Donald Crossley is a name synonymous with the birth of house music. As one of the founders of the iconic Warehouse nightclub in Chicago, he played a pivotal role in shaping Chicago’s vibrant dance music scene and fostering the birth of House music and dance culture worldwide.
Donald Crossley, a visionary entrepreneur and cultural pioneer, was born in 1932, and raised in Chicago. Donald Crossley was a young man employed at Michael Reese hospital when he and some friends decided to join the Disco craze that was taking over America. They made frequent weekend trips to New York City to attend loft parties. One morning during breakfast, Donald’s mother suggested that instead of always traveling to New York, they should host parties in Chicago – and that marked the beginning of the social club US Studios. They hosted events around the city until they secured a permanent location at 555 W. Adams, which became the original US Studios/The Warehouse, a groundbreaking gay nightclub that provided a safe, inclusive space for the LGBTQ+ community. This club became a hub for social gatherings and a breeding ground for new ideas and musical trends. After a few years, they relocated to South Federal Street with a new name, The Bowery.
Donald and the original US Studio members held parties at The Bowery until 1978, when they decided to explore different paths. Crossley transitioned to a career as a concierge at the Hyatt Regency Chicago and Hilton Chicago hotels, earning recognition as Employee of the Year for his work as a concierge at the Renaissance Hotel at O’Hare. In 2019, Donald retired from the Hyatt Centric Hotel and is now enjoying life.
Crossley’s foresight and dedication to fostering a vibrant music community solidified his legacy as a key figure in the development of the House music genre. Crossley’s entrepreneurial spirit and commitment to creating inclusive spaces for marginalized communities had a profound impact on Chicago’s cultural landscape. His legacy as a pioneer of House music and a champion of diversity continues to resonate, shaping the global dance music scene to this day.
Take a listen as I, along with Kevin Wortham of Entrepreneurial Enclave, team up again and have a very insightful and entertaining conversation with the living legend…… one of the OGs of House….Mr. Donald Crossley
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
The interview with DJ Wayne Williams, founder of the renowned Chosen Few Djs House Music Festival, the longest-running house music festival worldwide, was captivating, leading to its early release on this page. Our in-depth conversation explores house music extensively. This was our first joint effort. I hope you enjoy it as much as we enjoyed recording it. Entrepreneurial Enclave Podcast Hosted by Kevin Wortham Co-Hosted by Pierre Andre-Evans of GO BANG! Magazine Step into the rhythm of innovation and creativity as we bring you conversations that move the soul. This season, we’re spinning unforgettable stories with iconic house music producers, legendary DJs, and trailblazing influencers who’ve shaped the culture and taken it to new heights. From underground clubs to global stages, we uncover the journeys, hustle, and passion that transformed beats into movements and dreams into reality. Tune in, vibe out, and let the sound of success inspire your entrepreneurial grind! Follow us and subscribe for free!
I am honor to be interviewed, each and every time I am approached and a request is made. THANK YOU!!!!
BIO Publisher, Journalist, Author, DJ, Dancer Pierre Andre’ Evans has taken the publishing, literary and entertainment industries by storm. As a former writer/journalist for the iconic Soul Train brand, the historic Chicago Defender newspaper, and the ground-breaking N’Digo Magapaper, Evans has earned the right to emerge as the owner and publisher of his own innovative publication, GO BANG! Magazine.
GO BANG! Magazine, https://gobangmagazine.com/, founded in April 2020 during the start of the Covid-19 pandemic, is written, edited, and published by Pierre Andre’ Evans. It is internationally known as the “go to” informational, educational and entertainment resource, providing readers with in-depth reporting on ground-breaking people, places, and events, which are having positive impacts on the world. A recent magazine highlight was interviewing Grammy nominated DJ/Producer Terry Hunter and discussing his most recent project, being curated by Beyoncé’s team to do an official House remix of her latest hit single “Break My Soul”, to be included on her latest album Renaissance.
A proud, active member of the National Association of Black Journalists (NABJ) and its’ Chicago chapter (NABJCC), Evans is a sought-after freelance writer who contributes entertainment, music, theater, film, art, culture, fashion, dance, and current event write-ups to countless prominent publications throughout the world. One of his most momentous interviews was with Eric Monte, the creator of such significant television shows as Good Times, The Jefferson’s, What’s Happening, and the coming-of-age comedy-drama movie Cooley High.
As an entertainer, Pierre is a former actor/model, appearing in various roles in five of Hollywood’s biggest blockbusters, including Home Alone II, Richie Rich, The Negotiator, Never Been Kissed and Road to Perdition. Then, as a model, he has also graced fashion runways wearing the accoutrements of various fashion designers and has been the subject of numerous photo shoots.
As a DJ, under his company Pinnacle Entertainment Productions, DJ Playerre, as he is known in the House music community, has the stellar reputation as the DJ that “gets you up and leaves you dead on the dancefloor!” That is one helluva calling card. He is also known as the one and only Andre’ Pierre “The Dancing Machine,” a prolific hired club dancer that is known to motivate, inspire and promote joyful dancing at venues and events. It’s often said, “If Andre’ Pierre is at your party, you know it’s going on!”
Pierre Andre’ Evans the brand, embodies quality, integrity, dependability, and creativity. When you partake in the world of Pierre Andre’ Evans, whether it is a speaking engagement, book signing, special event, an entertainment piece, or literary media, you can expect an unparalleled level of gratification and pure bliss, that only Pierre Andre’ Evans can provide.
