomed to communicating and collaborating in this way. I won’t let this stop me; actually it’s a chance to grow. Can you imagine all that time we were wasting commuting for meetings even? When COVID is gone, who wants to go back to that?
For more information on the Sleep Out, log onto:
https://www.sleepout.org/index.cfm?fuseaction=donorDrive.event&eventID=844
You can follow Vince on ALL social media @vingoslang and on the Slang Music Group website: https://www.slangmusicgroup.com/ and http://www.slangmusicvault.com
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Photo credit: SEED LYNN
Duane Powell’s love for music started an early age growing up in the 1970’s being exposed to Chicago’s rich Soul music scene. His uncles were disc jockeys until the mid 80’s and artists including Minnie Riperton, The Emotions, Chaka Khan, Miki Howard and The Staple Singers were their classmates and/or family friends.
In 1985, Duane entered into the world of street promotions pounding the pavement promoting events for prominent DJs within Chicago’s burgeoning House music scene starting with Lil Louis. In a five-year span, because of their Avante Garde style and presence, Duane and his crew became the “go to” individuals in marketing to get all of the “cool kids” to events. By 1990, Duane had done street promotions and served as Marketing Manager and Consultant for many clubs and DJs including the historic Powerhouse. In 1998, he became an Import Buyer for Cargo Music Distribution and by the end of that year, an employer at one of Chicago’s most legendary record stores, Dr. Wax Records. It was his 12 years there that the title of “tastemaker” really took shape by almost single-handedly breaking several artists in the market, including Ledisi, Eric Roberson, Julie Dexter, Jill Scott, Raheem Devaughn, N’Dambi and many more.
As a promoter, he launched the SOUNDROTATION brand in 1999, further cultivating the underground soul scene in Chicago giving many of those acts their performance debuts in the market. Through this, he became a fixture on the global Soul scene and began speaking about his knowledge of the business on panels and workshops including The International Soul Summit (ATL), Urban Organic (Detroit), I Got Soul Conference (Dallas), Chicago Artist Resource and the Chicago Cultural Center.
As a DJ, he had a popular internet radio program on Swank Society. He has spun at and has residencies at many of the most popular venues around the city including the House Of Blues, Virgin Hotel, The Promontory and Reggie’s Music Club. In addition, he has opened for many heavyweights in Soul music including opening for Frankie Beverly & Maze at The Taste Of Chicago and has shared the bill with many legendary DJ’s and Grammy-winning producers in the Dance music world including Joe Claussell, DJ Spinna, Steve “Silk” Hurley, Maurice Joshua, Josh Milan, Timmy Regisford, Ron Trent and more.
Thousands of people are glued to his social media pages for his updates on music, as well as his knowledgeable tributes to the greats in music history. He also served as the Soulful Sundays Editor for the reputable Hip-Hop blog kevinnottingham.com. According to his following, his SOUNDROTATION compilations create sonic satisfaction that impinge on their emotions and lend freedom to their souls.
Duane’s choice of music genres include Soul, Jazz House, Acid Jazz, Nu Grooves, Broken Beat, Bossanova and Afro Rhythms.
Lastly, his influences include Ron Hardy, Lil Louis, DJ Rush, The Twilite Tone, Ron Trent, Oscar McMillan and countless other Chicago legends.
GO BANG! Magazine: Where did you grow up and spend your childhood?
Duane Powell: Predominantly Roseland with Auburn-Gresham and Englewood in the mix.
GO BANG! Magazine: How did you first become involved in the appreciation of music?
Duane Powell: I’ve been a lover of music as early as three years old. My Mom tells a story of how at that age I would tell her which records to put on and what side to play just by seeing the label. (I couldn’t quite read yet of course). She also says that when I was three she bought me a tricycle, but instead of riding it I would lay it on its side, put 45 records on the wheel and spin it thinking it would make a sound. lol. All of her brothers were DJs all throughout my childhood and one of them in particular, my uncle Buster, was my first inspiration. His record collection was VAST and his knowledge of music was unmatched.
GO BANG! Magazine: There was a time when you were homeless. Please describe that moment in your life and how you overcame it?
Duane Powell: This happened when I was 27 years old. I just left a job that I hated with no clear path as to what to do next. Things got ugly with my roommate and me, but it was his place so I had to leave. I didn’t have a great relationship with my stepfather at all so going home wasn’t an option and I had no other immediate relatives in the city at the time. I had a few friends who’d let me sleep over, here and there, including Eric Williams who had just opened his new business The Silver Room. I started a new job as an Import Music Buyer at a distribution company but needed to work a bit to get up enough money to get on my feet again. I hated asking people for help, so I put my belongings in a storage facility right across the street from my job and pretty much lived out of it. Slept a few nights on the blue line train, a few nights in Wicker Park (the actual park on Damen) before finally moving into The Milshire Hotel, this transient hotel on Milwaukee in Logan Square where lots of addicts resided. (No, I never did drugs lol). My luck again, the company I worked for was going under so I moved out of the hotel and moved in with my brother DJ Rush who had just come home for a spell, but was still residing in Germany. The next day after moving in, I started my new job at Dr. Wax in Hyde Park and remained there for 12 years. A year into that job, I finally moved into my own apartment in Hyde Park. I also have to mention reading metaphysical books including Celestine Prophecy, Seat Of The Soul and Conversations With God helped me immensely during those times. It was actually a game changer.
