Gold City Music announces a NEW CD RELEASE

By Former Isley Brother CHRIS JASPER

“For the Love of You”

Former Isley Brother CHRIS JASPER goes back to the catalogue of music he wrote for the Isley Brothers during 1973-1983 to cover some of the group’s biggest hits as well as new renditions of some R&B and Pop Classics by Sam Cooke, Marvin Gaye and More!

CHRIS JASPER was a member and the primary songwriter for the ISLEY BROTHERS from 1973 through 1983 and ISLEY-JASPER-ISLEY from 1984 through 1987. In 1988, Chris Jasper went solo and has since released 15 self-contained, self-produced albums with the same soulful R&B and Funk sound he created for the Isleys. Chris Jasper’s arrangements and instrumentation as a classically-trained musician, and his expertise on the keyboards and synthesizers, have been called the foundation of the legendary “Isley Brothers Sound.”

For his 16th solo album, “FOR THE LOVE OF YOU,” Chris goes back to the catalogue of songs he wrote for the Isleys to put a new spin on some of the group’s biggest hits during this gold and platinum period, including “I Once Had Your Love,” “Go For What You Know,” and the title track “For the Love of You.”

CHRIS JASPER also lends his unique sound to soulful renditions of other R&B and Pop classics, including Sam Cooke’s “Nothing Can Change This Love,” Marvin Gaye’s “God Is Love,” Van Morrison’s “Have I Told You Lately,” Billy Preston’s “You Are So Beautiful,” and Diane Warren’s “I Don’t Want to Miss a Thing,” a song made famous by Aerosmith in the film Armageddon.

SAMPLE THE NEW CD HERE

“FOR THE LOVE OF YOU” is now available on Chris Jasper’s Gold City Website where you can sample all of Chris’s music and enjoy FREE standard domestic shipping with a BONUS….an Autographed Photo With Every Order!

LISTEN AND PURCHASE HERE: CHRIS JASPER’S GOLD CITY MUSIC WEBSITE

CHECK OUT CHRIS JASPER discussing his musical career with the Isley Brothers in “An Afternoon With Chris Jasper in the Sony Music Legacy Lounge.” In this video, Chris talks about his musical background, his unique sound, and demonstrates how he created music for The Isley Brothers, Isley-Jasper-Isley, and his own solo music.

WATCH AN AFTERNOON WITH CHRIS JASPER HERE

AWARDS & ACHIEVEMENTS
Rock & Roll Hall of Fame
Grammy Lifetime Achievement Award
BET Lifetime Achievement Award
German Record Critics Lifetime Achievement Award
National R&B Society Lifetime Achievement Award
Songwriter’s Hall of Fame

DOWNLOAD Chris Jasper’s music at Apple Music, iTunes, Amazon Music and more!

FOR MORE INFORMATION:

Chris Jasper Website
Chris Jasper on Facebook
Chris Jasper Artist Page
Chris Jasper YouTube Channel
Chris Jasper on Spotify
Chris Jasper Wikipedia
Twitter: @RealChrisJasper



INTRODUCTION

If you are familiar with THE ISLEY BROTHERS, then you know Rock & Roll Hall of Fame inductee, CHRIS JASPER, an integral member of THE ISLEY BROTHERS during the 1970s and 1980s—their gold and platinum years—from the 3+3 (1973) to Between the Sheets (1983) albums. These were the years when THE ISLEY BROTHERS were a self-produced, self-contained group.

If you are familiar with THE ISLEY BROTHERS, then you have heard the music of CHRIS JASPER, who was primarily responsible for writing, arranging and producing all of THE ISLEY BROTHERS music during this time, including such beautiful love songs as “For The Love of You” and “Between the Sheets” and uptempo funk such as “Fight the Power.” His arrangements and instrumentation as a classically-trained musician, and his expertise on the keyboards and synthesizers, are the foundation of the legendary “Isley Brothers Sound.” When the six members of THE ISLEY BROTHERS disbanded (1984), Marvin and Ernie Isley joined CHRIS JASPER and formed ISLEY-JASPER-ISLEY. Without this crucial musical component, THE ISLEY BROTHERS were no longer a self-produced, self-contained group.

CHRIS JASPER brought his “unique sound” and musical talents to ISLEY-JASPER-ISLEY, and topped the charts singing lead vocals on “Caravan of Love” (1985), a song that was covered by English recording group, the Housemartins, an international #1 pop hit. “Caravan” was also used in commercials as part of a Dodge Caravan advertising campaign. He was also awarded a CEBA Award For Excellence for a Miller Brewing Company commercial. The music for that commercial formed the basis for “Brother to Brother” from the “Different Drummer” album, which supported the anti-apartheid struggle going on in South Africa at that time. His music has also been used in radio and television commercials, including “Who’s That Lady” (Swiffer) and “Between The Sheets” (L’Oreal).

When ISLEY-JASPER-ISLEY disbanded (1987), CHRIS JASPER brought his “unique sound” to his own solo projects, topping the charts with “SuperBad,” a song promoting the value of education. CHRIS JASPER has continued to write songs and produce his own R&B and Gospel music, as well as other artists, for his independent record label, Gold City Records.

CHRIS JASPER’s music has been covered and sampled by hundreds of new and established recording artists, including Whitney Houston, Jay-Z, Snoop Dogg, Gwen Stefani, Fantasia, Will Smith, Alliyah, Queen Latifah, Notorious B.I.G., Tupac, Natalie Cole, Jaheim, Kendrick Lamar, and the list goes on and on. His music has also been used in many movie and television soundtracks.

In 1992, CHRIS JASPER, along with the other members of THE ISLEY BROTHERS, was inducted into the ROCK & ROLL HALL OF FAME and in 2014, received a GRAMMY LIFETIME ACHIEVEMENT AWARD. In 2015, CHRIS JASPER received the German Record Critics Lifetime Achievement Award (“Preis der deutschen Schallplattenkritik”). In 2016, Chris was awarded the National R&B Society Lifetime Achievement Award. Chris also received the BET Lifetime Achievement Award and numerous ASCAP awards.

BACKGROUND AND EDUCATION

Chris Jasper was born in Cincinnati, Ohio on December 30, 1951, the youngest of seven siblings. While growing up in Cincinnati, Chris studied classical piano starting at the age of 7 years old. After graduating from high school in Cincinnati, he moved to New York to study music composition at the Juilliard School of Music.

Chris received a Bachelor of Fine Arts degree in music composition from C.W. Post College in New York, where he studied under noted jazz pianist and composer, Dr. Billy Taylor. He subsequently received a Juris Doctorate degree from Concord University School of Law.

THE JASPER/ISLEY CONNECTION

The Jasper and Isley families lived in the same apartment complex in Cincinnati, Ohio. Chris’s older sister, Elaine, married Rudolph Isley. The three older Isley brothers, Rudolph, O’Kelly and Ronald, formed a vocal trio (“The Isley Brothers”) and relocated to Teaneck, New Jersey.

While temporarily living in New Jersey as a teenager, Chris and the two younger Isley brothers, Marvin and Ernie, formed a band, “The Jazzmen Trio”, that played locally in New Jersey. Chris played keyboards, Ernie played drums and Marvin played the bass. Along with Chris, Ernie and Marvin also attended C.W. Post College in New York. While in college, Chris, Marvin and Ernie played on the older Isley Brothers recordings, including “It’s Your Thing”.

THE ISLEY BROTHERS YEARS

In 1973, Chris, Marvin and Ernie brought the songwriting and musical component to the older brothers vocal trio, making The Isley Brothers, a self-produced, self-contained six-member group. Their debut release as a 6-member band on their CBS-associated label was the 3+3 album.

Although all 6 members of the Isley Brothers are credited as songwriters on the music from this era, this was a business arrangement and does not reflect the creative reality. Chris was the primary songwriter/musician, producer and arranger of The Isley Brothers music from 1973 (“3+3”) through 1983 (“Between the Sheets”), with contributions by younger members Ernie and Marvin Isley. Chris’s arrangements and instrumentation as a classically-trained musician, and his expertise on the keyboards, synthesizers and other instruments, have been credited as the foundation of the legendary “Isley Brothers Sound.” In 1984, the 6-member group disbanded due to internal problems.

ISLEY-JASPER-ISLEY

In 1984, Chris, Marvin and Ernie formed Isley-Jasper-Isley, a self-produced, self-contained trio, with Chris as the lead singer of the group, continuing his role as the primary songwriter/musician, producer and arranger. Isley-Jasper-Isley recorded 3 albums on their CBS-associated label, and earned recognition with their #1 hit, “Caravan of Love”. “Caravan” was covered by English recording group, the Housemartins, who made the song an international #1 hit.

SOLO CAREER

In 1987, Isley-Jasper-Isley disbanded and Chris embarked on a solo career. Chris formed his record label, Gold City Records, and released two albums as a CBS-associated label. His debut single, “Superbad” reached #1 on the R&B charts. Eventually, Marvin and Ernie returned to record under the Isley Brothers group name, and Chris continued his solo career, releasing a total of 14 solo albums to date, including 4 urban contemporary gospel CDs.

Chris’s music has been covered and sampled by numerous new and established recording artists, including Whitney Houston, Jay-Z, Snoop Dogg, Gwen Stefani, Fantasia, Will Smith, Alliyah, Queen Latifah, Notorious B.I.G., Tupac, Natalie Cole, Jaheim, Kendrick Lamar, and the list goes on and on. Chris also wrote and produced a track for Chaka Khan’s “CK” album (Make It Last) and recently produced and arranged a cover of “Harvest For The World” for the Average White Band. In 2020,

Chris has continued to write songs and produce his own R&B and Gospel music, as well as produce other artists for his Gold City label. Chris works closely with his 26-year old son, Michael Jasper, who released his debut album “Addictive” on the Gold City label at the age of 16 in 2010. “Addictive” was written and recorded by Michael, and co-produced by Chris. Michael’s recently released “Make It” from his forthcoming CD “Dreams” is scheduled for release in 2020. Chris and Michael are currently working on music for original screenplays by Michael Jasper.

In June 2020, Chris released his 16th self-contained solo album “FOR THE LOVE OF YOU”—a mixture of new renditions of some of the songs that he wrote for the Isley Brothers, and his take on some soul and pop classics. Chris continues to bring that “Isley Brothers sound” he created to music lovers everywhere.

Chris has received numerous gold and platinum albums and music industry awards, including the BET lifetime achievement award and many ASCAP awards for his songwriting. In 1992, Chris, along with the other members of The Isley Brothers, was inducted into the Rock & Roll Hall of Fame and in 2014 received the Grammy Lifetime Achievement Award. In 2015, Chris received the German Record Critics Lifetime Achievement Award (“Preis der deutschen Schallplattenkritik”). In 2016, Chris was awarded the National R&B Society Lifetime Achievement Award. In 2020, Chris was inducted into the Songwriter’s Hall of Fame.

Chris and his wife of 37 years, Margie, live in New York and continue to operate their independent record company, Gold City Records.

DISCOGRAPHY

ISLEY BROTHERS YEARS

3+3 (CBS) 1973

Live It Up (CBS) 1974

The Heat Is On (CBS) 1975

Harvest For The World (CBS) 1976

Go For Your Guns (CBS) 1977

Showdown (CBS) 1978

Winner Takes All (CBS) 1979

Go All The Way (CBS) 1980

Grand Slam (CBS) 1981

Inside You (CBS) 1981

The Real Deal (CBS) 1982

Between The Sheets (CBS) 1983

ISLEY-JASPER-ISLEY YEARS

Broadway’s Closer to Sunset Boulevard (CBS) 1984

Caravan of Love (CBS) 1985

Different Drummer (CBS) 1986

SOLO ALBUMS

Superbad (Gold City/CBS Associated) 1988

Time Bomb (Gold City/CBS Associated) 1989

Praise the Eternal (Gold City) 1992

Deep Inside (Gold City) 1994

Faithful & True (Gold City) 2002

Best of Chris Jasper…With Love (Gold City) 2003

Amazing Love (Gold City) 2005

Invincible (Gold City) 2007

Everything I Do (Gold City) 2010

Inspired (Gold City) 2013

Thank You Jesus (Gold City) 2014

The One (Gold City) 2014

The Essential Chris Jasper (Gold City/Sony Legacy) 2015

Share With Me (Gold City) 2016

Dance With You (Gold City) (July 2018)

For The Love Of You (Gold City) (June 2020)

PRODUCTION

Title/Artist/Label

Vicious & Fresh (Liz Hogue) (Gold City/CBS) 1989

Out Front (Out Front) (Gold City) 1995

Brotha 2 Brotha (Brothaz By Choice) (Gold City) 1998

Make It Last (Chaka Khan “CK” album) (WB) 1989

Addictive (Michael Jasper) (Gold City) 2010

Harvest For The World (Average White Band) (Average Enterprises) (2017)

Dreams (Michael Jasper) (Gold City) (Upcoming 2020)

FOR BOOKING AND MORE INFORMATION CONTACT:

GOLD CITY MUSIC

Telephone: 914-533-5096/Fax: 914-533-5097/Email: GoldCityMusic@GoldCityMusic.com

Chris Jasper’s Official Website: ChrisJasper.com

Chris Jasper on Facebook: Facebook.com/Chris.H.Jasper

Chris Jasper Fanpage: www.Facebook.com/CHJasper/

Twitter: @RealChrisJasper

LinkedIn: www.linkedin.com/in/chris-h-jasper /

YouTubeChanel: www.youtube.com/GoldCityMusic

Gold City Music Website: GoldCityMusic.com

All across America, there were peaceful protest rallies going over the final weekend of May, 2020, as a response to the on-camera murder of George Floyd by Derek Chauvin, a Minnesota police officer. George Floyd was handcuffed, laying on his stomach, on the ground with the officer kneeling on his neck.

Several times throughout this ordeal, Floyd gasped and pleaded for his life saying “I can’t breathe!” He even went so far as to cry out “Momma!” Even with ALL of this, Officer Chauvin never removed his knee from George’s neck. Chauvin even had his hands in his pockets, as if he was relaxing while suffocating George with his knee. Throughout this horrific ordeal, three other police officers stood by, doing NOTHING!

George Floyd died, under the knee of the police officer.  The officer still pressed his knee to the neck of Floyd for another two minutes, after he was dead.  The image of the WHITE police officers, kneeling on the neck of the BLACK man, resulting in death, symbolized exactly what so many Black/Brown Americans feel.  White police officers are killing people of color so casually and so boldly, that it was recorded on live tv!  They have no fear of repercussions for their actions, because for years, they have gotten away with it!

So far, Officer Chauvin has been charged with murder and manslaughter. Many members of society, throughout the country, felt that the charge wasn’t severe enough. Many feel that he should be charged with FIRST DEGREE MURDER, including myself!

In addition to that, there are THREE other police officers that have yet to be detained or charged! Tou Thao, videotaped watching as Chauvin continued to press on Floyd’s neck with his knee, has left Minnesota, his lawyer confirmed Friday. J Alexander Kueng, one of the two first officers at the scene who helped pin Floyd down, is believed to be staying with family in Minneapolis. Thomas K. Lane has left and didn’t tell anyone where he was going, a relative said Friday.

Because of this injustice…some people took to the streets! We have a NEW generation that’s not as docile as past generations. They feel that marching isn’t doing the job and it’s time to fight back and kick ass!

Some people were fed up and felt that the only way to get ATTENTION to the fact that black & brown people are being killed by the police on a regular basis and are RARELY charged with the crime of MURDER, is to hit “The Man” where it hurts… in their pockets.

Downtown Chicago, and several other cities around the country, were devastated with looting, vandalism and fires!

I acknowledge that looters invading the peaceful protesters were opportunist that used this peaceful protest as an excuse to burn businesses and loot stores. I do not approve of ALL the looting going on, especially in the neighborhoods. They are hurting themselves, but they are fed up!

It’s unfortunate that black/brown owned business, like Kimbark Beverage Shoppe in Hyde Park, Chicago, IL and others, are being affected as well. The riots were not well executed, but it got EVERYBODY’S attention. Didn’t it?

For BLACK people…the pot’s been boiling for CENTURIES and the tension has been building because of racial oppression, discrimination and WHITE PRIVILEGE! Well NOW, it has boiled over!

However, the rioting and looting needs to end! NOW that the attention has be received, there needs to be talk and dialog between the powers that be and community leaders. An acknowledgement, discussion and solution to the injustice, discrimination and targeting of black and brown people, by police officers, need to take place!

#EnoughIsEnough

EVERYONE WANTS TO BE HEARD!

PUT YOURSELF IN SOMEBODY ELSE’S SHOES AND SEE IT FROM THE POINT OF VIEW OF BLACK AND BROWN PEOPLE WHO HAVEN’T BEEN HEARD FOR CENTURIES, PEACEFULLY MARCHING FOR EQUALITY & JUSTICE!   THERE COMES A TIME WHEN FRUSTRATION DRIVES YOU TO SNAP!

BLACK/BROWN AMERICA HAS SNAPPED!!!

PS. I’m not gonna even mention that ALL of this is taking place while we are going through a COVID-19 pandemic.  NO social distancing and very few, if any one, had on masks!  Are we headed for anothert SPIKE in Covid-19 cases in TWO WEEKS?

I’ don’t even wanna go there!

Be safe, be strong, be smart! 👊

 

Pierre Andre’ Evans

A Black Man!

 

Yvette McWhorter, a cannabis industry worker, can usually be found journaling or jotting down ideas for original books, movies, plays or songs.

Writing a book has always been on her bucket list. With her current manuscript “Steppin In The Key of Love” on the horizon, Yvette is that much closer to making her dream come true.
Her love for theater began with a third grade class trip to the Schubert Theater to see “Pinocchio.” Many years later, in response to the crack cocaine epidemic, she wrote her first play “Inner City Blues.”

Music has always been her first love. Ed “Get Down” Crosby and Pierre “Playerre’ Evans were the first producers to appreciate and record her sultry alto vocals.

When not engaged in thinking of ways to tell stories about things people haven’t already heard, you can find her relaxing at home with her dog Fancy, or doing karaoke.

GO BANG! Magazine: As a multi-talented artist who writes plays, books, films, and can sing, you are highly gifted. Which of your talents did you discover first and how did it reveal itself to you?

Yvette McWhorter: I would have to say it was singing. So, I must have been about ten years old when “Sweet Thing” by Chaka Khan was released. My friends and I were on the porch listening to the radio and as soon as I heard that guitar intro, I went into full Chaka Khan mode. I was doing my little Chaka dance and everything. When I started singing, I shocked myself. I knew I LIKED to sing but I didn’t realize I COULD sing until that moment.

GO BANG! Magazine: The theater bug bit you early in your youth, while you were in third grade. That sparked a fire in you that burned deep inside of you for years. You were inspired to write the play “Inner City Blues.” Please tell our readers about your play, its message, and if you still are planning to showcase it again.

Yvette McWhorter: I started writing “Inner City Blues” during the crack cocaine epidemic. That was a really painful time for black people and I wanted to express my pain the best way I knew how. As you can tell by the title, Marvin Gaye was my inspiration, specifically, the “What’s Going On” album. That album just felt like the soundtrack for everything that was happening during that time. Mothers were losing their sons to gang-violence. We were being vilified in the media nightly. The music industry was producing videos and song lyrics that reflected and sometimes glorified it all. The message that I wanted to convey was no matter how bad things were, black people had seen worse and we still managed to survive.

As far as future plans to showcase it, I never say never. It would definitely have to be revised. One of the changes I would make would be to change the dialogue to narration and let the Alvin Ailey Dancers tell the story through music and choreography, if that makes sense.

GO BANG! Magazine: Vocally, you have a distinctive tone. Over the years, you have hit the studio and laid your soprano voice on the tracks of two producers. Please tell us about those songs, the experience, and if “YUMMY” plans to hit the studio again anytime soon.

Yvette McWhorter: Well, first off, I couldn’t hit a soprano note if my life depended on it. LMAO. I sang alto in acapella choir in high school. Anyway, a very good friend of mine, Ed “Get down” Crosby, was the first person to see potential in me as an artist. Ed was one of the original members of the” Hot Mix 5” on Chicago radio station WGCI. He was very talented. I was flattered when he told me that he thought I was good enough to make it to the top. I believed it too. The problem was that the studio scared the hell out of me. We ended up recording two songs that could’ve been great, had I just let my creativity flow. We both knew neither of the songs were a true representation of my abilities.

A few years later I was introduced to Mr. Pierre “Playerre” Evans. If I remember correctly, Pierre you were looking for backup singers, right? The original singer for your song “Mind Groove” had been sick and couldn’t make it to rehearsal for a few weeks.  The song “Mind Groove” was meant to be a duet, but you were doing both parts at rehearsal. Then one day you asked me to sing her part. I’d been listening to the song so much that it felt natural and the nervousness I always feel when I sing new material was barely there.

When you let me listen to the other young lady doing the song, it sounded great and she had a beautiful voice. But I thought the lyrics called for a more potent voice and a “stand your ground” kind of attitude.  I was older and had been through some stuff. Soooo…..l brought ALL THAT to the song. You and I had great chemistry and your confidence encouraged me to find some of my own and I thank you for that.

I don’t know if I want to record again, but I’d love to sing with a cover band.

GO BANG! Magazine: As a screenwriter, you write scripts for television and film. Do you have any written scripts or scripts in development that you can speak of at this time?

Yvette McWhorter: I have ideas that I am trying to develop that can be adapted to stage or screen. However, I find the direction that the movie industry seems to be moving in very interesting. Coronavirus has forced block buster movies off the big screen and onto cable networks. Netflix and Amazon Prime have been really stepping up their game with original content. So, there are opportunities for new film makers with new ideas.

GO BANG! Magazine: Currently, you’re finishing up your first book entitled “Steppin’ In The Key Of Love.” Please describe to our readers the process of writing a book, what your book is about, and when it will become available for our readers to buy.

Yvette McWhorter: Whew! Where do I start? Well, for me the process was probably unconventional. My initial goal was to find an original backdrop and then weave a story around it. My mother is one of what I call the pioneers of “Steppin.” The stories and pictures she’s shared with me inspired me to write a book to pay homage to all steppers. I like a good love story. So, I decided to write a story about a spoiled, strong willed woman who’d grown bored with her loving but predictable spouse. She sets out to find the excitement she craves on the dance floor.

After a VERY rough draft I sent my work to an editor. I knew it wasn’t ready, but I wanted her to point me in the right direction by showing me what I had done wrong. She started by telling me that my idea was very original, but it needed a lot more work. During the time I was working on a second draft, a friend tagged me in a Facebook post with a link to a Sun-Times article and she said, “this reminded me of you when I saw it.” When I went to the link I was horrified. It was an article about a new show that was premiering, and it was about Steppin. I knew this wasn’t a case of “same idea, different people” before I even saw the show.

The producers that were being interviewed didn’t even bother to use their own words to answer the questions about the show. They used thinly veiled quotes directly from my work. I can’t prove it, but to quote Erykah Badu “I’m an artist and I’m sensitive about my shit.” In other words, I know my work when I see it. Once I saw the show, I laughed because basically they created a different set of circumstances for their lead characters by doing the opposite of everything I did. In my version my couple was married with no children and having marital issues. Their couple was married with children and started out happy. Get It? But, character personalities, occupations, physical descriptions, and Chicago geographical locations that were specific to my story were all included.

I was livid but, in a way, having my work stolen was a huge compliment. I knew it had potential no matter how much work it needed. Having it stolen and produced by a network just proved me right. I have no desire to finish the book after what has happened. The thing about being creative though is you have a million ideas where that one came from. I would however like to see “Steppin’ In the Key of Love” done RIGHT, as a limited series.

GO BANG! Magazine: Of your talents that we have spoken of, which is your favorite and why?

Yvette McWhorter: Music speaks to my spirit more than any other form of artistic language. Singing allows me to express my emotions, no matter what they are. It engages all of my senses because I am fully indulged. If I am singing about a man’s cologne, I smell it. If I am singing about a broken heart, I feel it.

On the other hand, writing allows me to create a world that I control. It takes me away from reality completely or lets me manipulate it in fun or sometimes insane ways. I lose track of time when I’m writing because I am totally immersed in that world at that time. So, both singing and writing are my favorite, at different times.

GO BANG! Magazine: What inspires or motivates you to create?

Yvette McWhorter: A lot of what I write is inspired by bits and pieces of real-life events or people, sprinkled with fantasy. Much of it is something I myself may have experienced or how I believe I would respond to something if it happened to me. Then other times I could be sitting there doing something totally unrelated to writing, and my little Gemini brain will say “hey, wouldn’t this be a good idea for a book or movie?” LOL. Welcome to my world.

GO BANG! Magazine: If you were given the opportunity for one of your dreams to come true, what would that dream be?

Yvette McWhorter: When I worked for the Department of Corrections, I wrote plays for the inmates to perform. There are so many talented people behind bars that I was never at a loss to find someone to fill the roles. And very well I might add. They were grateful to be a part of something positive, but I was granted the reward of seeing my work come to life. One day, I would like to see something I have written “green lighted” and produced with my name on the credits.

GO BANG! Magazine: What should our readers be on the lookout for from you in the near future?

Yvette McWhorter: Right now, I write when the mood strikes me. As I mentioned, I’m still trying to get a producer in Chicago interested in doing “Steppin In the Key of Love”. I still think it’s a great idea, even if I have to change the storyline. Chicago deserves a story about what WE created to be told from our perspective.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Yvette McWhorter: Covid-19 has given meaning to the phrase “It’s not what happens to you, it’s how you respond to it.” I have taken this time to think about how to move forward in our new world. I’m thinking about how to seize opportunities that will be available. I want to live the best of my life for the rest of my life. Unfortunately, that may mean letting go of people, places and things that haven’t served me well in the past. It means holding myself accountable for not being where I want to be. I quarantined alone so it’s a good thing I like my own company. So, all things considered, I am well.

GO BANG! Magazine:  JOIN US IN WISHING YVETTE McWHORTER A HAPPY BIRTHDAY! (6/1)

HAPPY BIRTHDAY!!!

Link to “MIND GROOVE” Song:  https://www.reverbnation.com/playerre




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Ron, the oldest of six, was born in Chicago and raised by his mother, a single parent, in many communities on the near north side, and finally Cabrini Green. He started as a Vista worker but would become a community activist & staff person with community based organizations such as The Intelli-Gents, a member of the North Central Community Committee, Chicago Federation of Community Committees, Near North Community Committee.

He grew up with music and famous people around him like Major Lance, Curtis Mayfield, Five Stairsteps, Chi-Lites, Admirations, and the Epsilons. His mother grew up with actress Mary Alice, Major Lance, and Chaka Khan’s mother. They are childhood friends to this day.
From humble beginnings and against all odds, he succeeded. He credits his success to his mother’s work ethic, his own “can do” attitude, and his unshakable determination to beat the odds.

He attended Northwestern University and Columbia College Chicago. His street smarts and people skills have uniquely equipped him to deal with issues in the corporate boardrooms, as well as ANY room you put him in.

Ron Simmons is an Olympian from the Olympics in Atlanta of 1996. His career in powerlifting would result in him becoming the World Champion Powerlifter in 1994, the 3rd Strongest Man in the World, winning 2 gold medals and receiving many other awards.

Ron has been called the Martin Luther King Jr. of Cabrini Green housing projects and a Cabrini Green Legend by legends like Mickey Miles and Miko Jones.

Simmons began his career in the late 70’s promoting club events. In 1976 he formed his company Starship Enterprise and went on to promote some amazing events. During the 1980’s, Simmons and childhood partners ruled the upscale club and event scene. His promotions drew enormous crowds, as well as some A-List recording artists and DJ’s. His unique promotional flair and charisma helped bring the glamour back to the black events. His promotions of artists like The Dells, Heaven & Earth, and Brighter Side of Darkness would fill the party room with people from everywhere. One of the biggest events that he promoted was at the Playboy Towers in Chicago.

Ron has received awards and recognitions over the years. The Community Service Award presented to Ron Simmons by The Chicago Federation of Community Committees and a Certificate of Appreciation presented to Ron Simmons, as an expression of appreciation for his outstanding contribution on behalf of the State of Illinois.

Ron started writing 21 years ago when he had time. He’d write a little here and a little there. Over the years, by writing concepts for music videos and learning from industry screenwriters, he made up his mind to start writing about his community. He felt that the media always reported bad things about his community, but it was so far from the truth. Self-taught, he learned many things from professionals, which put him in a place where his hard work would result in his new reality. Being a retired Social Worker has allowed him to work on his projects day and night.

As a promoter of music events, an artist manager, producer, and artists booking agent, Ron Simmons has been the man behind the scenes of some of the most celebrated names in the music industry for over 40 years. In the 80’s, he added an Entertainment arm to his company, Lynx Productions.

Lynx Productions managed, produced and promoted many artists and shows. He rubbed shoulders with a lot of well-known industry people and companies. He almost landed a record deal with the legendary producers Jimmy Jam & Terry Lewis and worked with labels such as Motown Records, LaFace Records, A&M Records, Warner Brother Records, Smash Records, and SBK Records. He also had the pleasure of working with such artists as Mavis Staples, The Dells, Art Porter Jr, Louil Silas, Chaka Khan, Jimmy Jam & Terry Lewis, Barry White, Gavin Christopher, Steve Silk Hurley, Onaje Allan Gumbs, Kirk Yano, Magnum Force, Brighter Side of Darkness, RJ’s Latest Arrival, Ghalib Ghallab, One 2 One, Sneak Preview, Julia Huff, Stan Stubbs, Bobby C, Anita Pettis, 3D Richard Davenport, Spike Rebel, William L. Johnson, Otis Clay, Sarah Green, Marshall Titus, Aaron Isaiah, Princess, Frank Collazo, Matizo, Lendell, Jeniqua, and the list goes on.

Ron also produced music videos and with George Tillman Jr. and Bob Teitel. Their credits include “Soul Food”, “Men of Honor”, “Barbershop”, “Roll Bounce”, “Notorious” and “The Longest Ride” to name a few.

GO BANG! Magazine: You have an extensive career in the Entertainment Industry. Unfortunately, no one would expect someone with your humble beginnings to reach the heights of success that you have. What made you different?

Ron Simmons: I THINK IT ALL STARTED WITH MY MOTHER. WE USED TO SIT IN THE FRONT ROOM AND LISTEN TO ALL KINDS OF MUSIC. IT WAS SO MUCH FUN THAT IT COULD TAKE YOU TO DIFFERENT PLACES AND MAKE YOU FEEL DIFFERENT THINGS. ALSO THERE WERE PEOPLE THAT MY MOTHER GREW UP WITH, OR THEIR CHILDREN, WHO BECAME FAMOUS LATER IN LIFE, LIKE MARY ALICE, RAMSEY LEWIS AND CHAKA KHAN’S MOTHER SANDRA COLEMAN.
AS TIME WENT ON, ANOTHER FRIEND OF MY MOTHER’S WAS MAJOR LANCE WHO LIVED WITH US FOR A SHORT TIME AT 220 W. ELM STREET. BEFORE WE MOVED INTO CABRINI GREEN HOUSING PROJECTS, WE ALWAYS LIVED ABOUT TWO OR THREE BLOCKS FROM THE HOUSING PROJECTSM, BUT IN THE OUTER AREAS.

THIS WOULD BE MY FIRST TIME MEETING MAJOR LANCE AND LATER I WOULD MEET CURTIS MAYFIELD FROM KNOWING MAJOR. I WOULD GET THE OPPORTUNITY TO HANGOUT WITH THEM A FEW TIMES AT THE OLD REGAL THEATER. I THINK THAT IS WHEN I REALLY GOT THE MUSIC BUG.

I ALSO WOULD HEAR ABOUT MY COUSIN’S “THE FIVE STAIRSTEPS” DOING THINGS, DOING SHOWS AND WORKING WITH CURTIS MAYFIELD. ALL OF THESE THINGS HAD ME ON FIRE.

BEING AROUND THEM YOU HEARD MUSIC ALL THE TIME. SO, IT WAS ALL OF THAT AND JUST BEING IN THE RIGHT PLACE DURING SOME AMAZING TIMES WHEN THESE ARTISTS AND OTHERS FROM THE NEAR NORTH SIDE WAS ON THE RISE TO BECOMING SUPERSTARS.

I DON’T SEE MYSELF AS DIFFERENT, BUT A YOUNG BOY WHO WAS SOAKING IT ALL UP BECAUSE HE LOVED MUSIC. NOT KNOWING THAT IT WOULD INFLUENCE SOME OF HIS DIRECTION IN THIS FIELD.

GO BANG! Magazine: Growing up in Cabrini Green would be a horrible nightmare and terrifying to many of our readers, especially based on the media coverage it receives. Tell us about growing up in the notorious housing project.

Ron Simmons: MY FAMILY MOVED INTO CABRINI GREEN IN THE MID 60’S AND WE MOVED OUT IN 1985. THIS WAS THE FIRST FOR OUR FAMILY BECAUSE WE ALWAYS LIVED IN APARTMENT BUILDINGS.
IT WAS NEW TO US, BEING SURROUNDED BY SO MANY PEOPLE AND KIDS ALL AT ONCE. BUT, AS TIME WENT ON, IT BECAME THIS WONDERFUL PLACE OF COMMUNITY, FAMILY AND FUN. WE GOT TO KNOW A LOT OF PEOPLE AND FAMILIES AS TIME WENT ON. THERE WERE CHILDREN EVERYWHERE. MUSIC WAS ALWAYS HEARD COMING OUT OF SOMEONE’S WINDOW OR FRONT SCREEN DOOR. WE DIDN’T LOCK OUR DOORS BACK THEN UNTIL IT WAS TIME TO GO TO BED. A BAND THAT WOULD SIT OUTSIDE, FOUR DOORS DOWN FROM WHERE WE LIVED, IN THE ROWHOUSES, WAS REALLY GOOD. OTHER SINGERS FROM DIFFERENT HIGHRISES IN CABRINI WOULD COME DOWN TO SING WITH THE BAND. THESE WERE SOME OF THE GOOD TIMES.

I THINK THE MEDIA AND THE POWERS THAT BE CAN MAKE OR BREAK YOU DURING THOSE TIMES. IN THE BEGINNING, MOSTLY WHITES LIVED THERE IN THE ROWHOUSES WAY BEFORE THE HIGHRISES WERE BUILT. THERE WERE SOME BLACKS, BUT DURING THAT TIME YOU COULD ONLY MOVE IN THERE IF THE FATHER WAS IN THE MILITARY. BUT AS TIME WENT ON, THAT WOULD CHANGE AND AS MORE BLACKS MOVED IN, MORE WHITES THAT COULD AFFORD TO MOVE OUT DID.

DURING THESE TIMES, THERE WEREN’T THINGS LIKE GANGS, DRUGS OR KILLINGS GOING ON, BUT YOU HAVE TO REMEMBER THIS PLACE WOULD BECOME MORE OF A BLACK COMMUNITY THAN THE WHITE ONE IT USE TO BE. IT WAS CLOSE TO THE GOLD COAST AND DOWNTOWN. SO, IT WAS AN AREA KNOWN FOR THE RICH, SO IT WAS A CONCERN FOR THEM.

BAD THINGS STARTED TO HAPPEN IN CABRINI GREEN AFTER THE RIOTS IN 1968. MARTIN LUTHER KING JR. GOT KILLED AND RICHARD DALEY SR WAS THE MAYOR OF CHICAGO. DIFFERENT PARTS OF CHICAGO IN BLACK AREAS WOULD GET BURNED DOWN AND PEOPLE HAD NO PLACE TO LIVE. BY THIS TIME, YOU HAD HIGHRISES THAT HAD BEEN BUILT CALLED “THE REDS” AND “THE WHITES.”

MAYOR DALEY WAS GETTING COMPLAINTS FROM WHITE COMMUNITIES STATING THEY DIDN’T WANT THOSE BLACKS IN THEIR COMMUNITIES. SO DALEY MOVED SOME OF THOSE BLACKS, FROM THE SOUTHSIDE AND WESTSIDE, INTO CABRINI GREEN. WITH THEM CAME GANGS, DRUGS AND KILLINGS. FOR THOSE WHO ALREADY LIVED THERE, WHO WERE NOT ABOUT THAT KIND OF LIFE, THEY FOUND THEMSELVES PROTECTING THEMSELVES AND THEIR FAMILIES.

I HAD FIGHTS THERE THAT I WON. THE NEXT WEEK, YOU AND THE PERSON YOU FOUGHT WERE FRIENDS AGAIN. IT WAS OVER. I WOULD HAVE CONVERSATIONS WITH GANG MEMBERS AT DIFFERENT TIMES. THEY WOULD TRY TO BE TOUGH OR TRY TO BULLY YOU, BUT I NEVER BACKED DOWN FROM THEM. YOU HAVE TO BRING SOME ASS TO TRY TO GET THIS ONE. I WASN’T AFRAID OF THEM AND THEY KNEW IT. THE ONLY PERSON I WAS AFRAID OF WAS MY MOTHER, AND SHE DIDN’T PLAY. I PROTECTED MY FAMILY AND FRIENDS FROM ALL THAT CRAZY NONSENSE.

I CAN STILL STAY THAT FROM THE MID 60’S TO THE EARLY 80’S, IT WAS A NICE PLACE TO LIVE. YES, SOME BAD THINGS DID HAPPEN THERE, BUT BAD THINGS HAPPEN EVERYWHERE. THE DIFFERENCE WITH CABRINI GREEN WAS IT WAS A PLACE THAT WHITES WANTED BECAUSE OF ITS LOCATION. 70 ACRES OF PRIME REAL ESTATE!

THINGS REALLY STARTED TO GO BAD WHEN RESIDENTS BASIC SERVICES SLOWLY STOP COMING OR STOPPED. THIS WAS PART OF THEIR PLAN TO MAKE FAMILIES MOVE OUT THAT COULD. MAKE THIS PLACE UNLIVABLE SO THAT WHEN THE TIME CAME TO TAKE THEM DOWN, WHO WOULD SAY ANYTHING? THEY WERE UNLIVABLE AND THE MAYOR, THE POWERS THAT BE, CHA, THE GOVERNMENT AND THE POLITICIANS KNEW JUST WHAT THEY WERE DOING. THEY HAD A PLAN FOR THE AREA THAT WOULD BRING IN BILLIONS DOWN THE LINE. THIS WAS PRIME REAL ESTATE.

CABRINI GREEN HOUSING PROJECTS HAD SOME STRONG PEOPLE AND GROUPS. THEY WERE STARTING TO NOT TRUST THE SYSTEMS IN PLACE BECAUSE OF SO MANY BROKEN PROMISES. THEY DID WANT THAT AT ALL, SO FOR THEM IT WAS TO TAKE PUBLIC HOUSING DOWN ON ALL LEVELS. THE PEOPLE LOST THERE AND ACROSS THE CITY. THERE WAS NO REAL PLAN TO RELOCATE FAMILIES. THEY JUST THREW THE FAMILIES OUT INTO THE STREET WITH A 90 DAY SECTION 8 VOUCHER TO FIND HOUSING. IF YOU DIDN’T FIND HOUSING WITHIN THE 90 DAYS, YOU COULDN’T GO BACK TO CHA. YOU WERE ON YOUR OWN. SOME PEOPLE FOUND HOUSING AND SOME MOVED TO OTHER STATES. STILL OTHERS MOVED IN WITH FAMILY MEMBERS AND THOUSANDS ENDED UP DISPLACED. I BELIEVE THESE WERE CRIMES ON HUMANITY.

RON SIMMONS WAS A MEMBER OF THE INTELLI-GENTS, INC. ORGANIZATION:

The Intelli-Gents provided a myriad of services to the community of Cabrini Green. They were probably best known for their Truancy Follow-up-Program, Big Brother-Big Sister Program, and Tutoring After school and weekend Programs.
The Summer Basketball Tournaments, Cultural Enrichment program and through the Illinois Commission on Delinquency Prevention Program becoming advocates for youths that were adjudicated through the Cook County Juvenile Court System.
The Intelli-Gents also provided jobs, food & clothing assistance to area residents & finally provided assistance to the Cabrini Green Alternative High School the first of its kind in the nation. The Intelli-Gents was a driving force that keep a lot of things in order and saved a lot of young people’s lives as well as adults. The Intelli-Gents office was located at 515 W. Oak Street were there from 1976 to 1985.

IF I HAD TO DO IT ALL OVER AGAIN, I WOULD, WITH A FEW CHANGES IN ORGANIZING..

GO BANG! Magazine: In addition to being a business man and community activist, you’re also a self-taught musician and singer. Please tell our readers about that chapter in your life.

Ron Simmons: IT ALL GOES BACK TO SEEING THE BANDS PERFORM ON THE STREET AND GETTING GUITAR LESSON FROM A MEMBER OF ONE OF THE BANDS. HIS NAME IS KENNY MITCHELL. I ALSO TAUGHT MYSELF TO SING AND PLAY THE PIANO BY EAR.

IN HIGH SCHOOL, I WENT TO THE MUSIC ROOM DURING BREAK TO PRACTICE EVERYDAY. I KNEW I WAS GETTING GOOD BECAUSE EVERY TIME PEOPLE WOULD HEAR ME SING AND PLAY, THE MUSIC ROOM WOULD FILL UP. SO, WHEN I THOUGHT I WAS READY TO COMPETE AGAINST OTHER ARTISTS I THOUGHT WAS REAL GOOD, I ENTERED TALENT SHOWS AT SCHOOL. I WON 1ST AND 2ND PLACE. I CONTINUED TO PLAY AND PRACTICE. I COULD PLAY JUST ABOUT ANYTHING BY EAR, BUT IT WAS JUST NOT ENOUGH FOR ME. ONCE I LEARNED SOMETHING, I WENT ON TO THE NEXT THING. BELIEVE THIS, I COULD HAVE BECAME BIG WITH MY SINGING AND PLAYING, BUT IT JUST WASN’T ME.

GO BANG! Magazine: You’ve always been the type of person that would be involved in community service. Why do you feel the need to help your community?

Ron Simmons: I STARTED AT AN EARLY AGE, 15 OR 16. I THINK IT COMES FROM MY GREAT-GRANDMA AND MY MOTHER. I SAW THEM ALWAYS HELPING OTHERS AND THOSE SAME PEOPLE HELPED ME. SO I GUESS IT’S ME PAYING IT FORWARD. IT JUST FEELS SO GOOD WHEN YOU KNOW YOU HAVE HELPED SOMEONE.
I HAVE BEEN THIS OUTSPOKEN PERSON FOR A LONG TIME, SPEAKING FOR THOSE WHO CAN’T SPEAK OR KNOW HOW TO SPEAK FOR THEMSELVES. I’M WILLING TO STAND ALONE, IF NO ONE IS WILLING TO STAND WITH ME. I’D RATHER DIE ON MY FEET, THAN DIE ON MY KNEES.

I’M STILL AN ACTIVIST TO THIS DAY. FOUR YEARS AGO, I HELPED TO SAVE LOW-INCOME HOUSING IN A DOWNTOWN BUILDING. I SAT AT THE TABLE WITH THE OWNER. I EXPLAINED TO HIM HOW THEY USED GOVERNMENT LOANS TO BUILD THE BUILDING, WITH SOME LOW INCOME HOUSING UNITS IN IT, AND THIS OWNER HAD PAID BACK THE LOANS AND WANTED TO THROW ALL THE FAMILIES OUT OF THE BUILDING. I TOLD HIM THIS IS NOT RIGHT, NOR IS IT FAIR TO THE FAMILIES THAT HELPED YOU ALL BUILD THIS BUILDING. SO WE WON 15 MORE YEARS.

I CAN BRIGHTEN YOUR DAY WITH A SMILE. I LIVE, I LAUGH AND I CRY TOO. BUT I NEVER GIVE UP BECAUSE I BELIEVE THAT LIFE IS BEAUTIFUL AND THERE IS ALWAYS HOPE. I AM FIRE – EXCITING TO WATCH, BUT DANGEROUS TO MESS WITH. I CAN’T BE TAMED. I HAVE UNCONDITIONAL LOVE IN MY HEART THAT MAKES ME FIGHT FEARLESSLY FOR MY LOVED ONES AND FOR WHAT I BELIEVE IN.

LIFE TEACHES YOU HOW TO LIVE IT IF YOU ARE WILLING TO LIVE LONG ENOUGH.

GO BANG! Magazine: Being a business man with your own production company, Lynx Productions, you’ve managed to work with heavy hitters in the Entertainment game. Of all the “Ballers” you’ve worked with over the years, which ones were the most exciting, surprising, and memorable? Explain why for each of your choices.

Ron Simmons:
(1) THE LESSONS LEARNED AT AN EARLY AGE FROM MAJOR LANCE AND CURTIS MAYFIELD
(2) GAVIN CHRISTOPHER – OUR TIMES RUNNING TOGETHER BACK IN THE 80’S, HANGING OUT AT THE RECORDING STUDIOS, THROWING IDEAS AT EACH OTHER. GAVIN WROTE HIT SONGS FOR CHAKA KHAN.

(3) HEAVEN & EARTH – ONE OF THE BIGGEST LIVE SHOWS WE PROMOTED WITH THEM AT PLAYBOY TOWERS THAT THEY EVER HAD.

(4) MICHAEL JORDAN – I MET MICHAEL JORDAN IN 1986 OR 1987, I DRESSED UP LIKE I WAS PART OF THE STAFF. I HAD NAVY BLUE PANTS AND A RED PULLOVER SHIRT. A LADY FRIEND OF MINES NEPHEW, WHO WAS ABOUT FIVE OR SIX YEARS OLD, HAD ON ALL THE BULLS CLOTHES FROM HEAD TO TOE. WE WERE ON THE BACK SIDE OF THE PARKING LOT WHERE MICHAEL WOULD PARK AND CAME THROUGH THE DOOR. WE WERE THE ONLY ONES THERE AND MICHAEL WALKS IN AND I STEP UP TO HIM INTRODUCE MYSELF AND WE SHOOK HANDS. I ASKED HIM IF HE WOULD TAKE A PICTURE WITH MY LITTLE GUY AND HE SAID SURE.

(5) JIMMY JAM & TERRY LEWIS – WE MANAGED A GROUP NAMED “SNEAK PREVIEW.” WE ALMOST GOT SIGNED WITH JIMMY AND TERRY, BUT GOT BEATEN OUT BY THE GROUP “MINT CONDITION.”

(6) CHAKA KHAN – OUR FIRST BIG STAR! GETTING HER BOOKED FOR THE “TASTE OF CHICAGO”

(7) JOSEPH SIKORA (AKA TOMMY FROM POWER)

AND

(8) 50 CENT – I HAVE BEEN FRIENDS WITH HIM SINCE 2014. JOSEPH IS FROM CHICAGO/SKOKIE AND HE IS THE ONE THAT INTRODUCED ME TO 50 CENT. 50 CENT WAS IN CHICAGO SO THE MEETING HAD BEEN SET UP. WHEN I GOT THERE, 50 CENT WAS SURROUNDED BY A LOT OF PEOPLE AND A LOT OF PEOPLE WAS THERE TO SEE HIM. I TOLD 50 CENT’S ASSSTANT THAT I COULD WAIT. HE SAID NO, I’M GOING TO GO GET 50 CENT. YOU WAIT AND SIT HERE. THE ASSISTANT WENT AND GOT 50 CENT. WE WERE INTRODUCED TO EACH OTHER AND TALKED FOR A WHILE.

AFTER 50 CENT LEFT, SOME PEOPLE WALKED UP TO ME AND SAID YOU MUST BE SOMEBODY REAL IMPORTANT. THEY STOPPED EVERYTHING AND BROUGHT 50 CENT TO YOU. IT WAS SURPRISING. I’M JUST A REGULAR GUY TRYING TO MAKE SOME THINGS HAPPEN, WHO KNOW SOME PEOPLE. THEIR ARE PEOPLE WHO BELIEVE IN ME AND WHAT I’M TRYING TO DO. I’M JUST TRULY GRATEFUL.

(9) ALL OF THE OTHER ARTISTS WE BOOKED AND MANAGED.

WE JUST LIVED MUSIC AND MADE THINGS HAPPEN BEHIND THE SCENES. THIS WAS MY GREATEST GIFT. BRINGING PEOPLE TOGETHER AND MAKING THINGS HAPPEN.

GO BANG! Magazine: Currently, you’re in the process of completing an original feature film entitled “Cabrini Green: The Soul Story Of Stories!” It’s a brilliantly, thrilling and dramatic untold story of survival and truth. What inspired you to pursue this gigantic mission?

Ron Simmons: PART OF MY FAMILY ROOTS ARE HERE ON THIS NEAR NORTH AND BEFORE IS WAS EVER CALLED CABRINI GREEN, MY GREAT-GRANDMOTHER CAME HERE FROM YAZOO, MISSISSIPPI WHERE SHE RAISED 16 CHILDREN. SHE NEVER WORKED A JOB, BUT OWNED THREE ROOMING HOUSES IN THE AREA, PLAYED POLICY, RAN MOONSHINE, AND WAS ON PUBLIC ASSISTANCE.
FIRST AND FOREMOST, I LOVED WHERE I GREW UP AT AND I LOVE THE PEOPLE. I WITNESS, I SAW, I HEARD AND I LIVED IT, SO WHO BETTER TELL YOUR STORY/STORIES THAN SOMEONE WHO LIVED THERE. THERE HAVE BEEN SO MANY STORIES WRITTEN IN BOOKS AND DOCUMENTARIES BY PEOPLE WHO NEVER LIVED THERE OR LIVED THE LIFE PERIOD.
I HAVE TRAVELED AROUND THE WORLD TO OTHER PLACES AND OTHER COUNTRIES. IN SOME OF MY CONVERSATIONS, WHEN THEY FIND OUT I’M FROM CHICAGO, THEY WOULD ASK ME DO YOU KNOW MICHAEL JORDAN AND DO I KNOW THIS BAD PLACE CALLED CABRINI GREEN. MY ANSWER WOULD BE YES! THIS WAS MY OPPORTUNITY TO TELL THEM THAT I LIVE THERE NOW AND IT WAS NOT THIS HELL-OF-A-PLACE THAT THE MEDIA WANTS YOU TO BELIEVE IT TO BE.
THERE ARE MANY REASONS WHY I PURSUE THIS MISSION OF GETTING THIS DONE. IT’S OUR LEGACY AND I WANT THE TRUTH TO LIVE ON FOREVER.

I ALSO REMEMBER WHEN I WAS IN COLLEGE, BACK IN THE LATE 70’S, AT COLUMBA COLLEGE. IT WAS A GROUP OF US STUDENTS ON THE SEVENTH FLOOR LOUNGE, AT A ROUND TABLE. WE WERE JUST TALKING. NO ONE KNEW WHERE I LIVED OR CAME FROM. I DON’T REMEMBER HOW THE SUBJECT CABRINI GREEN CAME UP, BUT THEY WERE TALKING ABOUT THE AREA LIKE THEY REALLY KNEW IT AND THAT THE THINGS THEY WERE SAYING WERE TRUE.

I ALWAYS SPEAK UP ABOUT WHERE I GREW UP AT BECAUSE MOST OF THE INFORMATION TOLD IS NOT TRUE…IT’S MEDIA DRIVEN. SO, I SAID TO THEM, “HOW DO YOU KNOW THAT INFORMATION IS TRUE?” MOST OF THEM SAID THEY SAW REPORTS ON THE NEWS AND HAD READ THINGS IN THE NEWSPAPERS. I ASKED THEM, “DO YOU HAVE FAMILY THAT LIVES THERE? DO YOU KNOW ANYONE THAT LIVES THERE?” ALL OF THEM SAID, “NO!” SO I ASKED THEM AGAIN, “ARE YOU SURE?” THEY SAID, “NO!” THEN I SAID, “I LIVE THERE NOW AND MOST OF THE THINGS YOU SAID ARE NOT TRUE.” THE LOOKS ON THEIR FACES WERE PRICELESS.
SO, THERE ARE MANY REASONS FOR ME TAKING THIS ON AND IT MUST BE DONE SO WE CAN TELL OUR OWN STORIES, RATHER THAN ALLOWING THEM TO MAKE US OUT AS SOMETHING WE ARE NOT… BAD PEOPLE.

YOU DON’T HEAR ABOUT ALL THE GREAT PEOPLE WHO GREW UP OR LIVED THERE, JUST THE BAD THINGS.
People who lived and grew up in Cabrini Green:
Ramsey Lewis, Jerry Butler, Chaka Khan, Marvin Yancy, Curtis Mayfield, Major Lance, Mary Alice (Actress), Jackie Taylor (Founder of The Black Ensemble Theater/Actress), Rick Stone (Actor/Artist), Retired Tony Watson (Rear Admiral of US Nuclear Submarine), Ripple, The Epsilons, The Master Plan, Andre Walker (Oprah’s Hairstylist), Eric Monte (Screenwriter for Good Times, Cooley High, What’s Happening, Sanford & Son) Joel Hall (Founder of The Joel Hall Dancers), Terry Callier (Songwriter/Artist), The Admirations, Gregory Hollimon (Actor), Shabba-Doo (Break Dancer/Actor), Robert Squirrel Lester (member of the Chi-Lites), NBA Pigeon Johnson, Al Carter-Bey (of the Al Carter Youth Foundation/Activist), The Intelli-Gents, Ron Simmons (1996 Olympics/Activist), Hubert Welch (President of the Intelli-Gents/Activist), William Gates (Hoop Dreams), Alexander Nelson (Vice President of the Intelli-Gents/Activist), Nate Jones (1996 Olympics), Mr. Elzy (Activist), John Thompson, Mr. Hubert Wilson (Band Director), Elax Taylor (Activist), Marion Stamps (Activist), Mrs. Childs (Founder of Talent Shows in Cabrini Green), Mrs. Ruth (Activist), Mrs. Jones (Activist), Mrs. Nash (Activist), Mrs. Davis (Activist), and the list goes on…

TONY WATSON MY CHILDHOOD FRIEND FROM THE CABRINI GREEN ROWHOUSES SHOULD BE IN THE HISTORY BOOKS. HE WAS THE FIRST BLACK REAR ADMIRAL COMMANDER OF AN U.S. NAVY NUCLEAR SUBMARINE
CHICAGO INFAMOUS HOUSING PROJECTS IN THE WORLD (THEY SAY)

FEATURE FILM CABRINI GREEN – “The Soul Story of Stories”
Story by Ron Simmons – ALL IN THE MAKINGS
MUSIC BY LEGENDARY ONAJE ALLAN GUMBS
https://www.youtube.com/watch?v=NNJuRxkDguw
The music soundtrack will be from famous recording artists from Chicago, the music will be a big component of the film.

THE CABRINI GREEN SOUNDTRACK IS GOING TO BE FROM SOME OF THESE AMAZING ARTISTS:

The music soundtrack will be a big component of the film. These are the artists that we will be looking at for the film soundtrack “Cabrini Green” that are from Chicago: Curtis Mayfield, Chaka Khan, Ramsey Lewis, The Admirations, Rufus, The Chi-Lites, The Five Stairsteps, The Artistics, Patti Drew, Quincy Jones, Jerry Butler, Major Lance, Donny Hathaway, Gene Ammons, Windy City, Smoke City, Terry Callier, Jackie Wilson, Garland Green, Gavin Christopher, The Staple Singers, Walter Jackson, Magnum Force, Heaven and Earth, The Epsalons, Mike Logan & Byron J Woods, Marshall Titus, The Dells, Ruby Andrews, Dinah Washington, Gene Chandler, Minnie Riperton, The Emotions, Miki Howard, Ripple, Bobby Hutton, Patrick Howell Marlow, Tyrone Davis, Lou Rawls, The Center Stage, The Steelers, The Players, Brighter Side of Darkness, Denise LaSalle, The Master Plan, Son of Slums, 21st Century, The Lost Generation, The Notations, Earth Wind & Fire, Johnnie Taylor, Ko Ko Taylor, Buddy Guy, Otis Clay, Chicago, Charles Earland, Barbara Acklin, Sam Cooke, Nat King Cole, and MzLeeLee!!

SITCOM, MOVIES, A MOVIE SERIES WHERE CABRINI GREEN HOUSING PROJECTS USED AS A BACKDROP WERE ALL SHOT IN CABRINI GREEN:

“GOOD TIMES”, “COOLEY HIGH”, “CANDYMAN”, “HEAVEN IS A PLAYGROUND”, “WHITE BOYZ”, “HARDBALL”, “THE GREEN LANTERN”, “DOWN IN THE DELTA”, “BOSS SERIES” DOCUMENTARY-70 ACRES IN CHICAGO, BOOKS WRITTEN, CANDYMAN 2020 AND COMING SOON… A FEATURE FILM ABOUT CABRINI GREEN – “THE SOUL STORY OF STORIES” IN DEVELOPMENT NOW, BY RON SIMMONS, WHO GREW UP IN CABRINI GREEN.

GO BANG! Magazine: Film making is very expensive and funding can be extremely hard to obtain. How is your funding campaign going and what can our readers do to help you achieve your funding goal?

Ron Simmons: ABOUT SEVEN OR EIGHT YEARS AGO, HOLLYWOOD CONTACTED AND OFFERED ME SOME BIG MONEY FOR MY CABRINI GREEN SCRIPT. I DECLINED BECAUSE IT WOULD HAVE TAKEN ME OUT OF THE PROJECT. I DIDN’T WANT THAT BECAUSE THEY WOULD HAVE CHANGED THE SCRIPT TO MAKE BLACKS LOOK BAD. IT’S NOT JUST ABOUT MONEY. IT’S ABOUT OUR LIVES AND THEY NEED TO BE TOLD THE RIGHT WAY.

I INVESTED BIG MONEY INTO THE PROJECT IN THE BEGINNING AND I CONTINUE TO INVEST WHAT I CAN, WHEN I CAN. BUT, I HAVE BEEN GETTING ONGOING HELP FROM MY SUPPORTERS, WHEN THEY CAN. BUT MUCH IS STILL NEEDED AND I KNOW IT WILL HAPPEN, AS LONG AS I STAY FOCUSED.
I GOT A CALL FROM MY AGENT ON 5/11/2020. HE JUST GOT TWO MOVIES PICKED UP AND NOW MY MOVIE “CABRINI GREEN” HAS BEEN SUBMITTED TO NET FLIX, SO STAY TUNED.
HERE IS THE LINK FOR THE ONGOING FUNDING CAMPAIGN FOR THE FEATURE FILM PROJECT:

PLEASE DONATE HERE: https://www.gofundme.com/f/cabrini-green-project?

GO BANG! Magazine: Besides film making and producing your upcoming blockbuster film, are you working on anything else that our readers should be aware of?

Ron Simmons: YES, TWO OTHER SCRIPTS, “BLACK LIKE ME – A TRUE STORY” AND “THE ARTIST.” I’M ALSO RAISING FUNDING FOR THE PROJECTS.

GO BANG! Magazine: On a personal note, how do you cope with the fact that you were once a world record power lifter and then had to grapple living with a physically debilitating issue? Please explain your health condition and your inspiring story of how you overcame it to be the powerful man you are today.

Ron Simmons: I HAVE BEEN FACED WITH MANY OBSTACLES ALL OF MY LIFE. SOMETHING MY MOTHER SAID TO ME GROWING UP IS THAT, “YOU MAY NOT WIN EVERY FIGHT, BUT FIGHT BACK SO THEY WILL KNOW THAT YOU WILL NOT GIVE UP.” ALL OF THE THINGS I HAVE DONE IN MY LIFE HAVE BEEN A GREAT OPPORTUNITY AND A GIFT. I’M TRULY GRATEFUL I DIDN’T PASS THEM UP.

IN REFERENCE TO MY HEALTH, I CAUGHT POLIO WHEN I WAS YOUNG. I HAD 14 OPERATIONS, BUT I NEVER LET THAT STOP ME. I HAVE DONE MORE THINGS IN MY LIFE THAN AN ABLE-BODIED PERSON HAS. I’M GOOD, BUT I DEAL WITH PAIN EVERYDAY ON DIFFERENT LEVELS, FROM ALL THE YEARS OF TRAINING. LIFE IS GOOD FOR THE MOST PART. I NEVER LIKE LOSING THAT IS WHY I WORK SO HARD, SO THAT WHEN I’M LOSING, I’M STILL WINNING.

THERE ARE SOME PEOPLE I HAVE TO THANK FOR A LOT OF MY SUCCESS INCLUDING:

MY TRAINING PARTNERS OVER THE YEARS IVAN MEJIAS, BOBBY REED, AND CURTIS SMITH

MY FRIEND, TRAINER AND MENTOR SERGIO OLIVA SR

MY TRAINER MARTA COLLAZO

MY TRAINER ALLEN GOLDSTEIN

DON’T UNDERESTIMATE ME. I KNOW MORE THAN I SAY, I THINK MORE THAN I SPEAK AND I NOTICE MORE THAN YOU REALIZE.

GO BANG! Magazine: Another personal story that you have is that you grew up with Eric Monte, the creator of Good Times, The Jefferson’s, What’s Happening, and Cooley High. You even know his REAL name as a matter of fact, but that’s not important right now. What is important is describing to our readers what it was like to grow up with a person that would eventually become the writer of iconic, black, cultural, ground-breaking television shows and a movie that’s a staple in every black person’s life.

Ron Simmons: KENNETH WILLIAMS AKA ERIC MONTE
IT WAS COOL GROWING UP AROUND ERIC. HE WAS ALWAYS ON THE RUN DOING THINGS, WRITING IN HIS NOTEBOOK, TALKING ABOUT STORIES AND BECOMING FAMOUS. AS LITTLE KIDS YOU ARE THINKING ABOUT GOING OUTSIDE TO PLAY GAMES AND HAVING FUN WITH OTHERS. ERIC WAS DIFFERENT THAT WAY. BUT COOL TO BE AROUND AT DIFFERENT TIMES.

I REMEMBER WHEN HE CAME BACK HOME TO MAKE THE MOVIE “COOLEY HIGH.” IT WAS A BIG BUZZ IN THE COMMUNITY AND THE PEOPLE WHO LIVED IN CABRINI WAS GETTING AN OPPORTUNITY TO AUDITION FOR THE FILM. I SAW ERIC ONE DAY IN CABRINI. WE STOPPED AND TALKED. HE TOLD ME WHAT HE WAS DOING AND TOLD ME TO COME DOWN TO ONE OF THE AUDITIONS. I HAD JUST GOT MARRIED AND MY HEAD SPACE WAS SOME PLACE ELSE. I NEVER WENT TO ANY OF THE AUDITIONS AND THE NEXT THING I HEARD ABOUT ERIC WAS THE MOVIE COMING OUT. WE STAYED IN TOUCH FROM TIME TO TIME. I WAS TRULY HAPPY FOR HIM. I THINK WE ALL WERE TRYING TO MAKE OUR MARK ON LIFE.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Ron Simmons: FOR ME IT’S JUST TRYING TO STAY HEALTHY, SAFE AND MAKING SURE MY MOTHER WHO IS 86 YEARS OLD STAY HEALTHY AND SAFE TOO. THIS IS A SILENT KILLER THAT WE KNOW NOTHING ABOUT. I DO BELIEVE THE “POWERS THAT BE” DO KNOW WHAT’S GOING ON. I BELIEVE OUR GOVERNMENTS HAVE FAILED THE PEOPLE. I BELIEVE MORE CAN AND SHOULD BE DONE FOR THE PEOPLE. THEY ARE THE ONES THAT ARE GOING TO LOSE THE MOST. YOU HAVE BOTH PARTIES FIGHTING OVER NONSENSE, WHILE PEOPLE ARE DYING EVERYDAY. YOU HAVE A GROUP OF PEOPLE WHO DON’T CARE ABOUT ALL THE PEOPLE DYING. IT HAS BEEN SAID WE HAVE BEEN OVERPOPULATED FOR A VERY LONG TIME NOW.

You can follow Ron Simmons with the following links:
THE RON SIMMONS BRANDS
LYNX PRODUCTIONS MUSIC & FILM
https://celestialproductions.webs.com/
CABRINI GREEN, LLC
CABRINI GREEN FEATURE FILM
CABLE TV SERIES
https://www.youtube.com/watch?v=NNJuRxkDguw
HALL & SIMMONS ACCOUNTING CONSULTING
https://www.facebook.com/groups/760237797364036/

CABRINI GREEN ONGOING FUNDING CAMPAIGN FOR THE FEATURE FILM PROJECT
https://www.gofundme.com/f/cabrini-green-project?
CHECK HERE FOR ANY UPDATES ON THE FEATURE FILM CABRINI GREEN
https://www.facebook.com/Cabrini-Green-the-Soul-Story-of-Stories-933404816698472/
RON SIMMONS SPORTS HISTORY
https://www.facebook.com/Ron-Simmons-Bodybuilder-Powerlifter-1528806824032197/

CHICAGO INFAMOUS HOUSING PROJECTS IN THE WORLD

Feature Film CABRINI GREEN – The Soul Story of Stories
by Ron Simmons – 

https://www.youtube.com/watch?v=NNJuRxkDguw





Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

He has the look, he has the sound, and he has the moves!!! From the wardrobe to the stage show, one thing is certain: No one personifies Michael Jackson like Tej’ai Sullivan.

He began his professional career at the early age of two years old. He got his start performing at family functions and birthday parties, then later performing and consistently winning talent shows at Chicago’s New Regal Theater as front man for his tribute group “Imitation 5ive” throughout his childhood.

Born with a very close resemblance to Michael, it was always clear what his destiny was meant to be. Paying homage to the “King of Pop” for most of his life, Tej’ai got his first big break touring internationally through Europe/United States/ Middle East with “The Ultimate Thriller” starring as their Michael from 2009 until 2012 working with principle Jackson dancer and choreographer Mic Thompson. From there, he went on to star in “Forever Michael” touring the United Kingdom and becoming a fan favorite among the top tributes in the Michael Jackson community.

Tej’ai has also performed at Taste of Dolton Festival (2009), Remembering Black History (2010), An Evening in Memory of Michael Jackson (2011 and 2013) and MJ Honors (2013).
In 2014, Tej’ai put together a show entitled “Return of the King” and has been pushing it to become one of the most exciting tribute concerts around. In addition, he has gone on to tour a second time in Germany (2016-2017) with shows such as “Michael the True Story” and “Michael Jackson: The Tribute,” as well as a return to the Middle East for “A Tribute to the Troops” where he was presented three medals of honor for his performances.

Now in 2020, you can catch him on stage with two brand new shows, “Michael Jackson Legend” and “Imitation 5ive: A Jackson Tribute,” as well as starring in a not yet titled film dedicated to the King of Pop.

You can be sure that he will soon become a household name with both of these stage shows and a budding new acting career blossoming. Keep watching because his best is still yet to come!!!

GO BANG! Magazine: Tell our readers when you first started singing and dancing like Michael Jackson?

Tej’ai Sullivan: My name is Tej’ai Sullivan. I am a professional tribute artist/representative for Michael Jackson. I have toured all over the world performing and touring my live show tribute to the “King of Pop.” I was born and raised right here in Chicago. I started out at the age of two years old performing at all of my cousins’ birthday parties. Then, one day when I was five years old, my grandmother came home on her break to find me singing my heart out. She asked my mother if that was really my voice singing to the songs. My mom told her yeah and from that very day she took me to the New Regal Theater and from there it’s history. I started winning talent shows consistently and then later being blessed to tour to places such as England/Middle East/Germany/Italy/Russia/Hungary/Belarus/Ireland/Scotland and more.

GO BANG! Magazine: Have you received any dance or singing training or is your talent natural?

Tej’ai Sullivan: No special training in either. I have been naturally singing and dancing since the age of two, by just really watching or listening, and then just doing it.

GO BANG! Magazine: What is it about Michael Jackson that inspires you to impersonate him?

Tej’ai Sullivan: Since birth, Michael has always been a part of my DNA. I like to say that it chose me, I didn’t choose it. Michael has always been the blueprint and I was always the outcome. Growing up, I thought Michael Jackson was very magical and had super powers. So as a kid seeing things like that, it can grab onto you.

GO BANG! Magazine: How has performing as MJ affected your life?

Tej’ai Sullivan: It’s always brought me joy knowing I provide a great valued show that all ages can enjoy and talk about. Nothing like that feeling! People really enjoy my shows.

GO BANG! Magazine: Being a singer and dancer, do you plan to ever performing as yourself or impersonating Michael Jackson is your final goal?

Tej’ai Sullivan: I don’t define myself as an impersonator. I call it as a profession being a tribute artist. When I take off the makeup, I am no longer the Michael Jackson character, I am simply myself. An impersonator to me doesn’t turn it off, they continue on as that character.

GO BANG! Magazine: Impersonating a celebrity can have its downside. People don’t know who YOU are. They only know the character that you play. How do you plan to separate you “the artist” from the “Michael Jackson” role you play, when you pursue a career as Tej’ai?

Tej’ai Sullivan: There’s always been a separation from me as an artist from me the tribute artist. Michael Jackson is only one of my talents. I have been blessed to do things such as videography/photography/screenwriting/directing/acting/singing/songwriting/producer. I call myself a “Jack of All Trades.” I never limit my abilities

GO BANG! Magazine: In addition to singing and dancing, you are also interested in an acting career. Your debut role is in the upcoming film “Roseland”, a comedy written by Billy Ray Valentine. Tell our readers about how you got started in acting and what your role is in the movie.

Tej’ai Sullivan: Well, as far back as I can remember, I always wanted to be an actor. I have done theater plays in school, with such roles as Tony (“West Side Story”) and “Aladdin.” But landing a role for “Roseland” was simply a blessing from the higher power. Me and Mr. Valentine saw my potential and gave me my first shot in a feature film as P-Nut. P-Nut is a guy in the neighborhood who’s down with the homies but has ambitions to be an entertainer. He has aspirations to be a famous Michael Jackson and Prince performer, but he daydreams and fantasizes a lot about it. It has been so much fun playing this character and it’s going to be so funny. The cast and crew are amazing.

GO BANG! Magazine: Michael Jackson is beloved all over the world. But, not everyone loves Michael Jackson. Some people continue to believe that he was a child molester, even though all criminal charges were dropped. What is your opinion on that topic and have any fans given you negative responses for impersonating MJ?

Tej’ai Sullivan: I’ve never really had to defend this with anyone because everyone who has ever come in contact with me knows that Michael is innocent and that’s that. I haven’t had any negativity come my way about Michael or my tribute to him. From start to finish, my show is a must see, something that brings people together, and we all party

GO BANG! Magazine: Is there anything that you would like to inform our readers about concerning upcoming projects, performances or movies?

Tej’ai Sullivan: After we wrap from “Roseland,” I am very excited for a few movie projects, as well as my new Jackson’s tribute group “Imitation 5ive.” We have a show under the same name “Imitation 5ive: A Jackson Tribute”, and a Michael Jackson fan film and concert of the same name. Then there’s “Michael Jackson: Legend”, “Power Ranger’s Jurassic Legacy” and a romance comedy called “Do For Love” which will all come out in 2021. I will join forces with Billy Ray Valentine and James Lett III, so please look out for those.

I am also working on an album of my own original music called ”The Heir” and think it’s going to be something to take you back to when music was music and had soul. Music that tells stories

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Tej’ai Sullivan: I’m handling it accordingly. I’m being safe, but I am not letting it stop me. I am taking on new challenges, especially with my shows. Now with the virtual concert experience being put into effect, this pandemic only gave me time to get my ideas out of my head and to bring them all to life during this down time.

You can follow Tej’ai on ALL social media platforms and log on to the website:

Facebook: @theycallmemichaeljackson

IG: @beingtejaisullivan

Website: http://TMJtributeshow.com

LIVE performance link: https://youtu.be/WJL4vToNIco



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Jamaican singer Natel, born Nathaniel Hewitt, is bringing a new style and presence to the Dancehall/Reggae scene. Son of well-known guitarist Correl Hewitt, Natel has been exposed to authentic, good music from a very young age. His vocal tone is strong and confident, yet still offers a smooth and melodic quality which allows him to cross and fuse genres. His perception and understanding of the world around him gives him the ability to write with a unique storytelling nature that ranges from culturally conscious appeals, with regards to humanity to sensual yet carnal dance tracks which forcibly require the desired body movement.

As a result of, both his lyrical and musical versatility, Natel’s music adds appeal to a much larger fan base that is far superior to your average Dancehall/Reggae artist. His songwriting ability and vocal artistry have been highly admired by international DJ and Record Producer, Diplo. In 2016, Natel featured on a #1 hit single on Japan’s R&B iTunes chart titled ‘Forever’ with Kat Deluna. His creative flair also presented him the proficiency in writing a multi-platinum hit record for Norwegian pop duo twins, Marcus & Martinus, featuring Samantha J, titled ‘Light It Up’.

He has been given the opportunity to use his artistic aptness to work on projects for other well-established artists such as, Sean Paul, Tarrus Riley, Voicemail, Konshens, Alaine, and Assassin just to name a few. He was co-producer and co-writer on “This is Dancehall” by legendary dancehall artist Mr Vegas, after he had been touring with him for many years.
Recently, Natel has had the chance to explore a new market by working with international DJs and EDM producers, such as DJ Chuckie, Childsplay, Jay Psar, BSSMNT, Retrohands and Bcanic to fuse the dancehall sound and EDM together. Through Natel’s display of hard work, dedication and unbelievable talent, it looks like he is going to be the next big thing coming out of the beautiful island of Jamaica.

GO BANG! Magazine: How did you get started in music?

Natel: My father is a musician and my mother has always been In the church choir when I was a kid growing up, so music seems to be in my bloodline. Hearing music at a very tender age and seeing firsthand how it is created caught my interest and so I started picking up the instruments around the house. Next thing my parents noticed, I am a natural.

GO BANG! Magazine: How would you describe Dancehall/Reggae to our readers that may not be familiar with that style of music, and how would you describe YOUR style?

Natel: Well, reggae is a music genre that was originated in Jamaica in the 60s. The immediate origins of reggae were ska and rocksteady, where the bass was used almost as a percussive instrument. Reggae music in Jamaica started to speed up a little by the urban music creators in Jamaica in the 70s and that’s when the genre dancehall was created.

GO BANG! Magazine: How long have you been performing professionally?

Natel: Many won’t know that I’ve been performing for years in my father’s band (Breeze Band) as a bass player, long before I decided to actually sing. I was about 14 years old and had learned the bass about a year prior. The bass was my first real love until I started to record my vocals in the studio and noticed I enjoyed being a singer. As a singer, my first performance was on a local television station on a talent search reality competition in 2015 (Digicel Rising Stars).

GO BANG! Magazine: Living in Jamaica, your home town, how are you and your music received by the public?

Natel: This competition was aired on one of the more popular tv stations in Jamaica at the time, and because of that NATEL became a household name right across the island. With that said, you can imagine the warm embrace and support I’ve received over the years, watching me grow from one level to the next. Now the love has transformed globally. I have Jamaica and my hometown in Mandeville, Manchester & other parishes to thank for it.

GO BANG! Magazine: In the States, particularly here in Chicago, Dancehall/Reggae has a huge following. In fact, your genre of music has worldwide appeal. What message would you like to send to our readers that live outside of Jamaica, who may not be familiar with you, but may be interested in you?

Natel: I’d say subscribe to my website www.natelmusic.com & follow me on Instagram & all other social media platforms @natelmusic and I can assure you that from one click, you will stick 😉

GO BANG! Magazine: Your father is Jamaican guitarist/artist/engineer/producer Correl Hewitt. What influence or advice, has your father given you about the music industry?

Natel: My father and my mom are both extremely supportive from the beginning. One piece of advice that stands out to me most is that I don’t need to try hard to be myself. So, if at any point I feel like I’m trying too hard, then I’m going the wrong direction. That’s one piece of advice that has helped me to stay out of trouble and be level headed with my decisions throughout life so far. Another bit of advice was to keep God close and everything will work out just fine.

GO BANG! Magazine: You’ve worked with some pretty well-known artists, including Sean Paul. What artists in the future would you love to collaborate with or write for?

Natel: I’d love to work with so many artists in the future. But, I feel like I have so much to learn from Bruno Mars and The Weeknd, since they are also great writers/producers and singers themselves.

GO BANG! Magazine: More recently, you’ve had the opportunity to explore other styles of music by working with DJ’s and EDM producers. How is that new adventure working out for you and your sound?

Natel: It’s working perfectly. I get to find out that many EDM DJs and producers are looking for either a Reggae/Dancehall artist with strong vocals or very soothing and melodious. Fortunately for me, I am well roundly versatile where vocal performance is concerned, so that in itself became a hit for me. The European producers are very professional and talented. I believe the collaboration with me and many of them turned out to be magical because of that chemistry.

GO BANG! Magazine: Are there any current or upcoming projects that you are working on that you’d like our readers to be on the look-out for?

Natel: Patience mixtape is my most recent project released and it’s in all stores, including my website http://www.natelmusic.com, so you can definitely check that out. I’m also about to release the DELUXE edition of “Patience” mixtape’ in about four weeks and that’s a project you’ll definitely want to add to your collection. There is a collab with Konshens on the mixtape called ‘Make Money’ and also an official music video for it as well. That’s for my new single “Wake Up.”

I’m always working on my projects, as well as other very popular Artist’s and producers projects that you might know. So, because my work ethic, you can keep an eye out for the next full project that I’ll release titled “Tsunami Season” and another full project called “Introvert.” Shhhh…that was supposed to be a secret 😉

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Natel: First of all, my condolences to all the families who lost someone because of this horrific virus and for those who are affected by this pandemic in any way shape or form. My prayers are with you. “Don’t worry… about a thing… every little things… gonna be alright” in the words of the legendary Bob Marley.

We have to all inhale and exhale and just see this for what it is and do what we need to do to keep ourselves and our families safe. That’s how I’ve been dealing with it. It’s a very rough situation that we could not have planned for or even imagined.

Shows and tours all over the world have been canceled for us, so you know our livelihood has slowed down. But, I’m seeing the glass half empty and taking this opportunity to record more music and get my mind, body and soul in the right place.

When this pandemic is over, we should be aiming to be even stronger than we were before.

GO BANG! Magazine: We here at Go Bang! Magazine would like for you to join us in wishing Natel an early HAPPY BIRTHDAY (6/27)!

HAPPY BIRTHDAY NATEL!!!

FOLLOW NATEL ONLINE: @Natelmusic
INSTAGRAM: http://www.instagram.com/natelmusic
WEBSITE: http://www.natelmusic.com
PATIENCE MIXTAPE: https://natelmusic.com/album/989189/patience-mixtape

VIDEO LINKS:
“WAKE UP” (official video): https://youtu.be/0-mz4n_VIFA
“MAKE MONEY” ft. KONSHENS: https://youtu.be/TpliS32nZ1o



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

“Portraits of Corona”


Grim Reaper—
Across these states,
Doctors orders they are defyin’
But it wont be long
Soon
they will be cryin’
Dyin’
Sickness risin’
Coronavirus lyin’
In wait to claim
Ignorance—
that hisses at the lessons of history & science
Arrogance—
Defiantly spitting
In the face of fact
And truth
And irrefutable proof
About this plague—
That already has claimed hundreds of thousands of lives
Infecting—
Millions worldwide
Staking its deadly claim
Like the Grim Reaper
Peace Breacher
Invisible Angel of Death
Irrespective of people—
White
Or Black
Or Yellow
Or Brown.
Hear the sound:
Of a cresting river of mourning
Amid this affliction
Amid this hell storm of sickness
That shall inevitably run its full course
With such catastrophic force
Of which historians will someday write
And generations shall read
In the light
Of knowing:
That in the midst of this global pandemic
Even as its deadly winds were blowing
That across these states,
Doctors’ orders
they were defyin’
But soon
they were cryin’
Dyin’
Sickness–
risin’
Coronavirus–
lyin’
In wait to claim
Their poor ignorant souls…

The Saints—
And the preacher said, “Come,
For I have heard the voice of the Lord
And we have only but
‘Fear’ to abhor
Not a mere virus
Which shall not penetrate
The House of the Lord
With its sanctified gates”

And if
Perchance
You should take ill, the preacher said,
By His blood
I will heal
And raise you
From corona’s deathbed
Never mind you may be feeble
Or golden in age,
Suffer diabetes, heart disease
Or be in a cancer stage
That make you uniquely susceptible
To the virus’ rage
Causing you prematurely
To go to your graves
Never mind the foolishness
Of scientists
And their worldly advice
Never mind the government
That ordered you to stay inside

“Shall a man rob God?”
The preacher exhorts.
“For we are not of this world
In God we trust”
“Come, let us enter into His house with thanksgiving
And into His courts with praise
For our God is bigger than Corona
Turn to your neighbor,
and give God the praise”

And so,
They came
Like sheep to the slaughter
The virus a ruthless marauder
And church meetings mere fodder
Amid this world pandemic
Of horror
The “Lord’s house” transformed into a super-spreader
Of infectious disease
That lapped like flaming tongues of wildfire
Bringing church leadership to its knees
Claiming bishops and pastors,
and laity alike
Sending shockwaves
Through Zion
And bringing to light:
That, like God, the virus
Was no respecter of persons
Regarded neither saint, nor sinner
Nor foolish assertions;

That lives could have been saved
And tragedy averted
If by faith
and by wisdom
the Watchman
Had only alerted
The sheep
Instead of falling fast asleep
As the wolf
began to creep
And the flock,
it began to eat

So in the end,
the preacher’s epitaph read:
“Here lies a good man
With delusions of grandeur in his head
A man who didn’t have to die
Upon corona’s bed.”

The Angels—
And the angels, masked and gloved,
Performed miracles
Impervious to fear
As they sought to heal them
Shed tears for those
whose eyes affixed longingly to these guardian souls
As if they had halos
Amid laborious last breaths
And the encroachment of cold death
As scripts and ventilators
Ceased in utility
And all of humanity
Gasped at the depravity
Of an invisible enemy
That froze
The world
In suspended animation
But the Angels braved the storm
Fought on
Wearied and worn
Their souls forever torn
By the ones they lost
And the ones they won
After the storm had passed
And returned the sun
And it was clear
That these wingless human souls
Were the most valiant ones
Our Angels

Richmond Punch is a violin virtuoso who delivers a riveting, dynamic, explosive, and powerful performance! A native of Dallas, Texas, Richmond graduated from the top-rated Arts Magnet Booker T. Washington High School for the Performing and Visual Arts. He honed his craft and earned a Bachelor of Music degree from the famous Juilliard School of Music in New York and received a Master of Music degree from the prestigious Yale University. He specializes in live jazz violin music for all types of special events including corporate, concerts, festivals, weddings and worship. As an accomplished musician, Richmond has produced 4 CDs in various genres that include Classical, Hip Hop Jazz and Gospel. The titles of his four CDs, which are available online everywhere are “Gospel Covers”, Finally”, ‘Back That Violin Up” and “Hymns for Botham”.

Throughout his career, Punch has traveled the world dazzling audiences as large as 15,000 from Mexico to Cuba and stateside from Atlanta to Anchorage and everywhere in between. Richmond is a featured entertainer for the Disney Cruise Line Entertainer, Dallas Cowboys Club and Dallas Love Field Airport. He is also a feature on Amazon Prime’s “The Focus.”

Richmond has opened for Idina Menzel from Disney’s Frozen and has entertained Hollywood Royalty and other celebrities that include Viola Davis, Danny Glover, Steven Forbes, Daymond “Sharktank” John, Omari Hardwick, Letoya Luckett, Morris Chestnut, Jewel, Bishop T. D. Jakes, Ross Perot, Kirk Franklin, Kirk Whalum, Nolan Ryan, Emmitt Smith, and Gary Payton just to name a few. He has also played backup for Kenny G and Diana Ross.

For more than 20 years now, Richmond has given much of his time to support non-profit organizations. In addition to sharing his musical talent, he has worked with mentoring programs that include Big Brothers Big Sisters as a mentor and speaker. As well, he has worked with various school districts, HBCUs and other colleges and universities across the country. Richmond currently resides in the Atlanta area.

GO BANG! Magazine: How and when did you get interested in the violin?

Richmond Punch: I was five years old when a violin was given to me at a public Montessori school.

GO BANG! Magazine: Why did you choose to play the electronic violin instead of the more traditional one?

Richmond Punch: I have played the traditional violin for years. My wife bought me the electric violin a few years ago as a birthday gift. I fell in love with it and I have been playing it ever since.

GO BANG! Magazine: You play Jazz, Hip Hop Jazz and Gospel. Please describe to our readers how the public, particularly the youth, react when they hear you performing violin Hip Hop.

Richmond Punch: I started out playing classical music at The Juilliard School, where I obtained my Bachelor’s of Music degree. I began playing Hip Hop music after listening to Tupac’s music. People are shocked when they hear me play Hip Hop on the violin.

GO BANG! Magazine: You’ve participated in the Botham Jean Foundations’ inaugural red tie fundraising gala event. Our readers may remember Botham Jean as the young man who was killed by Dallas Police Officer Amber Guyger, for accidentally entering the wrong apartment. You even met his family and became inspired to dedicate a body of work to him. How did participating in that special event and meeting the family inspire you?

Richmond Punch: I was so inspired that I wrote a song entitled “Hymn for Botham” which is available for purchase via richmondpunch.net/merch In addition, it inspired me to march for justice because in Georgia, where I now live, Ahmaud Arbery was shot by the police.

GO BANG! Magazine: You’ve had your brush with Hollywood as well. Please share one of your best experiences performing for an A-Lister, and how that opportunity affected you.

Richmond Punch: I remember performing for Bishop T.D. Jakes for nearly 10,000 people for live service and thousands more online. Later, he called me “The baddest violinist around.” It inspired me to record a Gospel CD and led to my first touring, performing in churches across the U.S.

GO BANG! Magazine: A native of Dallas, TX, but now living in Atlanta, GA, the south have embraced you. After this COVID-19 pandemic, do you plan to take your music on the road to other regions of the country?

Richmond Punch: Yes. I have already spoken to the management teams for Take 6 and Peabo Bryson. They expressed an interest in me touring with them.

GO BANG! Magazine: You offer training, as well as support non-profit organizations. Why is it important to you to pass on your musical knowledge, as well as giving back to the community?

Richmond Punch: I was raised by a single parent who received help from organizations like Big Brothers Big Sisters. I know first-hand how much these organizations help. I feel it is my duty to help, so I train and give back to the community.

GO BANG! Magazine: Please describe what your ultimate dream performance would look like?

Richmond Punch: My dream performance would be to perform with my group, “The Punch TKO’S Band: at Madison Square Garden in NYC.

GO BANG! Magazine: What new or upcoming projects would you like our readers to know about?

Richmond Punch: As a result of the pandemic, I have started online training for violin, viola, cello and piano.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Richmond Punch: I am dealing with the pandemic by keeping myself busy. I have started providing online concerts and I’ve increased collaborations. Also, I have started providing performances for outside birthdays, graduations, weddings and proposals.

You can follow Richmond punch on ALL social media platforms:
Facebook: @Richmond Punch
Instagram & Twitter: @ViolinRichmond



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

A native son of Chicago, John W. Fountain is an award-winning columnist, journalist, professor and author of the memoir, True Vine: A Young Black Man’s Journey of Faith, Hope and Clarity (Public Affairs, 2003) and Dear Dad: Reflections on Fatherhood (WestSide Press, 2011). His essay, “The God Who Embraced Me” appears in National Public Radio’s book, This I Believe (Henry Holt Books, 2006), as part of the nationally acclaimed series initially started by Edward R. Morrow. Fountain is a professor of journalism at Roosevelt University and a weekly freelance columnist for the Chicago Sun-Times. In 2016, 2014 and 2011, Fountain received the Peter Lisagor Award for Exemplary Journalism for columns published in the Sun-Times. Fountain won the Lisagor Award in the category of news column or commentary among daily newspapers with a circulation of 250,000 or more from the Chicago Headline Club—the largest local chapter of the Society of Professional Journalists in the country. In 2014, Fountain was awarded best column by the Illinois Press Association.

In 2015, Fountain was a Lisagor Award finalist for online best Feature for a series on a Little League Baseball team in suburban Chicago: The Sweet Season. In 2013, he was a finalist for the National Association of Black Journalists “Salute to Excellence Award” in the magazine category for his first-person feature “Murder Was the Case” in Ebony (July 2012). In 2012, Fountain received the Illinois Associated Press Editors Association Award and the Chicago Journalists Association Sarah Brown Boyden Award for his column in the Sun-Times.

In a journalism career that has spanned more than 30 years, Fountain has been a reporter at some of the top newspapers in this country. From 2000 to 2003, he was a national correspondent for The New York Times. Based in Chicago, Fountain covered a 12-state region. He also has been a staff writer at the Washington Post and the Chicago Tribune. He has written for the Wall Street Journal, Chicago SunTimes, Modesto Bee, Pioneer Press Newspapers in suburban Chicago and the Champaign News-Gazette.

He was formerly a tenured full professor at his alma mater, the University of Illinois at Urbana-Champaign, and visiting scholar at the Medill School of Journalism at Northwestern University in Evanston. In addition to working as a national correspondent, Fountain has been a crime and courts reporter as well as a general assignment reporter and features writer.

Fountain was a 2009 fellow at the Knight Digital Multimedia Center at the University of California-Berkeley. At Roosevelt, he teaches Media Writing, Personal Journalism/Memoir Writing, Convergence Journalism, News Reporting, Literary Journalism and Special Projects courses.

In 1999, Fountain was one of 12 American journalists selected for the prestigious Michigan Journalism Fellowship for the 1999-2000 class at the University of Michigan in Ann Arbor. Fountain studied inner-city poverty and race. Fountain earned his bachelor’s and master’s degrees in journalism from the University of Illinois at Urbana-Champaign.

Over his career, Fountain has won numerous honors for feature writing from the National Association of Black Journalists, the Associated Press, and the American Association of University Women, among others. In 2003, he was a finalist in feature writing and sports writing for the Peter Lisagor Award for excellence in journalism. He continues to be an invited guest on local and national radio and television news shows and has appeared on National Public Radio, Chicago Public Radio, WGN-TV, NBC-Channel 5, ABC-Channel-7, WTTW’s Chicago Tonight and numerous radio shows.

Fountain frequently speaks across the country to inner-city youths, at schools and other groups. He shares his inspirational story of going from poverty and the urban mean streets of Chicago’s West Side to the top of his profession. “True Vine” is his remarkable story—of his childhood in a neighborhood heading south; of his strong-willed grandparents, who founded a church (called True Vine) that sought to bring the word of God to their neighbors; and of his religious awakening that gave him the determination to rebuild his life.

Inspired by Fountain’s essay for the acclaimed National Public Radio’s This I Believe series, “Dear Dad” is a compilation of true narratives written by some of the nation’s finest journalists and writers. Fountain’s most recent book projects are: “No Place for Me: Letters to the Church in America” and “Son of the Times: Life, Laughter, Love and Coffee,” a book of essays.

GO BANG! Magazine: When did you first become interested in writing?

John W. Fountain: I have always loved writing, ever since I was a little boy growing up on the west side of Chicago in a place commonly known as K-Town. I loved writing poetry on the days when it was too cold or rainy to play outside. In elementary school, in creative writing, I would write fictional stories about talking leaves and all sorts of things. We would read those stories in our writing circle and occasionally I would look up and see my classmates laughing and engrossed in the stories I read. It was an amazing high and introduced me early on to the power of storytelling.

GO BANG! Magazine: Being an award-winning columnist, journalist and author, you’re fluent in various writing styles. What is it about writing that motivates you to write?

John W. Fountain: What I most love about writing is the creative process. It is the ability to channel what comes from the heart, mind and soul onto blank pages. Over time I have learned that writing is less about following the rules of structure and mechanics—all the things they teach you in school. Not that those things don’t matter. It’s just that sometimes they can get in the way of the writing process, obstruct creativity and inhibit the gift. Writing is like oxygen. It enables me to breathe, live, feel. It provides visibility. It says that I exist and that I am not invisible. Writing is a transaction with the soul.

GO BANG! Magazine: I became familiar with you through a poem that you posted on Facebook in April that was about the current COVID-19 pandemic. Please explain to our readers what inspired you to write that poem about the ignorance of people, surrounding COVID-19.

John W. Fountain: We are our brother’s keeper and we are connected, affected, impacted by our decisions and by the decisions of others in a global society. This world pandemic has illustrated that in a very real way. Yet, so much misinformation exists. My poem was motivated by my desire to share some truth and to present it in a way that people might be able to receive it. We truly are all in this together. The scripture says, “My people are destroyed for lack of knowledge.” I hope my poem, even if in some small way, helped sound the trumpet for us to heed the call to do what’s necessary to protect ourselves, our families and each other.

GO BANG! Magazine: You’re also a professor at a prominent university in Chicago, teaching various writing and journalism classes. Why is it important to you to pass on your knowledge of writing?

John W. Fountain: The cemetery is filled with unrealized dreams, with potential and the best of intentions to help others achieve their own dreams, and with talent not fully used. My belief is that whatever talents or gifts we have, the totality of our God-given abilities, resources and wisdom are to be spent while here on earth to help others. In other words, we must empty ourselves; take nothing with us to the grave. By helping others achieve their dreams—whether through writing or some other craft or profession—we ensure our own legacy. We also leave the world potentially as a little better place—at least our corner of it.

GO BANG! Magazine: As an author, you’ve written a few books including “No Place for Me: Letters to the Church in America” and “Son of the Times: Life, Laughter, Love and Coffee.” Please describe to our readers what these two books are about.

John W. Fountain: “No Place for Me” is a spiritual memoir. It’s about my journey as the grandson of a Pentecostal pastor and my turning away from the church I once loved that I now believe has no discernible message for what ails the 21st century black male soul. It is about how I find in the church today no place for me and no longer are a member, but also my rediscovery of my place as a member in the body of Christ.

“Son of The Times” is a collection of some of my best newspaper columns written over the last decade.

GO BANG! Magazine: Another set of books that you’ve authored are “True Vine: A Young Black Man’s Journey of Faith, Hope and Clarity” and “Dear Dad: Reflections on Fatherhood.” These are both very interesting and personal topics. Please point out two or three “take away” points from each book.

John W. Fountain: From “True Vine”: Never stop dreaming or you start to die; There is always hope; Most of my life, I later realized, I wasn’t poor, just broke.

From “Dear Dad”: I am not my father and therefore not destined to repeat his mistakes; To move forward from the hurts and sins my father committed against me or my family, I must learn to forgive him; As a man, as a father, I must learn to forgive myself; It’s never too late.

GO BANG! Magazine: What advice would you give to a youth that is interested in pursuing a career in journalism, but may be unsure of how they may be perceived in the industry, as a minority?

John W. Fountain: I would advise any young person interested in pursuing a career in journalism to study and absorb every lesson in class, to hone their craft, to seek out professional journalists who can serve as mentors, to read voraciously, to never allow anyone to squelch your dreams or passion, and to never give up.

GO BANG! Magazine: Are there any projects that you are currently working on that you’d like to inform our readers about.

John W. Fountain: I am currently working on a project titled, “Unforgotten.” It is the story of 51 murdered Chicago women over two decades that appears to be the work of at least one serial killer who strangled them to death and left their bodies in Chicago alleys and vacant lots, sometimes in trashcans and sometimes set on fire. The project seeks to humanize the victims by telling the stories of each woman beyond the circumstances of their death. Portraits of life.

GO BANG! Magazine: How has knowing your heritage, which originates in Ghana, affected you as a black Chicagoan?

John W. Fountain: Being aware of my West African heritage grounds me. It reminds me that I am rooted not only in the blood-and sweat-baked soil of the Deep South, where my ancestors tilled the plantations, but also in the royal heritage of the Motherland, where we were kings and queens long before the cruelty of racism and slavery. This forms my paradigm as a writer—the reality of being an inhabitant in the town of Bigger Thomas, but a native son of the land of Kunta Kinte.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

John W. Fountain: Amid this global pandemic, I am doing everything I can to stay safe, following social distancing guidelines, sanitizing grocery packages, basically keeping me and my household safe as best I can from outside contaminants and danger. Mostly, I’m listening to the scientists rather than the government.

YOU CAN FOLLOW JOHN W. FOUNTAIN AT THE FOLLOWING LINKS:

FB: @authorJohnwfountain; johnwfountain
Twitter: @JohnWFountain
Website: http://www.johnwfountain.com
Sun-Times page: https://chicago.suntimes.com/authors/john-fountain



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram