Photo Credit:  Victor Price

 

Growing up in Chicago in the South Shore area, Tony Evans (DJ Tony Madd) fell in love with music. His creativity was sparked, being able to walk out of his back door and hear live bands playing nearby. In the 70’s and 80’s Tony was fortunate to grow up with friends who were attracted to music and the Chicago music scene.

Tony would hang out in the neighborhood record store, and was able to listen to good music and hone his ear for great mixes. He carried crates, moved speakers, dug in crates, promoted and partied with different friends, crews and DJs that created HOUSE MUSIC!

Tony Madd later joined the ARMY and relocated to Germany. While overseas, he had the luxury of spinning in military clubs, as well as securing resident DJ spots in Europe. After 15 years overseas, Tony returned to the United States with a MADD original style and the sound of Chicago mixing!


You can hear the passion and love in his mixes!

GO BANG! Magazine: Can you please explain the origins of your DJ names Tony “SunDance” and Tony “Madd?”

Great question!

DJ Tony Madd: DJ Tony SunDance originated with my introduction to House music in my neighborhood, 68th and South Shore Dr.. My buddies and I would hang out at a record store on 71st Street. In the back, aspiring DJs would be mixing music. Vincent Spark ran/owned the shop and he had a group called ISE (Infinity, Space, & Eclipse). Infinity was girl dancers, Space boy dancers, and Eclipse the DJs. I would later join the dancers so I could hang out, get in the parties for free and learn how to DJ. My favorite thing is the SUN, and I always danced, so Tony Sun-Dance.

DJ Tony Madd began in Germany. I was in the Army. One month after I arrived, I landed a DJ job at the local club, off post. I use to run a talent show called the “Apollo Show” on Sunday nights. I met a civilian brother, Derek Clark, who entered a show and he could really sing. We joined together and won about 20 something shows singing R&B hits. They made him the MC because they couldn’t pay us anymore, after 500 DM. On our last show together we had tough competition. It was a young brother, named Mike “Booze” aka Polo, who was in Germany with his family. We won the last competition and we thought he should have won!

The name M.A.D. originated from Michael, Anthony and Derek. We formed a rap group called The MAD FAM and I was the Producer/DJ, Tony Madd. The name later changed to mean Making A Difference Daily.

GO BANG! Magazine: How did growing up hearing live bands playing spark an interest in you to want to become a DJ?

DJ Tony Madd: Hearing live bands sparked my interest in music, which has become a life-driving force. Spending summers in Morgan Park, you could come out of your back door and hear bands practicing Earth Wind & Fire and Con Funk Shun live. That gave me an ear for great music. I always followed good music, which led me to hangin’ at the record shop on 71st Street. I heard some great DJs practice there. That led me to dance and hang out at parties. We passed out flyers, hung posters, carried equipment and crates for Darryl Willams, Butch Mcaffee, Mario Short, David Allen, Chip Mitchell and Steve Poindexter! (Name Drops, Name Drops)

GO BANG! Magazine: Growing up in the South Shore area of Chicago is something that we have in common. Being a DJ too, I spent lots of my time in record shops going thru the new music. Scorpio Records on 71st and Crandon was one record shop, and then later another record shop emerged, Track One Records on 71st & Jeffrey, owned by the late Dedry Jones. What record shops did you hang out in as a youth and what knowledge did you gain from those experiences?

DJ Tony Madd: Those record shops on 71st Street were the ones I went to also. I bought my first 45 there on Crandon. After making some money from my first job at age 13, I walked up there and bought “Me and Ms. Jones.” Everybody in my hood use to go there.

I learned to read the album covers and how to take care of my collection. After joining ISE, I learned how to take care of my collection and count BPM’s (beats per minute). I learned what genres were. I also learned how to pick good sounding music. Lastly, I learned what intro, hooks, verses, bars counting, back ground singers and harmonies were!

GO BANG! Magazine: Before you actually became a DJ, you were more like an apprentice/roadie for several other DJs. Who were some of those DJs and what did you learn during those years of training?

DJ Tony Madd: Darryl Willams, Butch Mcaffee, Mario Short, David Allen, Chip Mitchell and Steve Poindexter. They all started before me. I had to pay my dues before I could touch some turntables. I never got to play in the shop. Maurice Macklin, First Lady (Krissy Hutchinson) and Pharris Thomas came up after me and split to different groups.

I learned patience, timing, how to pick the next song and when to mix the next song. I learned that DJ’in is a competition. You gotta have the hot music and know when to play it at a party. I learned how to rock a crowd. I learned about hooking up DJ equipment and how the music should sound in different rooms, like Sauer’s vs. Mendel. I learned how to white out my 12” (records) from Import Etc. (record shop) so no DJ’s looking over my shoulder would know who made it, and much more!
GO BANG! Magazine: When did you get your first chance at DJ’ing for a crowd and how did that opportunity happen?
DJ Tony Madd: Oh Snap!

My first time DJ’in solo and rocking the house was a night when my crew; Chip, Steve, David, and Mario Short, all had parties at different spots: South Shore Prom, Aquinas H.S., some other place, and a house party.

By then I had started my own crate, which had a little to nothing in it. We wanted all that money, so I was solo dolo and I only had scraps of the main crates, which went to the bigger parties. I was dropped off early and used the last basic system we had for a birthday party. Well after the other parties were over, equipment packed up and everything, I was the last one to be picked up.

When they came into the party, the walls were sweating and kids were jackin’! When my crew brought in the crates, they let me know I did my thang and let me play them hits for the rest of the night!

GO BANG! Magazine: Sometime later, you joined the ARMY (thank you for your service) and relocated to Germany. While there for 15 years, you perfected your DJ’ing by spinning in military clubs and DJ residences in Europe. Please describe that time of your life and how that had an influence on you, as a person and as a DJ.

DJ Tony Madd: I joined the Army in 1985. I took my mismatched turntables with me. To my surprise, no one in North Carolina liked House music. So, I would bang out R&B and Jazz in the barracks and unit functions. In 1988-89, I went to Germany. It was the best time in my life! I got my first residency, after being there a month. I mixed R&B, Hip-Hop and any House I could squeeze in, ‘cause there were people from all over the world, some from Chicago! I played in Germany until I returned home in 2005.

I have DJ’d all over Germany, on-post, off-post civilian and military crowds. I’ve played at Club Jimmy’z for the Prince of Monte Carlo and for thousands at an open air venue in Austria. I’ve opened up for Aaliyah, DJ Kool, Keith Sweat, 69 Boyz, and Luniz, amongst other! We actually were on tour with the Luniz, while in Germany, when “I Got Five On It” was hot. We were “The Madd Famm!”

GO BANG! Magazine: After 15 years in the military overseas, you returned to the US. What year was this, how would you describe the DJ Tony Madd sound, and what did you do to get your name out into the House music scene?

DJ Tony Madd: I returned to the States in 2005, way after House music did its thing, always wishing I had stayed on the scene and at the same time not caring because I did things I’ve always wanted to do, mix and travel. I was home and a childhood friend that had always loved House music, Ken White (DJ Big Ken), had heard one of my mix tapes that he jacked from his cousin British Ford back in the day. We connected because he was on the scene mixing in Chicago. We vibed and decided to make a crew to DJ, promote, and what we called “saving” house music.

He had an idea to call a crew Scandalous Gentz Entertainment. I joined in and said let’s call it Scandalous Gentz International. One of our old school friends stated we could never do it, so we did. I designed the first “I Love House Music” T-Shirt and began to promote. We got 15 years and counting,

SGI IS THE SQUAD!

GO BANG! Magazine: Are there any DJs that motivate or inspire you, past and present?

DJ Tony Madd: So many DJs inspired me, and still do…(name drop time) RIH Frankie Knuckles, Darryl Williams and Butch Mcaffee. Then there’s Andre Hatchet, Lori Branch, Celeste Alexander, Craig Loftis, Farley Keith and Jesse Saunders were my influences before I left Chicago.