GO BANG! Magazine: Working at the legendary Dr. Wax record shop in Hyde Park changed your life. Can you please explain to our readers the impact that job had on you?
Duane Powell: Being the person putting great new music into the hands and homes of the people was invigorating. I created so many relationships, friendships and bonds in that time. Music is truly the healing force of the world and seeing others enjoy the natural high, as I did, was life. So many artists became household names because of us at Dr. Wax pushing the music.
GO BANG! Magazine: In addition to being a successful DJ, you are also an entrepreneur. In 1999 you launched the Soundrotation brand and blog. Please describe what Soundrotation is.
Duane Powell: Soundrotation initially was the name of a weekly event I used to host with Anthony Nicholson and Joe Bryl when Joe was managing the Buddha Lounge. We were in love with music and artists on the Nujazz, Nu-Soul and Broken Beat scenes of the UK, Japan and other places around the globe and desired to showcase them here, as no other venue was doing it at the time. We brought in acts and DJs like Gilles Peterson, Jazzanova, Phil Asher, Joe Claussell to name a few. I held on to the name as a brand for all things related to promoting the good music I loved. I started throwing concerts for up and coming Indie Soul artists as well as consulting them. Grammy nominated singer Ledisi’s Chicago debut performance was with me at the Buddha. I did Soundrotation compilation cds. I had a blog to promote all the great music from around the world that I felt wasn’t getting the shine it should and eventually had a Soundrotation radio show which will be revived soon.
GO BANG! Magazine: You are known as the ‘Tastemaker’ in the Soul music world, breaking new Soul artists on a regular. How do you select artists and know which songs are gonna be hits?
Duane Powell: That was a title given to me lol. I’m not sure. I just love great produced music and you know it when you hear it. The senses are aroused. Something funky in the beat pattern that make you frown up, a chord change that make the hairs stand up on the back of your neck or that voice and phrasing that just soothes or give you goosebumps. It’s a feeling.
GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized as one of the Soul music DJ pioneers. What influence, if any, do you feel you have brought to the House music scene and how has House music influenced you?
Duane Powell: I’d like to think I bring or have brought freshness to the House scene. I’m always thinking progressively and since the 90s, I’ve always influenced those younger to experience the scene and the culture. It’s the only way it’ll survive. I love what House culture has done for the city. This city is known in a negative light as being segregated. House culture broke down those barriers for me and many others. We got out of our insular bubbles, our hoods and experienced all sides of the city and surrounding areas following the music. I lived in the 100s but partied and hung out downtown, far north, west, and even as far as Dekalb, IL. We went where the music was. Because of this, we partied, fellowshipped and formed bonds with people from all walks of life and still do til this day. It liberated us.
GO BANG! Magazine: How would you describe the DJ Duane Powell sound?
Duane Powell: In terms of DJing, I’m influenced by the very things that created the genre of House; Soul, Jazz Funk, New Wave, Italo, Industrial, B Sides, etc., etc. so I have to have a combination of it. Nothing is off limits. I love music with great energy. I was a dancer in dance crews years and years before I threw my hat in the DJ ring. I gotta have movement, peaks and valley…a journey…a climax.
GO BANG! Magazine: After working with several high ranking DJs over the years, are there any DJs that you would love to work with now?
Duane Powell: There are several I would love to share a bill with. Lil Louis, Theo Parrish, Louie Vega, Dego, and Jamal Ahmad are the first names that come to mind.
GO BANG! Magazine: As a DJ, you’ve traveled extensively over the years, but you’re still down to earth, humble and a considerate person. When others in the entertainment industry reach the level of success that you have, some of them go “Hollywood” and become arrogant and cold-hearted. You seem to have not gone down that path. How have you maintained your level-headedness and why is that important to you?
Duane Powell: Well, a couple of things. I haven’t nearly traveled as much as more accomplished DJs have, but even if I did, I don’t see the need for anyone to not be a nice person. We all have fallen on hard times at one point or another. I always treat people how I want to be treated.
I will say though that sometimes people would label someone “arrogant” “difficult” or say someone has gone “Hollywood” when that person knows his worth and asks to compensated accordingly. If you’ve worked hard to build your brand, your name and your audience, you’re not gonna continue to accept $100+ gigs. You’ve earned that right.
GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?
Duane Powell: This year has been rough to say the least. I was deeply depressed for a second, although not from the virus itself. I lost a lot of loved ones and losing my sister to cancer in September was/is the hardest thing I’ve ever had to live with it. Outside of that, I shook off my depression and was able to navigate in the virtual world and gigged online between DJ sets, artist talks and history panels. I’m one of the few DJs that are lucky enough to get paid work online. It filled in the gaps a bit, although nothing can replace the feeling of playing live and being out, feeling that vibration amongst a crowd. Also, there was soooo much great music that came out this year, in the midst of it all, that kept my spirit lifted.
You can follow Duane here: https://allmylinks.com/djduanepowell
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Photo credit: Leslie Carroll
Born in the Philippines to a Filipina mother and Indian father, Czarina (aka Czboogie) moved to the United States and attended Northwestern University majoring in Theater. She wanted to be an actress and did films, TV, commercials, and modeling, (all that lovely shit) for 15 years, but also had a serious love affair for House.
Czboogie’s style of sexy Disco-infused House music has made her an in-demand DJ all over Chicago, in cities around the US, as well as in Asia. She has had DJ residencies at Smartbar (Chicago’s number one club for electronic music), Evil Olive, Grandbar, Hydrate, 3 Degrees at Primary, Circuit, Crocodile, Uptown Lounge, Cocktail, Drop Chicago, and with the legendary Boom Boom Room (the longest running House nightclub in the world.) One of the highlights was her Nu-Breed Residency with the world-class House legends Cajmere and Chez Damier at Smartbar.
Czboogie has played alongside some of her favorite DJs such as Kerri Chandler, Dennis Ferrer, Derrick Carter, Cajmere, Joey Negro, Osunalde, Chez Damier, Karizma, Spen, Mark Farina, Timmy Regisford, Miguel Migs and Gene Ferris.
She is also part of the DJ collective The Untouchables with Farley Jackmaster Funk, Paul Johnson and Gene Hunt, 3 Degrees Global the Strictly 90s crews.
In August of 2005, she began 5 Magazine and says “House music has now become my full time job!” 5 Magazine is the nation’s only magazine committed exclusively to the dance music that grew out of Chicago’s club scene. “It’s very much a labor of love,” says Mirani. The monthly magazine, with 10,000 copies distributed free of charge throughout Chicago, includes stories on artists, DJs and producers from House music’s past and present.
Aside from being the Publisher and Editor-in-Chief of 5 Magazine, she also does 5 Magazine radio shows and podcasts. She currently is doing ‘Cz’s Boogie’ which won New City’s ‘Best House Music Podcast’ as well as the ‘Conversations’ podcast where she interviews some of the most prominent names in the dance music field.
Loving all aspects of the House world, Czboogie promotes several events in Chicago and has her own dance company (Fivestarboogie Productions) with dance performances and classes throughout Chicago. Her House dancing classes have been named by the Chicago Reader as the ‘best dance class in the city.’
She has faced several cultural barriers throughout her professional life. But being a female, Asian DJ made her stand out and helped propel her career. She goes on to say, “House music is multicultural and it’s a very accepting culture.”
GO BANG! Magazine: What do you remember most about living in the Philippines and when and why did you decide to move to the United States?
Czboogie: My mom is Filipina and my dad is east Indian and that is where my family home is. My mom was a socialite and always had big parties in our house. We even had a little disco of sorts, and she would jam out Disco tunes all night long!
I decided to move to the States because I wanted to pursue an acting career, so I went to Northwestern University to major in Theater.
GO BANG! Magazine: When and how did you first become interested in spinning?
Czboogie: I had become interested in spinning because I was already at year 5 of the magazine and I had interviewed so many DJs by then. I was actually curious as to the technical aspects of it, not really thinking I would eventually play out. I was dating Rees Urban at the time and he was kind enough to show me the ropes.
GO BANG! Magazine: The House music in Chicago varies depending on what side of the city you’re on. How would you describe the music played on the north side in comparison to the south and west side?
Czboogie: Well I suppose the traditional answer would be that the north side of Chicago tends towards newer music while the south side plays more of the classics. I’m not really sure about the west side, as I didn’t frequent as many establishments there. That’s a really broad generalization though, because we all know that statement can get easily flip flopped depending on what night, venue or DJ is taking place!
GO BANG! Magazine: In addition to being a legendary DJ, you are also a talented actress, model and dancer. What is it about being a performer that you like most and keeps you inspired to perform?
Czboogie: You are too kind! I love performing because it’s what I’m naturally drawn to do. I love the rush of being onstage and either playing a role or dancing. I’m an extrovert and I have a lot of energy so a lot of it comes from getting it all out there to a bigger audience!
