“The Walk of Rufus” , premiering on WEDNESDAY, JULY 21, 2021 through Maverick Movies, and Singles Film & Music Entertainment, is a film based on two brothers from South Carolina growing up in Chicago. It’s about the Jones family, Rufus Jeremiah Jones and Theodis Pierre Jones, trying to make their family name legit and do away with the footprints that their father left in the streets of Chicago. Set on the south side and west side of the city, the high-octane film takes you on the roller coaster ride through the streets of Chicago.

The film stars Billy Ray Valentine, Cedric “Mr Whoa Boi” Collins, Shanta’ Renee Smith, Keith “K-eezy” Paige of The Mercenaries and Corey “Cold Hard” Johnson of Crucial Conflict fame. Written, produced and directed by Billy Ray Valentine, who also directed “Lil Ceasar” and “Magic”, and also released through Maverick Entertainment group.

Billy Ray Valentine is producing, writing and directing the upcoming film “United Nations”, a story about all the gangs in Chicago coming together as one to create accomplishment, scheduled for release in mid to late 2022.

Bio:
Mark Anthony Mathews aka Billy Ray Valentine, was born in 1967 and Cook County Hospital in Chicago Illinois. He grew up on the south side of the city in the Robert Taylor homes and in the late 70s moved to the Auburn Gresham neighborhood.

In 1986, he lived in the Roseland community and that’s where he got his start in the entertainment business writing and producing music as an artist as well.

In 1990, Mark went to Hollywood and appeared on the television show “A Different World” alongside of Kadeem Hardison and Jasmine Guy.

In 2009, Mark started Singles Film & Music Entertainment. Fast forward to 2019, Mark started producing full-length feature films, which includes “Magic” and “Lil Ceasar.”  From there he started creating more content, including “Roseland”, “The Walk of Rufus”, “A Masquerade Trapp” and now the upcoming, highly controversial “United Nations.”

As of today, Mark Anthony Matthews aka Billy Ray Valentine, is still creating content and entertainment for the streaming audience around the world, with streams in excess of millions in households across the world!

Click HERE for the WEDNESDAY, JULY 21, 2021 Red Carpet premiere of “THE WALK OF RUFUS” & “ROSELAND.”
Facebook link:

EVENT INFO:
Event by Billy Ray Valentine, Eric Mayes and Cedric Collins
Group · 104.7 FM GHETTO RADIO
Location: Wild Blossom Meadery, Winery and Brewery
9030 S. Hermitage Avenue, Chicago, IL, 60620
Price: $20.00

Come join Singles Film & Music Entertainment, as we premiere the new films produced written and directed by Billy Ray Valentine, “The Walk of Rufus” & “Roseland.”



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram.

WOW!!!!

Rest In Peace friend, comedian, actress and brainiac, Erica Faye Watson. She recently died of Covid-19. She was living in Jamaica for a month writing material, and was suppose to return to Chicago today, March 1st. She had a great spirit and heart. I interviewed her several times.

Erica Faye Watson was born in Chicago on February 26, 1973 and raised in Chicago’s Hyde Park neighborhood. She passed on Saturday, February 27th, 2021. She was 48 years old.

Reprinted from her website: http://www.ericafayewatson.com/

Born and raised in Chicago’s Hyde Park neighborhood, with a BA and MA from Columbia College Chicago, Erica Watson is an actor, stand-up comedian at clubs around the country, and film/television director. She is a St. Thomas the Apostle Elementary School alum (where Bryant Gumbel and Steve Allen attended), as well The Chicago Children’s Choir and The Merit School of Music. She currently stars in the short film “BlacKorea” and has appeared in the Oscar nominated film “Precious,” “ChiRaq,” “Top Five,” and “Side Effects” following starring in the feature film “Dirty Laundry.” She has also been featured on TLC’s Big Sexy, The Dr. Phil Show, The Oxygen Network, The WE Channel, Black Entertainment (BET), MSG-TV, You & Me This Morning, The TV Guide Network and is a recurring correspondent for “Windy City Live,” and “The Jam.” Watson is also a blogger for the Huffington Post.

Up next you can see her in “The Chi” on Showtime created by Emmy winner Lena Waithe. She has also been featured on the NBC drama “Chicago Fire” and “Empire” a FOX drama directed by Lee Daniels. Watson was featured in two Gracie Award-winning commercials that she wrote for the Oxygen Network called “Tresstify” and “Kiss & Tell;” as well as a recent guest star on TV One’s sitcom “Love That Girl” and featured on NBC’s “Last Comic Standing,”

Erica was a commentator and pundit for six Black Entertainment (BET) specials, including “Shining Stars: BET Awards Nominee Special” (2010) “They Like Me: BET Awards Nominee Special” and “Top 12 BET Award Show Moments” (both in June 2009); “Countdown to 2009: BET Year in Review” (December 2008); “I Wanna Thank My Momma: BET Awards Nominee Special” (June 2008); “The Evolution of Mary J. Blige” (March 2008); and “The Evolution of Jay-Z” (April 2008). Additionally, Watson is a recurring politics and pop culture panelist on the BETJ talk show “My Two Cents;” and director of the reality TV Series “My Model Looks Better Than Your Model” on the BETJ Network.

Erica’s 1 woman show “Fat Bitch!” was a 2010 Black Theater Alliance Award Nominee, and was curated at The Brooklyn Museum as a part of Target First Saturdays in October 2010. Since then, her show has toured the country and is a favorite in every city that she visits. Watson starred in the “Broadway in Chicago” production of “Love, Loss and What I Wore” and went on to star in the final cast in New York off-broadway under the guidance of Nora & Delia Ephron as well as with The Delaware Theater Company. She was also chosen by the prestigious NBC Diversity Program to receive a full scholarship to study with the Upright Citizens Brigade in NYC.

In 2017, Erica curated and hosted a “Feminist Comedy Marathon” at The Brooklyn Museum which featured 50 of NYC’s best and brightest female comedians.

Rest In Peace Erica Faye Watson, you will truly be missed. Your spirit will live on forever. It was an honor to know you Queen.

They’re doing a tribute to Erica Faye Watson on Windy City LIVE today, March 1, 2021 at 1pm on ABC7!

Learn more about Erica on her website:
CLICK HERE: http://www.ericafayewatson.com/

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Cicely Tyson (Photo credit: Shuterstock.com/ Joe Seer)
STORY REPRINTED FROM ROLLINGOUT.COM
By N. Ali Early | January 28, 2021

Award-winning actress and Hollywood icon Cicely Tyson, who made a habit of turning in regal performances over the course of her 60-year career, has died. She was 96.

“With heavy heart, the family of Miss Cicely Tyson announces her peaceful transition this afternoon,” her family shared in a statement. “At this time, please allow the family their privacy.”
The statement did not reveal Tyson’s cause of death.

Active until the very end, Tyson released her memoir, Just As I Am, on Tuesday, Jan. 26, 2021.

“I have managed Miss Tyson’s career for over 40 years, and each year was a privilege and blessing,” her manager, Larry Thompson, said in a statement. “Cicely thought of her new memoir as a Christmas tree decorated with all the ornaments of her personal and professional life. Today she placed the last ornament, a Star, on top of the tree.”

Tyson made her big-screen debut in 1957’s Twelve Angry Men, then re-emerged in Sidney Poitier’s Odds Against Tomorrow. She would follow that stellar performance up by starring in The Comedians, The Last Angry Man, A Man Called Adam and The Heart Is A Lonely Hunter.

As blaxploitation films rose to prominence among African American movie watchers in the 1960s, Tyson refused to take part as a professional. In so doing, she did not appear in another film until 1972, as part of the Oscar-nominated Sounder. Her performance earned her a nomination for best actress.

Tyson made her mark on the small screen as well, starring in “Roots,” “The Wilma Rudolph Story,” “King: The Martin Luther King Story,” “A Woman Called Moses,” “The Marva Collins Story” and a slew of others.

She won three Primetime Emmy Awards, a Screen Actors Guild Award, a Tony Award and was presented with an honorary Oscar in 2018 for her full body of work. The Academy of Motion Picture Arts and Sciences cited her “unforgettable performances and personal integrity.”

Tributes have flooded in for Cicely following her passing. Celebrities who took to social media to share their memories and heartbreak included Zendaya, Shonda Rhimes and Tyler Perry. Zendaya wrote on Twitter: “This one hurts, today we honor and celebrate the life of one of the greatest to ever do it. Thank you Cicely Tyson. Rest in great power.” — Zendaya (@Zendaya) January 29, 2021

While Shonda Rhimes — who produced “How To Get Away With Murder,” in which Tyson starred — penned: “She was an extraordinary person. And this is an extraordinary loss. She had so much to teach. And I still have so much to learn. I am grateful for every moment. Her power and grace will be with us forever.”

Tyler Perry, who cast Tyson in several of his movies, including Diary of a Mad Black Woman (2005), Madea’s Family Reunion (2006) and, most recently, A Fall from Grace (2020), penned an emotional tribute on Facebook along with several photos of the two together.

Bang Showbiz contributed to this report.

If you risk nothing, then you risk everything. Art is all about taking these risks.”
-Marcos Luis

Raised in Pittsburgh, PA, Marcos got his start in the entertainment industry by appearing in stage plays, including being a host of “Kidsburgh”, later graduating to television and film. Since his introduction as an actor he has added singer, musician, award-winning host, photographer, and producer to his resume credits.

As the Artistic Director & Founder of 3SB Theatre Co LLC Theatre and Entertainment Production Company, based in New York, Marcos Luis may be most recognizable for his national commercials, print campaigns, and appearances in popular prime time TV shows. Marcos is also the host and creator of the 11+ year-long running live artist showcase and open mic, OneMicNite, in New York City, which showcases premiere talent in comedy, poetry, & music of every genre. OneMicNite has become an NYC staple responsible for launching the careers of numerous Independent Artists.

Marcos is a proud and active member of SAG-AFTRA, AEA, Spotlight Talent UK, and is a OneBigMop artist. He received a BS in Theatre Arts from Northwestern University, where he studied with famed international instructor Ann Woodworth (also B.A.D.A). His studies also include comedy improv at the famed Comedy Sportz in Chicago, dance training at the world renowned Giordano Dance Center, and a Jeff Award winning show, Pecong at Victory Gardens. Currently he serves as an active screening judge for the Miami Indie Festival (Mindie Fest), the International Independent Film Festival, and the SAG-AFTRA Awards Film Nomination Committee 2018.

CURRENT PROJECTS
• The Darkness of The Moor (2018)UK
• Los Viejos/ The Oldies (2018) Documentary Cuba
*World Premiere IFFCG, Guadalajara, MX, World Premiere MIFF Miami, FL USA
• Dreaming of Peggy Lee
*Screened before the Academy of Motion Picture Arts and Sciences for Oscar nomination*
Distribution and sales: Network Ireland Television
• I’ll Be Home Soon
*Long-Listed For Oscar Nomination 2016*
Distribution and sales: Freak Agency

GO BANG! Magazine: Where did you grow up and spend your childhood?

Marcos Luis:  Aaahhh, that question! I was actually born in Nashville, TN. We then moved to the Pittsburgh are of PA and then went to boarding school, so I spent my childhood In those places.

GO BANG! Magazine: At what age did you realize that you wanted to be a professional actor involved in stage plays, film and television, and describe that moment to our readers.

Marcos Luis: I grew up singing, dancing, and acting from the time I was born. I think I was doing it in the womb! (You’ll have to ask my mother that one). I was in talent shows and the school plays, and hosting shows as a kid, so I guess I knew….but really didn’t know for sure then . It wasn’t until college that I decided for sure to be an actor. I remember meeting and talking to a then recent graduate of my alma mater , Northwestern University , named Harry Lennox (“Blacklist, The Five Heartbeats “) who returned to the University to encourage a group of students to pursue our dreams, and that it really clicked for me to do this as a career.

GO BANG! Magazine: How would you describe the opportunities for minorities in television and film?

Marcos Luis: Right now we are at a fantastic and pivotal point in the Film and Industry. Studios are listening to the call for Diversity and Inclusion for Black and Brown people in front of the cameras as well as behind and are making changes . We are creating content, producing, and allocating our funds to make, direct, and star in our own works . Our stories are being told and heard. Opportunities are increasing but we still have work to do on all fronts.

GO BANG! Magazine: You’re also a singer/musician with your own unique sound. How would you describe your voice, the Marcos Luis sound, and also what instrument(s) do you play?