I’m still inspired! Nowadays, it’s Big Ken, Reverb Kirb, DJ Vernell Byrd, Timothy Tripplet, DJ Brett, Fiddy Millz, DJ Peace RTG, DJ Alicia, Mike Dunn, Terry Hunter, DJ Kemit and Black Coffee, to name a few!

GO BANG! Magazine: In addition to being a DJ, in 2005 you started working with SGI Entertainment. Please describe to our readers what SGI Entertainment is and what it does.

DJ Tony Madd: SGI was created to promote parties, mix good music, throw live parties / events, and to keep the House Nation informed of the community. Also, as I said before, SGI is the Squad! It’s a DJ crew. But, it was mainly created to keep House music alive, so that the world understands we started this in Chicago! There are many stories in House music. How it started? House was banging in many different neighborhoods at the same time!

GO BANG! Magazine: You, your wife Yvette, and I affectionately call ourselves cousins, because we share the Evans last name, although we’re not related. Since meeting the both of you years ago, there have been nothing but good times and good vibes between us. You all supported my book, “Inside The Minds Of Entertainers” and I supported your Madd House Group T-shirt line. As one of my favorite married couples of the House community, how did you two meet and how has House enhanced your relationship?

DJ Tony Madd: Alright cuzzin’, Grumpy and I met when I was 18 and she was 16. My best friend came to my house and said there were some fine girls where he was going and I should come. I was skeptical, but went! Little did I know that it was a cotillion and he had his date already. When I got there, I was paired up with a partner on the first day. I did not know that Grumpy had a plan. She told her brother, who was her escort, that he was going to take my partner and she would be mine, and it happened! We were boyfriend/girlfriend after that and I was in love. But me being older, on the scene and moving and grooving, we grew apart and I joined the Army.

When I returned to Chicago, I returned to the House scene. I always would go to the Hatchets’ picnic aka Chosen Few Picnic (CFP). The same friend that took me to the cotillion told me he saw Grumpy at the picnic after the picnic was over.

During one CFP, I think it was 2011, I ran into her with her friends and we hugged and those feelings came back to me, but I was with someone and left the city. After a conversation, and some added correspondence, I was compelled to return to her! Madd & Grumpy! She and I are hugh fans of House and she has acquired a good ear for music. She is my greatest supporter!

House music is our life!

GO BANG! Magazine: Being a Black man in America today is dangerous on a daily basis. We have ALL experienced it in different ways. How have you been affected by systematic racism and have you witnessed White privilege? If so, please describe the instance for our readers.

DJ Tony Madd: As a Black man in Chi-Town, I grew up in an era when I could ride my 10-speed bike from the north side to the south and back, at night, without any issues.

My neighborhoods were special. My family wasn’t rich, but being middle class at that time, I never went without. As a single child I was always moving and have friends from different walks of life, some rich, some not, some preppy, some thug, pimps, playas, and hustlers! I learned from all and have walked with them all. I hung out with groups that might not ever interact, except by knowing me.

Returning from Germany gave me a larger perspective on life and I realized what being a Black man was really about. I realized how we are viewed and treated and how I want to be treated as a man, a Black man! I’ve never been more FREE and respected like I was in Germany, but not just Germany. I have traveled to more countries than states in this country, before I was 18. I learned that the Constitution was not made for us, even though we made everything in this great country. I learned that everything that we made is stolen and all advancements we make are destroyed. I learned that we are systematically being destroyed and that we own nothing in this country.

GO BANG! Magazine: The Covid-19 pandemic has dampened and ruined the entire year of 2020 thus far, for many people. They are dealing with it in various ways. Some are doing just fine, while others are depressed because of loneliness or death to loved ones, due to the virus. How has the pandemic affected you?

DJ Tony Madd: I worked at a Mental Health hospital for seven years and I’ve watched as Covid-19 gets worse, depression and racism get worse. I’ve watched White people treat co-workers that are there to help them, so degrading. I’ve watched Administration not care if you are spit on or called nigger! It’s business as usual. What can you do, because you need that job.

As a first responder, large facilities will not pay these workers decent benefits or proper pay for being on the frontlines of mental illness! Still waiting to get my just due!

GO BANG! Magazine: How would you describe the House community, as far as how it is dealing during these times of the pandemic?

DJ Tony Madd: I’ve witnessed some DJs squad up and use other platforms to keep their name out in the public. I’ve seen some DJ’s fold. I’ve been lucky enough to have different platforms to get my mixes to the public. Like most DJs, ego is involved and I just wanna be heard and acknowledged!

GO BANG! Magazine: In conclusion, although you’ve had the opportunity to spin at several well-known venues/events and with numerous DJ’s, please describe one or more venues that you would like to spin at, as well as any DJ or DJ’s that you would love to spin with, if any, that you haven’t thus far in your career.

DJ Tony Madd: Man…I’d like to play at the Boiler Room, The Cocoon Club (Ibiza), Back @ The Airport (GE), Barcelona, and at any House music spot where people dance versus taking selfies. I’d like to play with Terry Hunter, Black Coffee, Mike Dunn, Louie Vega, DJ Spen, Dennis Ferrer, and Martin Solveig. JOE CLAUSSELL is a Beast…!

But, I will play wit anyone who understands “Blends Matter!”

You are welcome!

Follow DJ Tony Madd on:
Soundcloud: https://soundcloud.com/tony-madd
Mixcloud: https://www.mixcloud.com/djtonymadd/
Facebook: https://www.facebook.com/djtonymadd

 



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

For Immediate Release
October 28, 2020

The Chicago Cook Workforce Partnership and Cook County Assist Residents and Businesses Impacted by COVID-19 Pandemic

$4 million in CARES Act funding supports Cook County COVID-19 Recovery Job Training and Placement Program

(Chicago) – The Chicago Cook Workforce Partnership (The Partnership) today announced it is receiving $4 million from Cook County in Coronavirus Aid, Relief, and Economic Security (CARES) Act funding. The support comes as part of the Cook County COVID-19 Recovery Job Training and Placement Program (the Program), to provide training, placement, and lay-off aversion for suburban Cook County jobseekers and employers impacted by COVID-19.

The funding will support training, placement, and career coaching programs for job seekers and provide additional resources for employers and training providers serving or located in suburban Cook County. 

“The COVID-19 pandemic and its economic consequences have been felt across all of Cook County,” said President Preckwinkle. “But this is especially true in communities that were under-resourced before the pandemic began – our Black and Brown communities. Cook County is proud to be able to offer this funding using an equity-based framework so that the residents who need help the most are provided with the skills and opportunities needed to weather the storm and reclaim financial stability.”

The Partnership operates the public workforce system in Chicago and suburban Cook County and administers federal job training and placement initiatives for those seeking employment and those seeking to hire. The  system’s network consists of American Job Centers, industry sector-focused workforce centers, and more than 70 community-based organizations. All the network’s sites are currently providing services virtually, with some also holding in-person meetings by appointment.   

“This program increases our capacity to serve the men and women of suburban Cook County and move individuals and businesses toward economic recovery,” said The Partnership CEO Karin M. Norington-Reaves. “We are seeing increases in attendees at virtual job fairs and on-line training, as the need for workforce development services continues to grow. This funding allows us to expand our efforts to help job seekers find and retain meaningful work, and help businesses keep their workforce employed,”

The Chicago Cook Workforce Partnership will use Cook County COVID-19 Recovery Job Training and Placement funds to build capacity with these agencies:
  
• North Suburban Cook County American Job Center (Arlington Heights, IL)
• West Suburban Cook County American Job Center (Maywood, IL)
• Southwest Suburban Cook County American Job Center (North Riverside, IL)
• South Suburban Cook County American Job Center at Prairie State College (Chicago Heights, IL)
• South Suburban Cook County American Job Center (Harvey, IL)
• Manufacturing Renaissance (Chicago, IL, serving suburban Cook County)
• Proviso Leyden Council for Community Action (Maywood, IL)

Businesses seeking assistance in hiring new staff or averting potential layoffs can visit The Partnership’s website at ChiCookWorks.org. For more information about the Cook County COVID-19 Recovery Job Training and Placement Program, please visit http://ChiCookWorks.org/CountyCARES  or call 1-800-720-2515 to be directed to a listing of the American Job Centers in suburban Cook County.  