Date: Thursday, August 29th Time: 4PM – 8:45 PM Location: Steadfast Dance Center, 1860 S. Blue Island Ave, Chicago, IL Instructors & Class Schedule: 4:00PM Jay-J(Jus.be) , 5:11PM Trish (Devine Instant), 6:22PM Brand1 (Circle Theory) , 7:22 Tre Daniels w/ special guest (Jus.be)
10:00 PM – 2:00 AM
August 29th: Pre Party @ Penny Whistle Tavern
Date: Thursday, August 29th Time: 10 PM – 2 AM Location: Penny Whistle Tavern, next door to Steadfast Dance Center Featuring DJs from Tribecago & Body: House Dance Summit 5:00 PM – 10:30 PM
August 30th: Body: House Dance Summit @ Healthy Hood Chicago
House Dance Competition Date: Friday, August 30th Time: 5:00 PM – 10:30 PM Location: Healthy Hood Chicago, 2242 S. Damen Ave, Chicago, IL
Join us at BODY: House Dance Summit for an exhilarating celebration of House dance and culture in the vibrant neighborhood of Pilsen, Chicago! This two-day event features dance classes, workshops, competitions, and a lively pre-party, bringing together some of the best talents in the house dance community.
Dive into the world of house dance with expert-led workshops covering various techniques and styles. Whether you’re a beginner or an experienced dancer, these sessions are designed to inspire and elevate your skills.
Workshops will be held Thursday, August 29th at Steadfast Dance Center located at 1860 S. Blue Island Ave, Chicago, IL from 4PM – 8:45 PM and will be taught by 2 of our the 5 judges with a specal workshop by Tre Daniels.
After the workshops, join us next door and dance the night away at Penny Whistle Tavern located at 1854 S. Blue Island with beats from some of the best DJs in the House music scene Featuring DJs from Tribecago & Body: House Dance Summit from 10 PM – 2 AM!
Friday, August 30th, at Healthy Hood Chicago, 2242 S. Damen Ave, Chicago, IL witness the excitement of our 4th installment of Body! A House dance competition, where dancers have the space to showcase their skills, personality and creativity for a chance to come back next year and sit at the judges seat. This year’s competition features a five-judge panel, blending tenured experts and fresh faces with the common goal and dedication to help keeping House dance & culture alive and thriving.
Don’t miss this opportunity to immerse yourself in the dynamic world of House dance, connect with fellow enthusiasts, and celebrate the rich cultural heritage of Chicago’s dance scene. Secure your spot now and be part of an unforgettable experience!
As part of your ticket purchase, please be aware that you are agreeing to the terms outlined in our Media Release Form and Hold Harmless Agreement. This agreement includes the following key points:
1. Media Release Form:
By attending the event, you grant Jus.Be House Collective, Steadfast Dance Center, and Healthy Hood Chicago permission to use photographs, video recordings, and/or audio recordings of you for promotional, educational, and advertising purposes. This media may be used in various formats including print, online, and broadcast media. 2. Hold Harmless Agreement:
You acknowledge the inherent risks associated with participation in the event and agree to release and hold harmless Jus.Be House Collective, Steadfast Dance Center, Healthy Hood Chicago, and their affiliates from any claims or damages arising from your participation. This includes any claims for personal injury or property damage. You also consent to emergency medical treatment if necessary and agree to comply with all event rules and regulations. By purchasing your ticket, you are consenting to these terms and agreeing to comply with the conditions stated in the Media Release Form and Hold Harmless Agreement.
For your reference, here are the detailed terms of the Media Release Form and Hold Harmless Agreement:
Body House Dance Summit Media Release and Hold Harmless Agreement
1. Media Release Form
Consent for Use of Media: You grant permission to Jus.Be House Collective, Steadfast Dance Center, and Healthy Hood Chicago to use photographs, video recordings, and/or audio recordings of you for promotional and other purposes. You will not receive compensation and understand that these materials may be used in perpetuity.
Release and Waiver: You release and hold harmless the organizations from any claims arising out of the use of these media materials.
2. Hold Harmless Agreement
Assumption of Risk: You acknowledge and assume all risks associated with participating in the event.
Release and Indemnification: You release, waive, and discharge the organizations from any claims related to your participation and agree to indemnify them against any claims arising from your own actions.
Medical Consent: You authorize the organizations to seek emergency medical treatment if needed and agree to cover all associated costs.
Compliance with Rules: You agree to follow all event rules and understand that failure to do so may result in removal from the event.
If you have any questions or concerns, please feel free to reach out to us at JusBeHouse@gmail.com.
We look forward to seeing you at the Body House Dance Summit!
Dancers pictured: (female) Cortney LaFloy & (male) Pierre Andre’ Evans @ Chosen Few Picnic’s 25th Anniversary (2015) in Chicago, IL
Information reprinted from https://www.facebook.com/akaBA
Young and mature House music dancers needed for a WTTW-TV taping!!!
We are doing a re-creation of the Warehouse club in the 70’s and 80’s.
WHEN: Monday Dec 4, 2023
WHERE: Smartbar, 3730 N Clark St, Chicago, IL 60613
TIME: 2:30pm-8:00pm (CST)
WHAT: We need real House dancers dressed in 70’s & 80’s clothes. Please include full name & phone #, email and headshot/picture.
Email to: ballen@wttw.com ballen1245@gmail.com
Pictured above: Andre Pierre “The Dancin’ Machine” aka Pierre Andre Evans
LEAVE YOUR COMMENTS BELOW!!!
NOTE:
As a sidebar, I have been informed that I, aka “ANDRE PIERRE THE DANCIN’ MACHINE”, have been selected to participate!!!!!!
This should be fun!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
PHOTOS COURTESY OF ISAIAH JAMAL EVANS / CALI VISUALS EXCEPT WHERE NOTED OTHERWISE – @IsaiahJamalEvans @CaliVisuals
On Sunday, August 13, 2023, Chicago native and former Soul Train Dancer Brandy Sanders brought her fabulously fun “Disco Ball” to the town where the dance began, CHICAGO! It was held at the posh South Shore Cultural Center, 7059 S. Shore Dr., from 4pm – 11pm. In the words of the late great Don Cornelius,, “You can bet that it was a stone cold gas!”