Marcos Luis: The “Marcos Sound” is smooth and soulful. By I mean it comes from the soul and truth, just like my acting, and dance. “Issavibe” for sure. I started playing instruments when I was young. I started on woodwinds: the flute, clarinet, alto sax, tenor sax… then on to upright bass, and electric bass. Lately I’ve been hitting on some percussion with bongos..

GO BANG! Magazine: A man of multiple talents, you’re also a producer. As a producer, what types of films are you interested in making?

Marcos Luis: I’m interested in making films with good, good stories. Every genre is fair game. Making films is a different learning experience each time, problem solving, staying on budget, schedules, locations, etc. The light at the end of the tunnel is the story you present, feeling good about the end product , and also how others perceive your work.

GO BANG! Magazine: For our readers that may not be familiar with the duties of a Producer, can you please explain what producers do and what you find most interesting about producing?

Marcos Luis: A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script by the writing, directing , editing ; and arranging financing. There are different types such as Associate, Executive, and Line . Sometimes you wear multiple hats depending on how large and the budget of a project.

GO BANG! Magazine: There’s still more to you, being the Renaissance man that you are. You’re also an award-winning host and photographer. How did you get involved in photography and are you a professional or a hobbyist?

Marcos Luis: Hahaha, well, Photography to me is an extension of being an artist, how you view things, capturing it them in a truthful way, a beautiful way, or whatever the goal is. I started photography as a hobby, and then started shooting professional events, then was enlisted to shoot and document an Humanitarian expedition to Colombia, South America with www. Healing the Children.org , where I received an Award and had the honor of singing our country’s National Anthem live for thousands of people.

GO BANG! Magazine: Not surprisingly, you’re also an entrepreneur as founder of 3SB Theatre Co LLC Theatre and Entertainment Production Company. Please inform our reader about your company, its mission, and some of the projects you’ve done.

Marcos Luis: The mission is to create art with a purpose to shine a positive light on the Community. 3SB Theatre Company has not only sponsored International Artists for work here in the USA , but has created a few web series, sold out stage productions, and of course, the OneMicNite™️ Show.

GO BANG! Magazine: Being a creative person, as well as a businessman myself, I can relate to you creating your own live artist showcase and open mic event, called “OneMicNite” in New York City. For our readers that may not be familiar with it, please explain what the show is, how long it has been in existence and what its mission is.

Marcos Luis: OneMicNite™️ Is “NYC’s Best & Favorite Artist Showcase”. It’s been around for 14 years plus with its #LiveSeries performance shows. It’s been the start and home of many amateur artists, Indie Bands, as well as Grammy Award winning Artists. Starting in NYC’ Greenwich Village, with me as the Host and creator , it’s mission was to provide a space for a home to connect, perform, and network in all areas of the arts. We have held fundraisers for many other charitable organizations through performances of our artists such as Breast Cancer Walk, Women’s Prison Association, and AIDS Walk NYC. You can find out more at http://www.OneMicNite.com

GO BANG! Magazine: You studied comedy improve at Chicago’s own famed Comedy Sportz and dance training at the world-renowned Giordano Dance Center. Have you pursued a professional career in dancing and comedy? If so, please tell us about that and if not, why not?

Marcos Luis: For me knowing all areas of the Arts are important for balance, marketability, and to be well rounded. I’ve been on Comedy Improve Troupes and certainly have done Dance Shows in my career. My first professional Show which I did while still in college was called Pecong , a Caribbean version of the Greek Classic Madea , choreographed by T.C. Carson (Living Single Tv Show), I was a dancer and the Show won several Chicago Jeff Award. The Show was at Victory Gardens Theatre.

GO BANG! Magazine: Over the years, you’ve had national commercials, print campaigns, and appearances in popular prime time TV shows. Are there any broadcasts in particular that you can recall that may refresh our reader’s memory, so that they can connect that with you?

Marcos Luis: Mmmm Chicagoans may know me as The “Illinois Vehicle” commercial guy, which ran for many many years there. Three -four years ago you may have seen the “Madam President” editorial print campaign for designer Elie Tahari clothing line which was in every major publication, ad, billboard which I did along with supermodel Shlomit Malke. And of course.. the infamous “Sex and the City” Episode…

GO BANG! Magazine: What is your ultimate goal in the entertainment industry?

Marcos Luis: My ultimate goal is to continue to enlighten, inspire, tell stories through any art medium I can.

GO BANG! Magazine: Who inspires or motivates you?

Marcos Luis: So may people inspire me in so many ways. People who have had hard journeys and are resilient. People who do the same thing as I do. People who do different things than I do so I can learn from that . It all motivates me to be better, enjoy the experiences of life, and be thankful along the way. There is no competition, there is room for everyone on this journey. That motivates me.

GO BANG! Magazine: Are you currently working on anything or would you like to mention anything that you’d like our readers to check out?

Marcos Luis: Coming up next, I’ll be in an Off Broadway Show called ‘Edin’ written by a brilliant writer/artist named Marcus Harmon. Look out for me in two animated film projects as a voice actor , and definitely check out my Podcast: OneMicNite Podcast with Marcos Luis which is available on Apple podcasts wherever you download podcasts. Season 2 starts after the New Year tackling Social issues that affect Our Community and personal inspiring interviews of Artists’ journeys. www.OneMicNite.Podbean.com

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Marcos Luis: Yes, this pandemic took everyone by surprise. The key for me was to 1) Be Safe and 2) Be Flexible and 3) Create 4) Gratitude Safety first, for sure, then be flexible with your Life in the day to day actions . Next, create new ways of thinking, to enhance your situation finance by learning as much as possible. Lastly, be thankful for everyone and the things you have. Simplicity is the key. www.MarcosLuis.com


YOU CAN FOLLOW MARCOS:

Official: http://www.iMDb.me/MarcosLuis

New: ‘Los Viejos/ The Oldies (2018) Cuba Documentario https://vimeo.com/246902579

‘The Moor’ (2018)UK Oscar Qualified

Trailer:https://vimeo.com/226166126

Muted the movie https://m.imdb.com/title/tt3279922/ HBO


Dreaming of Peggy Lee

*Academy of Motion Picture Arts and Sciences for Oscar nomination* BAFTA Qualified

*Distribution & Sales: Network Ireland Television

I’ll Be Home Soon

*Long-Listed For Oscar Nomination 2016*

*Distribution & Sales: Freak Agency



 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Photo credit:  Tyler Curtis

 

Vince Lawrence of Chicago, IL is an American dance music producer, businessman and is one of the leading innovators of the genre of music called “House music”. Industry insiders recognize Lawrence as co-author of “On and On”, the first recording officially designated “House music”. He worked with Jesse Saunders in the initial creation of Jes Say Records, designing its logo by hand. He served as Head of Marketing and was the lyric writer for “Funk U Up” (the first House track to ever make it onto the Billboard charts), “Undercover” by Dr. Derelict, “Real Love”, and many other songs released in the label’s heyday. He also co-authored “Love Can’t Turn Around” which featured Daryl Pandy, which reached #10 in the UK Singles Chart in 1986 and started the House music revolution in the UK. He organized Trax Records, a Chicago House label. He is the founder of Slang Music Group, which has received numerous gold and platinum awards for their contributions. As founder of Slang Music Group, Vince has evolved from artist and producer to entrepreneur and marketer, creating a unique symbiosis between music and brands.

As a remixer, he worked on Michael Jackson, Beyoncé, John Legend, R Kelly, and others. Vince composed soundtracks for major brands and was contributing composer on one of the most successful daytime talk shows in history. Vince has directing, writing, production and music supervision credits for work in film.

Above all, he is a veteran of the street with an intuitive understanding of what youth culture craves – be it style and music or consumer products that he telegraphs to the street through soundtracks for advertising or non-traditional “under the radar” field marketing programs. Vince Lawrence’s intimate relationship with pop culture and lifelong love of music have evolved into a unique insight that is eagerly sought out, from the trend hunters of Madison Avenue to the likes of pop stars the world over.

“LEGACY: From Soulful Horns to House Music”, a new documentary that tells stories of hidden figures in the history of Chicago’s Black Music, was directed, produced, and narrated by Vince Lawrence. These stories shed light on individuals whose musical contributions changed the world. It broadcasted in Chicago on WTTW on Friday, November 13, 2020.

Many South siders are working to bring aid to the homeless youth of Chicago by raising funds and awareness for Covenant House Illinois (CHIL), a place of community, safety, and trust for youth experiencing homelessness and trafficking, and participated in SLEEP OUT: CHICAGO, on November 19, 2020. “We’re stepping up and answering Covenant House Illinois’ challenge to spend a night sleeping on the street so that, one day, homeless youth won’t have to”, according to the website.

The Sleep Out is not about pretending to be homeless. It’s an act of solidarity with the 4.2 million young people who experience homelessness each year. It’s a decision that we, as a society, can’t stay indoors while so many youths remain outside.

“One thing I firmly believe in is that in the midst of all our accomplishments, we should always find ways to give back to our families, society and the community. What we put in is what comes out”, says Vince.

GO BANG! Magazine: How did you first get started in music and what about it attracted you?

Vince Lawrence: My initial connection in music came via my dad, Nemiah Mitchell aka MITCHBAL. My father is a songwriter, having worked with people like Eddie Thomas (Curtom Records) and others. He started his own label in the 70s and put out a few 45s before I aided him in discovering new culture centered around 12 inch singles and dance music.

GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized as one of the pioneers. What influence, if any, do you feel you have brought to House music and how has House music influenced you?

Vince Lawrence: While not wanting to “take credit” for this and that as many people do, I can say that I did help bring people together socially around the thought that we could express our creativity through music and by making actual records that we could play at parties and on the radio. I always try to encourage people to pursue their dreams using whatever tools they had available.

I helped a lot of guys get their first recordings created by collaborating as a songwriter, musician or producer. Early days, I worked with Jesse Saunders, Marshall Jefferson, Byron Stingley, Wayne Williams (Dr. Derelict), Chip E., Victor Romeo, Duane & Co. and others. As a remixer, I along with Slang Musicgroup team members have worked with Beyoncé/Destiny’s Child, Whitney Houston, Donnell Jones, R Kelly, Charles Jenkins, Sisqo, Joe, Michael Jackson, John Legend and others.

I have always worked to elevate others by teaching, advising or providing employment. There are many great artists, producers, engineers, managers and such that began their careers as part of our team.

GO BANG! Magazine: You’ve had the opportunity to travel around the world, in the name of House. How would you describe House’s acceptance in other countries, in comparison to here in the States?

Vince Lawrence: Outside of the US there seems to be less distinction between House music and other forms of R&B. I think that we Chicagoans separate or dance friendly Black art forms from the rest. It seems that this is a new phenom did not seem to occur in the past. For example, Harold Melvin and the Blue notes is thought of as an R&B group, despite having created “disco classics”. The sum total, that’s the difference in the US and with American Black listeners in particular.

GO BANG! Magazine: Over the years you’ve morphed and accomplished great success as a producer, remixer and businessman. You’ve worked with many icons in the music industry. How does it feel to be requested to remix songs from artists of this caliber?

Vince Lawrence: I am honored to be invited to creative circles with great artists such as this. There are no words for the way it feels when you have the opportunity to participate in this way as a fan. My connection to music started as an admirer, in the audience, listening and enjoying. A remix invitation feels as if I am being invited behind the curtain, backstage to share in the creation of the show.

GO BANG! Magazine: After working with such high ranking artists over the years, are there any other artists, current or classic, that you would love to work with?

Vince Lawrence: I have listed these in no particular order:
Lianne De Havas
Kirby
Dua Lipa
Queen Nadja
Jeremih (he visited the studio but I did not produce)
Miley Cyrus
Mereba
Katy Perry
Gaga
Fat Joe (he visited the studio but I did not produce)
Black Thought
Trevor Horn
Lailah Hathaway
H.E.R.
James Blake
Shawn Mendez
Alicia Keys

If anyone can connect me, please reach out!

GO BANG! Magazine: As the original House generation matures, if it’s not passed down to the next generation, it will die out. What are your thoughts on the future of House music and the House culture?