ABOUT THE PARTNERSHIP
The Chicago Cook Workforce Partnership (The Partnership) is a non-profit umbrella organization operating the public workforce system for the City of Chicago and Cook County. The Partnership combines federal and philanthropic resources to provide comprehensive workforce development services to employers and job seekers. As the largest workforce development system in the nation, The Partnership has helped place more than 70,000 individuals in employment, collaborated with more than 2,000 employers, and administered more than $400 million in federal and philanthropic funds. The Partnership’s network of 50+ community-based organizations, 10 American Job Centers, and four sector-driven workforce centers serves more than 140,000 people annually.

Learn more at http://www.chicookworks.org 


Photo Credit: Brandon Appleton/Refined You Studio

 

It is a proven fact that only two percent of people truly pursue their dreams, while 98% spend most of their lives lamenting lost opportunities. Chicago’s Lorenzo Owens is not one of those unfortunates. As a finalist on Oprah Winfrey’s “Pop Star Challenge” back in 2004, he finished with the second-highest vote total at slightly over 11 Million votes.

The production prowess of Grammy winning producer Michael J. Powell (Anita Baker, Tyrese, Aretha Franklin), led to his debut album “After The Show”, being well-received by audiences and critics alike. His breezy, soulful debut single “Wanna See You Smile” captured music fans everywhere. Lorenzo’s magnificent voice, a brash register that brings to mind the late, great David Ruffin, stunning sensuality and a dazzling smile, all continue to produce an amazing stage presence and powerful live show. He also holds the distinction of being one of the few artists to make Ms. Oprah Winfrey shed a tear.

It wasn’t until he had begun attending college that he realized singing was his life’s calling. Says Owens, “Singing was something I’d always done, but I never paid much attention to it. It was something that just came naturally.”
One of his most recent offerings “Walk Away From Love” is a stirring dance-tinged remake of the David Ruffin classic, that has set dance floors ablaze everywhere. Lorenzo’s current single “When The World Says No” is a soulful yet inspirational Top 40 hit impacting charts all around the world.
Lorenzo is presently working on a new album expected in spring of 2021.

GO BANG! Magazine: Where did you grow up and spend your childhood and how interested were you in singing as a kid?

Lorenzo Owens: I grew up in Milwaukee WI. I have enjoyed singing since I was a tiny tot. I am told I sang full songs at three years old. Much like my 3 year old nephew is doing now. It makes me totally smile.

GO BANG! Magazine: Please describe to our readers the moment when you knew that you wanted to professionally pursue a career in the Entertainment industry.

Lorenzo Owens: I got the bug early on. It was literally the first time I heard the roar of the crowd after singing. I knew that’s where I wanted to be, but it took time for me to realize that I could actually make that a reality. Coming from the Midwest, it was fairly unimaginable to me.

GO BANG! Magazine: David Ruffin has been an inspiration to you. What is it about David Ruffin’s voice and singing style that captured you and how has that influenced you musically?

Lorenzo Owens: It was the grit, the girth of David’s voice coupled with the extreme highs he could reach. It was very similar to my own (not that I would dare compare myself to him) but hearing him struck a chord in me. I noticed the similarities and I thought his voice was wonderful. I never quite felt that way about my own (lol) tho I do appreciate it and feel blessed to possess such a gift.

GO BANG! Magazine: How would you describe the Lorenzo Owens sound?

Lorenzo Owens: My sound is very me. That’s the best I got for ya. (lol) My sound is rooted in soul. It is literally an expression of me, how I feel, what I think and all that has influenced me.

GO BANG! Magazine: Are you primarily a vocalist or can you/do you write lyrics, compose music, play an instrument or produce tracks as well?

Lorenzo Owens: I would say that I am primarily a vocalist, but yes I do write as well and have written for all of my past projects. I will be doing the same for the forthcoming.

GO BANG! Magazine: As a finalist on Oprah Winfrey’s “Pop Star Challenge” you shared your talent with the world, as well as had the opportunity to network in a major way. How would you describe that unique time in your life, how did it affect your career, and what advice did Oprah or any of the judging panel give you that you took to heart?


Lorenzo Owens: That was a magical time in my life/career. It was not the silver bullet that some would think, but it definitely open many doors and instantly took me to much higher heights than I had ever been before.

As far as advice…well, it was more encouragement for me to keep going and reinforcement that I could do this.

GO BANG! Magazine: Please name any producers, songwriters or other artists that you would LOVE to work with, that you haven’t thus far, and why?

Lorenzo Owens: I would love to work with Babyface, Ryan Leslie, Brian Micheal Cox, I could go on.

Artist wise…Ledisi would be amazing. Again I could go on forever.

GO BANG! Magazine: The Covid-19 pandemic has dampened and ruined the entire year of 2020 thus far, for many people. They are dealing with it in various ways. Some are doing just fine, while others are depressed because of loneliness or death to loved ones, due to the virus. How has the pandemic affected you?

Lorenzo Owens:  We have never experienced anything like this before.  It’s been scary, sad, depressing and more.  But, as with all things in life, you will either stay the course or give up.  Giving up is not an option for me.  As the song goes, “I believe I’ll run on to see what the end will be.”

GO BANG! Magazine: Being a Black man in America today is dangerous on a daily basis. We have ALL experienced it in different ways. How have you been affected by systematic racism and have you witnessed White privilege? If so, please describe the instance for our readers.

Lorenzo Owens: Let me count the ways/days. Systematic racism and white privilege is literally almost a daily thing for most of us living Black in the United States. If you live in America, you witness it often, unless you decide to wear blinders. It just is.

GO BANG! Magazine: What current and upcoming projects are you working on that our readers should be on the lookout for?

Lorenzo Owens: I have a current single out called “When The World Says No” a collaboration with James Day. It’s available right now on all digital platforms. I am also working on a new protect slated for spring-ish 2021.

Watch “When The World Says No” VIDEO: https://www.youtube.com/watch?v=CIt1oOW6iFU


FOLLOW LORENZO OWENS ON ALL SOCIAL MEDIA PLATFORMS @Lorenzo Owens

IG: https://instagram.com/lorenzo_owens?igshid=1czhyj7x8olr5

FB: https://www.facebook.com/lorenzo.owens.58

DOWNLOAD HIS NEW SINGLE “WHEN THE WORLD SAYS NO” AVAILABLE ON ALL DIGITAL FORMATS




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

James C. Birdsong, Jr. is an aspiring gospel vocalist, songwriter, motivational speaker, entrepreneur, advocate for our children and author of The Best is Yet to Come: A Testimony of One Young Man’s Redemption, an inspirational memoir published nationally and to this date, received positive reviews and appearances on multiple television, radio and print media platforms nationwide and globally.

A native of Richmond, CA, his efforts have caught the attention and respect of politicians, community, media and entertainment leaders and luminaries. A member of the famed Birdsong family, his lineage includes R&B legend Cindy Birdsong, a former member of Patti LaBelle and the Bluebells and the Supremes, former four-time NBA All-Star pro basketball player Otis Birdsong and the late Edwin Birdsong, a GRAMMY®-Award winner and legendary 1970s era funk keyboardist, who’s music has been sampled by Kanye West, Snoop Dogg and Dalf Punk.

Mr. Birdsong was the great-nephew of the late Rev. Sidney Birdsong, Sr., a respected icon who served as the pastor of the historical Solid Rock Baptist Church in Los Angeles from 1959 to his death in 1976. A graduate of Fairfield High School in Fairfield, CA, Mr. Birdsong earned his Bachelor of Arts in Biblical Education at Beulah Heights University in Atlanta, GA. He is currently pursuing a Graduate certificate in Marketing at the University of Phoenix in Phoenix, AZ.