SOUTH SHORE CULTURAL CENTER
Since 2008, “Brandy’s Disco Ball” has celebrated the culture and the spirit of the 70s Disco era through music and fashion. So, this event paid tribute to the legendary entertainers of the era. Each year, the Los Angeles legendary Soul Train Dancers are the honorary guests. But this year, Brandy honored and recognize the original Soul Train Dancers from Chicago, along with many other Chicago born entertainers and celebrities.
Maurice Christian (center) and 2 other members of “The Puppets” receiving their honoree certificates.
WORLD FAMOUS SOUL TRAIN LINE
It was a night of fun and an exciting evening of live entertainment, “Best Dressed” Contests, Dance Contests, Games, Raffles, Vendors, the Soul Train Scramble Board and of course, The World Famous “Soul Train Line!!”
Remj
Special featured musical guest performers were Remj (a Michael Jackson Tribute Entertainer)
Nu Skool Sings Old School star Mesiyah and Gospel Soul Recording Artist “Lady Leah.” Special celebrity guest and Chicago born actress Cynda Willliams, from “Mo’ Better Blues” and Oprah Winfrey’s “The Wedding” was also in attendance, donning her funky and fabulous 70’s outfit. While the distinguished special guest was the SEIU African American Caucus.
CYNDA WILLIAMS & OTHER DISTINGUISHED GUESTS
CYNDA WILLIAMS & PIERRE ANDRE’ EVANS – GO BANG! MAGAZINE FOUNDER
One of the highlights of the event was Brandy’s award presentation to the honorees, which included Chicago original Soul Train Dancers Mable Buckner, Albert Adams, The Puppets (Maurice Christian, Anthony Fairchild, Melvin Shumpert, Willie Fultz, Carlton Knight, Yolanda Cooper, Wayne Ward and the late David Crockett), Captain Sky, Poppin Chuck, Robin Roberts Mister, the late Diane Roberts Mister and Stefon Patterson.
POPPIN CHUCK & PIERRE ANDRE’ EVANS – GO BANG! MAGAZINE FOUNDER
POPPIN CHUCK
ORIGINAL SOUL TRAIN DANCER ALBERT ADAMS AND HIS ORIGINAL DANCE PARTNER MABLE BUCKNER
Albert Adams performed a fantastic dance routine and The Puppets put on a spectacular dance performance as well.
THE PUPPETS & DARRELL ROBERTS
Photo courtesy of Darrell Roberts
Also honored were Chicago’s legendary entertainers, including Blues Singer/Songwriter Deitra Farr, entertainment veteran Lee “Mr. Lee” Kirsky, musical group, The Notations (Clifford Curry, Eric Rapier Bryant, Marzette Griffith) and lastly, the Jazz & Blues artist Legendary HolleThee Maxwell, who spoke about her time with Ike Turner and wanted to dispel the talk about Ike being a monster. She stated that he wasn’t like that with her. She also promoted her memoir book titled, “Freebase Ain’t Free.” The book describes Maxwell’s wild ride as Turner’s friend, trusted associate, and closest ally.We cannot forget to mention the special tribute to Chicago House music pioneer, the late Ron Hardy and Chicago Original Soul Train Dancer Adolfo “Shabba Doo” Quinones. The tributes ended with a special dedication to Soul Train Founder, Producer & Host Don Cornelius and Chicago Soul Train Host Clinton Ghent.
THE NOTATIONS
This event not only celebrated the Chicago Soul Train dancers, but it also celebrated 50 Years of Hip Hop with a special presentation by Chicago Hip Hop Historian Darrell “Artistic” Roberts of the Chicago Hip Hop Heritage Museum, located in Chicago at 4505 S. Indiana Avenue, 773.414.2006. We got a chance to briefly speak with “Artistic” and he is just an incredible individual filled with great spirit, personality and knowledge.
Once the presentations and performances were over, the lights were dimmed, the music was pumped and the world famous Soul Train Line was formed. Everyone in attendance jumped out of their seats and hit the dance floor. From young teenagers to seasoned seniors, they all showed off their moves while going down the Soul Train line. This lasted for hours, as the line grew longer and longer. Then, the line broke up and all of the dancers just took to the floor and jammed, packing it from wall to wall.
DARRELL ROBERTS – CHICAGO’S HIP HOP HERITAGE MUSEUM CURATOR/DOCENT/HISTORIAN
Photos courtesy of Darrell Roberts
Brandy Sanders says “It’s always been my dream to bring my show from LA back to Chicago. It’s going to be a full circle moment for me. Grab your bell bottoms, your platform shoes, your miniskirts and your go-go boots. It’s Gonna Be A Ball Y’all!!!”
THE PUPPETS & BRANDY SANDERS
Brandy promised this to be one of the most epic and historical events to ever hit Chicago….and IT WAS!!!
We leave you with the famous words of the late Don Cornelius, LOVE, PEACE & SOULLLLLLL!!!
Brandy’s Disco Ball 2022
Video courtesy of Brandy Sanders @ https://www.youtube.com/@nuskoololdschool
BRANDY SANDERS
Photo courtesy of Brandy Sanders/Facebook
Special shout out and thanks to Desirae L. Benson, my publicist and PR EXTRORDINAIRE DesiraeBBB@gmail.com
Please follow photographer Isaiah Jamal Evans and Cali Visuals:
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Born and raised in St. Louis, MO surrounded by successful business owners within her family and a grandmother who shared her life in the entertainment world, Kalonda followed in her footsteps and began dance and music as early as five years old. She began dancing at Judy Best Talent Center and began singing opera at the Fox Theater’s Annual “Nutcracker” production from age 6 – 15 with the Gospel Music Workshop of America.
She has used her many talents and has been blessed with opportunities in various areas of entertainment. She began teaching dance throughout the St. Louis region as early as 19 years of age. In 2010, Kalonda earned a leading role in the historical Urban Hip-Hop musical held at the historical Black Repertory Theater based in St. Louis, MO. “Real Life” was directed and produced by Joel PE. King, founder of JPEK Theatre Group as her first acting experience. She not only had a leading role but was also cast as a lead dancer and vocalist. Kalonda continued to utilize her dance experience throughout the years by performing with many national and local recording artists.
She also received a record deal as a vocal artist with Universal Records at the age of 21. She’s currently an independent lead singer showcasing with various local bands performing at various public and private events throughout the area.
Kalonda recently dabbled more into her acting career. She worked as a lead actor alongside celebrity actor Carl Anthony Payne II for the “On the Set” Summer Film Camp in Nashville, TN and casted on the BET (Black Entertainment Television) Network for an upcoming series and a lead role for “Don’t Go There” on St. Louis Public Radio.
She’s a jack of all trades. Kalonda was also the Associate Director, Lighting Director, and Choreographer for the recent play “Meeting at the Elder’s Circle” under the direction of Joel P.E. King in August 2022, at the Grandel Theatre. In September 2022, she performed two lead monologues for Sankofa Live under the direction of writer Maya Maedell Singh at the Grandel Theatre. She has performed with national and local recording artists. Kalonda recently signed a management deal with Major Moves Music Group. She is co-owner of Under Grace Home Health, Adult Day Program, U.G. Commissary LLC, and New Avenue Inc.
GO BANG! Magazine: Well, hello there Kalonda Kay. You’re a quadruple artistic threat, being a singer, actress, dancer, and performer. What is it about the entertainment industry that attracted you to it?
Kalonda Kay: I truly believe that the industry pulled me in subconsciously. I was too young to know anything about the life of entertainment, however I knew good music when I heard it. I knew how the music made me feel when listening. I realized that it was therapeutic and that because I had a gift to sing, I wanted to share with the world the sensation I received when I listened.
GO BANG! Magazine: Your first talents blossomed in singing and dance. How was your talent discovered and when did you know that you wanted to pursue the entertainment industry professionally?
Kalonda Kay: I have always been very shy, but whenever I was put on any stage, I became a different person. I lost all shyness. My mother was the one who placed me in many events and competitions as early as six years old. At that time, I only knew I enjoyed performing and drowning myself in my talent. Many of my teachers and community groups would sign me up to sing and/or dance for programs and various events. They must have seen something in me that I had no idea would place me where I am today.
GO BANG! Magazine: Soon after, at age 19, you started acting and landed the lead role, lead dancer and vocalist in “Real Life,” an urban, Hip Hop musical. What was the highlight of that fantastic opportunity and what did you learn from it?
Kalonda Kay: I had never acted a day in my life! (Lol) That experience gave me more confidence in my talents and introduced me to the brand-new talent of acting. My highlight was the “baby momma dance.” I would perform in the very beginning of the show. I was interpreting the worst nightmare in my castmate’s dream. The dance was always everyone’s favorite. The entire musical was fast paced and intense, especially since I played so many parts (actor, singer, and dancer.) “Real Life” taught me how to juggle many things at one time, to be quick on my toes, and how to multi-task when it comes to my talents.
GO BANG! Magazine: At the age of 21, you were blessed with a record deal from Universal Records. Being your first commercial record deal had to be quite an exciting time. What did you like the most from that experience and what shocked you the most about the music industry?
Kalonda Kay: Being able to walk into a label and perform for label execs and they see my talent. What a blessing!!! I enjoyed meeting and working with Static Major. What shocked me was to hear him tell me how talented and how professional he thought I was. That meant everything!! He was an amazing talent for the world to witness. Especially ME! I also traveled and enjoyed meeting so many other talented individuals. It was definitely an experience that I’m grateful for.
GO BANG! Magazine: More recently, you’re strengthened your acting chops by working alongside famed “Martin” hit tv sitcom star actor Carl Anthony Payne. Please describe that experience and what it was like working alongside a famed actor.
Kalonda Kay: Wow, Wow, Wow!!! That experience was hilarious and so fulfilling. Before filming, I studied my lines to be sure I would be ready to work with such an icon. However, the day of filming on set with him, he basically freestyled. All my studying went out the window. He pushed me to fall right in order with his goofiness. I was honored. He said I did an awesome job, especially because he was so off script. I enjoyed every minute.
GO BANG! Magazine: You currently have a hit new single “Too Soon”, produced by 3x Grammy Nominated Producer Joe “Capo” Kent. “Too Soon” is bringing back the 90’s feel in a modern way. Please describe your hit single to our readers, “The Bangers”, who may not have heard it yet?
Kalonda Kay: “Too Soon” is a vibe. It’s a song you listen to when you’re doing your weekend cleaning, riding in the car, or pretty much anywhere. The song gives you that 90’s feel, but the video gives you a more visual vibe of the song. I love it and it feels good.
GO BANG! Magazine: What other new music or projects are you working on that our readers should be on the lookout for?
Kalonda Kay: I’m planning to release my next single in June 2023! It’s also synchrotronic to “Too Soon” as far as the vibe is concerned. My goal for my entire project is to create “timeless” music. Something anyone can listen to and enjoy. I’m looking forward to the release. I’m currently lining up shows and appearances to build connections which will lead to more opportunities.
GO BANG! Magazine: In addition to being a super-talented artist, you are also technically gifted, being an Associated Director, Lighting Director, and Choreographer of a recent play “Meeting at the Elders Circle.” Please describe that experience and how working behind the scenes differs from working in front of the camera.
Kalonda Kay: I enjoy the planning and operations of many genres of entertainment, as well as in family or business settings. I’m the “Hostess with the Mostess,” as the saying goes. I go over and beyond with anything that I do. I like to give good products, whether I’m on stage or behind the scenes. What’s important to me is what the audience will like and how it makes them feel. I’m always intentional when it comes to bringing a writer’s vision to life.
When you’re on stage, you can’t see everything. You miss the good stuff, as well as the things that need to be adjusted. When you’re looking from behind the scenes, you see it all. I’m such a perfectionist at times. It’s probably a good thing that I can’t see what’s happening when I’m on stage. (lol)
GO BANG! Magazine: You are also an entrepreneur, being the co-owner of Under Grace Home Health, Adult Day Program, U.G. Commissary LLC, and New Avenue Inc. Please tell our readers about your businesses and how to contact you if they are interested in your services.
Kalonda Kay: I have been working for myself since 2017 and it has been a blessing. I wish I had stepped out on faith many years ago. Yet, I also believe everything happens when it should.
My businesses all focus on helping the community. Each business has its’ specific area of expertise. Under Grace Home Health program helps individuals to receive assistance with daily needs in the comfort of their own homes. The Adult Day Program, on the other hand, gives a safe space for seniors or disabled adults to come and experience many different recreational activities with their peers. UG Commissary provides a commercial kitchen incubator for food truck operators, caterers, bakers, and business owners to create and expand their businesses. New Avenue Inc. is a Non-profit organization that is dedicated to the mental, spiritual, physical and financial enrichment of family by introducing or re-introducing strategies to create healthy sustainable lives and businesses.
GO BANG! Magazine: In conclusion, what do you want your legacy to be Kalonda Kay?
Kalonda Kay: I want the world to see the joy in my journey. How I didn’t set the bar but allowed GOD to move me as HE saw best. I want to always be remembered for my loving spirit and how I love and accept everyone for who they are. Also, how trauma, bad experiences and things that didn’t work out never poisoned my spirit. Lastly, for those who know me or see me from afar, to remember that I’m always smiling.
GO BANG! Magazine: Well Kalonda Kay, I want to thank you for granting me this interview. I also want to inform you that you have now been officially BANGED!!! GO BANG!
FOR ADDITIONAL HISTORY, PLEASE FOLLOW KALONDA KAY ON SOCIAL MEDIA:
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Born in Chicago, raised in South Bend, IN, Anthony Tswang Gullens is a graduate from John Adams High School, Ivy Tech College and attendee of IUSB College for Business. He got started doing music while living in Chicago, IL from listening to his uncles’, mother, father, and grandparents’ listening to Blues, Funk, R&B, Pop, and Gospel music. He picked up his first instrument while imitating Michael Jackson and James Brown on TV. From elementary, through high school and some college, Tswang got into music classes and vocal choir. Fast forward to 1994, he was in a group by the name of N.I.N.E and wrote his first hit for the group which aired on a local radio station (Smoking99.1FM) from his hometown in South Bend, IN. Since then, Tswang has opened for Drake, Lyfe Jennings, Jeremih, Carl Thomas, Ginuwine, The Notre Dame Football Pep Rally, Trina, Sonya D, Michael Colyar, Michel’le, Full Force, Bizzy Bone, Jagged Edge, Usher, The Whispers, Rome, and Public Announcement.
Tswang, the multi-talented producer, writer, singer, and performer, is quickly establishing himself as one of the most exciting artists in the music industry today. Drawing inspiration from some of the most iconic figures in R&B and pop music, including Babyface, Roger, Michael Jackson, and Teddy Riley. Gullens’ music is characterized by its smooth melodies, infectious rhythms, and soulful vocals.
As a producer, Gullens brings a unique vision to the table, combining his knowledge of music theory with his creativity and expertise in the studio to create rich, dynamic soundscapes that enhance the emotional impact of his songs.
Photo courtesy of Dj Rick Williams
As a writer, his lyrics are heartfelt and honest, drawing inspiration from his personal experiences and the world around him.
As a singer and performer, Gullens brings a powerful presence to the stage, commanding the attention of his audience with his electrifying performances and magnetic charisma. His ability to connect with his fans on a deep level, both through his music and his live shows, has helped him build a loyal following and establish himself as one of the most exciting artists in the industry.
Gullens’ music has been featured on various platforms, and he has collaborated with several well-known artists in the music industry.
His brand-new singles “V.I.P Status” feat Lady Resin, and his groundbreaking single “I Aint No Quit-TA” are streaming on Spotify, Pandora, Tidal, iTunes, Amazon, Deezer and Apple Music.
VIP Status video
The second song, “I Aint No Quitta” written by myself and produced by J-Stylz from the Grammy Award winning group Blackstreet, is available on all digital platforms. Tswang even submitted some material to the “New Jack Swing King” himself, Teddy Riley.
“V.I.P Status feat Lady Resin” and “I Aint No Quitta” are finely crafted studio productions, fully written by Tswang. “V.I.P. Status” features the powerful vocals of both Tswang and Lady Resin. The track is intense with its bass-filled beats. “I Ain’t No Quitta ” features a fully realized hip hop melody with Tswang’s unique take on Hip Hop.
Tswang has gained fame opening for artists and writing songs for other artists in the studios like Teddy Riley. He also worked with Thrill Tha Playa from the 69 Boyz.
Tswang is quickly becoming a headliner in the hip hop scene.
Photo courtesy of DJ Rick Williams
GO BANG! Magazine: As a child, you had a talent in music and singing. Which instruments do you play and how long have you been performing?
Tswang: Yes, from what my mom says, I was always singing and dancing. Even in my pampers, I would be beating on the walls or trying to play on the red and white piano at our church, back in Chicago.
My main instrument is the Talk box. It’s the instrument that Teddy Riley, Roger Troutman, and his brothers Zapp, were known for. I also play keyboards. I can play drums, bass, and piano a little too. I used to play the violin and flute back in the day.
GO BANG! Magazine: Who are some of the groups or artists that influenced you and why?
Tswang: I’m mostly inspired from some of the most iconic figures in R&B and Pop music, including Al B Sure, Stevie Wonder, Babyface, Roger Troutman, Michael Jackson, Teddy Riley, and Usher.
GO BANG! Magazine: If you had the opportunity to perform with anyone in the world, dead or alive, who would it be and why?
Tswang: Hands down, Michael Jackson, Al B Sure, Prince, and Teddy Riley.
Photo courtesy of Anna Marie Photography
GO BANG! Magazine: How would you describe Tswang the artist’s sound?
Tswang: I have always said I do Funk Hop, because of the wide range of musical influences. I listen to everything from Gospel, Rock, Pop, Jazz, EDM, and House music. I like Prince, Rick James, and Parliament. I also like Old School R&B like Sarah Vaughn and Billie Holiday. Then there’s Blues songs from B. B. King, Howling Wolf, and Muddy Waters.
My style is heavily influenced by Hip Hop, Bass Music, New Jack Swing, and anything by Quincy Jones or Stevie Wonder. You see what I mean? With Funk Hop I can do anything I want musically!
GO BANG! Magazine: What do you think about the current state of R&B and Hip Hop music?
Tswang: I think R&B and Hip Hop are at a level of expansion. We’ve always had changes in music over the years, from Blues, to Rock, Jazz to B Bop, R&B to Disco to Funk, to Hip Hop, to Rap, to New Jack Swing to Dirty South, to Mumble Rap, etc. History has proven that change is bound to happen. I think everything that’s happening in music right now is necessary.
GO BANG! Magazine: In addition to being a performer and a multi-instrumentalist, you are also a producer. How would you describe your production style?
Tswang: My production style varies. It depends on a lot of things, like what’s going on in my life or what I see or hear. Any producer, writer or arranger will tell you this. The way we produce is by what mood we are in or going through. Now there are a few of us who can give you an upbeat song even though we are feeling sad or a sad song when we are feeling completely happy. That’s where the said “genius” comes in. That’s where you learn to get out of the way and let the magic happen.
Teddy Bop video
GO BANG! Magazine: You’re also a dancer and you’ve created a dance and a movement called “Teddy Bop.” What inspired you to create the movement, the dance and how do you do it?
Tswang: Yes, I really do love dancing and creating new dance steps. It’s just one of my passions. The Teddy Bop dance was inspired by the one and only “King of New Jack Swing” himself, Teddy Riley.
Back in 2016, I had the pleasure of meeting Teddy Riley and J-Stylz after a “Black Street featuring Dave Hollister and Teddy Riley” show. This was in Indianapolis at the Black Expo. Any and everyone who knows me know that Teddy Riley is like one of my favorite producers.
So, I got a chance to talk with him about it. My A&R person, Oscar Shorty G Gullens, set up a meeting to happen between us. So, there was the man who had influenced my music career standing right in front of me. First, I met J-Stylz, one of the newest and younger members of the Black Street aka BS2 group. I got a chance to let him know that the show was amazing, and we talked about music and writing songs. We exchanged numbers right then and there because he was looking for some talk box on a couple of songs. Like I said earlier, the talk box is my instrument of choice.
Photo courtesy of Debi Landry Photography
After we finished talking, I could hear this group of women singing for Teddy Riley. He listened and gave some tips. Then Shorty G said, “Now listen Swang, you are going to meet him.” My heart dropped to the floor. But before I could even get myself together, there he was right in front of me saying. “What up T?” I looked at Shorty G, he looked back at me, and all I could do was smile and show him my music.
So, Teddy Riley asked me a question only true talk box players know the answer too. He said, “So tell me, did you downsize your tube?” My voice cracked and I said “Yes.” Not too many people will know the feeling of having Teddy Riley listening to your music while my friend, DJ Quicks Track and my Talk Box on top of music and be straight dancing to it. But yep, it happened to me.
But I’m not done. After we started to talk, we talked about songwriting and production and the new stuff he’s got coming out. I was asked to write some songs for the GUY Album, Black Street and his Solo Book project. So, Teddy Bop was one of the first songs I had wrote for Teddy Riley. But he wanted something slower. So, I kept it for myself. And put a dance to it, shot a video for it, and the rest is history. But that’s not all! I had started working on music with J-Stylz, who is now like my brother, and Teddy ended up calling my house, through Shorty G, and was like, “Swang. What’s up bro? Were you able to get the songs finished?” I’m like, “Yes, I have seven for you already registered with BMI and ready to go.” Right after that phone call, I got a call from both lead singers from the group TROOP (Allen and Steven) about working on some new songs, then Thrill Da Playa, from the 69 Boyz, J T Money, Uncle Luke, etc.
Photo courtesy of Anna Marie Photography
GO BANG! Magazine: Where do you see Tswang in the next five years?
Tswang: I see myself as an artist, writer, and producer mentioned amongst the top names. I see headlining with sold out shows. I see myself giving back to my community. I see myself as a top business “go to”, because I will be so wealthy from all my wonderful investments, which will enable me to bring wealth to my family. SUPERSTAR STATUS!
GO BANG! Magazine: What can our readers expect from you in the near future?
Tswang: April 2nd of this year, I will be giving a “Fan Appreciation Party” to all my superfans from the South Bend, IN community. I will be shooting a video to my new single “What I’ve Been Waiting On” feat Shorty G. With the pandemic being not as bad, I will be doing some live shows TBA and more radio interviews. I also have new music with J-Stylz coming and a lot of features coming through the label I’m signed under, Bentley Records. My latest is the “Arcane Compilation” album, which is #1 in top Hip Hop/Rap albums in Belgium’s Amazon charts Top 10. It had Bow Wow, Ayoo KD, Aridbeatz, Future, and Luca Dayz.
The next drop will be with Lil Wayne and Gucci Mane. This project, “Celebrity Compilation” is anticipated to be dropping during the upcoming couple of weeks.
GO BANG! Magazine: In conclusion, what do you want your legacy to be?
Tswang: I truly just want to make music to inspire and create some type of escapism. I want you to feel good, dance, have fun, understand, and be thankful for this thing called life. It is truly a blessing, even in all its ups and downs. We all are going through something. The key is to just keep on living.
I want to be able to create generational wealth and tell our story from our perspective so that people can see that we are not animals that live for death. Our people are intelligent and heartwarming individuals. We are soldiers, but underneath the shield, we are people.