Vince Lawrence: I honestly am saddened by this question because it seems so localized. House Music as Black music is not dying. Beyonce makes a whole album full of music that if it weren’t Beyonce, people would call House Music. Check FIND YOUR WAY BACK from her latest record if you need perspective, but the thought of this dying out is a myth. The discounted self-image expressed when we fail to recognize how our art has traversed the globe and come back dressed as pop star cultural exploration surprises me. Local people only need to decide to stop sitting in the stands and get in the friggin game. The discussion of stuff “being passed down” or not is also a false narrative. If people want to make records, I have always been here, people engage me as a producer all of the time. Think about it, you “found” me and it was not hard. We are the originators. The new generations find the paths that we laid down before. Those that are truly interested will actually participate. These “next gen” conversations are not about getting anything actually done.

GO BANG! Magazine: You’re the founder of Slang Music Group and you’ve received numerous gold and platinum awards. Please tell our readers about these awards, about your company, and plans for your company’s future.

Vince Lawrence: Slang is a multi-featured music and sound house that produces national Gold & Platinum award winning recording artists and delivers modern sounds to the ad industry seamlessly. Our producers have worked with many best in class artists and continue to do so. Our mix engineers are some of the words best, working with the greatest talent. Examples: https://open.spotify.com/playlist/1IKd1PFQdStInJKsmaZMFq

Along with music for television, film and commercials, members of Slang Music Group have also been working with burgeoning new talent from all over the world. We create content presentations for both the boardroom and the web. This year we launched a library of economical, easily licensed music for use in creative projects. www.Slangmusicvault.com was developed in hopes of creating new collaborations with creatives everywhere. We have created thousands of high quality music tracks for this purpose. Hopefully someone out there has written perfect songs for some of them. In 2021, Slang Music Group is evolving, creating original long format and digital content for television and theatre.

GO BANG! Magazine: Recently a new documentary titled “Legacy: From Soulful Horns to House Music” premiered here in Chicago on WTTW on Friday, November 13, 2020. You directed, produced and narrated it. I viewed the show, as did many others that I know. Tell us what inspired you to bring that to the public, what your mission was, and if you achieved your goal.

Vince Lawrence: I grew up amongst Chicago’s music elite. I was raised on stories of the “amazing feats of music” described by people like Kanye West. I bear witness to miracles when I say that Black Chicagoans have, generation after generation, created art from nothing that changes the landscape of music worldwide. These amazing people hail from housing projects and streets that people say are impossible to survive, yet they thrive…and create. I owe a piece of my existence to my parents and these greats. My film shines a light on what they have done through the lens of how they affected me specifically. By acknowledging all of this, I hope to pay it both back and forward. These men deserve to be in the Rock and Roll Hall of Fame and get life awards from places like the Grammys. I plan to submit this film as part of my effort to see this done while these gentlemen are still alive.

GO BANG! Magazine: More recently, on November 19, 2020 you participated in “Sleep Out: Chicago”, which brings attention to the youth homeless and trafficking population. Please explain how you feel about this tragic population and how you participate in this much needed cause.

Vince Lawrence: I grew up here. When I found out that 4,000,000 youth are homeless in the US, I was stunned because I couldn’t recall seeing homeless youth. But then, I found out that I had seen youth homelessness, I just didn’t know it. You see, it’s not just sleeping out on the street. It’s couch-surfing, sleeping in a car, or trading your body for a warm bed…that’s youth homelessness. And it happens because you age out of foster care, or tell your parents you’re gay, or your mother looks at you one day and says “I don’t want you no more.”

So, I’m supporting Covenant House Illinois starting on “Giving Tuesday”, December 1st to raise money to help thousands of Chicago youth overcome homelessness. Facebook is matching donations on “Giving Tuesday” from 7AM Central until their budget is exhausted. Please go to my FB Fundraiser and donate. Let’s show our youth that House music fans know they matter and they are not invisible. Please give on “Giving Tuesday” to my Facebook Fundraiser for Covenant House Illinois.

These days, there are so many kids displaced. Any effort to create a chance for our city’s youth is everyone’s responsibility. I am simply a man with a hill to stand on… Shouting! You can shout too, everyone can. Small contributions combined and repeated actually help.

GO BANG! Magazine: On November 19, 2020, you participated in a virtual panel event presented by Eric Williams and The Silver Room. It featured you and the legendary House music producer Marshall Jefferson. It was moderated by Duane Powell. It was titled “Chicago Created House Music.” Its purpose was to discuss everything House: including how it started, how it’s been and where it’s going. I tuned in and enjoyed every moment of it. The Silver Room has had a major influence on House culture over the years. What are your thoughts on The Silver Room’s contribution and influence on culture, and more specifically House culture?

Vince Lawrence: My relationship with The Silver Room is perhaps a little different. When I look at that group, I don’t see a business, I see people dedicated to Black positivity. I have watched Eric and his team grow their business, start a festival and share their thinking on the inter webs. I commend Eric for creating a platform to share these stories, while helping artisans extend their brands, personal or otherwise.

GO BANG! Magazine: When others in the entertainment industry reach the level of success that you have, some of them go “Hollywood” and become arrogant and cold-hearted. You seem to have not gone down that path. How have you maintained your level-headedness and why is that important to you?

Vince Lawrence: I have been lucky to have the opportunities that I have. I see every day that creatives struggle, hoping that one day they can make any sort of living doing work they love. I realize how lucky that makes me. I don’t take any of this for granted, not for a nanosecond.

GO BANG! Magazine: What are you working on now, that our readers should be on the lookout for?

Vince Lawrence: I continue to create great music for records, film and TV. I have two new films in development, LEGACY hopes to become a series and find its way into more homes via streaming platforms and such. I have new records (and a bunch of old ones) coming out via arrangements with UNITED MASTERS as well. www.slangmusicvault.com continues to be a resource for creatives spanning many genres and art forms We are also working to develop a great set of tools to help DJs all over the world to become the best version of themselves.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Vince Lawrence: I accept this as the current reality. COVID has killed too many friends and friends of my friends. That stated, I have been working “remotely” for many, many years. My clients are literally all over the world. I have a great studio set up in my home and tools to connect to anybody anywhere. COVID presents an opportunity to refine those efforts and reach out to more people who now have to get accustomed to communicating and collaborating in this way. I won’t let this stop me; actually it’s a chance to grow. Can you imagine all that time we were wasting commuting for meetings even? When COVID is gone, who wants to go back to that?

For more information on the Sleep Out, log onto:
https://www.sleepout.org/index.cfm?fuseaction=donorDrive.event&eventID=844

You can follow Vince on ALL social media @vingoslang and on the Slang Music Group website: https://www.slangmusicgroup.com/ and http://www.slangmusicvault.com

 



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Avery Kelley is a name to keep in mind. Ms. Kelley is an up and coming writer, director and producer from the Southside of Chicago. Avery is 12 years old and entering the seventh grade. Since a little girl, she has loved everything about the Arts; dancing, singing, and her passion being writing.

While extremely talented, Avery thinks of herself as an average kid. She loves to hang out with friends, eat pizza and have sleepovers with her besties on the weekend. Ms. Kelley is an honor student at Keller Regional Gifted Center, embracing all facets of school, earning straight A’s since kindergarten. Avery has placed in her schools Science Fair, Speech Arts Competitions and Spelling Bee throughout the years. During the previous school year, Avery participated in the History Fair competition, creating the documentary “Soul Train, Soul Change”, which spoke to how Soul Train broke barriers in the entertainment industry, while being a significant part of the civil rights movement. Avery’s documentary, placed in the school, city and state competitions, advancing to nationals and winning the outstanding entry for the State of Illinois. Her documentary was also recognized by the National Museum of African American History and Culture, exhibited in their digital showcase.

As hard as Ms. Kelley works on her schoolwork during the week, she just as passionately pursues her love for the Arts on the weekend. Avery has studied dance at Studio One Dance Theatre for the past 10 years, taking Ballet, Tap, Jazz, Modern, Hip Hop and African dance. Avery has also participated in the Chicago Children’s Choir for two years. Singing and dancing have always made Avery happy, but her passion is writing. In the words of Ms. Kelley, “I write with every emotion, when I am happy, sad, afraid or mad. My outlet is my journal, telling stories that I want the world to see. It is my dream to have one of my scripts someday turned into a television series.”

Most recently Ms. Kelley has penned a dramatic comedy, which she states is inspired by some of her life experiences. Avery began writing this series during Spring Break of 2018. Ms. Kelley states, “I decided to write a script for a television series, because I wanted to see a show with a different concept than many of the shows you see today. So, I decided to create my own.” In Spring 2019, Ms. Kelley filmed a short episode of her series, entering it into the Mustard Seed Vision Youth Film Festival. At this festival, Ms. Kelley was awarded the Leadership award for her work. Since then she has been writing full speed ahead, working on various creative projects, and continuing to take classes to hone her craft.

Avery Kelley’s entrepreneurial spirit, creativity, drive and perseverance has her shooting for the stars. Her sentiments are that “many writers start small, growing their work into award winning pieces. This is the dream I have for my work. Although young in age, I know I can have BIG dreams. And with commitment and dedication, those dreams can turn into a reality. I am committed, I am dedicated, I am history in the making.”


GO BANG! Magazine: How did you get involved in so much business and entertainment activity at such a young age?

Avery Kelley: I’ve always loved entertainment. My parents say that when I was younger, I would say “when I grow up I want to be in there” (pointing at the TV). In the summer of 2018, I got in trouble with my parents for abusing my phone privileges (texting non-stop) and the punishment was I couldn’t use my phone for a week. To help me find an alternative outlet, my mom bought me a writing journal. Initially, I loved it because it was pink and had my favorite animal, a flamingo, all over. But the upcoming days, revealed a passion that I hadn’t realized was there. This was the summer that I started writing my first scripted series. Fast forward a couple months later, I started practicing the script with my friends at school during recess.

At the beginning of the new year, my mom asked how were things going and I responded “you are hindering my life dreams.” I explained this passion I had for writing to my parents and let them read my journal. They were impressed and said, we will help you as much as we can and try to help you connect with people who have more expertise. They suggested for me to contact a local talent agency and tell them my story. I did, and the agency responded telling me about a Youth Film Festival that was being hosted by Mustard Seed Vision. I created a short film, as a preview for my series for the festival. It was all I ever dreamed of. My parents saw my commitment and excitement in this process and decided to help me pursue my dream of becoming the youngest screenwriter of a scripted television series or feature film on a major platform/network. I work hard daily, every extra moment I get from school work, to make this dream come true. I’m just getting started.

GO BANG! Magazine: Mom, (Amy Kelley) please describe Avery to our readers who may not be familiar with her.

Amy Kelley: “We are blessed to have Avery as our child. Don’t get me wrong, she still is a 12-year old girl. However, she is a great kid. Avery is fun loving, hardworking, and compassionate. She loves to talk…loves…to…talk!!! She is passionate about all things that mean something to her, like her family, her friends…HER WRITING. Avery has a work ethic that is truly amazing. I have watched her in the past two years, commit to learning about being a screenwriter and director. She has taken classes, attended seminars, even asked for books on the topic for Christmas. Often, when we ask her what she is doing (when she is super quiet in her room), she will say…WRITING. Her passion to succeed in this field in undeniable, and even at 12 years old, she is willing to put in the work.”

“But she also has a passion for others. She believes there is a star in the sky for everyone, and loves to see others shine. Her passion, work ethic and drive make me proud, but her heart and caring for others, let me know I am so blessed to be her mom.”

GO BANG? Magazine: Dad, (Charles Kelley, Jr.) how does it feel to have your little girl growing up and becoming a young, black businesswoman?

Charles Kelley, Jr.: “It is a really cool process to see on a daily basis. I feel extremely happy or simply full of joy to see my daughter Avery work so hard to be good at what she chooses to do. As a parent, you want the best for your children, so you offer opportunities and you sacrifice your wants so they can have their needs. What Avery is really good at is the hard work in her preparation, the little things that many will never know about, but I see it daily.” 

“My joy is to see Avery perform or the performance. I love seeing the finished product because I know how hard she worked to get to that point. My daughter, my heart, is all I ever wanted and I am extremely happy with the Lords blessing, to witness her growth, development and her gifts to this world.”

GO BANG! Magazine: I first became familiar with you after seeing you on television on ABC7 Chicago’s “Windy City Live” this past July. Many others may know you from your “Tweendom” online talk show on the Restream.io platform. For our readers that may not be familiar with the show, please describe your show and what Restream.io is.

Avery Kelley: “Tweendom Talk Show” is a talk show I created for the kids, the teens, and everyone in between. The mission of this show is to inspire youth to be creative, live outside the box, and have fun while doing it. I had the idea for a similar concept for this show prior to COVID. However, when the pandemic struck, I felt like it would never become a reality. I discussed my anxieties with my friends, family and came up with a way to make it work during a pandemic. The show is livestreamed every Friday night at 6:30pm CST on YouTube and Facebook. It has been a great way to reach an audience during the pandemic, and has allowed me to get a better understanding of production. I produce the entire show myself, coming up with weekly topics, finding guests, creating advertisements and other tasks. I am having a blast and have met a lot of great people along the way.

“Restream.io” is a platform that allows me to multi-stream “Tweendom Talk Show”. Restream.io provides multi-streaming services, allowing a live broadcast to stream to more than one social media platform at a time. Without using Restream, I would not be able to stream the show to both YouTube and Facebook. It makes things work, just the way I envisioned.

GO BANG! Magazine: Your short documentary “Soul Train Soul Change” is a tribute to the legendary “Soul Train” television show, and was originally a school project, but it went national. Please explain what motivated you to create the film, how it went national, and how has your life changed since bringing it to the public.

Avery Kelley: My documentary “Soul Train, Soul Change” began as a school project. Every year the 6th grade class at my school has to participate in the “Chicago Metro History Fair” which is a part of the “National History Day” competition. This year’s theme was Breaking Barriers in History, but our teacher required that our topic have Chicago historical context. The competition allows you to submit your project in the form of a paper, exhibit, website, performance, or documentary. Considering my passion for film, I decided to create a documentary.

My inspiration came from watching the television series American Soul on BET. In watching this show, I realized the barriers “Soul Train” broke in the entertainment industry and in doing research, learned of its Chicago historical ties, and therefore selected “Soul Train” as the topic for my History Fair project. After months of hard work, I finally finished the project. It went from winning the school wide competition all the way to placing in the national competition. At nationals I was awarded the Outstanding Entry for the State of Illinois and my project was also selected to be highlighted at the National Museum of African American History and Culture’s virtual showcase. I am so blessed that my project was recognized in this manner.

GO BANG! Magazine: You write for television and for film. Where do the ideas for your writing come from?

Avery Kelley: My ideas for my writing mainly come from my real-life experiences. I am inspired often by day to day occurrences with friends and family. There will often be situations that stick out in my mind and from there my mind drifts off, my imagination kicks in, and I create entire story lines based on one small funny thing that has occurred. I think it’s my way of communication. I write at all times. When I get excited, I run to write…when I am sad, I run and write and when I am frustrated…you guessed it, I grab my journal. The ideas and inspirations can come at the strangest times, but it makes me so happy.

GO BANG! Magazine: Who inspires or motivates you to create?

Avery Kelley: My parents and my grandma inspire and motivate me to create. They are supportive in all that I do and that is motivating and inspiring for me. I have a few favorite creators that I find truly inspiring. A couple of those are Ava DuVernay and Tyler Perry.

Ava DuVernay is a huge inspiration for my work. This is because she uses her platform and her craft to show her audience empowering stories about Black people in America. Her projects such as “Selma”, “Queen Sugar”, “Cherish the Day” and “A Wrinkle In Time” are projects highlighting African Americans that is used to entertain, but also shows them in a positive light. These are types of work I would like to create. The work that she is creating is inspiring an entire generation and I hope to be able to do the same.

I am also inspired by Tyler Perry. He came from the ground up, when building a name for himself. He went from being homeless, to having one of the largest movie studios in the United States. To see his projects featuring primarily an African American cast, is very empowering to watch. I strive to one day create projects that show minorities in a positive light and become the youngest screenwriter of a scripted series or feature film on a major platform. To see Tyler Perry reaching his goals, expand his craft and continuously branching out in the entertainment field is very inspiring, and lets me know that I can achieve my goals too.

GO BANG! Magazine: You are also the CEO of a corporation named Inspired Melanin, LLC…your own company. Tell us how you started a company and what is its purpose?

Avery Kelley: In August 2019, I established the production company “Inspired Melanin”. The mission of this company is to create projects positively highlighting people of color, their journey and experiences. As I began writing and creating, I realized that I wanted to establish a production company that would allow me and others to create programs highlighting our community in a positive light, hence the name, “Inspired Melanin”. My parents assisted with getting all of the legal stuff done to form the company. They are very instrumental in making sure my vision is illustrated in the works of this corporation.

GO BANG! Magazine: Unfortunately, the Arts have been eliminated in many schools, due to budget restraints and underfunding of schools. Please describe how important it is to you to keep arts in schools and in your life as a teenager.

Avery Kelley: The Arts have been a huge part of my life for as long as I can remember. Knowing that so many programs have been eliminated from schools is very disturbing to me. Art programs in schools expose many talented students to a variety of opportunities. It is a shame to know that schools around the country have been eliminating these programs.
For me, like many other students, the Arts are an outlet that highlights the various skills I learn in the classroom. My passion for writing is an extension of skills I gained in school, my love for dance is only improved by concepts I learned in math class. They go hand in hand, one enhances the other. I hope that the schools will find the proper funding to put these Art programs back into the picture for kids to experience, learn from and explore.

GO BANG! Magazine: When you’re not working or writing, what type of things do you like to do for fun?

Avery Kelley: When I’m not working and writing, I love to dance. I have been a dancer at “Studio One Dance Theatre” for the past 10 years and training in dance is one of my favorite things to do! I look at myself as a normal preteen. I like to talk to my friends on the phone or FaceTime, ride my bike and of course, go on social media…especially Tik Tok.

Since starting to write, I enjoy watching television a lot more. I now find myself dissecting shows, watching the editing, the costumes, the lighting, and other facets of a show. Writing has made watching television a much different experience for me now. Now, watching television is like taking a truly fun class.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?

Avery Kelley: Socially, I am having a hard time during the pandemic. I am an extrovert and love interacting with people. Not being able to see my friends and family has been hard. I also miss activities like dance class, and going to the beach with friends. But I recognize that for my parents and me, social distancing is the right thing to do, to keep ourselves and others safe.

GO BANG! Magazine: What is next on the agenda for you? Do you have any projects lined up for later in the future, after the COVID-19 pandemic that you can tell our readers about?

Avery Kelley: During the pandemic I have written a ton. I have brand new projects coming up. Unfortunately, I cannot say much about it. However, I am working with my parents on creating a philanthropic piece to Inspired Melanin. I love to serve others and want to make sure that passion is also incorporated into my business.

I’m excited about the future, during the pandemic and beyond. I always plan on reaching for the stars.

GO BANG! Magazine: On May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world. How do you feel about this unfortunate situation and call for police reform due to the horrible treatment of minorities by the police?

Avery Kelley: This situation has been very difficult for me. I watched some of the news clips with my parents. As a 12-year-old black girl, it was difficult to see someone who was a similar build to my dad, harmed by people who are meant to protect us. Luckily my parents have had conversations with me to soothe my fears. I mentioned to them that I don’t ever want to see people judged just because of the color of their skin. They told me that my hopes were similar to those of Dr. Martin Luther King Jr, where “people one day would be judged not by the color of their skin, but by the content of their character.” So, I continue to move forward, hoping in the near future that this dream will be realized.

Social Media Links:
Inspired Melanin

Facebook: Inspired Melanin LLC
Instagram: inspiredmelaninofficial
Website: http://www.inspiredmelanin.com 
(See the “Soul Train Soul Change” video on the website)

Tweendom Talk Show
Youtube: Tweendom Talk Show

Avery
Instagram: averyk_official

ABC7 Chicago news spot:
https://www.youtube.com/watch?v=0AiWn5nH8Qs




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

 

FILM INDEPENDENT FORUM

 

https://www.filmindependent.org/programs/forum/

July 31 – August 7
This year we’re breaking new ground, digitally speaking. With health and safety our top priorities, The 2020 Film Independent Forum will take place entirely online, making it accessible by filmmakers around the globe.

Forum passes are on sale now to Members and the general public.

If you’re a Film Independent Member, you’ll receive 50% off your pass.

Filmmaker Pro and Arts Circle Members, your pass is FREE.
(Email membership@filmindependent.org to learn more and register.)

Just as in years past, the 2020 Forum schedule will be packed with interactive panels, workshops and in-depth discussions, giving attendees ample opportunity to gain the insight, tools and strategies needed to further a career in film & entertainment. Also returning are the ever-popular Industry Connect* sessions, providing valuable one-on-one meetings with key figures and decision-makers from throughout the industry.

In an effort to maximize the accessibility of this all-online edition, closed captioning will be provided for a majority of the events that comprise the Forum.

* Industry Connect registrations are now full.

FORUM PASS BENEFITS AT-A-GLANCE
Live keynotes and conversations
One-on-one sessions with industry experts
Exclusive on demand content
Extended access to Forum recordings and resources
Insights from professional filmmakers around the world
Register for the 2020 Film Independent Forum today.

For more details, visit our Forum Schedule and Speakers & Panelists pages. You can also follow us across social media (@filmindependent) for announcements.

Online Edition Scheduled for August 21-30, 2020

LOS ANGELES, CA, (June 11, 2020) – ABFF Ventures LLC., today announced that the 24th annual American Black Film Festival (ABFF) will take place online August 21-30, 2020 at abff.com. The ABFF Online Edition will continue the tradition of the live festival, featuring the best of independent black cinema, studio premieres, conversations and panels, business of entertainment seminars, along with virtual networking events.

The ABFF will also use its platform for social change in response to the scourge of racial injustice in our country, as well as educate and support its community in an effort to help in its recovery from the coronavirus. This year’s festival theme is “Community First!”

“While we will surely miss being with our ABFF community in Miami Beach this year and connecting in person, what truly binds us together is our shared commitment to ensure inclusion in Hollywood and sustaining a place of inspiration for diverse storytellers. We will persevere through this year and end up a stronger community on the other side of this crisis.” said ABFF Ventures CEO, Jeff Friday.

The American Black Film Festival (ABFF) was conceived in 1997 as a vehicle to strengthen the Black entertainment community and provide a platform for emerging artists. It has become one of the leading film festivals in the world and a place of inspiration and community for many. The destination festival, which has typically attracted 7,000 to 10,000 attendees to Miami Beach, will open its virtual doors to a global audience, offering most of its programming free of charge.

Previously announced, Iconic Grammy Award® winning and Academy Award® nominated singer, songwriter, actress, producer and philanthropist Mary J. Blige serves as this years’ ambassador.

Sponsors to date include Warner Media, HBO® (Founding), Greater Miami Convention & Visitors Bureau (Presenting Sponsors); Comcast NBCUniversal, Amazon Studios (Premier Sponsors); Motion Picture Association (MPA), Sony Pictures Entertainment, Jeff Friday Media, UMC – Urban Movie Channel, Verizon Media (Official Sponsors); Accenture (Supporting Sponsor); Blackfilm.com (Media Partner).


For more information on ABFF and up-to-date news, go to http://www.abff.com and follow @ABFF on Twitter and @AmericanBlackFilmFestival on Instagram and Facebook.

Join in on the conversation by using #ABFF20 and #WeAreABFF.
________________________________________
ABOUT ABFF:

The American Black Film Festival (ABFF) is an annual event dedicated to recognizing black talent and showcasing quality film and television content by and about people of African descent. Dedicated to the belief that diverse artists deserve the same opportunities as their mainstream counterparts, ABFF founder Jeff Friday conceived the festival in 1997 as a vehicle to strengthen the black entertainment community by fostering resource sharing, education and artistic collaboration.

After 24 years, the festival has become a cornerstone of diversity in Hollywood, providing a platform for emerging black artists — many of who have become today’s most successful actors, producers, writers, directors and stand-up comedians, including Ryan Coogler (Black Panther), Will Packer (“Girls Trip”), Issa Rae (“Insecure”), Kevin Hart (“Night School”), Omari Hardwick (“Power”) and Steven Caple Jr. (“Creed II”). The ABFF is the preeminent pipeline for black artists in front of and behind the camera, and has significantly expanded the range of talent working in the entertainment Industry.

As “the nation’s largest gathering of black film and television enthusiasts” the ABFF attracts a broad audience of celebrity talent, emerging artists, upscale consumers and industry stakeholders. Approximately 7,000 to 10,000 people travel to Miami Beach each year for the five-day event. The festival opens with the premiere of an upcoming Hollywood release followed by a full schedule of intriguing independent film screenings, master classes, panels, celebrity talks, live entertainment, and a variety of networking and hospitality events.

ABOUT ABFF VENTURES:

ABFF Ventures LLC (ABFFV) is a multifaceted entertainment company specializing in the production of live events and branded content. Its mission is to entertain and inspire communities of color while promoting diversity in Hollywood. Headquartered in Los Angeles, ABFFV was formed to stimulate business growth through expansion into other events and services. Its tent-pole properties are the American Black Film Festival (ABFF), cited by MovieMaker magazine as “One of the Coolest Festivals in the World;” and “ABFF Honors,” an annual awards gala saluting the top stars of film and television. In creating ABFF Ventures, CEO Jeff Friday channeled his passion for film and television, as well as his discomfort with the underrepresentation of people of color in Hollywood, into an organization with the ultimate goal of advocating for diversity within the entertainment industry. Through his vision and perseverance, ABFF Ventures has become a highly respected enterprise, generating goodwill throughout the Hollywood and corporate communities.

Yvette McWhorter, a cannabis industry worker, can usually be found journaling or jotting down ideas for original books, movies, plays or songs.

Writing a book has always been on her bucket list. With her current manuscript “Steppin In The Key of Love” on the horizon, Yvette is that much closer to making her dream come true.
Her love for theater began with a third grade class trip to the Schubert Theater to see “Pinocchio.” Many years later, in response to the crack cocaine epidemic, she wrote her first play “Inner City Blues.”

Music has always been her first love. Ed “Get Down” Crosby and Pierre “Playerre’ Evans were the first producers to appreciate and record her sultry alto vocals.

When not engaged in thinking of ways to tell stories about things people haven’t already heard, you can find her relaxing at home with her dog Fancy, or doing karaoke.

GO BANG! Magazine: As a multi-talented artist who writes plays, books, films, and can sing, you are highly gifted. Which of your talents did you discover first and how did it reveal itself to you?

Yvette McWhorter: I would have to say it was singing. So, I must have been about ten years old when “Sweet Thing” by Chaka Khan was released. My friends and I were on the porch listening to the radio and as soon as I heard that guitar intro, I went into full Chaka Khan mode. I was doing my little Chaka dance and everything. When I started singing, I shocked myself. I knew I LIKED to sing but I didn’t realize I COULD sing until that moment.

GO BANG! Magazine: The theater bug bit you early in your youth, while you were in third grade. That sparked a fire in you that burned deep inside of you for years. You were inspired to write the play “Inner City Blues.” Please tell our readers about your play, its message, and if you still are planning to showcase it again.

Yvette McWhorter: I started writing “Inner City Blues” during the crack cocaine epidemic. That was a really painful time for black people and I wanted to express my pain the best way I knew how. As you can tell by the title, Marvin Gaye was my inspiration, specifically, the “What’s Going On” album. That album just felt like the soundtrack for everything that was happening during that time. Mothers were losing their sons to gang-violence. We were being vilified in the media nightly. The music industry was producing videos and song lyrics that reflected and sometimes glorified it all. The message that I wanted to convey was no matter how bad things were, black people had seen worse and we still managed to survive.

As far as future plans to showcase it, I never say never. It would definitely have to be revised. One of the changes I would make would be to change the dialogue to narration and let the Alvin Ailey Dancers tell the story through music and choreography, if that makes sense.

GO BANG! Magazine: Vocally, you have a distinctive tone. Over the years, you have hit the studio and laid your soprano voice on the tracks of two producers. Please tell us about those songs, the experience, and if “YUMMY” plans to hit the studio again anytime soon.

Yvette McWhorter: Well, first off, I couldn’t hit a soprano note if my life depended on it. LMAO. I sang alto in acapella choir in high school. Anyway, a very good friend of mine, Ed “Get down” Crosby, was the first person to see potential in me as an artist. Ed was one of the original members of the” Hot Mix 5” on Chicago radio station WGCI. He was very talented. I was flattered when he told me that he thought I was good enough to make it to the top. I believed it too. The problem was that the studio scared the hell out of me. We ended up recording two songs that could’ve been great, had I just let my creativity flow. We both knew neither of the songs were a true representation of my abilities.

A few years later I was introduced to Mr. Pierre “Playerre” Evans. If I remember correctly, Pierre you were looking for backup singers, right? The original singer for your song “Mind Groove” had been sick and couldn’t make it to rehearsal for a few weeks.  The song “Mind Groove” was meant to be a duet, but you were doing both parts at rehearsal. Then one day you asked me to sing her part. I’d been listening to the song so much that it felt natural and the nervousness I always feel when I sing new material was barely there.

When you let me listen to the other young lady doing the song, it sounded great and she had a beautiful voice. But I thought the lyrics called for a more potent voice and a “stand your ground” kind of attitude.  I was older and had been through some stuff. Soooo…..l brought ALL THAT to the song. You and I had great chemistry and your confidence encouraged me to find some of my own and I thank you for that.

I don’t know if I want to record again, but I’d love to sing with a cover band.

GO BANG! Magazine: As a screenwriter, you write scripts for television and film. Do you have any written scripts or scripts in development that you can speak of at this time?

Yvette McWhorter: I have ideas that I am trying to develop that can be adapted to stage or screen. However, I find the direction that the movie industry seems to be moving in very interesting. Coronavirus has forced block buster movies off the big screen and onto cable networks. Netflix and Amazon Prime have been really stepping up their game with original content. So, there are opportunities for new film makers with new ideas.

GO BANG! Magazine: Currently, you’re finishing up your first book entitled “Steppin’ In The Key Of Love.” Please describe to our readers the process of writing a book, what your book is about, and when it will become available for our readers to buy.

Yvette McWhorter: Whew! Where do I start? Well, for me the process was probably unconventional. My initial goal was to find an original backdrop and then weave a story around it. My mother is one of what I call the pioneers of “Steppin.” The stories and pictures she’s shared with me inspired me to write a book to pay homage to all steppers. I like a good love story. So, I decided to write a story about a spoiled, strong willed woman who’d grown bored with her loving but predictable spouse. She sets out to find the excitement she craves on the dance floor.

After a VERY rough draft I sent my work to an editor. I knew it wasn’t ready, but I wanted her to point me in the right direction by showing me what I had done wrong. She started by telling me that my idea was very original, but it needed a lot more work. During the time I was working on a second draft, a friend tagged me in a Facebook post with a link to a Sun-Times article and she said, “this reminded me of you when I saw it.” When I went to the link I was horrified. It was an article about a new show that was premiering, and it was about Steppin. I knew this wasn’t a case of “same idea, different people” before I even saw the show.

The producers that were being interviewed didn’t even bother to use their own words to answer the questions about the show. They used thinly veiled quotes directly from my work. I can’t prove it, but to quote Erykah Badu “I’m an artist and I’m sensitive about my shit.” In other words, I know my work when I see it. Once I saw the show, I laughed because basically they created a different set of circumstances for their lead characters by doing the opposite of everything I did. In my version my couple was married with no children and having marital issues. Their couple was married with children and started out happy. Get It? But, character personalities, occupations, physical descriptions, and Chicago geographical locations that were specific to my story were all included.

I was livid but, in a way, having my work stolen was a huge compliment. I knew it had potential no matter how much work it needed. Having it stolen and produced by a network just proved me right. I have no desire to finish the book after what has happened. The thing about being creative though is you have a million ideas where that one came from. I would however like to see “Steppin’ In the Key of Love” done RIGHT, as a limited series.

GO BANG! Magazine: Of your talents that we have spoken of, which is your favorite and why?

Yvette McWhorter: Music speaks to my spirit more than any other form of artistic language. Singing allows me to express my emotions, no matter what they are. It engages all of my senses because I am fully indulged. If I am singing about a man’s cologne, I smell it. If I am singing about a broken heart, I feel it.

On the other hand, writing allows me to create a world that I control. It takes me away from reality completely or lets me manipulate it in fun or sometimes insane ways. I lose track of time when I’m writing because I am totally immersed in that world at that time. So, both singing and writing are my favorite, at different times.

GO BANG! Magazine: What inspires or motivates you to create?

Yvette McWhorter: A lot of what I write is inspired by bits and pieces of real-life events or people, sprinkled with fantasy. Much of it is something I myself may have experienced or how I believe I would respond to something if it happened to me. Then other times I could be sitting there doing something totally unrelated to writing, and my little Gemini brain will say “hey, wouldn’t this be a good idea for a book or movie?” LOL. Welcome to my world.

GO BANG! Magazine: If you were given the opportunity for one of your dreams to come true, what would that dream be?

Yvette McWhorter: When I worked for the Department of Corrections, I wrote plays for the inmates to perform. There are so many talented people behind bars that I was never at a loss to find someone to fill the roles. And very well I might add. They were grateful to be a part of something positive, but I was granted the reward of seeing my work come to life. One day, I would like to see something I have written “green lighted” and produced with my name on the credits.

GO BANG! Magazine: What should our readers be on the lookout for from you in the near future?

Yvette McWhorter: Right now, I write when the mood strikes me. As I mentioned, I’m still trying to get a producer in Chicago interested in doing “Steppin In the Key of Love”. I still think it’s a great idea, even if I have to change the storyline. Chicago deserves a story about what WE created to be told from our perspective.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Yvette McWhorter: Covid-19 has given meaning to the phrase “It’s not what happens to you, it’s how you respond to it.” I have taken this time to think about how to move forward in our new world. I’m thinking about how to seize opportunities that will be available. I want to live the best of my life for the rest of my life. Unfortunately, that may mean letting go of people, places and things that haven’t served me well in the past. It means holding myself accountable for not being where I want to be. I quarantined alone so it’s a good thing I like my own company. So, all things considered, I am well.

GO BANG! Magazine:  JOIN US IN WISHING YVETTE McWHORTER A HAPPY BIRTHDAY! (6/1)

HAPPY BIRTHDAY!!!

Link to “MIND GROOVE” Song:  https://www.reverbnation.com/playerre




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Ron, the oldest of six, was born in Chicago and raised by his mother, a single parent, in many communities on the near north side, and finally Cabrini Green. He started as a Vista worker but would become a community activist & staff person with community based organizations such as The Intelli-Gents, a member of the North Central Community Committee, Chicago Federation of Community Committees, Near North Community Committee.

He grew up with music and famous people around him like Major Lance, Curtis Mayfield, Five Stairsteps, Chi-Lites, Admirations, and the Epsilons. His mother grew up with actress Mary Alice, Major Lance, and Chaka Khan’s mother. They are childhood friends to this day.
From humble beginnings and against all odds, he succeeded. He credits his success to his mother’s work ethic, his own “can do” attitude, and his unshakable determination to beat the odds.

He attended Northwestern University and Columbia College Chicago. His street smarts and people skills have uniquely equipped him to deal with issues in the corporate boardrooms, as well as ANY room you put him in.

Ron Simmons is an Olympian from the Olympics in Atlanta of 1996. His career in powerlifting would result in him becoming the World Champion Powerlifter in 1994, the 3rd Strongest Man in the World, winning 2 gold medals and receiving many other awards.

Ron has been called the Martin Luther King Jr. of Cabrini Green housing projects and a Cabrini Green Legend by legends like Mickey Miles and Miko Jones.

Simmons began his career in the late 70’s promoting club events. In 1976 he formed his company Starship Enterprise and went on to promote some amazing events. During the 1980’s, Simmons and childhood partners ruled the upscale club and event scene. His promotions drew enormous crowds, as well as some A-List recording artists and DJ’s. His unique promotional flair and charisma helped bring the glamour back to the black events. His promotions of artists like The Dells, Heaven & Earth, and Brighter Side of Darkness would fill the party room with people from everywhere. One of the biggest events that he promoted was at the Playboy Towers in Chicago.

Ron has received awards and recognitions over the years. The Community Service Award presented to Ron Simmons by The Chicago Federation of Community Committees and a Certificate of Appreciation presented to Ron Simmons, as an expression of appreciation for his outstanding contribution on behalf of the State of Illinois.

Ron started writing 21 years ago when he had time. He’d write a little here and a little there. Over the years, by writing concepts for music videos and learning from industry screenwriters, he made up his mind to start writing about his community. He felt that the media always reported bad things about his community, but it was so far from the truth. Self-taught, he learned many things from professionals, which put him in a place where his hard work would result in his new reality. Being a retired Social Worker has allowed him to work on his projects day and night.

As a promoter of music events, an artist manager, producer, and artists booking agent, Ron Simmons has been the man behind the scenes of some of the most celebrated names in the music industry for over 40 years. In the 80’s, he added an Entertainment arm to his company, Lynx Productions.

Lynx Productions managed, produced and promoted many artists and shows. He rubbed shoulders with a lot of well-known industry people and companies. He almost landed a record deal with the legendary producers Jimmy Jam & Terry Lewis and worked with labels such as Motown Records, LaFace Records, A&M Records, Warner Brother Records, Smash Records, and SBK Records. He also had the pleasure of working with such artists as Mavis Staples, The Dells, Art Porter Jr, Louil Silas, Chaka Khan, Jimmy Jam & Terry Lewis, Barry White, Gavin Christopher, Steve Silk Hurley, Onaje Allan Gumbs, Kirk Yano, Magnum Force, Brighter Side of Darkness, RJ’s Latest Arrival, Ghalib Ghallab, One 2 One, Sneak Preview, Julia Huff, Stan Stubbs, Bobby C, Anita Pettis, 3D Richard Davenport, Spike Rebel, William L. Johnson, Otis Clay, Sarah Green, Marshall Titus, Aaron Isaiah, Princess, Frank Collazo, Matizo, Lendell, Jeniqua, and the list goes on.

Ron also produced music videos and with George Tillman Jr. and Bob Teitel. Their credits include “Soul Food”, “Men of Honor”, “Barbershop”, “Roll Bounce”, “Notorious” and “The Longest Ride” to name a few.

GO BANG! Magazine: You have an extensive career in the Entertainment Industry. Unfortunately, no one would expect someone with your humble beginnings to reach the heights of success that you have. What made you different?

Ron Simmons: I THINK IT ALL STARTED WITH MY MOTHER. WE USED TO SIT IN THE FRONT ROOM AND LISTEN TO ALL KINDS OF MUSIC. IT WAS SO MUCH FUN THAT IT COULD TAKE YOU TO DIFFERENT PLACES AND MAKE YOU FEEL DIFFERENT THINGS. ALSO THERE WERE PEOPLE THAT MY MOTHER GREW UP WITH, OR THEIR CHILDREN, WHO BECAME FAMOUS LATER IN LIFE, LIKE MARY ALICE, RAMSEY LEWIS AND CHAKA KHAN’S MOTHER SANDRA COLEMAN.
AS TIME WENT ON, ANOTHER FRIEND OF MY MOTHER’S WAS MAJOR LANCE WHO LIVED WITH US FOR A SHORT TIME AT 220 W. ELM STREET. BEFORE WE MOVED INTO CABRINI GREEN HOUSING PROJECTS, WE ALWAYS LIVED ABOUT TWO OR THREE BLOCKS FROM THE HOUSING PROJECTSM, BUT IN THE OUTER AREAS.

THIS WOULD BE MY FIRST TIME MEETING MAJOR LANCE AND LATER I WOULD MEET CURTIS MAYFIELD FROM KNOWING MAJOR. I WOULD GET THE OPPORTUNITY TO HANGOUT WITH THEM A FEW TIMES AT THE OLD REGAL THEATER. I THINK THAT IS WHEN I REALLY GOT THE MUSIC BUG.

I ALSO WOULD HEAR ABOUT MY COUSIN’S “THE FIVE STAIRSTEPS” DOING THINGS, DOING SHOWS AND WORKING WITH CURTIS MAYFIELD. ALL OF THESE THINGS HAD ME ON FIRE.

BEING AROUND THEM YOU HEARD MUSIC ALL THE TIME. SO, IT WAS ALL OF THAT AND JUST BEING IN THE RIGHT PLACE DURING SOME AMAZING TIMES WHEN THESE ARTISTS AND OTHERS FROM THE NEAR NORTH SIDE WAS ON THE RISE TO BECOMING SUPERSTARS.

I DON’T SEE MYSELF AS DIFFERENT, BUT A YOUNG BOY WHO WAS SOAKING IT ALL UP BECAUSE HE LOVED MUSIC. NOT KNOWING THAT IT WOULD INFLUENCE SOME OF HIS DIRECTION IN THIS FIELD.

GO BANG! Magazine: Growing up in Cabrini Green would be a horrible nightmare and terrifying to many of our readers, especially based on the media coverage it receives. Tell us about growing up in the notorious housing project.

Ron Simmons: MY FAMILY MOVED INTO CABRINI GREEN IN THE MID 60’S AND WE MOVED OUT IN 1985. THIS WAS THE FIRST FOR OUR FAMILY BECAUSE WE ALWAYS LIVED IN APARTMENT BUILDINGS.
IT WAS NEW TO US, BEING SURROUNDED BY SO MANY PEOPLE AND KIDS ALL AT ONCE. BUT, AS TIME WENT ON, IT BECAME THIS WONDERFUL PLACE OF COMMUNITY, FAMILY AND FUN. WE GOT TO KNOW A LOT OF PEOPLE AND FAMILIES AS TIME WENT ON. THERE WERE CHILDREN EVERYWHERE. MUSIC WAS ALWAYS HEARD COMING OUT OF SOMEONE’S WINDOW OR FRONT SCREEN DOOR. WE DIDN’T LOCK OUR DOORS BACK THEN UNTIL IT WAS TIME TO GO TO BED. A BAND THAT WOULD SIT OUTSIDE, FOUR DOORS DOWN FROM WHERE WE LIVED, IN THE ROWHOUSES, WAS REALLY GOOD. OTHER SINGERS FROM DIFFERENT HIGHRISES IN CABRINI WOULD COME DOWN TO SING WITH THE BAND. THESE WERE SOME OF THE GOOD TIMES.

I THINK THE MEDIA AND THE POWERS THAT BE CAN MAKE OR BREAK YOU DURING THOSE TIMES. IN THE BEGINNING, MOSTLY WHITES LIVED THERE IN THE ROWHOUSES WAY BEFORE THE HIGHRISES WERE BUILT. THERE WERE SOME BLACKS, BUT DURING THAT TIME YOU COULD ONLY MOVE IN THERE IF THE FATHER WAS IN THE MILITARY. BUT AS TIME WENT ON, THAT WOULD CHANGE AND AS MORE BLACKS MOVED IN, MORE WHITES THAT COULD AFFORD TO MOVE OUT DID.

DURING THESE TIMES, THERE WEREN’T THINGS LIKE GANGS, DRUGS OR KILLINGS GOING ON, BUT YOU HAVE TO REMEMBER THIS PLACE WOULD BECOME MORE OF A BLACK COMMUNITY THAN THE WHITE ONE IT USE TO BE. IT WAS CLOSE TO THE GOLD COAST AND DOWNTOWN. SO, IT WAS AN AREA KNOWN FOR THE RICH, SO IT WAS A CONCERN FOR THEM.

BAD THINGS STARTED TO HAPPEN IN CABRINI GREEN AFTER THE RIOTS IN 1968. MARTIN LUTHER KING JR. GOT KILLED AND RICHARD DALEY SR WAS THE MAYOR OF CHICAGO. DIFFERENT PARTS OF CHICAGO IN BLACK AREAS WOULD GET BURNED DOWN AND PEOPLE HAD NO PLACE TO LIVE. BY THIS TIME, YOU HAD HIGHRISES THAT HAD BEEN BUILT CALLED “THE REDS” AND “THE WHITES.”

MAYOR DALEY WAS GETTING COMPLAINTS FROM WHITE COMMUNITIES STATING THEY DIDN’T WANT THOSE BLACKS IN THEIR COMMUNITIES. SO DALEY MOVED SOME OF THOSE BLACKS, FROM THE SOUTHSIDE AND WESTSIDE, INTO CABRINI GREEN. WITH THEM CAME GANGS, DRUGS AND KILLINGS. FOR THOSE WHO ALREADY LIVED THERE, WHO WERE NOT ABOUT THAT KIND OF LIFE, THEY FOUND THEMSELVES PROTECTING THEMSELVES AND THEIR FAMILIES.

I HAD FIGHTS THERE THAT I WON. THE NEXT WEEK, YOU AND THE PERSON YOU FOUGHT WERE FRIENDS AGAIN. IT WAS OVER. I WOULD HAVE CONVERSATIONS WITH GANG MEMBERS AT DIFFERENT TIMES. THEY WOULD TRY TO BE TOUGH OR TRY TO BULLY YOU, BUT I NEVER BACKED DOWN FROM THEM. YOU HAVE TO BRING SOME ASS TO TRY TO GET THIS ONE. I WASN’T AFRAID OF THEM AND THEY KNEW IT. THE ONLY PERSON I WAS AFRAID OF WAS MY MOTHER, AND SHE DIDN’T PLAY. I PROTECTED MY FAMILY AND FRIENDS FROM ALL THAT CRAZY NONSENSE.

I CAN STILL STAY THAT FROM THE MID 60’S TO THE EARLY 80’S, IT WAS A NICE PLACE TO LIVE. YES, SOME BAD THINGS DID HAPPEN THERE, BUT BAD THINGS HAPPEN EVERYWHERE. THE DIFFERENCE WITH CABRINI GREEN WAS IT WAS A PLACE THAT WHITES WANTED BECAUSE OF ITS LOCATION. 70 ACRES OF PRIME REAL ESTATE!

THINGS REALLY STARTED TO GO BAD WHEN RESIDENTS BASIC SERVICES SLOWLY STOP COMING OR STOPPED. THIS WAS PART OF THEIR PLAN TO MAKE FAMILIES MOVE OUT THAT COULD. MAKE THIS PLACE UNLIVABLE SO THAT WHEN THE TIME CAME TO TAKE THEM DOWN, WHO WOULD SAY ANYTHING? THEY WERE UNLIVABLE AND THE MAYOR, THE POWERS THAT BE, CHA, THE GOVERNMENT AND THE POLITICIANS KNEW JUST WHAT THEY WERE DOING. THEY HAD A PLAN FOR THE AREA THAT WOULD BRING IN BILLIONS DOWN THE LINE. THIS WAS PRIME REAL ESTATE.

CABRINI GREEN HOUSING PROJECTS HAD SOME STRONG PEOPLE AND GROUPS. THEY WERE STARTING TO NOT TRUST THE SYSTEMS IN PLACE BECAUSE OF SO MANY BROKEN PROMISES. THEY DID WANT THAT AT ALL, SO FOR THEM IT WAS TO TAKE PUBLIC HOUSING DOWN ON ALL LEVELS. THE PEOPLE LOST THERE AND ACROSS THE CITY. THERE WAS NO REAL PLAN TO RELOCATE FAMILIES. THEY JUST THREW THE FAMILIES OUT INTO THE STREET WITH A 90 DAY SECTION 8 VOUCHER TO FIND HOUSING. IF YOU DIDN’T FIND HOUSING WITHIN THE 90 DAYS, YOU COULDN’T GO BACK TO CHA. YOU WERE ON YOUR OWN. SOME PEOPLE FOUND HOUSING AND SOME MOVED TO OTHER STATES. STILL OTHERS MOVED IN WITH FAMILY MEMBERS AND THOUSANDS ENDED UP DISPLACED. I BELIEVE THESE WERE CRIMES ON HUMANITY.

RON SIMMONS WAS A MEMBER OF THE INTELLI-GENTS, INC. ORGANIZATION:

The Intelli-Gents provided a myriad of services to the community of Cabrini Green. They were probably best known for their Truancy Follow-up-Program, Big Brother-Big Sister Program, and Tutoring After school and weekend Programs.
The Summer Basketball Tournaments, Cultural Enrichment program and through the Illinois Commission on Delinquency Prevention Program becoming advocates for youths that were adjudicated through the Cook County Juvenile Court System.
The Intelli-Gents also provided jobs, food & clothing assistance to area residents & finally provided assistance to the Cabrini Green Alternative High School the first of its kind in the nation. The Intelli-Gents was a driving force that keep a lot of things in order and saved a lot of young people’s lives as well as adults. The Intelli-Gents office was located at 515 W. Oak Street were there from 1976 to 1985.

IF I HAD TO DO IT ALL OVER AGAIN, I WOULD, WITH A FEW CHANGES IN ORGANIZING..

GO BANG! Magazine: In addition to being a business man and community activist, you’re also a self-taught musician and singer. Please tell our readers about that chapter in your life.

Ron Simmons: IT ALL GOES BACK TO SEEING THE BANDS PERFORM ON THE STREET AND GETTING GUITAR LESSON FROM A MEMBER OF ONE OF THE BANDS. HIS NAME IS KENNY MITCHELL. I ALSO TAUGHT MYSELF TO SING AND PLAY THE PIANO BY EAR.

IN HIGH SCHOOL, I WENT TO THE MUSIC ROOM DURING BREAK TO PRACTICE EVERYDAY. I KNEW I WAS GETTING GOOD BECAUSE EVERY TIME PEOPLE WOULD HEAR ME SING AND PLAY, THE MUSIC ROOM WOULD FILL UP. SO, WHEN I THOUGHT I WAS READY TO COMPETE AGAINST OTHER ARTISTS I THOUGHT WAS REAL GOOD, I ENTERED TALENT SHOWS AT SCHOOL. I WON 1ST AND 2ND PLACE. I CONTINUED TO PLAY AND PRACTICE. I COULD PLAY JUST ABOUT ANYTHING BY EAR, BUT IT WAS JUST NOT ENOUGH FOR ME. ONCE I LEARNED SOMETHING, I WENT ON TO THE NEXT THING. BELIEVE THIS, I COULD HAVE BECAME BIG WITH MY SINGING AND PLAYING, BUT IT JUST WASN’T ME.

GO BANG! Magazine: You’ve always been the type of person that would be involved in community service. Why do you feel the need to help your community?

Ron Simmons: I STARTED AT AN EARLY AGE, 15 OR 16. I THINK IT COMES FROM MY GREAT-GRANDMA AND MY MOTHER. I SAW THEM ALWAYS HELPING OTHERS AND THOSE SAME PEOPLE HELPED ME. SO I GUESS IT’S ME PAYING IT FORWARD. IT JUST FEELS SO GOOD WHEN YOU KNOW YOU HAVE HELPED SOMEONE.
I HAVE BEEN THIS OUTSPOKEN PERSON FOR A LONG TIME, SPEAKING FOR THOSE WHO CAN’T SPEAK OR KNOW HOW TO SPEAK FOR THEMSELVES. I’M WILLING TO STAND ALONE, IF NO ONE IS WILLING TO STAND WITH ME. I’D RATHER DIE ON MY FEET, THAN DIE ON MY KNEES.

I’M STILL AN ACTIVIST TO THIS DAY. FOUR YEARS AGO, I HELPED TO SAVE LOW-INCOME HOUSING IN A DOWNTOWN BUILDING. I SAT AT THE TABLE WITH THE OWNER. I EXPLAINED TO HIM HOW THEY USED GOVERNMENT LOANS TO BUILD THE BUILDING, WITH SOME LOW INCOME HOUSING UNITS IN IT, AND THIS OWNER HAD PAID BACK THE LOANS AND WANTED TO THROW ALL THE FAMILIES OUT OF THE BUILDING. I TOLD HIM THIS IS NOT RIGHT, NOR IS IT FAIR TO THE FAMILIES THAT HELPED YOU ALL BUILD THIS BUILDING. SO WE WON 15 MORE YEARS.

I CAN BRIGHTEN YOUR DAY WITH A SMILE. I LIVE, I LAUGH AND I CRY TOO. BUT I NEVER GIVE UP BECAUSE I BELIEVE THAT LIFE IS BEAUTIFUL AND THERE IS ALWAYS HOPE. I AM FIRE – EXCITING TO WATCH, BUT DANGEROUS TO MESS WITH. I CAN’T BE TAMED. I HAVE UNCONDITIONAL LOVE IN MY HEART THAT MAKES ME FIGHT FEARLESSLY FOR MY LOVED ONES AND FOR WHAT I BELIEVE IN.

LIFE TEACHES YOU HOW TO LIVE IT IF YOU ARE WILLING TO LIVE LONG ENOUGH.

GO BANG! Magazine: Being a business man with your own production company, Lynx Productions, you’ve managed to work with heavy hitters in the Entertainment game. Of all the “Ballers” you’ve worked with over the years, which ones were the most exciting, surprising, and memorable? Explain why for each of your choices.

Ron Simmons:
(1) THE LESSONS LEARNED AT AN EARLY AGE FROM MAJOR LANCE AND CURTIS MAYFIELD
(2) GAVIN CHRISTOPHER – OUR TIMES RUNNING TOGETHER BACK IN THE 80’S, HANGING OUT AT THE RECORDING STUDIOS, THROWING IDEAS AT EACH OTHER. GAVIN WROTE HIT SONGS FOR CHAKA KHAN.

(3) HEAVEN & EARTH – ONE OF THE BIGGEST LIVE SHOWS WE PROMOTED WITH THEM AT PLAYBOY TOWERS THAT THEY EVER HAD.

(4) MICHAEL JORDAN – I MET MICHAEL JORDAN IN 1986 OR 1987, I DRESSED UP LIKE I WAS PART OF THE STAFF. I HAD NAVY BLUE PANTS AND A RED PULLOVER SHIRT. A LADY FRIEND OF MINES NEPHEW, WHO WAS ABOUT FIVE OR SIX YEARS OLD, HAD ON ALL THE BULLS CLOTHES FROM HEAD TO TOE. WE WERE ON THE BACK SIDE OF THE PARKING LOT WHERE MICHAEL WOULD PARK AND CAME THROUGH THE DOOR. WE WERE THE ONLY ONES THERE AND MICHAEL WALKS IN AND I STEP UP TO HIM INTRODUCE MYSELF AND WE SHOOK HANDS. I ASKED HIM IF HE WOULD TAKE A PICTURE WITH MY LITTLE GUY AND HE SAID SURE.

(5) JIMMY JAM & TERRY LEWIS – WE MANAGED A GROUP NAMED “SNEAK PREVIEW.” WE ALMOST GOT SIGNED WITH JIMMY AND TERRY, BUT GOT BEATEN OUT BY THE GROUP “MINT CONDITION.”

(6) CHAKA KHAN – OUR FIRST BIG STAR! GETTING HER BOOKED FOR THE “TASTE OF CHICAGO”

(7) JOSEPH SIKORA (AKA TOMMY FROM POWER)

AND

(8) 50 CENT – I HAVE BEEN FRIENDS WITH HIM SINCE 2014. JOSEPH IS FROM CHICAGO/SKOKIE AND HE IS THE ONE THAT INTRODUCED ME TO 50 CENT. 50 CENT WAS IN CHICAGO SO THE MEETING HAD BEEN SET UP. WHEN I GOT THERE, 50 CENT WAS SURROUNDED BY A LOT OF PEOPLE AND A LOT OF PEOPLE WAS THERE TO SEE HIM. I TOLD 50 CENT’S ASSSTANT THAT I COULD WAIT. HE SAID NO, I’M GOING TO GO GET 50 CENT. YOU WAIT AND SIT HERE. THE ASSISTANT WENT AND GOT 50 CENT. WE WERE INTRODUCED TO EACH OTHER AND TALKED FOR A WHILE.

AFTER 50 CENT LEFT, SOME PEOPLE WALKED UP TO ME AND SAID YOU MUST BE SOMEBODY REAL IMPORTANT. THEY STOPPED EVERYTHING AND BROUGHT 50 CENT TO YOU. IT WAS SURPRISING. I’M JUST A REGULAR GUY TRYING TO MAKE SOME THINGS HAPPEN, WHO KNOW SOME PEOPLE. THEIR ARE PEOPLE WHO BELIEVE IN ME AND WHAT I’M TRYING TO DO. I’M JUST TRULY GRATEFUL.

(9) ALL OF THE OTHER ARTISTS WE BOOKED AND MANAGED.

WE JUST LIVED MUSIC AND MADE THINGS HAPPEN BEHIND THE SCENES. THIS WAS MY GREATEST GIFT. BRINGING PEOPLE TOGETHER AND MAKING THINGS HAPPEN.

GO BANG! Magazine: Currently, you’re in the process of completing an original feature film entitled “Cabrini Green: The Soul Story Of Stories!” It’s a brilliantly, thrilling and dramatic untold story of survival and truth. What inspired you to pursue this gigantic mission?

Ron Simmons: PART OF MY FAMILY ROOTS ARE HERE ON THIS NEAR NORTH AND BEFORE IS WAS EVER CALLED CABRINI GREEN, MY GREAT-GRANDMOTHER CAME HERE FROM YAZOO, MISSISSIPPI WHERE SHE RAISED 16 CHILDREN. SHE NEVER WORKED A JOB, BUT OWNED THREE ROOMING HOUSES IN THE AREA, PLAYED POLICY, RAN MOONSHINE, AND WAS ON PUBLIC ASSISTANCE.
FIRST AND FOREMOST, I LOVED WHERE I GREW UP AT AND I LOVE THE PEOPLE. I WITNESS, I SAW, I HEARD AND I LIVED IT, SO WHO BETTER TELL YOUR STORY/STORIES THAN SOMEONE WHO LIVED THERE. THERE HAVE BEEN SO MANY STORIES WRITTEN IN BOOKS AND DOCUMENTARIES BY PEOPLE WHO NEVER LIVED THERE OR LIVED THE LIFE PERIOD.
I HAVE TRAVELED AROUND THE WORLD TO OTHER PLACES AND OTHER COUNTRIES. IN SOME OF MY CONVERSATIONS, WHEN THEY FIND OUT I’M FROM CHICAGO, THEY WOULD ASK ME DO YOU KNOW MICHAEL JORDAN AND DO I KNOW THIS BAD PLACE CALLED CABRINI GREEN. MY ANSWER WOULD BE YES! THIS WAS MY OPPORTUNITY TO TELL THEM THAT I LIVE THERE NOW AND IT WAS NOT THIS HELL-OF-A-PLACE THAT THE MEDIA WANTS YOU TO BELIEVE IT TO BE.
THERE ARE MANY REASONS WHY I PURSUE THIS MISSION OF GETTING THIS DONE. IT’S OUR LEGACY AND I WANT THE TRUTH TO LIVE ON FOREVER.

I ALSO REMEMBER WHEN I WAS IN COLLEGE, BACK IN THE LATE 70’S, AT COLUMBA COLLEGE. IT WAS A GROUP OF US STUDENTS ON THE SEVENTH FLOOR LOUNGE, AT A ROUND TABLE. WE WERE JUST TALKING. NO ONE KNEW WHERE I LIVED OR CAME FROM. I DON’T REMEMBER HOW THE SUBJECT CABRINI GREEN CAME UP, BUT THEY WERE TALKING ABOUT THE AREA LIKE THEY REALLY KNEW IT AND THAT THE THINGS THEY WERE SAYING WERE TRUE.

I ALWAYS SPEAK UP ABOUT WHERE I GREW UP AT BECAUSE MOST OF THE INFORMATION TOLD IS NOT TRUE…IT’S MEDIA DRIVEN. SO, I SAID TO THEM, “HOW DO YOU KNOW THAT INFORMATION IS TRUE?” MOST OF THEM SAID THEY SAW REPORTS ON THE NEWS AND HAD READ THINGS IN THE NEWSPAPERS. I ASKED THEM, “DO YOU HAVE FAMILY THAT LIVES THERE? DO YOU KNOW ANYONE THAT LIVES THERE?” ALL OF THEM SAID, “NO!” SO I ASKED THEM AGAIN, “ARE YOU SURE?” THEY SAID, “NO!” THEN I SAID, “I LIVE THERE NOW AND MOST OF THE THINGS YOU SAID ARE NOT TRUE.” THE LOOKS ON THEIR FACES WERE PRICELESS.
SO, THERE ARE MANY REASONS FOR ME TAKING THIS ON AND IT MUST BE DONE SO WE CAN TELL OUR OWN STORIES, RATHER THAN ALLOWING THEM TO MAKE US OUT AS SOMETHING WE ARE NOT… BAD PEOPLE.