The recipient of the Albert Nelson Marquis Lifetime Achievement and Marquis Who’s Who Top Artist Award, a listee in Who’s Who in America and Who’s Who in the World, the Outstanding Georgia Citizen Award, the Congressional Record, the Black Essence Award in Gospel Music, numerous citations, honors, nominations, proclamations and resolutions and an inductee on the Wall of Tolerance at the Civil Rights Memorial Center in Montgomery, AL.

His memberships of major music organizations include the Gospel Music Workshop of America Atlanta Chapter (GMWA), the Stellar Awards Gospel Music Academy (SAGMA) and the Gospel Music Association (GMA Dove Awards). He is working on his next book for youth as a discussion of various topics they face today from dating and relationships to the hip-hop culture and advice on how to enroll in college. The book is scheduled for publication in 2021.

GO BANG! Magazine: When and how did you know that you wanted to professionally pursue a life in the church?

James C. Birdsong, Jr.: First and foremost, I want to thank the GO BANG! Magazine family for giving me this opportunity to speak with your audience and the many readers throughout the WORLD.

I was born and raised in Richmond, California. I lived at the corner of Maine Avenue and Harbour Way South in the inner-city southside. My father, the late Rev. James C. Birdsong, Sr., who died in 1997 at 58 years old, was a respected and well-known minister and community activist in Richmond. He was a gifted and talented singer in his own right. However, my father had the opportunity to record, but he never pursued it. My mother, Belinda Germany-Birdsong resides here in Atlanta, Georgia.

I am a member of the world-renowned famed Birdsong family that consists of R&B legend Cindy Birdsong, a former member of the 1960s iconic R&B female groups Patti LaBelle and the Bluebells, and the Supremes; retired NBA four-time all-star pro basketball player Otis Birdsong; and Grammy Award winner, the late Edwin Birdsong, who became famous in the 1970s funk era and sampled by today’s multi-platinum artists such as Snoop Dogg, Kanye West and others. My great-uncle, the late Rev. Sidney Birdsong, Sr. was the pastor of the historic Solid Rock Baptist Church in Los Angeles, California.

I always tell people that God, my family, and my upbringing became the foundation of what I am doing today in my career in the gospel music industry and being a public figure on the national platform. I received my calling and beginnings at a very young age.

GO BANG! Magazine: Nowadays many people are turned off by “religion” and the church, with all of the politics involved and the judgement that sometimes happens between the parishioners, and prefer to say that they are “spiritual” and not “religious”, meaning they don’t attend church. What do you think about that?

James C. Birdsong, Jr.: This is a question that has and still continues to raise awareness related to the church. My family roots are Baptist, dating back to my great-grandparents, the late Ed and Ida Birdsong of Greenwood, Louisiana. I come from a long line of preachers in the Birdsong family.

For me, I was raised in the Church of God in Christ and Apostolic denominations during the 1980s and 1990s. I have seen and observed a lot in my childhood and adolescence. I grew up around pastors, first ladies, ministers, evangelists, missionaries, deacons, choir members, musicians, Sunday school teachers and the mothers of the church. There are politics in the church, especially when it comes to the leadership role.

You asked me about people being spiritual and not religious. We are living in a time now that people are not attending church, especially our younger generation. They truly love God. At the same time, people are already wounded from hurts. Instead of them leaving the church delivered and set free, they are going home more hurt, more wounds, and more of their self-esteem being torn down.

There are some people in the leadership role, not all, in the church that are very judgmental and have that “holier than thou” mentality. I can go on and on with this response. This is another reason why the current state of the church is this way. We still have true men and women of God that live and stand on His Word and have a heart for the people. It is sad that certain individuals classified in a group of church leadership are doing wrongful deeds, and make it look bad for the good pastors, leaders, and congregants. The scripture tells us in Matthew 5:16 (KJV), “Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven.” In other words, our assignment is to be an effective and positive example to others by demonstrating God’s love towards one another. We are not doing enough of that today.

GO BANG! Magazine: In addition to being a religious leader, you are also a motivational speaker. What topics have you spoken about and why do you feel that you are an effective motivational speaker?

James C. Birdsong, Jr.: I have been doing public speaking since I was 12-years old. I have told this story many times before. I was attending Nystrom Elementary School across the street from my house in Richmond, California. The school still exists today. I was in the sixth grade and preparing to graduate. The day before the graduation, my sixth-grade teacher named Donna Grove, a white woman, accompanied me to the auditorium. She and her husband had supported me through the years. I had to rehearse my speech. When I walked on stage, I was feeling very nervous. I said, “Mrs. Grove, I can’t do this.” She looked straight at me and said, “James, you can do this.” Her words gave me confidence. The next morning, I gave my speech and resulted in a stand ovation.

In 2002, God blessed me to return at Nystrom Elementary School to deliver the graduation commencement address. The school honored me in 2003 as the first former student in history to receive their most prestigious award. I usually share my story of being an overcomer to the young people and give them encouragement on how to succeed. I also encourage the parents and adults to love our children and never discouraged them. Prior to speaking at my sixth-grade graduation, my mother told me it was already there.

GO BANG! Magazine: Please explain to our readers what child advocacy is and describe what work you are doing in this area.

James C. Birdsong, Jr.: Child Advocacy is promoting and supporting their needs through mentorship. I am a strong supporter of our youth. God has allowed me to do this in my profession and throughout the community.

GO BANG! Magazine: As an entrepreneur, you recently established Birdsong Association of Broadcasting & Arts, Inc., which trains and guides youth who are interested in performing arts and broadcasting. What motivated you to establish this organization, and why initially in Atlanta, then in Los Angeles, and soon in New York City?

James C. Birdsong, Jr.: I am very glad you asked me this question. Birdsong Association of Broadcasting & Arts, Inc. is a new 501©3 non-profit organization to help our Black youth in Atlanta, Los Angeles, New York City and throughout the United States, to pursue their dreams and careers in performing arts and broadcasting with various programs and initiatives, partnerships with public school districts, 39 HBCUs, productions, workshops, fundraising activities, scholarships, mentorships, an annual gospel concert and pre-concert VIP awards gala as our benefit and much more.

God gave me this vision in 2018 to move forward in my goal of mentoring today’s youth. I am a strong supporter of our children and have been recognized by elected officials and organizations in this effort. Coming from a family that has been blessed with rich, strong legacy in the entertainment industry, I wanted to do my part to give back. The Birdsong family are strong believers in community service and philanthropic efforts.

Since I reside in Atlanta, our main operations of the organization are located here. We will then move forward with the launch of our second operations in Los Angeles and by faith, a third operation will be established in New York City.

Many of my friends and colleagues in the Gospel music industry and the Entertainment arena at large along with media broadcasters, my supporters and the public at large are very pleased about this organization. They all agree about this effort is needed in the Black community for our children from 5 to 18 years of age. One of our main targets will be our inner-city youth. My publicist is working on an extensive media and marketing campaign for this organization locally and nationally.

GO BANG! Magazine: After all of the previously mentioned accomplishments, you are also an aspiring gospel songwriter and vocalist. I suspect that you are spreading “the word” through song. What is your mission or goal as a Gospel performer?

James C. Birdsong, Jr.: I grew up singing as a child by listening to my father’s old school records of Rev. James Cleveland and other iconic Gospel artists of the Golden Era. We had a popular gospel radio station, KDIA 1310 AM, in the San Francisco Bay area. I remember this radio station playing the popular hits by Shirley Caesar, Rev. Timothy Wright, Vanessa Bell Armstrong, the Winans and especially my fellow Bay Area natives, the Hawkins Family. They are from Oakland, California. I would make up songs, and later, I would sing in the choir at 10 years old.

By the time I was 16 years old, I begin my journey of studying the business side of the Gospel music industry while obtaining vocal coaching. God has blessed me to be connected in the Gospel music industry throughout the United States. My goal is to proclaim a message of hope while mentoring our younger generation as a vocalist, songwriter and industry professional.