GO BANG! Magazine: Can you tell our readers about your dance company Fivestarboogie Dancers and how they can find out more information about performances or classes?
Czboogie: I had originally started Fivestarboogie Dancers as a side project while dancing and training at Joel Hall Dance Company. I was really into different styles of dance even then…so aside from being classically trained in studio dance (ballet, jazz, modern) I loved House dancing, Vogueing, Bboying, etc. I wanted an outlet to be able to mix all of those styles together. So I would go out to New York, take a million classes in different styles, write a show, choreograph the pieces and cast my dancer friends in these shows. We would then perform at theaters and nightclubs around the city. The shows were always well received because they were a happy mix of club and party vibes…we would have an absolute blast!
In terms of classes I used to teach House dance classes on and off throughout the years, the last class being for the Chicago House Music Festival at Millennium Park. I don’t teach so much anymore, mainly because I have some major dance related injuries in my legs that make it difficult. That’s why I took up Aerial arts so I can use more of my upper body and stay active.
GO BANG! Magazine: Besides being a House dancer, you are also trained in other styles of dance. What other types of dance can you do?
Czboogie: I’ve trained in Ballet, Jazz, Modern, Hip-Hop also loved Vogueing, Waacking and B-girling!
GO BANG! Magazine: As an actress, you performed in commercials, TV and film. What types of roles were you drawn to and most interested in playing, as a character actor?
Czboogie: I used to always get cast in roles as the bad girl lol. Also back then diversity was not what it was at it is now, so they would often try to pigeonhole me in very limited “minority” roles. It was frustrating, so I finally wrote my own production which was a Hip-Hop adaptation of Cinderella complete with full dance numbers. It was a huge success and we ended up doing a second run of it. After that I got out of the acting audition game to focus on my dancing.
GO BANG! Magazine: You’re a beautiful woman with a unique look. It’s quite natural that you would be interested and experienced in modeling. Which types of modeling did you like doing the most: print, runway, sports, industrial or any other?
Czboogie: Thank you for that, you are much too kind! Modeling wise I did print, runway and quite a few industrials. But I don’t really stress this part of my career as I didn’t pursue it. I just took gigs when they were offered.
GO BANG! Magazine: Czboogie is not only known all over the United States, but in Asia as well. How would you describe the Asian House scene in comparison to the scene here in the US? What’s similar and what’s different?
Czboogie: Ooh it’s hard to tell because each country is so different. I think there are huge pockets here and there of underground House in their clubs. I used to play in Manila whenever I would visit my family and was happily surprised how big House was there. Now of course, commercial House and Dance music in general is much more prevalent over there.
GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?
Czboogie: Honestly, in the last two years I’ve become less of a party girl and more of a hermit lol. So the whole staying home thing is nothing new to me and I’m ok with it. Of course I count my blessings every day because I know there are so many people that are not as fortunate in their circumstances living with this pandemic. Many House artists I’ve spoken to say they’ve taken this break to sort of recharge their batteries, slow down and focus on other areas of their lives. I’ve become 100% focused on my fitness and am ok with no nightlife right now. It will come back. Thankfully the magazine is still going strong.
GO BANG! Magazine: In conclusion Czarina, did you know that you and the success of 5 Magazine inspired me to launch GO BANG! Magazine? I want to thank you for inspiring me. I also want to thank you for taking the time and giving me the honor of interviewing you for GO BANG! Magazine.
Czboogie: I did not know that! I’m so flattered and honored! And I’m very proud of you, it takes a lot to start a magazine and to keep it going. Bravo!
GO BANG! Magazine: Thanks! 😉
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Photo credit: Yortel Photography
INTERVIEW LINK:
https://www.youtube.com/watch?v=oR7SioQVohs&feature=youtu.be
On this episode, LIVING ON PURPOSE had a conversation with entrepreneur and author, Pierre A. Evans. He gave us an in-depth look into the creative process of his book “Inside The Minds of Entertainers” and other fascinating subjects.
Pierre’s debut book “INSIDE THE MINDS OF ENTERTAINERS” is available on Amazon:
https://www.amazon.com/Inside-Mind-Entertainers-Thought-Provoking-Celebrities/dp/197785446X/ref=sr_1_1?dchild=1&keywords=pierre+a.+evans+inside+the+mind+of+entertainers&qid=1606610296&sr=8-1
Interview link:
https://www.youtube.com/watch?v=oR7SioQVohs&feature=youtu.be
You can follow Pierre A. Evans on all social media: @PierreAndreEvans, @GoBangMagazine, @InsideTheMindsOfEntertainers, @HouseMusicDanceClassForHouseMusicLovers, @AndrePierreTheDancingMachine
Websites: http://www.InsideTheMindsOf.com