GO BANG! Magazine: Well Tswang, I want to thank you for granting me this interview. I also want to inform you that you have now been officially BANGED!!! GO BANG!
Photo courtesy of Anna Marie Photography
Upcoming Events
Thursday, March 23 Wedding Reception • Md, MD • 7:00pm
Sunday, April 2 Tswang Fan Appreciation Party at The Majestic on the River • South Bend, IN • 6:00pm
YOU CAN FOLLOW TSWANG ON ALL SOCIAL MEDIA PLATFORMS
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Tonya Howell has been part of the dance music scene since she moved to Chicago in 1996. Back then she followed her favorite DJs from underground rave parties to the late-night clubs of the late 90s and early 2000s and found herself dancing til the sun came up at places like Rednofive, Red Dog, Smart Bar. Tonya fell in love with Deep House and can still dance all night with the right DJ and selection of songs, a booming sound system, and of course, a little room to move. She creates an energy on the dance floor that can get the party started or allow for time to heal and release. Dance has become a kind of therapy for Tonya. It brings her pure joy and happiness – whether she’s dancing all day long at West Fest, the Silver Room Block Party, or Brunchlox or getting out after a long day at work. Tonya is not short on energy to dance and has been told it is a bit contagious – which is what sparked her nickname, Tee Boogie. She brings the boogie everywhere she goes!
Tee Boogie and Abantu Price
Photo courtesy of: Victor Price
Tonya is also a mother of two, an educator, and a nonprofit leader. She is currently the Executive Director of Intonation Music, bringing the joy and power of music to young folks on the southside of Chicago. Intonation serves 3rd through 12th grade students in the Greater Bronzeville community and gives them a space to share their voice and explore their many talents through the formation of live bands and through digital music production. She’s passionate about what she does and loves to center music in both her personal and professional lives.
Tonya Howell and House music go hand-in-hand and that will likely never change. It gives her life and purpose, and she shows up again and again to give back to the house music community by spreading positive energy and love. Tonya says, “Chicago is House Music, and House Music is love.”
Manifest magic in all you do! 💫✨
GO BANG! Magazine: Where were you born and raised?
Tonya Howell: I was born in Miami, FL but was raised in my parents’ hometown of Englewood, NJ and in a small town near Dayton, OH then right outside of Philly then right outside of Detroit and then eventually landed in Oak Park, IL and Chicago. I moved a lot as a kid but found my home in Chicago!
GO BANG! Magazine: How and when did you get introduced to the House community?
Tonya Howell: After moving to Oak Park during my senior year of high school in 1996, I met some friends who invited me to a rave party. I had no idea what I was getting into, but I was eager to get out and hear some music after moving away from the Detroit Punk and Ska scene. As soon as I walked into the enormous warehouse space with hundreds of people and purple and blue and orange lights and banging bass, I immediately fell in love. From that point on, I found a rave party every single weekend and convinced my parents (who were feeling guilty about the move) to let me stay out without a curfew. The parties started at 11pm and I always danced ’til at least noon the next day – rarely leaving the dance floor, allowing the sounds and vibrations from the speakers to fuel me all night long and into the next day.
Photo courtesy of: Marc Monoghan
GO BANG! Magazine: What is it about House that attracts you to it?
Tonya Howell: I feel at home with House Music. House is a feeling that moves through my entire body and does not allow me to sit still. I dance to House when I’m happy, when I’m sad, when I’m stressed and need a release, when I need to heal. I’ve met so many amazing people on the dance floor, and we understand each other deeply through experiencing the music and the energy in a shared space and vibe.
GO BANG! Magazine: As a House dancer, how would you describe your dance style and the feeling that House music gives you?
Photo courtesy of: Yvette Magallon
Tonya Howell: My style of dance is uniquely me and flows with the various styles of House music. I can bounce, I can jack, I can move my feet or swing my hips depending on who is playing and which songs and beats they have chosen. But mostly, I am a SOLO house music dancer. I don’t need a dance partner and I prefer to move around the party spreading positive vibes without having to lead or follow anyone else. When I dance I feel free, I feel pure joy, and I feel energized. I can dance all day or all night when the bass is bumping and the song selection speaks to me.
GO BANG! Magazine: Who are some of your favorite House DJs?
Tonya Howell: My all-time favorite House Music DJs who I followed from the rave scene to the clubs to the underground parties and who still keep me on the dance floor today are Jevon Jackson and Diz. I always loved dancing to Gene Farris, Glenn Underground, Frique, Mark Farina, Derrick Carter, Gene Hunt, Paul Johnson, and the list goes on. I also find myself moving to the sounds of DJ Lady D, Duane Powell, Julius the Mad Thinker, Osunlade, and many others. I know I am leaving out some favorites because we are absolutely spoiled in Chicago with so many amazing DJs, so many dance floors, and house music events happening literally every single night of the week.
GO BANG! Magazine: In addition to be a lover of House, you are also an educator and a nonprofit leader in the community. Please describe to our readers your commitment to the youth as the Executive Director of Intonation Music.
Tonya Howell: One of the most important aspects of House Music is that it was born out of pure creativity, innovation, and breaking barriers. House explored new sounds and combined music-making tools in unique ways. House spoke to and included folks who maybe didn’t always fit into the mainstream. The underground became home to many, including myself. My work at Intonation Music allows me to support young people on the southside of Chicago to explore their unique sound, uncover their many talents, and make music in innovative ways. In order to do that, the students first learn the skill of playing instruments and forming a live band. This way they have the foundation that allows them to create and innovate in exciting ways. Our students at Intonation inspire me when they learn a new, challenging skill or when they write their own songs. We provide access to high-quality music instruction and instruments in communities that were stripped of arts programming. We know our students are incredibly talented and deserve the best when it comes to arts education. I feel honored to participate in this important work and lucky that music is at the heart of it.
Photo courtesy of: Obi Soulstar
GO BANG! Magazine: How do you tie music into your professional career, working with the students?
Tonya Howell: I started teaching in Chicago in 2001 and I have always shared my love of House with my students and fellow teachers. We would have dance breaks in the middle of the day, and I would share my favorite songs and mixes with them. This was a great way to let my students into my world and make meaningful connections through music and dance. Now as the Executive Director of a music education nonprofit, I continue to share my love for House with my organization, with the community, and with the students we serve. I have added House Music to start and end our community events and our larger fundraising events as well. The music brings people together and often gets people of all ages up and moving. My passion for youth development, engagement in my community, and my love for House Music are all at the center of my life, both personally and professionally.
GO BANG! Magazine: How has House, the music and the community, changed your life?
Tonya Howell: House gives me life and has been the one constant for me since my first party in ’96. I’ve earned 3 degrees, been married and divorced, raised 2 amazing children, seen relationships come and go, moved throughout the city, traveled across the globe, and House Music has been present and an important part of each adventure and throughout my entire journey.
GO BANG! Magazine: In conclusion, what would you like your legacy to be?
Tonya Howell: I have heard so many times, “you are that lady who is always dancing” or ” I saw you dancing at such-and-such event” or “of course, you were out dancing”! I am proud to be called a dancer and my legacy is felt by those who can vibe off of my energy and who I have energized on the dance floor. I’ve been called a fire starter, a spark plug. I’ve been told that my energy is contagious. I hope that all of that energy for dancing inspires my own children, Tzoe Skye and Zia Rey, to find their passions and to always create space for what brings them joy.
Facebook link of Tee Boogie jammin’ in the car with her two children, Tzoe Skye and Zia Rey, listening to a House mix by Jevon Jackson titled “Note to Self.”LINK: https://www.facebook.com/1250236231/posts/10222586846520447/
GO BANG! Magazine: Well Tee Boogie, I want to thank you for granting me this interview. I also want to inform you that you have now officially been BANGED!!! GO BANG!
You can follow Tonya on ALL social media platforms.
PLEASE LEAVE YOUR COMMENTS BELOW!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Khari Bowden – The Church of the Funky Soul presents – THEE DEBAUCHERY BALL
THEE MISSION: The Debauchery Ball is a celebration of sensuality, liberation, and consent from a Black cultural lens. We reserved inclusive melanated spaces because African descendants across the diaspora deserve and are worthy of having places to feel safe, protected, and free where we may fully express our beauty, creativity, and sensuality, away from the European gaze and of our own making. House music is our foundation. Freedom is our creed. Lames, creeps, and inhibitions are strictly prohibited.
THEE EVENTS:
Black Fantasy Ball
October 29th, 2022 St. Petersburg, FL
Representation, liberation, and a combination of Black fairies, cosplayers, and lifestyle communities in a beautiful collaboration with friends in Florida are behind this presentation. In sync with the DBall, a premium play space is arranged for creative expressions, kinks, and costuming complete with the most heart-racing soundtrack to keep the People moving all the night through.
Thee Debauchery Ball
December 9th, 2022 Chicago, IL
The Afrofuturistic Black BDSM-themed flagship of the series. 18 years running, the DBall is the defining celebration borne out of the sensual and electric nature of Chicago’s House music culture. Today it is an audience revered, protected space for POCs to marvel and be marveled at as living works of art and experience an uninhibited abandon they may not have known they needed. It’s a sensory engaging feast designed 2 fill its attendees up with joy and a greater sense of self simply by being their most beautiful selves.
winter babies revenge
Summer 2023 Chicago, IL
Once upon a time some of the liveliest people in the Western zodiac born under particular signs were forced to celebrate their entrance into this world in the wintertime, specifically in the Midwest. Such an egregious error and insulting assault has been corrected with WBR, a summer Debauchery celebration.
PAINTED, DARK & DIVINE is a living exhibition of AfroEroticism, dance, and Black divinity. Think Met Ball but WAY nakeder, sweatier and more Afrocentric!
The Rebirth Reverie
Spring 2023 New Orleans, LA
Can you feel a brand new day? Honoring the hemisphere’s actual new year/Spring equinox, the doors of the “Church” open to costume, dance, and sweat into the wee hours of the night in one of the most celebratory cities in the country, New Orleans! The wonderful world of Oz (in the spirit of “the Wiz”) is the theme. Attendees wear elaborate costumes of red, gold, or green; to be seen.
THEE DOCUMENTARY:
What is Thee Debauchery Ball?
THE DEBAUCHERY BALL LIVING EXHIBITION IS, on its face, a tasteful, erotically-themed festival series where music, art, and live performance are synthesized into a memorable, highly-charged, sensual, sensory-engaging experience. Its foundation, however, is an odyssey into the world of sexual boundaries and allowance; into the protocol, custom, and social mores; into evolving attitudes and individual empowerment. It is a celebration of brown bodies freed from societal norms and conventional sexual expression. It’s a study of the relationship between collective freedom and individual comfort, all from a Black cultural lens. It’s a party but… THE DEBAUCHERY BALL IS SO MUCH MORE THAN JUST A PARTY.
Y’all did a documentary about the ball?
Yes! We did! The story of Chicago’s Afro-futuristic, BDSM/kink/fetish-themed House music party and how it has reshaped the Black social scene and challenged the narratives of Black sexuality. Thee Debauchery Ball, tells the story of a single house music event that was intended to pay reverence to the original intention of House Music culture of Chicago. Born in 2005, it has grown to become the only fetish-themed, BDSM-friendly, body-positive, House party in the city. It has helped to redefine Black music, community, art, and sexuality, all topics that are often maligned in the Black community. The documentary tells the personal story of the founder, the DJs, and the participants who look upon this event and the culture within as a bastion of freedom and an escape from preconceived notions.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
Pictured above: Andre Pierre “The Dancin’ Machine” aka Pierre Andre Evans