GO BANG! Magazine: You have authored two books thus far, “One Marriage, Many Tales, And a Separation: A Message of Hope” and “The Best is Yet to Come: A Testimony of One Young Man’s Redemption.” In 2021, you plan to publish a third book, which is a discussion geared toward the youth and the various topics they face, such as dating, relationships, hip hop culture and college enrollment. I commend you and look forward to its’ publishing. What do you think about the current youth of today, in relation to their participation and responsibility in the civil-unrest movement going on today?

James C. Birdsong, Jr.: I am very concern about today’s youth. I am from the Millennial generation. Right now, I am going to focus on Generation Z, which are the children born between the late 1990s to now. A lot has changed in the course of 25 to 30 years. I am comparing my upbringing to the generation today. I was blessed with both parents in the home. When I see the current state of today’s youth, we have a lot of work to do. Many of them are from single parent homes, the fathers are not present, living in an environment where drugs, gangs and violence are around, and the list goes on. Many of these young people feel there is no hope for them, nobody is listening to them, nobody is giving them the chance to showcase their God given talents, and certain people they look up to as mentors and role models have failed them. I want to encourage our youth of today. God has chosen, created, and given you a purpose in life. You are going to succeed regardless of what is going on in society. Never allow any obstacles hold you back from your goals. Stay out of trouble. You are special in God’s eyesight. People are going to criticize and have their voice of opinion. Do not allow that to define you or your character. You are loved and respected.

GO BANG! Magazine: Being a Black man in America today is dangerous on a daily basis. We have ALL experienced it in different ways. How have you been affected by systematic racism and have you witnessed White privilege? If so, please describe the instance for our readers.

James C. Birdsong, Jr.: Growing up in Richmond, California in an all-Black neighborhood, I learned early in life who I was as a Black man in America through observations. I grew up surrounding by diversity, since I am from the San Francisco Bay Area. I had been blessed to attend schools in both the Black and White communities and had friends and acquaintances in different nationalities and cultures. I had Black and White teachers and they all pushed and encouraged me to strive for greatness.

I have experienced racism myself, but not on the systematic level. I remember during the 1990s, the Black community was being affected from being followed in the stores and shopping malls, as if they were going to commit a crime such as stealing. This particular situation made national headlines and caused anger throughout the Black community.

I had experienced this firsthand when I was 16 years old. My mother came to pick me up from school. I was in my sophomore year at Fairfield High School in Fairfield, California. My parents were already divorced. This happened a year before my father’s sudden death. Before we went home to our apartment, my mother needed to go to the store. This particular grocery store was very popular at the time before they merged with another company. I grew up shopping at this store with my parents in Richmond. While my mother and I were in the store, she went to the poultry department to purchase catfish and tiger prawn shrimp for dinner. I went to the area where the school supplies were located. I needed a pack of line paper for school. While I was over there, there were two older White men employed at this store. I saw them on other occasions prior to this incident. They followed me over there and assumed I was going to steal. My mother was nearby and saw what they were doing. She was about to go off on these men. Now, my mother is a sweet, God fearing woman. She said to them, “If you do this to my son again, I will report you to the NAACP.” They backed off and walked away shameful.

My name was already being recognized in Fairfield, Suisun City, and surrounding areas due to ministry, leadership abilities and my classmates referring to me as “the Pastor of Fairfield High School.” Not too long after that, we received word these same two White men were fired, due to other complaints from other Black shoppers. These men did not know that I had a cousin that worked at this same store in the poultry department, nor they did not know I am a member of a renowned famous family. My cousin was not working that day. My mother had a serious discussion with me about this situation on our way home. God was with me that day and I am grateful he revealed to my mother what was going on. If she did not see this, those racist white men would have called the police on me on a false accusation.

GO BANG! Magazine: The Covid-19 pandemic has dampened and ruined the entire year of 2020 thus far, for many people. They are dealing with it in various ways. Some are doing just fine, while others are depressed because of loneliness or death to loved ones, due to the virus. What words of encouragement or motivation can you provide to readers who need help dealing with our current new normal?

James C. Birdsong, Jr.: I have been asked this particular question in recent press interviews regarding the Covid-19 pandemic. The pandemic has been very challenging for all of us, especially for those of us in the Gospel music industry and Entertainment arena at large. We have been doing award ceremonies, concerts, and meetings virtually.

It does not matter what race, culture, or your social status maybe, we have experienced something that never came to our minds. For me and my family, we have been taking measures to remain safe. God is still blessing us in spite of the pandemic. This situation is only temporary.

At the same time, we need to take a close examination of ourselves and get more close to God. These are the signs of the last days. My thoughts and prayers go out to those who lost their loved ones to the pandemic. I want to encourage them to be strong and to remain positive.

GO BANG! Magazine: Many youth, particularly young black men, may look to you as a role model and an example of how to achieve success while being Black. Can you please explain how you overcame the many obstacles in your life to achieve the accomplishments you have?

James C. Birdsong, Jr.: God brought me through a mighty long way from Richmond, California to now. I could not talk at the age of three, due to being born with a speech impediment. He healed me and I share this story on multiple media platforms on television, radio, newspapers, and magazines. I attended school in the Special Education Program. I have experience teasing and bullying, the divorce of my parents, the death of my father and other situations. It made me strong. I thank God for the people in my life that loved me, supported me, prayed for me, and never gave up on me.

I never thought I would be the recipient of over 30 awards, including proclamations from mayors to members of the United States Congress. Now I am going to be honored in the Congressional Record. I have been told by so many people, “James, you are truly a role model to our young people, especially our young black men.” Recently, I had someone tell me, “You are about to be an icon.”

The prayers of my parents and the encouragement of friends, loved ones, teachers and mentors inspire me to be the man God placed me today. Your gift will make room for you. I was not raised to be a quitter and our young people need to remind themselves, “I am not going to quit. I am somebody.”

GO BANG! Magazine: What words of wisdom can you provide to our non-Black readers to help them understand what life is like being Black during these tumultuous times, and can you suggest what they can do to help make this world a better place for us all?

James C. Birdsong, Jr.: I want to encourage the non-Black readers to learn and be open about our struggles. It is not easy for us as Black people. We go through so much, but more so as a Black man. If you truly love and care for the Black community, demonstrate how much you care through your actions. Be an effective listener and be yourself. Remember, action speaks louder than words.

I believe the world can be a better place if we apply God’s Word in our lives and perform the works.

I want to thank you for giving me this opportunity to share my story with your audience.

Be safe and may God bless you.

GO BANG! Magazine: You are more than welcome…Thank YOU!


Additional Links
James C. Birdsong, Jr. Website:  www.jamescbirdsongjr.net.  
Birdsong Association of Broadcasting & Arts Website: http://www.babaonline.org
Facebook: http://www.facebook.com/jamescbirdsongjr
Instagram: http://www.instagram.com/jamescbirdsongjr
Twitter: http://www.twitter.com/TheRealJBOnline




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

For Immediate Release
October 29, 2020

The African American Arts Alliance
to host 2020 Black Excellence Awards

Online ceremony honoring Black artists to be held November 10th

Chicago, IL—The African American Arts Alliance (AAAA) will host the 20th annual Black Excellence Awards, an evening celebrating Black artists, Black voices, and Black stories across all artistic disciplines, on November 10, 2020 at 7pm. The 2020 virtual celebration will honor selected honorees who have exhibited artistic excellence throughout the past year. The live ceremony, to be broadcast on Facebook Live at https://www.facebook.com/aaaachicago, is free and open to the public.

“The Black Excellence Awards have been honoring Black artists for the past 20 years. This year, even though we aren’t able to gather in the same room, the celebration will go on. In this difficult year for so many people, we need to uplift each other as we celebrate Black achievement and come together to remember the importance of the arts and artists in the Chicago community,” comments AAAA Board Chair and Black Ensemble Theater Founder and CEO Jackie Taylor.