YOU DON’T HEAR ABOUT ALL THE GREAT PEOPLE WHO GREW UP OR LIVED THERE, JUST THE BAD THINGS.
People who lived and grew up in Cabrini Green:
Ramsey Lewis, Jerry Butler, Chaka Khan, Marvin Yancy, Curtis Mayfield, Major Lance, Mary Alice (Actress), Jackie Taylor (Founder of The Black Ensemble Theater/Actress), Rick Stone (Actor/Artist), Retired Tony Watson (Rear Admiral of US Nuclear Submarine), Ripple, The Epsilons, The Master Plan, Andre Walker (Oprah’s Hairstylist), Eric Monte (Screenwriter for Good Times, Cooley High, What’s Happening, Sanford & Son) Joel Hall (Founder of The Joel Hall Dancers), Terry Callier (Songwriter/Artist), The Admirations, Gregory Hollimon (Actor), Shabba-Doo (Break Dancer/Actor), Robert Squirrel Lester (member of the Chi-Lites), NBA Pigeon Johnson, Al Carter-Bey (of the Al Carter Youth Foundation/Activist), The Intelli-Gents, Ron Simmons (1996 Olympics/Activist), Hubert Welch (President of the Intelli-Gents/Activist), William Gates (Hoop Dreams), Alexander Nelson (Vice President of the Intelli-Gents/Activist), Nate Jones (1996 Olympics), Mr. Elzy (Activist), John Thompson, Mr. Hubert Wilson (Band Director), Elax Taylor (Activist), Marion Stamps (Activist), Mrs. Childs (Founder of Talent Shows in Cabrini Green), Mrs. Ruth (Activist), Mrs. Jones (Activist), Mrs. Nash (Activist), Mrs. Davis (Activist), and the list goes on…

TONY WATSON MY CHILDHOOD FRIEND FROM THE CABRINI GREEN ROWHOUSES SHOULD BE IN THE HISTORY BOOKS. HE WAS THE FIRST BLACK REAR ADMIRAL COMMANDER OF AN U.S. NAVY NUCLEAR SUBMARINE
CHICAGO INFAMOUS HOUSING PROJECTS IN THE WORLD (THEY SAY)

FEATURE FILM CABRINI GREEN – “The Soul Story of Stories”
Story by Ron Simmons – ALL IN THE MAKINGS
MUSIC BY LEGENDARY ONAJE ALLAN GUMBS
https://www.youtube.com/watch?v=NNJuRxkDguw
The music soundtrack will be from famous recording artists from Chicago, the music will be a big component of the film.

THE CABRINI GREEN SOUNDTRACK IS GOING TO BE FROM SOME OF THESE AMAZING ARTISTS:

The music soundtrack will be a big component of the film. These are the artists that we will be looking at for the film soundtrack “Cabrini Green” that are from Chicago: Curtis Mayfield, Chaka Khan, Ramsey Lewis, The Admirations, Rufus, The Chi-Lites, The Five Stairsteps, The Artistics, Patti Drew, Quincy Jones, Jerry Butler, Major Lance, Donny Hathaway, Gene Ammons, Windy City, Smoke City, Terry Callier, Jackie Wilson, Garland Green, Gavin Christopher, The Staple Singers, Walter Jackson, Magnum Force, Heaven and Earth, The Epsalons, Mike Logan & Byron J Woods, Marshall Titus, The Dells, Ruby Andrews, Dinah Washington, Gene Chandler, Minnie Riperton, The Emotions, Miki Howard, Ripple, Bobby Hutton, Patrick Howell Marlow, Tyrone Davis, Lou Rawls, The Center Stage, The Steelers, The Players, Brighter Side of Darkness, Denise LaSalle, The Master Plan, Son of Slums, 21st Century, The Lost Generation, The Notations, Earth Wind & Fire, Johnnie Taylor, Ko Ko Taylor, Buddy Guy, Otis Clay, Chicago, Charles Earland, Barbara Acklin, Sam Cooke, Nat King Cole, and MzLeeLee!!

SITCOM, MOVIES, A MOVIE SERIES WHERE CABRINI GREEN HOUSING PROJECTS USED AS A BACKDROP WERE ALL SHOT IN CABRINI GREEN:

“GOOD TIMES”, “COOLEY HIGH”, “CANDYMAN”, “HEAVEN IS A PLAYGROUND”, “WHITE BOYZ”, “HARDBALL”, “THE GREEN LANTERN”, “DOWN IN THE DELTA”, “BOSS SERIES” DOCUMENTARY-70 ACRES IN CHICAGO, BOOKS WRITTEN, CANDYMAN 2020 AND COMING SOON… A FEATURE FILM ABOUT CABRINI GREEN – “THE SOUL STORY OF STORIES” IN DEVELOPMENT NOW, BY RON SIMMONS, WHO GREW UP IN CABRINI GREEN.

GO BANG! Magazine: Film making is very expensive and funding can be extremely hard to obtain. How is your funding campaign going and what can our readers do to help you achieve your funding goal?

Ron Simmons: ABOUT SEVEN OR EIGHT YEARS AGO, HOLLYWOOD CONTACTED AND OFFERED ME SOME BIG MONEY FOR MY CABRINI GREEN SCRIPT. I DECLINED BECAUSE IT WOULD HAVE TAKEN ME OUT OF THE PROJECT. I DIDN’T WANT THAT BECAUSE THEY WOULD HAVE CHANGED THE SCRIPT TO MAKE BLACKS LOOK BAD. IT’S NOT JUST ABOUT MONEY. IT’S ABOUT OUR LIVES AND THEY NEED TO BE TOLD THE RIGHT WAY.

I INVESTED BIG MONEY INTO THE PROJECT IN THE BEGINNING AND I CONTINUE TO INVEST WHAT I CAN, WHEN I CAN. BUT, I HAVE BEEN GETTING ONGOING HELP FROM MY SUPPORTERS, WHEN THEY CAN. BUT MUCH IS STILL NEEDED AND I KNOW IT WILL HAPPEN, AS LONG AS I STAY FOCUSED.
I GOT A CALL FROM MY AGENT ON 5/11/2020. HE JUST GOT TWO MOVIES PICKED UP AND NOW MY MOVIE “CABRINI GREEN” HAS BEEN SUBMITTED TO NET FLIX, SO STAY TUNED.
HERE IS THE LINK FOR THE ONGOING FUNDING CAMPAIGN FOR THE FEATURE FILM PROJECT:

PLEASE DONATE HERE: https://www.gofundme.com/f/cabrini-green-project?

GO BANG! Magazine: Besides film making and producing your upcoming blockbuster film, are you working on anything else that our readers should be aware of?

Ron Simmons: YES, TWO OTHER SCRIPTS, “BLACK LIKE ME – A TRUE STORY” AND “THE ARTIST.” I’M ALSO RAISING FUNDING FOR THE PROJECTS.

GO BANG! Magazine: On a personal note, how do you cope with the fact that you were once a world record power lifter and then had to grapple living with a physically debilitating issue? Please explain your health condition and your inspiring story of how you overcame it to be the powerful man you are today.

Ron Simmons: I HAVE BEEN FACED WITH MANY OBSTACLES ALL OF MY LIFE. SOMETHING MY MOTHER SAID TO ME GROWING UP IS THAT, “YOU MAY NOT WIN EVERY FIGHT, BUT FIGHT BACK SO THEY WILL KNOW THAT YOU WILL NOT GIVE UP.” ALL OF THE THINGS I HAVE DONE IN MY LIFE HAVE BEEN A GREAT OPPORTUNITY AND A GIFT. I’M TRULY GRATEFUL I DIDN’T PASS THEM UP.

IN REFERENCE TO MY HEALTH, I CAUGHT POLIO WHEN I WAS YOUNG. I HAD 14 OPERATIONS, BUT I NEVER LET THAT STOP ME. I HAVE DONE MORE THINGS IN MY LIFE THAN AN ABLE-BODIED PERSON HAS. I’M GOOD, BUT I DEAL WITH PAIN EVERYDAY ON DIFFERENT LEVELS, FROM ALL THE YEARS OF TRAINING. LIFE IS GOOD FOR THE MOST PART. I NEVER LIKE LOSING THAT IS WHY I WORK SO HARD, SO THAT WHEN I’M LOSING, I’M STILL WINNING.

THERE ARE SOME PEOPLE I HAVE TO THANK FOR A LOT OF MY SUCCESS INCLUDING:

MY TRAINING PARTNERS OVER THE YEARS IVAN MEJIAS, BOBBY REED, AND CURTIS SMITH

MY FRIEND, TRAINER AND MENTOR SERGIO OLIVA SR

MY TRAINER MARTA COLLAZO

MY TRAINER ALLEN GOLDSTEIN

DON’T UNDERESTIMATE ME. I KNOW MORE THAN I SAY, I THINK MORE THAN I SPEAK AND I NOTICE MORE THAN YOU REALIZE.

GO BANG! Magazine: Another personal story that you have is that you grew up with Eric Monte, the creator of Good Times, The Jefferson’s, What’s Happening, and Cooley High. You even know his REAL name as a matter of fact, but that’s not important right now. What is important is describing to our readers what it was like to grow up with a person that would eventually become the writer of iconic, black, cultural, ground-breaking television shows and a movie that’s a staple in every black person’s life.

Ron Simmons: KENNETH WILLIAMS AKA ERIC MONTE
IT WAS COOL GROWING UP AROUND ERIC. HE WAS ALWAYS ON THE RUN DOING THINGS, WRITING IN HIS NOTEBOOK, TALKING ABOUT STORIES AND BECOMING FAMOUS. AS LITTLE KIDS YOU ARE THINKING ABOUT GOING OUTSIDE TO PLAY GAMES AND HAVING FUN WITH OTHERS. ERIC WAS DIFFERENT THAT WAY. BUT COOL TO BE AROUND AT DIFFERENT TIMES.

I REMEMBER WHEN HE CAME BACK HOME TO MAKE THE MOVIE “COOLEY HIGH.” IT WAS A BIG BUZZ IN THE COMMUNITY AND THE PEOPLE WHO LIVED IN CABRINI WAS GETTING AN OPPORTUNITY TO AUDITION FOR THE FILM. I SAW ERIC ONE DAY IN CABRINI. WE STOPPED AND TALKED. HE TOLD ME WHAT HE WAS DOING AND TOLD ME TO COME DOWN TO ONE OF THE AUDITIONS. I HAD JUST GOT MARRIED AND MY HEAD SPACE WAS SOME PLACE ELSE. I NEVER WENT TO ANY OF THE AUDITIONS AND THE NEXT THING I HEARD ABOUT ERIC WAS THE MOVIE COMING OUT. WE STAYED IN TOUCH FROM TIME TO TIME. I WAS TRULY HAPPY FOR HIM. I THINK WE ALL WERE TRYING TO MAKE OUR MARK ON LIFE.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Ron Simmons: FOR ME IT’S JUST TRYING TO STAY HEALTHY, SAFE AND MAKING SURE MY MOTHER WHO IS 86 YEARS OLD STAY HEALTHY AND SAFE TOO. THIS IS A SILENT KILLER THAT WE KNOW NOTHING ABOUT. I DO BELIEVE THE “POWERS THAT BE” DO KNOW WHAT’S GOING ON. I BELIEVE OUR GOVERNMENTS HAVE FAILED THE PEOPLE. I BELIEVE MORE CAN AND SHOULD BE DONE FOR THE PEOPLE. THEY ARE THE ONES THAT ARE GOING TO LOSE THE MOST. YOU HAVE BOTH PARTIES FIGHTING OVER NONSENSE, WHILE PEOPLE ARE DYING EVERYDAY. YOU HAVE A GROUP OF PEOPLE WHO DON’T CARE ABOUT ALL THE PEOPLE DYING. IT HAS BEEN SAID WE HAVE BEEN OVERPOPULATED FOR A VERY LONG TIME NOW.

You can follow Ron Simmons with the following links:
THE RON SIMMONS BRANDS
LYNX PRODUCTIONS MUSIC & FILM
https://celestialproductions.webs.com/
CABRINI GREEN, LLC
CABRINI GREEN FEATURE FILM
CABLE TV SERIES
https://www.youtube.com/watch?v=NNJuRxkDguw
HALL & SIMMONS ACCOUNTING CONSULTING
https://www.facebook.com/groups/760237797364036/

CABRINI GREEN ONGOING FUNDING CAMPAIGN FOR THE FEATURE FILM PROJECT
https://www.gofundme.com/f/cabrini-green-project?
CHECK HERE FOR ANY UPDATES ON THE FEATURE FILM CABRINI GREEN
https://www.facebook.com/Cabrini-Green-the-Soul-Story-of-Stories-933404816698472/
RON SIMMONS SPORTS HISTORY
https://www.facebook.com/Ron-Simmons-Bodybuilder-Powerlifter-1528806824032197/

CHICAGO INFAMOUS HOUSING PROJECTS IN THE WORLD

Feature Film CABRINI GREEN – The Soul Story of Stories
by Ron Simmons – 

https://www.youtube.com/watch?v=NNJuRxkDguw





Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram