As most of you know, our brother in House music, Jesse Saunders suffered a severe stroke in November of 2022. Since then, he has been hospitalized, then in rehab, non-vocal, getting fed through a tube, his walk staggers, and he had been trying to get back to some semblance of normalcy. Just recently, his health took a turn for the worse and he collapsed on the kitchen floor where he lives. His blood sugar and blood pressure were both dangerously off the charts. Right now, Jesse needs our help in a big way. He is NOT in a good place–he cannot afford the care he needs in the rehab facility and is at risk of being released without further help. This is an URGENT matter, as he will be evicted from the care facility by the end of this month, if we cannot get him the funds to maintain his care. Let’s all step up to get him the care he needs.
“Team Jesse” is supporting this cause, which includes: His brother DJ Wayne Williams, his Chosen Few brothers Alan King, Tony Hatchett, Andre Hatchett, Terry Hunter, and Mike Dunn. DJs Chip E, Joe Smooth, Maurice Joshua, Eric Esmoove Miller, Steve Silk Hurley, Farley Jackmaster Funk, Eric ET Taylor, Lori Branch, Celeste Alexander, Dee Jay Alicia, G Whip, Greg Winfield, DJ Spen, Hans Cherry, Reggie Corner, Angie Tee, and the list is growing from around the world.
We ask that people not only donate what they can but SHARE it with everyone across every platform.
Jesse’s history • Considered one of the founding fathers of House music, Jesse released the first commercially available House record, “On & On” (1984) with Vince Lawrence. • Instrumental in shaping the early sound of Chicago House with its raw, minimalist style and use of the Roland TR-808 drum machine. • Renowned DJ, playing at Chicago’s legendary warehouse parties in the 1980s and continuing to perform globally today. • Prolific producer, releasing numerous solo albums and singles, along with remixes and collaborations with other artists. • Founded multiple record labels, including his own imprint, Jes-Say Records, and worked extensively in music and film production. • Author of the book “House Music… The Real Story” (2008).
Early Life and Influences: Jesse Saunders was born and raised on the south side of Chicago. He developed a love for music at a young age, inspired by R&B, soul, and disco. By 15, he started DJing at parties and clubs, later becoming a resident DJ at the iconic Playground venue.
Birth of House Music: In the early 1980s, Saunders, along with Frankie Knuckles and Ron Hardy, experimented with combining disco, electro, and European synth music, crafting a new sound that would become known as House. Saunders’ “On & On” became a defining track of the genre, sparking its growth and popularity.
Career Highlights: Throughout his career, Saunders has released several influential albums and singles, including “Love on Mars” (1984), “Can’t Turn Back” (1988), and “The Funk Phenomena” (1993). He has collaborated with artists like Larry Heard, Marshall Jefferson, and Robert Owens, and remixed tracks for Madonna, Kylie Minogue, and others.
Beyond Music: Beyond being a musical pioneer, Saunders has been involved in various ventures. He founded record labels, worked in film production, and served as a voting member of the National Academy of Recording Arts and Sciences. His book, “House Music… The Real Story,” chronicles the genre’s early days and his own contributions.
Legacy: As a member of the Chosen Few DJs, Jesse Saunders is revered as a true legend in the world of House music. His innovative spirit, technical skills, and dedication to the genre have left a lasting impact. He continues to inspire DJs, producers, and music lovers worldwide.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Photo courtesy of Facebook & Article reprinted from Mixmag Magazine
Black Coffee is currently receiving medical treatment after he was involved in a “severe travel accident on a flight” while travelling to a show in Argentina, supposedly from turbulence.
Please join me in prayer for a full recovery for Black Coffee.
Ozie Nzeribe, also known as “ZMNY” is an 18-year-old international rapper with genres reaching Hip Hop, melodic and lyrical Rap, R&B, and Afro Beat.
He’s an Actor, Model, Humanitarian, and well-rounded scholar who appears as a series regular role on “Swagger”, with Kevin Durant’s basketball drama series on Apple TV produced by CBS. He recently appeared in a guest starring role on Jamie Foxx’s “Dad Stop Embarrassing Me”. He will also be in the upcoming film, “I Want It All” in the role of Ty, alongside, Darrin Dewitt Henson, Rick Ross, Lil Durk, Nas, Busta Rhymes and more.
You may have seen him in his recurring role on the hit Showtime series, “Shameless” as Todd, an oversized scary kid with a big heart.
Catch him in “The Mr. X Family Show” on the Africa Independent Television network, Beyoncé’s “Black is King” film/music video, and in an upcoming American Drama Miniseries, “Little Fires Everywhere” starring Kerry Washington and Reese Witherspoon.
Ozie has appeared in an Adidas commercial with Childish Gambino and has also appeared in Louis Vuitton’s 2019 Men’s Spring Print Campaign.
Ozie, “Zmny” at age 13 recorded a song “Hater-Free” with R&B artist Ray J Norwood, Brandy’s brother. He also collaborated with other popular African and American Hip Hop artists. Ozie was the youngest to have a “Grammy Party” approved by the Grammy’s Recording Academy Governance.
Ozie is a role model for kids of all ages and uses his platform to help inspire and empower. As a Youth Ambassador, Ozie has touched many teens’ lives internationally. In Nigeria, he sponsors and donates to a youth charity group to help end racism and poverty in their communities. Ozie’s compassion compels him to go in the streets of Lagos around Christmas time to clothe and feed the impoverished. Ozie’s empathetic quality is honorable.
As a stellar student, Ozie received several Estella Awards due to his excellent grades and humanitarian efforts.
GO BANG! MAGAZINE: Where were you born and raised?
Ozie Nzeribe: I was born and raised in Monrovia, California.
GO BANG! MAGAZINE: How and when did you get started in acting and modeling?
Ozie Nzeribe: I stumbled into acting while in a recording studio making music. I was approached by an acting manager about a possible acting job. Although I was skeptical at first, I was talked into it by my mom.
GO BANG! MAGAZINE: Over the years, you’ve appeared in numerous tv series and more recently you’re working on “I Want It All”, alongside several Hip Hop heavy hitters. What can you tell our readers about that role and the show?
Ozie Nzeribe: Unfortunately, I’m not allowed to discuss details regarding the film until I get the greenlight from the producers. Guess you guys are just gonna have to wait.
GO BANG! MAGAZINE: Kevin Durant has a basketball tv drama series on Apple TV titled “Swagger” and you’re a regular on the show. How did you become a part of the show, please describe your character and what you like most about the role you play?
Ozie Nzeribe: I booked my series regular role on “Swagger” after my agency acquired the audition. I originally read for a different part, but instead booked my current role as Royale Hughes. Royale is a dyslexic sub-par basketball player with a wealthy dad and insanely unmatched basketball knowledge.
Kevin Durant’s “Swagger” Official Trailer
GO BANG! MAGAZINE: In addition to acting, you are also an international rapper, known to flow to Hip Hop, melodic and lyrical Rap, R&B and Afro Beat. At 13 years old, you recorded the song Hater Free” under the name of Zmny, with Brandy Norwood’s brother Ray J Norwood. How did that opportunity come about, and can you please introduce yourself to our readers that may not be familiar with Zmny, to give them a feel of Zmny, the recording artist.
Ozie Nzeribe: I’ve been infatuated with music my whole life. By the time I turned 12, I wanted to make my own music. So, my mom and I sought out an artist to collab with in the hopes of giving my first song a good push. The artist I decided on was Ray J.
My stage name Zmny, pronounced Z Money, was first coined by my dad when I was a kid, because I was obsessed with money and the Z being the second letter in my name. I currently go by my actual name, Ozie.
“Hater-Free” with R&B artist Ray J Norwood
GO BANG! MAGAZINE: Who are some of the recording artists that have influenced you?
Ozie Nzeribe: Artists that have influenced me, from the top of my head, out of order, I would have to say Post Malone, J. Cole, Chance The Rapper, Lord, Juice WRLD, Tyler, The Creator, Lewis Capaldi, Justin Bieber, Kyle, and many more.
“Function” – Zmny ft. Ana Lou
GO BANG! MAGAZINE: Who are some of the actors that have influenced you?
Ozie Nzeribe: Actors that have influenced me, from the top of my head, out of order, I would have to say Dylan O’Brien, Chadwick Boseman, Ryan Reynolds, Frankie Muniz, Tyler Posey, Denzel Washington, and many others.
GO BANG! MAGAZINE: You are also a humanitarian, a scholar, and a role model. Many entertainers do not like to hold the responsibility or title of being a role model. How do you feel about being characterized as a role model and what type of responsibility does that title place on you as an individual?
Ozie Nzeribe: I personally wouldn’t want to be characterized as a role model, because of the weight it bears and the responsibilities for countless others I would be agreeing to carry. I don’t aim to be a giant beacon for others to follow because no human is infallible. I only wish to become the best possible version of myself. I’m spreading joy and good vibes through my art and spreading love and kindness as a person, while still learning and growing. But, if my actions and what I stand for helps others along the way, I am happy to continue doing so.
GO BANG! MAGAZINE: If you had the opportunity to work with any actors/recording artists/producers in the world, who would it be and why?
Ozie Nzeribe: For actors, all out of order would be Reynolds, for his unfiltered raw comedy, Jenna Ortega, because of her versatility and dedication to her roles, and Tom Holland for his ability to portray American and for his work on “Spider Man.”
For music artists, Tyler, The Creator, because I’ve loved his style of Rap since middle school and his rapping voice. Lorde, because I’ve loved her music for the longest and has always put joy and good vibes in my house. Then Post Malone for his rocker/mellow musical style.
ZMNY X OLAMIDE- “STREET TREASURE” VIDEO
GO BANG! MAGAZINE: What’s next on your agenda and what should our readers be on the lookout for from you?
Ozie Nzeribe: Season 2 of “Swagger” on Apple TV+, airs this June, so watch out! I will be working on a lot more music this year. I’ll be adding in a couple more genres too. You may also see me in a film or two this year, and another show!
Last but not least, Kevin Feige, Sarah Finn, James Gunn, and all the other esteemed members of marvel, if you’re reading this, I think I would make a great addition to the family as Miles Morales (Spider-Man), just to put it out there. 😉
GO BANG! Magazine: Well Ozie, I want to thank you for granting me this interview. I also want to inform you that you have now been officially BANGED!!! GO BANG!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Dancers pictured: (female) Cortney LaFloy & (male) Pierre Andre’ Evans @ Chosen Few Picnic’s 25th Anniversary (2015) in Chicago, IL
Information reprinted from https://www.facebook.com/akaBA
Young and mature House music dancers needed for a WTTW-TV taping!!!
We are doing a re-creation of the Warehouse club in the 70’s and 80’s.
WHEN: Monday Dec 4, 2023
WHERE: Smartbar, 3730 N Clark St, Chicago, IL 60613
TIME: 2:30pm-8:00pm (CST)
WHAT: We need real House dancers dressed in 70’s & 80’s clothes. Please include full name & phone #, email and headshot/picture.
Email to: ballen@wttw.com ballen1245@gmail.com
Pictured above: Andre Pierre “The Dancin’ Machine” aka Pierre Andre Evans
LEAVE YOUR COMMENTS BELOW!!!
NOTE:
As a sidebar, I have been informed that I, aka “ANDRE PIERRE THE DANCIN’ MACHINE”, have been selected to participate!!!!!!
This should be fun!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Harry Kappen is a Dutch producer, musician and music therapist. His latest full album ‘Escape‘ (Spring 2022) contains songs about escaping reality, escaping violence, even life, escaping into love, dreams or art. It became a personal journey with personal lyrics. ‘Barefoot in the Dew‘ was the only single from this album.
In the beginning of 2022, Russia attacked Ukraine and the atmosphere in Europe changed completely. During the summer, Harry realized that there were no protest songs in the Dutch charts. In general, you could say that musicians do not speak out against abuses and threats, while there is reason enough to protest, you would think. (Ukrainian war, climate change, fake news, ignorance, etc.) How different it was in the 60s and 70s during the Vietnam War. So, Harry made this new song about this subject and released the single ‘Wargames’.
In November 2022, ‘The Freedom Inside‘ was released. Instead of complaining and grumbling about the state of the world around you, it may be better to feel the freedom inside to change yourself and thus make a constructive contribution.
Then came June 2023, “Not All of us Agreed”, another separate single release. This song is an indictment of the rapid development of new technologies, particularly Artificial Intelligence, and the many questions it raises for human beings.
Harry played in many bands in the Netherlands and throughout Europe. He composed his first song when he was 10 years old. He played with his sister Hanneke in Kapsonic and released an album with her called ‘Kapsonic’.
Harry is an admirer of David Bowie, Paul McCartney, Prince, Radiohead, Scandinavian pop music by Björk and Motorpsycho. Sometimes their music reflects in Harry’s eclectic music.
Harry is a multi-instrumentalist. His work as a Music Therapist requires him to be able to play a variety of instruments, including voice, in order to connect with his clients in different ways. This is necessary both in the treatment of individual clients and in system therapy (for example, in dysfunctional families). GO BANG! Magazine: What was life like for you growing up in the Netherlands?
Harry Kappen: I was born in Groningen, a city in the north of the Netherlands. I had a carefree childhood. Music has been very important to me since primary school, first miming in front of the class, later followed by playing in many bands. My sister played the guitar and I soon couldn’t contain my curiosity and started to discover the guitar myself.
GO BANG! Magazine: How did you get an interest in music and when did you know you wanted to pursue it professionally?
Harry Kappen: Groningen has a lively music scene and there are many opportunities to perform in the city. Making music and composing songs was second nature to me. It became a part of me that I never stopped doing. I have really written a lot of songs and pieces of music. I continued in music without really thinking about it; recording in studios, recording other bands as a producer, making music for occasions, for radio and Dutch TV.
GO BANG! Magazine: For those that may not be familiar with you, you are a multi-instrumentalist. What instruments do you play and which are your favorites?
Harry Kappen: I mainly play guitar and bass, but gradually I learned to play the drums and understand how the piano/keyboards works. Through a lot of recording and producing, I have been able to gain a lot of experience over the years.
I don’t have one instrument that is my favorite, I like arranging a whole, a unity. I don’t see myself as an excellent instrumentalist, but more of a generalist.
GO BANG! Magazine: Who are some of the people that inspire you as a singer, songwriter and musician?
Harry Kappen: The musicians who are inspiring to me are and were Paul McCartney, John McLaughlin, Jeff Beck, Prince, Radiohead and many more. Often it was also individual songs that inspired me; I mention ‘Wichita Lineman’, ‘A Whiter Shade of Pale’, ‘Smoke on the Water’, ‘Creed’, etc. It is often an atmosphere that grabs me.
GO BANG! Magazine: One of your recent songs titled “Wargames” was written as a response and protest to Russia attacking Ukraine. Can you please explain this single to our worldwide readers?
Harry Kappen: A lot changed in Europe in 2022, because of this Russian attack on Ukraine. A war with a lot of casualties, refugees all over Europe, and a Russian leader who threatened Europe and NATO with a nuclear attack. While this was happening, I looked at the Dutch music-charts, the top 40 or 50, and saw there were no “protest-songs” on it. How different that was in the 60s and 70s during the Vietnam-war. During this period, the protest-song was invented (there was Bob Dylan, Joan Baez, Billy Joel, John Lennon (“Give Peace a Chance) and a lot more. But now? Maybe some independent artists have protest-songs, but in the mainstream charts there were none. So, I felt I had to make this little contribution by releasing “Wargames.” During the solo, you might discover a musical reference to Jimi Hendrix, who played the US anthem in Woodstock and reflected on the Vietnam war. I really liked that idea.
GO BANG! Magazine: Then your single “The Freedom Inside” was released, which is an urge for people to look inside of themselves. What inspired you to write this song?
Harry Kappen: ‘The Freedom Inside’ is also critical, but has a more positive vibe. ‘Don’t try to change the world, but change yourself first’ is the message. We all know we live in troubling times with war, climate change, indifference, etc. There’s a lot of complaining everywhere (social media!) and declining trust in governments. Harry says, “If you want to change the world, stop nagging and whining at others and start to change yourself first and search for the freedom inside you to do so!”
GO BANG! Magazine: More recently in June 2023, “Not All of Us Agreed” was released. It’s themed around the highly-controversial new technologies, like Artificial Intelligence (AI). Please tell us more about that song.
Harry Kappen: ‘Not All of Us Agreed’ is a song about the threats of new technologies, such as A.I., for intimate contacts between people. What will be real in the future and what will be artificial. Is the news we see fake or real? Are we only going to communicate with our government via robots? Will every human just turn into an algorithm? Technology is developing so fast without normal people like you and me having a grip on it. Shall we just have to cope with it and adjust or do we still have some influence on something? I’m just saying, ‘Not All of Us Agreed’….
GO BANG! Magazine: In addition to being a songwriter and musician, you are also a Music Therapist. What exactly is a Music Therapist and what do you do?
Harry Kappen: In music therapy, I treat my clients through music. Many disorders and unhealthy patterns become audible in making music. The audible ‘wrong’ music that this produces can be improved in the music. It is a safe practice place to indirectly deal with your real problems, to go and look for solutions, and then translate them into real daily life.
As a Music Therapist, I help youngsters and adolescents to cope with a variety of problems in an institution for youth care, problems caused by development disorders or/and behavior disorders.
The fact that I’m a multi-instrumentalist comes very handy in my work as music therapist. It’s important to be able to connect musically with a client quite quickly on every instrument. Also, I help families who are struggling with dysfunctional patterns. Music therapy is a great way to make these patterns audible and curable. Besides my work as a Music Therapist, I work as a lecturer and tutor on an international master’s degree in music therapy in Rotterdam, in the Netherlands (Codarts).
GO BANG! Magazine: You’ve played in several bands in the Netherlands and throughout Europe. Are you planning to play in the US anytime soon?
Harry Kappen: At this moment I don’t know. It would be nice to do so! I really enjoy being in the spotlight and performing, but I also aspire to a role as a composer and producer for other artists. I am sure that with my experience, I can help many people to move forward.
GO BANG! Magazine: In conclusion, what would you like your legacy to be? How would you like to be remembered?
Harry Kappen: As a musician. I hope that people just enjoy my music. In December, I will release a new single called ‘One Life’. You may check my website for the latest developments. www.harrykappen.com
As a Therapist. I hope, well, I know, to be (remembered as) a game changer for young people, by offering my ears, heart and skills.
GO BANG! Magazine: Thank you for this interview and continued success! You have now been officially BANGED!
Harry Kappen: I’m honored to be banged, thank you!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
One of our own…Chicago’s own…House’s own…Craig Loftis, pioneering DJ, music producer, club owner and one of Frankie Knuckles’ proteges, needs our help. His club, “The Lodge”, one of Chicago’s only southside clubs dedicated to House music, culture and the community, was recently closed by the City of Chicago due to minor licensing violations and structural issues.
He has set up a GO FUND ME account asking the community to help save The Lodge. CLICK HERE
For those that may not be familiar, Craig Loftis has been a DJ in the Chicago music scene since 1979. He realized that music was his true gift from God and he decided to take it further. He attended Columbia College Chicago, where he received a degree in Arts and Entertainment Management and Sound Engineering. In the early years, he redesigned the sound system for Frankie Knuckles’ legendary “Power Plant” and became Knuckles’ personal sound engineer, opening DJ and General Manager for the next four years. In 2000, Loftis started a new promotion company, Loftwerk Productions, working with Loleatta Holloway, Ava Cherry, Sharon Pass, Darryl Pandy, Byron Stingley, Rochelle Flemming, Georgy Porgy and Martha Wash, to name a few.
Craig says, “The Lodge is in need of your help and support. The Lodge is located at 5108 S. Prairie Avenue in Chicago. It’s a Black-owned-and-operated private dance club. The Lodge is a place that welcomes all regardless of race, sexual orientation, and gender identity. It’s also a great place to hear HOUSE MUSIC in the city that it was born in… CHICAGO!
The Lodge
Just recently, the global House community united to save the historic building in Chicago that housed Frankie Knuckles’ “The Warehouse”, which resulted in getting it designated as a national historic landmark. Let’s come together again to save The Lodge, a possible future national historic landmark!!!
GO BANG! Magazine is asking all lovers and supporters of House music and the House culture across the world, to unite and save a historic and important structure in the legacy of House, The Lodge!
Please dig deep and donate whatever you can. We have a goal of reaching $50,000.
Loftwerk Production is the name of the production company that hosts and manages the The Lodge guest memberships events @ The Great Lakes Elks Lodge #43 5108 S. Prairie ,Chicago Il. 60615. The sole purpose of the group is to promote and preserve the rich legacy of Chicago House Music . All like minded individuals are welcome to join. Being a member of Loftwerk Productions (THE LODGE) in no way makes you a member of Great Lakes Elks Lodge #43 . What it does do, is allows you to enter the event hall as a guest of Craig Loftis, member of Great Lakes Elks Lodge #43. THE LODGE IS NOT OPEN TO THE PUBLIC.. you must be invited by a member of Great Lakes or a guest member of THE LODGE.
Lastly, Craig requests, “To everyone who has donated and that plan to donate, please send me a SHORT VIDEO SNIPPET of what “The Lodge” means to you. Please end it with ‘25 to stay alive’…Support The Lodge.’ You can drop it in my inbox or email it to cl60643@aol.com . Thank you!”
#25ToStayAlive
1Love1House
LEAVE YOUR COMMENTS BELOW!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Popularly known as JESSE KING BUGA, a Contemporary, Urban High-Life and Afro Jazz singer, was born in the 1970’s to the family of Pastor and Mrs. Omokagbor, originally from Okpella in Edo State. He grew up in Lagos and attended The Boys Academy (Lagos Island), Ikeja Grammar school and Badagry high school. After graduating, he proceeded to the Ondo State University, Ado-Ekiti.
Jesse began his early life growing up in Lagos in a Mission House. He started his music career in church and was able to organize many events while attending the university. He started his journey into music as a pianist/producer, before delving fully into music professionally. Most of his tracks are self-produced and he released his debut album “Buga” in 2006, within a year of going fully professional. It has inspired a lot of youths within his community. It has also made him an authentic brand leading the way in campaigning for unity and peaceful coexistence, heritage, and upholding the positive values entrenched in our tradition.
Popularly now known and referred to as “Buga”, he is easily recognized by his traditional style of dressing, infused with modern day styling to promote and encourage the younger generation to embrace African dressing and fabrics. His signature hat, with the long tail used by the Yoruba hunters, looks like a Santa Claus hat, makes this all interesting. The hat has recently taken up the new name “buga”, named after Jesse King Buga.
One of his popular tracks, “Mummy” remains the preferred choice of song to celebrate women on Mother’s Day, birthdays and at traditional weddings of the Yoruba speaking tribe, both home and abroad. One of his signature productions amongst many is the music, dance and drama concert titled “Eko Benin Connexion.” Jesse King doubled as a producer and director of this production and to date, still remains one of his greatest and biggest productions. This concert depicts a kind of cultural rebirth using education as the tool to rekindle and unite the cultural ties between the Benin Kingdom and the Eko (Lagos) of today. As a curator of the idea which is born out of the unpleasant nature of events stemming from tribal wars and hatred, the intent behind this not-so-common type of concert is simply to bring back the memories of where humans evolved from so that we don’t miss the big picture of our being connected and having the same source. It is simply a wake-up call for people to reconnect with their roots and stay in peaceful co-existence.
Jesse is a certified music producer/director, member of COSON Nigeria, and uses music to promote his undying passion for the African culture and tourism. His aim is to use music as a medium through which he expresses his heart and connects to the world. Buga, as fondly called by many, is an enigmatic artiste with a bag full of thinking hats; a producer, energetic stage performer, creative director, voice trainer, voice over extraordinaire, set designer, arranger and pianist.
In one of his recent award nominations in the United States of America, he was acknowledged and appreciated for his tireless contribution towards the advocacy and promotion of positive African values which typify love and unity. Sometimes addressed as “Oba”, which means King in Yoruba language, Jesse exudes a unique charming character which he compliments with his signature smile and effortless royalty portrait. Jesse says, “I wish the world can come together and sing one sound, song of love and peace, not religion, not tribe, that is my dream.”
GO BANG! MAGAZINE: Where were you raised and what was it like growing up as a child? Do you have any special childhood memories that you can share with our readers?
Jesse King Buga: I was born into a clergy family, Pastor and Mrs. Omokhagbor. I’m from Okpella, Edo State of Nigeria. My early days in Lagos can’t be ignored. It was a fantastic experience and a great influence of Lagos culture.
As a church choir boy, I discovered my talent at a very young age, listening to my church organist playing beautiful hymns. Being part of the church choir, I was able to learn the rudiments of music. The church prepared me by teaching me the fundamentals of music through singing symphonies and hymns, which laid the groundwork for my music career.
GO BANG! MAGAZINE: At what age did you first get interested in music and how were you introduced to it?
Jesse King Buga: I got interested in music as at the age of five. It’s always interesting and soulful for me, listening to beautiful music. I decided I was going to do music, but as a small child, it was just hope then, but now it’s reality.
GO BANG! MAGAZINE: Please describe to us the moment when you knew that you wanted to pursue music professionally?
Jesse King Buga: My vision was totally cleared in my University days. I was a member of a performing theatre group. Our performances on stage and me singing was always amazing with warm applause from the audience. It was then I realized my strength and choice of career today.
GO BANG! MAGAZINE: How would you describe your style of music and what message are you trying to convey through your music?
Jesse King Buga: I call my music Urban High Life, African-Metro Jazz, basically Afrocentric. My music is unique and I incorporate traditional African drums with a focus on embracing my African heritage. I am advocate for women, charity for the less fortunate and I thrive to support and to bring life to those who are depressed.
GO BANG! MAGAZINE: Who are some of the people that you admire or that motivate you, and why?
Jesse King Buga: A lot of great artists have inspired me in my career. Victor Olaiya, Bobby Benson, Rex Lawson, Victor Uwaifo and many others, to mention a few.
GO BANG! MAGAZINE: You are very influential in your homeland of Africa, but some here in America may not be familiar with you. How would you describe yourself to the rest of the world and what can they expect from you and your music?
Jesse King Buga: I’m a custodian of culture and history, preacher of love, and a unifier promoting cultures without boundaries. I’m leading a movement to reduce poverty through my art.
GO BANG! MAGAZINE: You are not only known for your music, but you are also quite popular for your style of dressing. It’s traditional, but infused with modern styling. Have you always been a fashionable dresser? How would you describe your style and what influences your style of dress?
Jesse King Buga: I use my style of dressing to promote my culture and to communicate to the world my heritage and values. At the same time, I’m open and respect other cultures. It’s rebranding era. I noticed I needed to do some touches to my dress style to make it flexible to run through our new generation. Rebranding is key in every business.
GO BANG! MAGAZINE: One of your most popular songs “Mummy” has become quite popular because it celebrates women. Can you please describe to our readers what inspired you to write this song?
Jesse King Buga: Women in Africa have faced social and employment discrimination, poverty and inequality. This has hurt them so much and is the reason why I decided to write a song in celebrating women in Africa titled “Mummy.” It has been so well-received, up to this day.
Mummy – Jesse King And The Queens In The Palace
I get inspired writing my songs with situations, my environment and everyday people.
GO BANG! MAGAZINE: You’ve produced several albums from 2006 to the present. You’ve performed at numerous festivals throughout Africa and have received awards, recognitions and nominations in Africa, as well as in the United States. Is there anything that you haven’t done that you would love to do?
Jesse King Buga: Yes! I would love to perform in the US festivals. I hope someday my dream will come to past. It’s going to be a great privilege to reach out to my old fans and the new ones.
GO BANG! MAGAZINE: What would you like to be remembered for and what would you like your legacy to be?
Jesse King Buga: A unifier, promoting culture without boundaries and Spreading love across the globe.
GO BANG! MAGAZINE: Well Jesse King Buga, you have been officially BANGED!
Productions
1. Buga – Album released 2006
2. Mr Jeje – Album Released 2008
3. Gbatiketike – Single Released 2011
4. Rooted – Album Released 2012
5. Eko Benin Connexion- Music, Dance and Drama Concert, 2013
6. My Money feat. Jaywon – Single Released 2014
7. Baba All the way – Released 2020
8. The Rebirth Medley – Released April, 2022
9. Ijebu – Single – Released Sep, 2022
10. Holy Water Dec, 2022
11. Gbabenson –ft Adewale Ayuba (soon to be released)
You can take a listen to all of Jesse King Buga’s music and productions on Youtube, social media and streaming platforms.
LEAVE YOUR COMMENTS BELOW!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
PHOTOS COURTESY OF ISAIAH JAMAL EVANS / CALI VISUALS EXCEPT WHERE NOTED OTHERWISE – @IsaiahJamalEvans @CaliVisuals
On Sunday, August 13, 2023, Chicago native and former Soul Train Dancer Brandy Sanders brought her fabulously fun “Disco Ball” to the town where the dance began, CHICAGO! It was held at the posh South Shore Cultural Center, 7059 S. Shore Dr., from 4pm – 11pm. In the words of the late great Don Cornelius,, “You can bet that it was a stone cold gas!”
SOUTH SHORE CULTURAL CENTER
Since 2008, “Brandy’s Disco Ball” has celebrated the culture and the spirit of the 70s Disco era through music and fashion. So, this event paid tribute to the legendary entertainers of the era. Each year, the Los Angeles legendary Soul Train Dancers are the honorary guests. But this year, Brandy honored and recognize the original Soul Train Dancers from Chicago, along with many other Chicago born entertainers and celebrities.
Maurice Christian (center) and 2 other members of “The Puppets” receiving their honoree certificates.
WORLD FAMOUS SOUL TRAIN LINE
It was a night of fun and an exciting evening of live entertainment, “Best Dressed” Contests, Dance Contests, Games, Raffles, Vendors, the Soul Train Scramble Board and of course, The World Famous “Soul Train Line!!”
Remj
Special featured musical guest performers were Remj (a Michael Jackson Tribute Entertainer)
Nu Skool Sings Old School star Mesiyah and Gospel Soul Recording Artist “Lady Leah.” Special celebrity guest and Chicago born actress Cynda Willliams, from “Mo’ Better Blues” and Oprah Winfrey’s “The Wedding” was also in attendance, donning her funky and fabulous 70’s outfit. While the distinguished special guest was the SEIU African American Caucus.
CYNDA WILLIAMS & OTHER DISTINGUISHED GUESTS
CYNDA WILLIAMS & PIERRE ANDRE’ EVANS – GO BANG! MAGAZINE FOUNDER
One of the highlights of the event was Brandy’s award presentation to the honorees, which included Chicago original Soul Train Dancers Mable Buckner, Albert Adams, The Puppets (Maurice Christian, Anthony Fairchild, Melvin Shumpert, Willie Fultz, Carlton Knight, Yolanda Cooper, Wayne Ward and the late David Crockett), Captain Sky, Poppin Chuck, Robin Roberts Mister, the late Diane Roberts Mister and Stefon Patterson.
POPPIN CHUCK & PIERRE ANDRE’ EVANS – GO BANG! MAGAZINE FOUNDER
POPPIN CHUCK
ORIGINAL SOUL TRAIN DANCER ALBERT ADAMS AND HIS ORIGINAL DANCE PARTNER MABLE BUCKNER
Albert Adams performed a fantastic dance routine and The Puppets put on a spectacular dance performance as well.
THE PUPPETS & DARRELL ROBERTS
Photo courtesy of Darrell Roberts
Also honored were Chicago’s legendary entertainers, including Blues Singer/Songwriter Deitra Farr, entertainment veteran Lee “Mr. Lee” Kirsky, musical group, The Notations (Clifford Curry, Eric Rapier Bryant, Marzette Griffith) and lastly, the Jazz & Blues artist Legendary HolleThee Maxwell, who spoke about her time with Ike Turner and wanted to dispel the talk about Ike being a monster. She stated that he wasn’t like that with her. She also promoted her memoir book titled, “Freebase Ain’t Free.” The book describes Maxwell’s wild ride as Turner’s friend, trusted associate, and closest ally.We cannot forget to mention the special tribute to Chicago House music pioneer, the late Ron Hardy and Chicago Original Soul Train Dancer Adolfo “Shabba Doo” Quinones. The tributes ended with a special dedication to Soul Train Founder, Producer & Host Don Cornelius and Chicago Soul Train Host Clinton Ghent.
THE NOTATIONS
This event not only celebrated the Chicago Soul Train dancers, but it also celebrated 50 Years of Hip Hop with a special presentation by Chicago Hip Hop Historian Darrell “Artistic” Roberts of the Chicago Hip Hop Heritage Museum, located in Chicago at 4505 S. Indiana Avenue, 773.414.2006. We got a chance to briefly speak with “Artistic” and he is just an incredible individual filled with great spirit, personality and knowledge.
Once the presentations and performances were over, the lights were dimmed, the music was pumped and the world famous Soul Train Line was formed. Everyone in attendance jumped out of their seats and hit the dance floor. From young teenagers to seasoned seniors, they all showed off their moves while going down the Soul Train line. This lasted for hours, as the line grew longer and longer. Then, the line broke up and all of the dancers just took to the floor and jammed, packing it from wall to wall.
DARRELL ROBERTS – CHICAGO’S HIP HOP HERITAGE MUSEUM CURATOR/DOCENT/HISTORIAN
Photos courtesy of Darrell Roberts
Brandy Sanders says “It’s always been my dream to bring my show from LA back to Chicago. It’s going to be a full circle moment for me. Grab your bell bottoms, your platform shoes, your miniskirts and your go-go boots. It’s Gonna Be A Ball Y’all!!!”
THE PUPPETS & BRANDY SANDERS
Brandy promised this to be one of the most epic and historical events to ever hit Chicago….and IT WAS!!!
We leave you with the famous words of the late Don Cornelius, LOVE, PEACE & SOULLLLLLL!!!
Brandy’s Disco Ball 2022
Video courtesy of Brandy Sanders @ https://www.youtube.com/@nuskoololdschool
BRANDY SANDERS
Photo courtesy of Brandy Sanders/Facebook
Special shout out and thanks to Desirae L. Benson, my publicist and PR EXTRORDINAIRE DesiraeBBB@gmail.com
Please follow photographer Isaiah Jamal Evans and Cali Visuals:
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
With the support of House music fans, Preservation Chicago, the city of Chicago, and Mayor Brandon Johnson, the building that once was the location of The Warehouse received landmark status by the Chicago City Council. City Council’s Committee on Zoning, Landmarks and Building Standards approved landmark status for the building during its Tuesday meeting. It was announced Thursday, June 22, 2023.
In the late ’70s and early ’80s, “The Warehouse”, a building known as the birthplace of House music, located at 206 S. Jefferson St. in the West Loop, was home to dance parties hosted by legendary Chicago DJ Frankie Knuckles, who helped create House music and popularize it around the world.
The road to landmarking The Warehouse started earlier this year when thousands of people signed an online petition calling on the city to “save” the West Loop building. The landmark designation protects the building’s facade and roofline from being altered by the current owner.
The building — today home to a law office — has been at the center of a recent push to recognize Chicago’s contributions to House music, as well as the numerous LGBTQ+, Black and Latino Chicagoans who helped define the genre.
“The Warehouse opened in 1977 with DJ Frankie Knuckles and a state-of-the art sound system per the vision of owner Robert Williams to convert an old industrial building into a vibrant nightclub creating dancefloor freedom for Chicago’s Black gay community,” Preservation Chicago stated. “It was at this club, with the iconic DJ Frankie Knuckles at the helm, that house music was developed. From The Warehouse this new sound spread from Chicago living rooms to the rest of the world,” Max Chavez, the Director of Research and Special Projects with Preservation Chicago, said at Tuesday’s zoning meeting. “This landscape of world music, because of The Warehouse, because of Frankie Knuckles and because of Chicago was changed forever.”
EDITOR’S NOTE: As a lifetime city of Chicago resident, former DJ, and lover of the House culture, I along with many of my House loving friends who were either pioneers in the creation of House music, patrons of the Warehouse, or simply fans of Frankie Knuckles, made it our mission to put a petition together and UNITE to secure the protection of the place that started it ALL. The entire House community, across planet Earth, came together as a family, to ensure that 206 S. Jefferson would stand forever!
I felt proud to see the House community come together, especially the Chicago House community come together. LET’S KEEP THAT SPIRIT!!!
Click here to see a previous GO BANG! Magazine tribute to Frankie Knuckles upon his passing.
For more background information on the Warehouse and Frankie Knuckles, follow this link to a “Bassement Sound’s” article.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com. In addition, he’s an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, on Instagram @Pierre_Andre_Evans.
Born and raised in St. Louis, MO surrounded by successful business owners within her family and a grandmother who shared her life in the entertainment world, Kalonda followed in her footsteps and began dance and music as early as five years old. She began dancing at Judy Best Talent Center and began singing opera at the Fox Theater’s Annual “Nutcracker” production from age 6 – 15 with the Gospel Music Workshop of America.
She has used her many talents and has been blessed with opportunities in various areas of entertainment. She began teaching dance throughout the St. Louis region as early as 19 years of age. In 2010, Kalonda earned a leading role in the historical Urban Hip-Hop musical held at the historical Black Repertory Theater based in St. Louis, MO. “Real Life” was directed and produced by Joel PE. King, founder of JPEK Theatre Group as her first acting experience. She not only had a leading role but was also cast as a lead dancer and vocalist. Kalonda continued to utilize her dance experience throughout the years by performing with many national and local recording artists.
She also received a record deal as a vocal artist with Universal Records at the age of 21. She’s currently an independent lead singer showcasing with various local bands performing at various public and private events throughout the area.
Kalonda recently dabbled more into her acting career. She worked as a lead actor alongside celebrity actor Carl Anthony Payne II for the “On the Set” Summer Film Camp in Nashville, TN and casted on the BET (Black Entertainment Television) Network for an upcoming series and a lead role for “Don’t Go There” on St. Louis Public Radio.
She’s a jack of all trades. Kalonda was also the Associate Director, Lighting Director, and Choreographer for the recent play “Meeting at the Elder’s Circle” under the direction of Joel P.E. King in August 2022, at the Grandel Theatre. In September 2022, she performed two lead monologues for Sankofa Live under the direction of writer Maya Maedell Singh at the Grandel Theatre. She has performed with national and local recording artists. Kalonda recently signed a management deal with Major Moves Music Group. She is co-owner of Under Grace Home Health, Adult Day Program, U.G. Commissary LLC, and New Avenue Inc.
GO BANG! Magazine: Well, hello there Kalonda Kay. You’re a quadruple artistic threat, being a singer, actress, dancer, and performer. What is it about the entertainment industry that attracted you to it?
Kalonda Kay: I truly believe that the industry pulled me in subconsciously. I was too young to know anything about the life of entertainment, however I knew good music when I heard it. I knew how the music made me feel when listening. I realized that it was therapeutic and that because I had a gift to sing, I wanted to share with the world the sensation I received when I listened.
GO BANG! Magazine: Your first talents blossomed in singing and dance. How was your talent discovered and when did you know that you wanted to pursue the entertainment industry professionally?
Kalonda Kay: I have always been very shy, but whenever I was put on any stage, I became a different person. I lost all shyness. My mother was the one who placed me in many events and competitions as early as six years old. At that time, I only knew I enjoyed performing and drowning myself in my talent. Many of my teachers and community groups would sign me up to sing and/or dance for programs and various events. They must have seen something in me that I had no idea would place me where I am today.
GO BANG! Magazine: Soon after, at age 19, you started acting and landed the lead role, lead dancer and vocalist in “Real Life,” an urban, Hip Hop musical. What was the highlight of that fantastic opportunity and what did you learn from it?
Kalonda Kay: I had never acted a day in my life! (Lol) That experience gave me more confidence in my talents and introduced me to the brand-new talent of acting. My highlight was the “baby momma dance.” I would perform in the very beginning of the show. I was interpreting the worst nightmare in my castmate’s dream. The dance was always everyone’s favorite. The entire musical was fast paced and intense, especially since I played so many parts (actor, singer, and dancer.) “Real Life” taught me how to juggle many things at one time, to be quick on my toes, and how to multi-task when it comes to my talents.
GO BANG! Magazine: At the age of 21, you were blessed with a record deal from Universal Records. Being your first commercial record deal had to be quite an exciting time. What did you like the most from that experience and what shocked you the most about the music industry?
Kalonda Kay: Being able to walk into a label and perform for label execs and they see my talent. What a blessing!!! I enjoyed meeting and working with Static Major. What shocked me was to hear him tell me how talented and how professional he thought I was. That meant everything!! He was an amazing talent for the world to witness. Especially ME! I also traveled and enjoyed meeting so many other talented individuals. It was definitely an experience that I’m grateful for.
GO BANG! Magazine: More recently, you’re strengthened your acting chops by working alongside famed “Martin” hit tv sitcom star actor Carl Anthony Payne. Please describe that experience and what it was like working alongside a famed actor.
Kalonda Kay: Wow, Wow, Wow!!! That experience was hilarious and so fulfilling. Before filming, I studied my lines to be sure I would be ready to work with such an icon. However, the day of filming on set with him, he basically freestyled. All my studying went out the window. He pushed me to fall right in order with his goofiness. I was honored. He said I did an awesome job, especially because he was so off script. I enjoyed every minute.
GO BANG! Magazine: You currently have a hit new single “Too Soon”, produced by 3x Grammy Nominated Producer Joe “Capo” Kent. “Too Soon” is bringing back the 90’s feel in a modern way. Please describe your hit single to our readers, “The Bangers”, who may not have heard it yet?
Kalonda Kay: “Too Soon” is a vibe. It’s a song you listen to when you’re doing your weekend cleaning, riding in the car, or pretty much anywhere. The song gives you that 90’s feel, but the video gives you a more visual vibe of the song. I love it and it feels good.
GO BANG! Magazine: What other new music or projects are you working on that our readers should be on the lookout for?
Kalonda Kay: I’m planning to release my next single in June 2023! It’s also synchrotronic to “Too Soon” as far as the vibe is concerned. My goal for my entire project is to create “timeless” music. Something anyone can listen to and enjoy. I’m looking forward to the release. I’m currently lining up shows and appearances to build connections which will lead to more opportunities.
GO BANG! Magazine: In addition to being a super-talented artist, you are also technically gifted, being an Associated Director, Lighting Director, and Choreographer of a recent play “Meeting at the Elders Circle.” Please describe that experience and how working behind the scenes differs from working in front of the camera.
Kalonda Kay: I enjoy the planning and operations of many genres of entertainment, as well as in family or business settings. I’m the “Hostess with the Mostess,” as the saying goes. I go over and beyond with anything that I do. I like to give good products, whether I’m on stage or behind the scenes. What’s important to me is what the audience will like and how it makes them feel. I’m always intentional when it comes to bringing a writer’s vision to life.
When you’re on stage, you can’t see everything. You miss the good stuff, as well as the things that need to be adjusted. When you’re looking from behind the scenes, you see it all. I’m such a perfectionist at times. It’s probably a good thing that I can’t see what’s happening when I’m on stage. (lol)
GO BANG! Magazine: You are also an entrepreneur, being the co-owner of Under Grace Home Health, Adult Day Program, U.G. Commissary LLC, and New Avenue Inc. Please tell our readers about your businesses and how to contact you if they are interested in your services.
Kalonda Kay: I have been working for myself since 2017 and it has been a blessing. I wish I had stepped out on faith many years ago. Yet, I also believe everything happens when it should.
My businesses all focus on helping the community. Each business has its’ specific area of expertise. Under Grace Home Health program helps individuals to receive assistance with daily needs in the comfort of their own homes. The Adult Day Program, on the other hand, gives a safe space for seniors or disabled adults to come and experience many different recreational activities with their peers. UG Commissary provides a commercial kitchen incubator for food truck operators, caterers, bakers, and business owners to create and expand their businesses. New Avenue Inc. is a Non-profit organization that is dedicated to the mental, spiritual, physical and financial enrichment of family by introducing or re-introducing strategies to create healthy sustainable lives and businesses.
GO BANG! Magazine: In conclusion, what do you want your legacy to be Kalonda Kay?
Kalonda Kay: I want the world to see the joy in my journey. How I didn’t set the bar but allowed GOD to move me as HE saw best. I want to always be remembered for my loving spirit and how I love and accept everyone for who they are. Also, how trauma, bad experiences and things that didn’t work out never poisoned my spirit. Lastly, for those who know me or see me from afar, to remember that I’m always smiling.
GO BANG! Magazine: Well Kalonda Kay, I want to thank you for granting me this interview. I also want to inform you that you have now been officially BANGED!!! GO BANG!
FOR ADDITIONAL HISTORY, PLEASE FOLLOW KALONDA KAY ON SOCIAL MEDIA:
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.
Pictured above: Andre Pierre “The Dancin’ Machine” aka Pierre Andre Evans