The Black Excellence Awards provides recognition of professional African American artists for their achievements of excellence and creativity in the arts. The committee has evaluated performances and works by artists across all artistic disciplines that were created or produced in the past season.

In previous years, several artists in each category were nominated by committee members then voted upon. Due to the shift caused by the pandemic, the nomination and selection process was streamlined. There is no slate of nominees, rather a single awardee, identified as having exhibited artistic distinction, for each category. The awardees will be announced soon. More information is available at https://www.aaaachicago.org/2020-black-excellence-awards.

About the African American Arts Alliance
In 1997 a group of Chicago’s leading African American artists and arts organizations came together and formed a new organization; incorporated as the African American Arts Alliance of Chicago. This organization embraced the history of the original 1977 Chicago Black Theater Alliance while expanding their scope to include diverse groups of artistic mediums which includes theaters, dance, music, literature, film, visual arts organizations, and individuals.

The mission of the African American Art Alliance is to increase public awareness, interaction, communication and development of African American arts organizations and artists within the city of Chicago.

# # #

DJ Matt Black is a UK based House and Techno producer and DJ most known for his funky, driving baselines, and uniquely engaging style. Born Matthew Belcher, Matt is a House/Techno producer and DJ most known for his first official release “Let Them Groove” which generated over 1 million streams worldwide.

Starting his career in England’s notorious seedy underground scene, he released white label mash-ups. He owned one of the first pirate FM radio stations in the southwest. He has also been featured multiple times on BBC Radio.

DJ Matt Black has become a prominent influencer in the House and Tech House scene, collaborating with many artists, and entertaining crowds around the world with his funky, driving baselines, and uniquely engaging style.

On August 21, 2020, Matt released a new track titled 2AM. 2AM is bringing back the old-school vibes of the 90s with its raw underground rave feel. He wanted to create something modern, but at the same time keep with the decade of love. Matt has found that the music of today is no contribution of the years of yesterday, and it has lost its path with same sounding tracks spread throughout the charts. He wanted to relight the good years and bring some feel-good music to the table and contribute to the music scene. That’s why he chose to make 2AM. Matt has said that after making this track, “My love for the music has grown even deeper!” and has even gone to the extreme to say “I am now ONE within my house!”

GO BANG! Magazine: When and how did you get interested in music?

DJ Matt Black: From a very young age, my household was playing music, all different genres from Hip Hop to Rave and House. I mean everything. So I heard literally everything and anything. Growing up just with my mother was quite liberating. Without the father figure in the picture, I looked to other individuals in my life and in music.

My mother was like a New Age Hippy-Go-Raver and she had mountains of tapes from UK raves. I listened to all of them and it was a mixture of Breakbeat and House and all sorts mixed up together, which today would be considered sub-genres. One of the first steps in music for me was admiring these amazing tunes.

GO BANG! Magazine: When did you develop an interest in House and Techno music?

DJ Matt Black: I started really loving music between the years 1998–1999. Since that time, I have never stopped listening to and admiring music, regardless of the genre. In 1999 I got my first tape player. Like I said, I grew up with just my mother. Times were tough back then and we couldn’t afford internet or even cable television. So literally, music was my escape and still is to this day.

My love for these genres comes from UK Jungle and all of the House samples used, no names mentioned, and also watching “The Top of the Pops” (UK TV show) before it went all wired.

GO BANG! Magazine: Please describe the House music scene in the UK.

DJ Matt Black: The House music scene here in the UK is amazing. Even from the beginning, it’s been so multicultural and literally a place of pure love. The British people have infused all their own cultures into this genre. So many great sub-genres and new genres have been a result of it. I grew up at an amazing time to be able to experience the greats of House music, the ones that shaped House music, and see the birth of new House music, like UKG (United Kingdom Garage: a sub-genre to House called Garage. It’s made in the UK from Hip Hop House or Two Step).

I may have not have been with the founding fathers of House in the beginning, but I’ve sure enjoyed the fruits it has produced and watched it turn into something great. I couldn’t see a world without House or could image a world without the other genres it has created.

We are the children of House, we are that what follows and it’s up to us to maintain its glory, add to its perfection, try new things, take it too new directions, and most of all do not let the music groups saturate it.

GO BANG! Magazine: You started your career in England’s notorious seedy underground scene. For those that may not be familiar with England, please describe the scene to our readers, and how you got started.

DJ Matt Black: I first started my journey into music at around the age of 10 or 11 years old. I used to go ‘round my friend Gary’s house. He was the first person that induced me to music production software and DJ’ing. He had a set of Technics 1210 MK2s and I used to spend every day around his house, without fail. He would have to literally boot me out to go home. I begged my mother for ages to get me some decks, and it was my auntie that finally got me my first set when I was about 13 years old. They were some belt-driven bad boys. Oh they were some fun. I had my shed all set up with an old PC and decks and used to practice every day ripping samples from vinyl and all sorts.

I did my first gig at a carnival back in my hometown when I was about 14 years old. I met a few people and got offered to play at Bristol Festival. I obviously went. I had these two women looking after me. I can remember them trying to feed me mushrooms before I went on stage. Thank God I didn’t touch them. I went on after a group called the Freestylers.

After this, I realized that after being in front of a couple thousand people that I wasn’t quite ready to be in that position. So, I took a step back and started hanging around a few friends that loved music as much as me. We hosted illegal parties in many crazy locations like shut down stores, abandoned houses, and even gate crashed a few places and made the party ours, while still doing events in my hometown.

I then started my own pirate radio station. I made a good friend order a transmitter for me from China and another good friend brought the aerial for me. I hooked it all up and was live every weekend. It was more like a community radio, as everyone from everywhere wanted to come on. I also wanted them to come on as well, to boost their creativity and musical skill.

From my late teens to early twenties, I wasn’t making that much music for myself. I was doing it for other people and really was in the back seat. I made a ton of white label mashups and remixes during this time, with some being pressed. I even had known figures steal music.

If I had to describe what the underground is to me, it’s simply these so-called friends that take advantage of you for their own personal gain. It’s bitchiness, backstabbing and all things bad that you expect to see on a drama show. That’s what it is, just pure drama with each other and the outside world because they’re not involved in your “clique.”

I have now disassociated myself from all things underground or group associated and moving in a more positive direction for myself and my music.

GO BANG! Magazine: As a producer/DJ, how would you describe the DJ Matt Black production sound and the DJ Matt Black sound?

DJ Matt Black: If you listen to any of my newest productions, you will hear that I’m swinging from 90s House vibes to Tech-House, with dark elements and hidden messages for the masses.

I have two moods when producing: very dark or very bright and energetic. The love and support I’m getting at Trax Records, creativity-wise, is unreal. They are allowing me to push some boundaries and try some new sounds.

GO BANG! Magazine: You’ve collaborated and performed with numerous House artists. Have you ever performed with any House music artists/DJs that are from my hometown of Chicago? If so, who? If not, are there any particular Chicago artists or DJs that you would love to perform with?

DJ Matt Black: No, I haven’t as of yet performed with anyone from Chicago, but I would love to perform with Green Velvet – “Bruce sort it out”, Marcus Mixx, Marshall Jefferson, Farley and many more.

If you are asking what I would really like, I would love to see a “Legends of House” world tour. All the acts for one last time tour, before it’s too late. Nobody’s getting younger and this will help the artists and the House community. I know for a fact, many of the big artists today would buy tickets.

GO BANG! Magazine: Are there any events that you would love to participate in that are here in the States?

DJ Matt Black: Yes! I would love to come and mash out some nights in Chicago and hit up everywhere in the United States. Do a nice three to six-months, if possible.

GO BANG! Magazine: What is next on the agenda for Matt Black that our readers should be on the lookout for?

DJ Matt Black: Well, I may be at a rave near you soon (cough cough) Essex. Apart from that, I have a few tracks lined up and actually some wicked collaborations too. I’m trying to hit a release-a-month. So, we’ll see how that goes.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

DJ Matt Black: I have been personally put on a local lockdown and it’s hard, not only for myself but for everyone else too. The Entertainment industry has basically been destroyed. All gigs for 2021 have been canceled until further notice. It’s crazy!

GO BANG! Magazine: What would you like say to GO BANG! Magazine’s international audience across the world, which may not be familiar with you?

DJ Matt Black: Good morning, and in case I don’t see ya, good afternoon, good evening, and goodnight.
Peace out!

SoundCloud link:  https://soundcloud.com/dj-matt-black-920551655

YouTube Link to “2AM” track: https://www.youtube.com/watch?v=maq1LCHfZCo

Follow DJ Matt Black on social media:
FB: @ThatDJMattBlack
IG: @DJ_Matt_Black
TW: @ThatDJMattBlack



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Jeniqua grew up expressing herself through poetry, writing songs and filling the home with singing… her own tunes and those of her favorite’s, Whitney, Stevie Wonder, Kirk Franklin, Ce Ce and Be Be Winans etc.

She is equally comfortable with R&B, soul, jazz fusion, Gospel & dance and appeals to a wide demographic. Her voice has been often referred to as angelic. Her music oozes soul, heartfelt lyrics and an exceptional delivery of infectious melodies, backing vocals and vocal arrangements, all created and mastered by Jeniqua herself.

Some of her credits include: semi-finalist for R&B / Hip Hop category in the ISC (International Songwriting competition), semi-finalist in the Christian and Vocal Performance categories of the Unsigned Only Music Competition, nomination for a Shorty Award, NY for ‘Best Singer’ on social media and ‘Best Female Vocalist’ nomination at the 32nd Chicago Music Awards. Jeniqua has also had songs on the top of various music and radio charts in Australia and abroad.
“Jeniqua’s voice is an unmistakably unique and divine gift. Her voice, stage presence, raw talent and work ethic will have a huge impact on the industry.” – Ron Simmons, former Artist Manager, Chicago USA.

“Love this lady and her music! A highly talented songwriter, Jeniqua’s music touches life in the most personal ways, but always is positive, encouraging and very entertaining!” – Hank David, Aussie Home Grown Radio Host.

GO BANG! Magazine: Where are you from and where do you presently call home?

Jeniqua: I’m from Sydney, Australia, and presently residing in Sydney.

GO BANG! Magazine: Please explain to our readers how you became interested in R&B/Soul and Gospel/Christian contemporary artists and music?

Jeniqua: Growing up I just naturally gravitated towards R&B / Soul music and inspiring soulful voices in pop, such as Whitney Houston, Michael Jackson, Stevie Wonder, Gloria Estefan. I bought all their music, back in the tape days and some vinyl. Our house would be filled daily with their music and me dancing around the lounge room. Whitney used to get the most play. She was and still is my FAV. Nearly wore a whole in the vinyl playing her constantly on repeat. My mum also used to give Barbara Streisand a good go too. I loved her tone.

I also grew up listening to and singing hymns in the church we attended since my birth… and from my teenage years, moved on to other churches along the way, volunteering in their creative / worship teams. Mostly in roles such as worship leader, vocal director and choir director and assisting others in the team with their vocals, songs, vocal arrangements and also song writing for the church. I am still involved to this day with the Creative team at church.

I’d write praise & worship songs for the church congregation and outside of that I was writing my R&B Soul Gospel songs, they were different to the songs we sang at church as a congregation, though were added as bonus tracks to the church albums. So I write both types.

There are other genres/artists I listened to at various stages in my late teens, though I definitely loved soulful music, R&B and my favourite, Gospel. It resonates with my soul. Some of my favourite Gospel artists are, Ce Ce and Be Be Winans, Kirk Franklin, Marvin Sapp, Smokie Norful and many more.


GO BANG! Magazine: Your vocal rhythm, timbre, tones and energy are infectious. Your voice has been described as angelic. Where does your soulful energy originate?
Jeniqua: Aaah thank you!

The soulful energy comes from my soul. It just seems to be what comes out without trying. It’s the gift that God placed in me and I’m so glad He gave me a gift that allows me to create and express myself with all that’s in me. It’s just what I flow in when expressing myself through song.

GO BANG! Magazine: How would you describe yourself and your musical styles to someone that may not be familiar with Jeniqua?

Jeniqua: Describing myself:
I’m passionate, creative, love God, love writing songs, performing, recording, love a good laugh and having fun, love seeing people win and have breakthrough in their lives. I also use my experience and love for what I do to help other singers and artists with their vocal development, in my vocal teaching business VoxConnect (www.voxconnect.co). I offer lessons in person or over the internet.

Two of my spiritual gifts are Exhortation (encouraging others) and teaching.

At the core of my songs is a message that is usually birthed in my quiet time with God. I write my songs from that place. Life’s experiences and revelations, relationships, love, lessons learnt etc… whatever it may be. Whether it is an R&B/Soul song for the mainstream market, a praise or worship song for church or an R&B/Soul style Gospel song that I release into the Gospel market….. they all carry truth and an uplifting message. They cross over boundaries and genres and appeal to a wide demographic and I am so grateful. My goal / mission is to inspire and empower others through my music.

Musical Styles:
My writing style is quite versatile. My songs have been played on playlists and in charts for genres such:
R&B / Soul
Urban / Hip Hop
Adult contemporary
Dance
CCM (Contemporary Christian Music)
Praise and Worship
R&B / Gospel
Inspirational

GO BANG! Magazine: Dance/EDM/House music is very popular here in the U.S. and abroad. Some may even argue that is even more popular in the UK than it is here in Chicago, where it was born. I recently interviewed Australian DJ/Producer Xander James who specializes in dance music. He described the Dance/House scene in Australia as vibrant. How would you describe the scene and do you plan to make a bigger splash here in the U.S.?

Jeniqua: Yes, more than R&B/Soul, the Dance scene here is more vibrant and popular. There are a lot of cover bands that cover R&B, though DJ’s that play and create dance songs get more play in clubs and in venues that require just a DJ.
I didn’t focus on the Australian market. I felt to spread my wings elsewhere, knowing Australia will eventually come across one of their own.

The songs I wrote for church were sung here in Australia, and we toured Canada, NZ and the USA back in 2003 and 2004.
I’ve just stayed in my own lane, doing me and focusing on what God has given me to use through song form & the industry and it just so happened the market for my music has been and still is in the UK, USA and various other countries, more so than Australia. The industry is smaller here, so I have more support in other countries.

There is more access to the type of style I do through internet radio and other connections throughout the internet. That has helped greatly in people far and wide coming across my music and what I do. They make up my supportive audience.
GO BANG! Magazine: You are also an award winning Gospel/Christian contemporary artist. Many might say that being involved with both Dance music and Christian music is a conflict of interests and beliefs. What would you say to those individuals?

Jeniqua: I write from the heart and as mentioned above, most of my songs come from the time I spend with God or through growth in Him and my everyday journey with God. I have strong faith and it has gotten me through a multitude of things and it will continue to.

At the end of the day I can express myself through any style of music, drum beat or genre I choose. If it is uplifting and spreading a message of hope and empowerment to others, it shouldn’t matter if it is 130bpm or 60bpm. I don’t get caught up in all that nonsense.

If my songs have resonated with another human beings, made them smile, made them dance, changed their day for the better, or helped them through trauma or a battle with mental illness, pointed them to Jesus, encouraged them in their walk…. then I have done my job and that is part of my God given purpose here on this earth.

GO BANG! Magazine: You have a Chicago connection being once managed by Chicago’s own Ron Simmons of Celestial Productions. You also were nominated as “Best Female Vocalist” at the 32nd Chicago Music Awards. What would you like to say to Mr. Ron Simmons, to the Chicago Music Awards, and more importantly to our Chicago readers?
Jeniqua: Yes, it was many years ago, around 2011, for a short time, as Ron was in the midst of writing a movie and that required all his attention.

I’d like to say, Hey Ron…. thank you for your advice etc during that time and the connections made. A few I will mention… 1. His mum Miss Edie… I love her. She is just delightful. 2. To be included in the 32nd Chicago Music Awards as a nominee, I am so grateful…. 3. Getting to meet and work with world class Photographer and great friend of Ron’s… the late Ernest Collins… what a man! Gifted, and so lovely. His smile lit up the room.

I’m grateful for all that Ron helped with and I wish him nothing but the best for his movie and all other projects he has in the pipeline. I so look forward to seeing his movie ‘Cabrini Green’… so much heritage and greatness came out of that place, so many stories and testimonies that Ron has to share.

And to Chicago listeners and Chicago itself… I love you. I love your city, it’s so beautiful, the buildings and the people I have met… I’ll be back! Oh and of course a fav….. SOUL FOOD (Yeeeeeeaaaah baby!!). OH MY GOODNESS…. (even now typing this, I’m getting a hunger pain and a craving for some beloved soul food). We don’t have it over here in Australia.


My first trip to Chicago some years back, I think around 2011… was my first time trying soul food. A whole group of us went out for a feast. The portion size was so massive, at the time I couldn’t fit it all in… To this day, I have flashbacks of it and wished I had finished all that goodness on my plate, especially the rib tips. Yum

GO BANG! Magazine: Are there any artists or producers, American or non-American that you would love to work with, that you haven’t so far?

Jeniqua: I would have loved to work with Leon Ware. There was talk of it, though Leon has since passed away. He worked with Maxwell, Donny Hathaway, Minnie Ripperton, The Jackson Five and Michael Jackson etc.+ I’d also love to work with Charlie Singleton (aka. The Phantom). A former member (vocals, writer and guitarist) from super group, Cameo. He is an incredible vocalist, performer, writer, guitarist and multi instrumentalist and producer. He has produced, written for, recorded and performed with some of the biggest names in the music industry, such as; Chaka Khan, Mariah, Charlie Wilson, Shanice Williams, Sheila E, amongst many others.


In general, I’d just love to work with those that are authentic, have great work ethic and have integrity. Those artists or producers that are respectful, genuinely love what I do, and are there for the right reasons.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?

Jeniqua: Yes, it’s a shocking thing for the whole world to experience… and I continue to pray for those who have lost loved ones to Covid and also thankful to all those on the front line… the Health workers, risking their lives to help others.

For me personally, I have remained in peace and getting on with whatever I can carry on with in this season, where obviously work has ceased somewhat for many. I don’t let that effect me. My faith is strong and gets me through anything.

The Pandemic has not been able to stop me from continuing to write or prepare. I am using this time wisely and also investing in myself as I do on a daily basis… in my faith and prayer, spending time with loved ones, laughing lots, study, building my vocal teaching work back up and modelling work and being grateful for life, my loved ones and all the blessings along the way.

GO BANG! Magazine: What are you working on now that our readers should be on the lookout for? Do you have any projects lined up for later in the future after the COVID-19 pandemic that you can tell our readers about?

Jeniqua: I have many songs already written and recorded and at various stages in the process of releasing music. Many of them are at mixing stage.

For some time now I have not had access to the things that would usually be more available to me eg: studio for mixing etc… I have had to wait for various reasons and for numerous things to get back up and running… so I will not be releasing anything anytime soon. Though I plan to release more singles and an album for both R&B/Soul mainstream and another Gospel Album.

I will keep you updated on my website, social pages and via my mailing list, for all releases. Look forward to sharing them all with you.

God bless you all!

Thank you for this interview Pierre. God bless.
Jeniqua J

YOU CAN FOLLOW JENIQUA BY VISITING WEBSITE: www.jeniqua.com


Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Reginald Corner is one of House music’s greatest assets in Chicago and has been extremely instrumental in keeping the peaceful celebration of music alive.

On the House scene since it began in 1980, Corner has had the pleasure of watching House flourish over the past four decades. During that time, he formed relationships with some of the most relevant DJs, party goers and communities in the Chicago area. His stance with everyday Chicago helped shape the powerful production entity “The Way We Were” which is celebrating its 20th anniversary this year.

Some of his notable accolades include working with the City Of Chicago to provide platforms throughout the land celebrating the power of House, specifically, how its music brings together all ethnicities and sexual orientations. Some examples are helping curate an exhibit of House music at the Chicago Cultural Center in which Corner shared photos, as well as knowledge of how it all started at places such as the infamous Music Box with DJ Ron Hardy. He also worked to put together House in the Park, one of the city’s favorites, giving people a chance to relax after work with different platforms of House music.

Some of Corner’s work includes promoting the Chosen Few Picnic yearly, where tens of thousands flock to Jackson Park to celebrate music in a family-friendly atmosphere.

Corner, along with The Way We Were Productions, looks forward to remaining a part of the House music journey in Chicago and abroad. Corner can be considered an orator, watching to ensure its past is not tarnished and remains a powerful force of peace between all who partake in its glory and continues to “beat the box” into 2020.

GO BANG! Magazine: When and how did you first become involved with DJ’ing and music?

Reggie Corner: Sauers was down the street from my house as a youth. I went over there being nosey and stumbled on House music/Disco/Preppy/New Wave Punk, and I liked it. They were playing a lot of music I’d heard from my older siblings at the house.

I played around with it as a kid. But I’m not a DJ. The opening slot gave me the opportunity. The party must go on, so I would step in. I started off by necessity. Sometimes DJ’s were late or not showing up on time. I had to keep the party moving.

GO BANG! Magazine: What is it about you or your personality that make you effective as a promoter?

Reggie Corner: I was popular among the people. Knowing people made it easier. I learned from my elders Butch and Craig, as well as Robert Williams who really showed me promotion and production… the art of producing events. My personality makes me a people person and my job is to make sure people enjoy themselves. That is my priority.

GO BANG! Magazine: There are many people that may call themselves promoters that simply share flyers or events on Facebook. Is that all it takes to be a promoter or does promoting consist of more than that?

Reggie Corner: For me, do whatever works to make you successful. Social media is not the only tool to reach people. There’s text messaging and emails too, basically creating databases. I have databases I have built for years. You have to be tenacious and master every social platform. I still go back to my roots of what I was taught. Simply print flyers, etc. The promotion game has changed and will continue to change, but never forget the old way.

GO BANG! Magazine: Are there any promoters or producers, past or present that inspire or motivate you to do what you do?

Reggie Corner: The love of House inspires me.

GO BANG! Magazine: How has the House music promotional scene in Chicago changed over the years and has the change been positive or negative, in your opinion?

Reggie Corner: Some of the people and the places have changed, some of the music has changed, but I always keep it close to the roots……for the love of house. Love cannot exist with negativity.

GO BANG! Magazine: Why is it important to you to keep the spirit and history of the House music genre alive, peaceful and accurate?

Reggie Corner: History is what we stand on for the future….. “In the beginning” is always important….The beginning sets the stage for now.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?

Reggie Corner: It’s fucked up! But, like everything in life, it’s a tragedy that we have to adapt to. Stand up or fold! Hopeful you’ll stand up and succeed.

GO BANG! Magazine: What is next on the agenda for you? Do you have any projects lined up for later in the future, after the COVID-19 pandemic that you can tell our readers about?

Reggie Corner: House is in a stall, in limbo, because of COVID-19. All plans are at a standstill. But, hold your punches right now. You can never let your right hand know what the left hand is doing.

GO BANG! Magazine:  HAPPY BIRTHDAY TO YOU MY FRIEND!!!   HAPPY 20TH ANNIVERSARY TO THEWAYWEWERE!!!!!



YOU CAN FOLLOW REGGIE C. CORNER & THEWAYWEWERE ON SOCIAL MEDIA:

Facebook:

https://www.facebook.com/reginald.corner

https://www.facebook.com/reggiec.corner/

LinkEd In:

https://www.linkedin.com/in/reggie-c-b4b30b15/

Instagram:

https://www.instagram.com/reggie_corner/?hl=en

https://www.instagram.com/reggieccorner/?hl=en






Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram