Donald Crossley is a name synonymous with the birth of house music. As one of the founders of the iconic Warehouse nightclub in Chicago, he played a pivotal role in shaping Chicago’s vibrant dance music scene and fostering the birth of House music and dance culture worldwide.
Donald Crossley, a visionary entrepreneur and cultural pioneer, was born in 1932, and raised in Chicago. Donald Crossley was a young man employed at Michael Reese hospital when he and some friends decided to join the Disco craze that was taking over America. They made frequent weekend trips to New York City to attend loft parties. One morning during breakfast, Donald’s mother suggested that instead of always traveling to New York, they should host parties in Chicago – and that marked the beginning of the social club US Studios. They hosted events around the city until they secured a permanent location at 555 W. Adams, which became the original US Studios/The Warehouse, a groundbreaking gay nightclub that provided a safe, inclusive space for the LGBTQ+ community. This club became a hub for social gatherings and a breeding ground for new ideas and musical trends. After a few years, they relocated to South Federal Street with a new name, The Bowery.
Donald and the original US Studio members held parties at The Bowery until 1978, when they decided to explore different paths. Crossley transitioned to a career as a concierge at the Hyatt Regency Chicago and Hilton Chicago hotels, earning recognition as Employee of the Year for his work as a concierge at the Renaissance Hotel at O’Hare. In 2019, Donald retired from the Hyatt Centric Hotel and is now enjoying life.
Crossley’s foresight and dedication to fostering a vibrant music community solidified his legacy as a key figure in the development of the House music genre. Crossley’s entrepreneurial spirit and commitment to creating inclusive spaces for marginalized communities had a profound impact on Chicago’s cultural landscape. His legacy as a pioneer of House music and a champion of diversity continues to resonate, shaping the global dance music scene to this day.
Take a listen as I, along with Kevin Wortham of Entrepreneurial Enclave, team up again and have a very insightful and entertaining conversation with the living legend…… one of the OGs of House….Mr. Donald Crossley
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
The interview with DJ Wayne Williams, founder of the renowned Chosen Few Djs House Music Festival, the longest-running house music festival worldwide, was captivating, leading to its early release on this page. Our in-depth conversation explores house music extensively. This was our first joint effort. I hope you enjoy it as much as we enjoyed recording it. Entrepreneurial Enclave Podcast Hosted by Kevin Wortham Co-Hosted by Pierre Andre-Evans of GO BANG! Magazine Step into the rhythm of innovation and creativity as we bring you conversations that move the soul. This season, we’re spinning unforgettable stories with iconic house music producers, legendary DJs, and trailblazing influencers who’ve shaped the culture and taken it to new heights. From underground clubs to global stages, we uncover the journeys, hustle, and passion that transformed beats into movements and dreams into reality. Tune in, vibe out, and let the sound of success inspire your entrepreneurial grind! Follow us and subscribe for free!
I am honor to be interviewed, each and every time I am approached and a request is made. THANK YOU!!!!
BIO Publisher, Journalist, Author, DJ, Dancer Pierre Andre’ Evans has taken the publishing, literary and entertainment industries by storm. As a former writer/journalist for the iconic Soul Train brand, the historic Chicago Defender newspaper, and the ground-breaking N’Digo Magapaper, Evans has earned the right to emerge as the owner and publisher of his own innovative publication, GO BANG! Magazine.
GO BANG! Magazine, https://gobangmagazine.com/, founded in April 2020 during the start of the Covid-19 pandemic, is written, edited, and published by Pierre Andre’ Evans. It is internationally known as the “go to” informational, educational and entertainment resource, providing readers with in-depth reporting on ground-breaking people, places, and events, which are having positive impacts on the world. A recent magazine highlight was interviewing Grammy nominated DJ/Producer Terry Hunter and discussing his most recent project, being curated by Beyoncé’s team to do an official House remix of her latest hit single “Break My Soul”, to be included on her latest album Renaissance.
A proud, active member of the National Association of Black Journalists (NABJ) and its’ Chicago chapter (NABJCC), Evans is a sought-after freelance writer who contributes entertainment, music, theater, film, art, culture, fashion, dance, and current event write-ups to countless prominent publications throughout the world. One of his most momentous interviews was with Eric Monte, the creator of such significant television shows as Good Times, The Jefferson’s, What’s Happening, and the coming-of-age comedy-drama movie Cooley High.
As an entertainer, Pierre is a former actor/model, appearing in various roles in five of Hollywood’s biggest blockbusters, including Home Alone II, Richie Rich, The Negotiator, Never Been Kissed and Road to Perdition. Then, as a model, he has also graced fashion runways wearing the accoutrements of various fashion designers and has been the subject of numerous photo shoots.
As a DJ, under his company Pinnacle Entertainment Productions, DJ Playerre, as he is known in the House music community, has the stellar reputation as the DJ that “gets you up and leaves you dead on the dancefloor!” That is one helluva calling card. He is also known as the one and only Andre’ Pierre “The Dancing Machine,” a prolific hired club dancer that is known to motivate, inspire and promote joyful dancing at venues and events. It’s often said, “If Andre’ Pierre is at your party, you know it’s going on!”
Pierre Andre’ Evans the brand, embodies quality, integrity, dependability, and creativity. When you partake in the world of Pierre Andre’ Evans, whether it is a speaking engagement, book signing, special event, an entertainment piece, or literary media, you can expect an unparalleled level of gratification and pure bliss, that only Pierre Andre’ Evans can provide.
Photo credits: Eric Logan / Videos credits: YouTube
Vito Tisdale, also known as “Big V” or “Vito Banga,” is a former member and front man of the multiplatinum hip-hop group Nappy Roots. Big V has been credited as the architect of several of the group’s biggest hits including “Po Folks” and “AwNaw”. Hip Hop magazine XXL named Vito to their top ten rap voices list.
Vito left the group in 2012 to concentrate on being a father, but has recently decided that the time was right to return to music. With singles like “When We Were Young ”, a tribute to both his time in Nappy Roots and the trials of being a young parent, along with “Street Boy” which chronicles the problems in relationships marked by drug abuse and infidelity.
The song “It’s Ok”, which the Grammy-nominated rapper chronicles his personal challenges and setbacks, comforts and encourages listeners along the way. Big V was re-introduced to the music world as a talented solo artist.
His current singles “All On Me” and “All Nite” features R&B artist Urban Mystic and provides a grown man’s view of how you should treat the woman in your life and is sure to be a favorite among his female fans. Big V also just released his 5 Mic mixtape on his website.
In addition to the music, Vito has also added “actor” to his lists of accomplishments landing roles in the movies “Don’t Shoot The Messenger”, “Business of Christmas 2”, “Blue and Black Tears” and a lead role in the film “45 Seconds.”
Going Solo:
GO BANG! Magazine: Nappy Roots has a strong legacy. What inspired you to embark on a solo career, and how do you differentiate your sound from the group’s music?
Big V: I decided to go solo after some things just didn’t equal up. I had passed up previous opportunities to do some solo music because of my loyalty to the group. Also, during that time, my girl dumped our kids on my mama’s doorstep and never looked back. So I took 12 years off to raise four kids as a single dad. As far as the sound is concerned, I took my part with me. I was a major architect of the Nappy Roots sound, so it was only right to take it with me.
Finding Your Voice:
GO BANG! Magazine: How has your creative expression evolved since going solo and are there themes or topics you’re now exploring that wouldn’t have fit with Roots?
Big V: I no longer have to accommodate five other ideas and voices, so I get to tell the story the way I hear it. I was a back-alley cat, so I get to bring those stories to life that probably would not have fit the Nappy image. Also, I get to talk to the women more as a solo artist.
Building a New Audience:
GO BANG! Magazine: Nappy Roots has a dedicated fan base. How are you approaching building your solo audience and what kind of connection are you hoping to create with new listeners?
Big V: I am just tapping into the audience that I helped create. We were illegally downloaded 11 million times during Napster heyday, so there are 11 million people that I am re-introducing myself to.
In addition, I am connecting to the audience that wants to hear reality rap and understand the plight of working-class people.
Production Powerhouse:
GO BANG! Magazine: You’ve always been a skilled producer. How is your production style unique as a solo artist compared to your work with Nappy Roots?
Big V: Again, I get to have all of the input instead of having other people saying let’s try this way or that. So, I use my whole arsenal of influences from Country, Blues, RnB, to jazz, rock and Hip Hop.
Unexpected Collaborations:
GO BANG! Magazine: Nappy Roots has collaborated with a diverse range of artists. Are there any dream collaborations you’d pursue as a solo artist?
Big V: Rapwise, it would be Scarface as well as Jadakiss. Face and I get compared a lot, so it would be the opportunity….a LeBron playing with Jordan type thing. RnBwise would have to be Stevie (Wonder) or Mr. Bigg aka Ron Isley. On the country and rock sides, it would have to be a Darius Rucker and the Rolling Stones.
Showtime:
GO BANG! Magazine: : Performing solo presents a different experience from group shows. How do you approach crafting your live performances as a solo artist?
Big V: I try to make my live shows just that, “an Experience.” I am putting together a live band and I have my background singers with me onstage as well.
Lessons Learned:
GO BANG! Magazine: What are some of the biggest takeaways you’ve gained from your solo journey so far? Have there been any unexpected challenges or rewards?
Big V: You have to have identity and remain true to who you are. You learn that everyone that you look out for doesn’t necessarily do the same for you. All money ain’t good money and you can’t be afraid to walk away and restart.
Staying True:
GO BANG! Magazine: Nappy Roots is known for its authenticity. How do you maintain that same genuine voice in your solo work?
Big V: The authenticity that the group is known for stems from me, so I just keep doing for myself what I used to do for the group. I’m Mr. Awnaw and Po Folks. The same way Lionel Richie and Michael Jackson took their signature sounds with them when they left their groups, I’m doing the same thing.
The Future is Bright:
GO BANG! Magazine: What are you most excited about for the future of your solo career? Are there any specific musical goals you’re working towards?
Big V: I’m excited that I get to say what I want, when I want and how I want. I also get to bring up other young artist and producers in the industry and helped them avoid the situations I had to go through.
Balancing Acts:
GO BANG! Magazine: Juggling a solo career and acting can be challenging. How do you manage your time and dedication between the two projects?
Big V: Actually, acting was my first love before the music, but music is what took off for me first. It really isn’t a struggle to juggle them, they are both artistic outlets for me.
GO BANG! Magazine: As an actor, you’ve landed roles in several movies. Do you plan to continue acting and do you have any upcoming projects you can tell us about?
Big V: Most definitely. I love the film and acting world. I am working on scripts now that I plan to direct and distribute the films. One is called “The Dispensary.” I own a dispensary, so I get to tell the stories that only occur in that world.
GO BANG! Magazine: Is there anything that you would like to do professionally, that you haven’t done thus far?
Big V: Man, I’ve had a blessed career, so I really can’t complain. I met Prince, Michael Jackson, Lil Richard and Rick James. I’ve worked with some of the biggest names in the industry, including Kanye West, as well as Jimmy Jam and Terry Lewis. The only thing else I want is the money that I should have got for all of the work I’ve put in.
GO BANG! Magazine: In conclusion, what would you like your legacy to be?
Big V: My Aunt Dot used to say “let that king have the Castle and the Gold, for the one you serve was born in a manger.” So, I want my legacy to reflect that saying. To stand for the people, and not step on the people. As a people, we shouldn’t have to put each other down to feel like we are standing tall.
GO BANG! Magazine: Well Vito, you have officially been banged!! GO BANG!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
John Coleman III aka DJ LIL’ JOHN, is without question one of Chicago’s most well-respected DJs. From school gymnasiums to roller rinks, from nightclub residencies to nationally syndicated mix shows, millions of people have heard his “hands do the talking.”
John’s passion has always been in radio. He played on various college radio shows right after graduating high school, without ever enrolling in any classes! Soon after, he created his own national mix-show syndication, mailing his pre-recorded cassette mixes to radio stations across the Midwest. By the mid 90’s, he used the same tactics in Chicago, getting his mixes played on WHPK, WCRX, WJPC, WLUW, B-96, and WGCI. By 2001, the latter station became his radio “home” for eight years!!
In 2012, DJ Lil’ John found a new radio home, as an On-Air Personality for Crawford Broadcasting’s WSRB. You can hear him weekdays from 3-7pm (central standard time) on his highly-rated afternoon show “PrimeTime Radio.” You can also hear his mini-mixes Monday-Saturday in the 12pm & 5pm hours, and on “Club 1063”, Friday nights 9-11pm.
Outside of radio, DJ Lil’ John specializes in playing at corporate events, nightclubs, weddings, and concert hosting. Recent clients include BET®, Scion®, Apple®, Nike®, and numerous Chicagoland municipalities. Nationally, he is a member of The Core DJs (@coredjsworldwide), the world’s largest and most influential DJ union. He is available for travel both nationally and internationally.
GO BANG! Magazine: Chicago’s music scene has a rich history. How did your upbringing and the city’s soundscape influence your unique DJ style?
DJ Lil John: My upbringing was in the family home, and my dad, my mom, and her sister (my aunt) were all avid music lovers. My mom and aunt each had their own collection of 45 rpm records, writing their initials on the labels to identify ownership, and to identify their favorite side and the favorite song.
I think I was about 9 or 10 years old when they let me play their records for a family function, that’s when I first learned to play for a variety of ages, and how to read a crowd! Fast forward to my adult DJ years, and I’ve learned to “read” dance floors on the northside, southside, and westside of Chicagoland, the suburbs, and the world…
GO BANG! Magazine: You’ve spun for some of the biggest names in music. What’s the most unexpected or surprising guest request you’ve ever gotten?
DJ Lil John: Oh wow! I have PLENTY of those stories, LMAO!! But one that comes to mind was when “Chili” of the girl group TLC asked me to play some Chicago “footwork” music. I was a DJ at WGCI-FM at the time, and she was there doing an on-air interview with one of the hosts. She turned to me and made that request, and I straight up asked her, “you’re from Atlanta, what could YOU know about Chicago footwork music?” To my surprise, I played a couple of snippets, and she got up and started FOOTWORKING!!! We were ALL floored!! She eventually relinquished her secret: “Missy (Elliott)’s dancers are from Chicago, they showed us how to do it!”
GO BANG! Magazine: Beyond dropping beats, you’re a champion for Chicago’s youth. Tell us about an initiative you’re particularly passionate about and why it matters.
DJ Lil John: I am all about the youth of Chicago in so many ways. Musically, I like to learn from them what role music plays in their lives, how it influences them daily, and the “why-behind-the-what” on their choice of artists.
But, when it comes to our beloved House music, it is unfamiliar territory to them. This is why several of my peers, including myself, have taken the initiative to introduce this genre of music to our youth, just as we were influenced by the music that our parents played in our homes growing up. The hope is that they like the music that they hear, embrace the genre, influence their peers, and carry the torch of the House music sound and culture for generations to come.
A couple of my peers have taken this initiative even further, with DJ classes for youth and adults alike. Many of my fellow DJs who are fortunate enough to play at school dances, take a chance on introducing House music (especially “footwork” music) to the kids! Being a radio announcer and DJ mixer, I am in a unique and influential position when it comes to the younger listening audience. As my peers tune in to my show, those that have children are tuned in as well. All it takes is the parental confession that “I know the guy on the radio”, and that becomes the first line of connection with the young listener. When the kids hear the music in my mixes, which are usually familiar songs that their parents played in their homes, that gets their attention. If the parent manages to communicate with me, while I’m on the radio that they are tuned in, and I “shout out” the family members by name, I’ve now instantly gained new young listeners ☺️
GO BANG! Magazine: The dance floor is a melting pot of energy. How do you read the crowd and curate a set that keeps them moving all night long?
DJ Lil John: I like to arrive an hour early to a venue I’ve never played at before, to observe what the DJ before me is playing, and how it resonates with the audience. I am looking for the patrons that AREN’T dancing or engaging with what’s being played, yet they may be bobbing their heads in their seats – we call that “chair dancing” LOL! So, when I begin to play, I am in search of what might get those “chair dancers” to the dance floor, usually by reaching for something popular. This tactic almost always does the trick, and once I’ve got ’em out of their seats, I curate a musical mix that makes it hard for them to sit back down! And because my musical library is so vast, I have selections that appease the variety of ethnicities that patronize the venues I play in, Chicagoland and worldwide.
GO BANG! Magazine: “Vinyl vs. Digital”: Is there a place for both in today’s DJ world? What are the pros and cons of each for you?
DJ Lil John: Well, it appears vinyl records are making a comeback in a big way, at least here in the USA. Honestly, it never REALLY went away in Chicagoland. There are still vinyl record shops (Gramaphone Records, K-Starke, etc.) that never closed their doors, and there are countless diehard DJs here in the city that never stopped patronizing these businesses. I still own every record I’ve ever purchased (I haven’t sold anything), and I still have my pair of Technics SL-1200 turntables. However, I am using my Pioneer XDJ-XZ to play my digital music files, and the turntables are connected to it, to play my vinyl records. There are various clubs in Chicago and overseas that have a similar setup… But I have NO intentions of carrying actual record crates on a plane and/or through foreign Customs, those days are OVER!! Flash drives fly with ME!!
GO BANG! Magazine: Chicago House music has a global influence. Have you experienced any interesting cultural exchanges through your music, perhaps with international audiences?
DJ Lil John: More often than not, when I travel to DJ internationally, just the mention of being a Chicago DJ is one hell of a conversation piece, LOL!! These conversations can often go on for hours, as people attempt to imagine life in the home of Michael Jordan or the home of House music.
The most intriguing part of these interactions is that there are NO color barriers, NO signs of racism, NO discernment about gender preference or ethnic culture. The only “disconnect” if any, is their interpretation of House music versus what I came to play. But fortunately, with my diverse collection of House music, I am usually able to move their dance floors effectively and unite the House music culture accordingly!
GO BANG! Magazine: What’s your take on the evolution of DJ technology? How have these advancements impacted the way you perform?
DJ Lil John: Funny you should ask! I was such a diehard vinyl record fan that I never fully transitioned to CDs, I stayed with my turntables. It got so bad to the point that I would be playing at a local club on an R&B/Hip-Hop night, and a patron would ask me to play “track 12” from a certain artist’s album – they didn’t even know the name of the song! If I had said album, I would start counting from one on the A-side, until I got to the twelfth track on the B-side!!
Fortunately, before long, some guys invented the Serato Studio DJ software, allowing me to keep my turntables, while controlling those music tracks, I imported from the CDs or digital files I received from the record labels. As far as I am concerned, Serato DJ had successfully reinvented the wheel, LOL!
Today there are other brands that do the same thing, but then Serato reinvented the wheel AGAIN! They added a feature called “Stems” which lets you audibly break down virtually ANY song into acapella, instrumental, or drums only, all on the fly!! But, I believe that the Pioneer DJ company has created the global game-changer, when they produced DJ equipment that will let you play your digital music files straight from a flash drive or portable hard drive! As long as the venue has this type of DJ equipment, there’s no need to carry your laptop with the music on it or any other equipment, except your headphones and flash drives/hard drives! Talk about breezing through Customs, LOL!
GO BANG! Magazine: Collaboration is key in music. Who are some Chicago artists (past or present) you’d love to work with on a project?
DJ Lil John: Currently, I’d love to collaborate with my DJ brother Mike Dunn. We started the House music mix-show “Club 1063” back in April 2012, and it’s still going stronger than ever every Friday night! We’ve talked about collaborating in the studio in the near future, and it will happen once we synchronize our watches/schedules! Others include vocalists Sheree Hicks, Joyce Hurley, Carla Prather, and a couple others that are relatively unknown at this point…
GO BANG! Magazine: Looking ahead, what are your hopes for the future of Chicago’s vibrant music scene?
DJ Lil John: My BIGGEST hope is that my peers can refrain from the vast negativity in their social media posts – the WORLD is watching as our DJs, producers, and passionate patrons debate negatively amongst themselves about various topics within the Chicago House music community. If we/they can resolve this issue, then just maybe we can find solutions and resolutions on the very subjects that are debated about. Also, I am truly hoping that the younger DJs and patrons that are slowly but surely carrying the culture forward, I hope that they are not affected by the same plight of social media bickering that my generation is currently portraying.
GO BANG! Magazine: Any “up-and-coming” Chicago DJs you think deserve a shout-out and why?
DJ Lil John: ABSOLUTELY! Our rising star youth DJs: Babydoll & Syd, Nikki, Akila, Double-8, Marcellus, M-Dok and my main man J-Star! They’re each under 25 years of age (I think), and actively keeping House music alive amongst their peers and ours!!
GO BANG! Magazine: Well, THANK YOU John! You have officially been BANGED! GO BANG BRO!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
Established on the southside of Chicago in 2013, Tamarie T. & Thee Elektra Kumpany stand as torchbearers of a transformative musical odyssey, inviting audiences into the realm of Exotik Funk—an original, authentic sound curated by Tamarie T. himself.
Within this sonic universe, a rich tapestry unfolds, intricately weaving together the essence of musical icons such as James Brown, Prince, Rick James, Sly & The Family Stone Parliament Funkadelic, David Bowie, The Rolling Stones, Michael Jackson, Kid Creole & The Coconuts, The Time, Bob Marley, Fela Kuti, and numerous other luminaries. Yet, at the heart of this musical mosaic lies Tamarie T.’s image and boundless creativity, serving as the driving force behind innovation and the guiding light for the band’s unique sonic identity.
With Tamarie T.’s vision at the helm, Thee Elektra Kumpany curates a musical experience that transcends mere genres. Their compositions pulsate with the energy of Funk, the groove of Soul, and the avant-garde spirit of experimental music, resulting in an innovative sound that is distinctly their own.
In every note, rhythm, dance, and lyric, Tamarie T. & Thee Elektra Kumpany manifest a visionary fusion, drawing audiences into a world where tradition meets innovation, nostalgia intertwines with the contemporary, and music becomes a transformative force to uplift.
GO BANG! MAGAZINE: When was the group formed and what brought you together, musically?
Tamarie T: Formed in 2013, The Elektra Kumpany consisted of a few of my well-respected, longtime mentors. As time went on, we began to grow into a musical production with a roster of rotating professional musicians young and old, from different backgrounds. Musically, we were all brought together by the high energy of the music I call Exotik Funk, as well as our mutual love for the performing arts.
GO BANG! MAGAZINE: Your sound blends multiple genres effortlessly. What are some of your biggest musical influences, both individually and as a band?
Tamarie T: Some of our biggest influences consist of James Brown, Little Richard, Johnny Guitar Watson, Jimi Hendrix, Sly and The Family Stone, Sun -Ra, Parliament Funkadelic, Rick James, Prince, Michael Jackson, Slave, Zapp & Roger Troutman, Bob Marley, and Fela Kuti, just to name a few.
GO BANG! MAGAZINE: How does your Chicago upbringing influence your music and creative process?
Tamarie T: Growing up on the south side of Chicago gave me tough skin. This led me to putting myself out there, without the worry of being closed in or caring about what people had to say. I express myself freely through music and just overall being me. The most powerful way to get my creative process flowing is by releasing it through dance at various Chicago House music events. Being in that environment always gives me inspiration to come up with more exciting body bumpin, soul stirrin, shows and music.
Photo courtesy of Rick Majewski
Collaborating brings a lot of different minds to the table. Cultivating multiple ideas, different musical perspectives, and solutions. It’s a refreshing healing experience for me when collabing with others, creating many new outlooks on life in music.
GO BANG! MAGAZINE: Walk us through your typical songwriting process. Do lyrics or music come first, and how do you collaborate on that?
Tamarie T: I usually write and produce the music. My writing process varies, often tapping into my soul, letting the music convey its messages to and through me. The music writes itself.
GO BANG! MAGAZINE: Your live shows are known for their energy and audience interaction. How do you prepare for, and approach live performances?
Tamarie T: I approach each live show with the most honor and respect, knowing it’s a high-level energy harvesting session. Bringing the audience that power that they didn’t know they needed. I practice daily discipline, meditating, studying some of my musical influences, staying healthy, elevating my spirit, and staying tight with rehearsal. But, most importantly, tending to self-growth. They are all major components in keeping performances memorable.
GO BANG! MAGAZINE: What are some of the most memorable or challenging experiences you’ve had while performing?
Tamarie T: There are so many memories that all I can say is any performance, smooth or challenging, has taught me to remain positive and stay grounded no matter what. Even when faced with hiccups during a performance, remaining calm and sorting out obstacles is something I’ve learned to roll with, without it interfering with my “innergy” or hindering a show.
GO BANG! MAGAZINE: What are your musical goals for the future, both individually and as a band?
Tamarie T: My individual plan is to inspire others through innovation and embody what it means to be authentic. Also, to give people the freedom to be in their genuine inner G.
The goal of the band is to Empower, Heal, Elevate, bring togetherness, and Love to all through the powah of Music and our Live Experiences
GO BANG! MAGAZINE: What message or feeling do you hope to leave with your listeners?
Tamarie T: Through authenticity and love, I want to leave people feeling healed, recharged, and activated.
GO BANG! MAGAZINE: The Chicago music scene is diverse and vibrant. What are some other local artists you admire or have collaborated with?
Tamarie T: A few local artists I admire in the Chicago scene are Hip Hop artist Jovan Landry, Scoop and Cachè of The Lizm Muzik Group, Ohni and Rizing Deity, Gooze Wayne & The K.R.A, dancer Mocha Mocha 2.0 & Body Confidence for Queens, DJ Duane Powell, and DJ Khali Melon.
GO BANG! MAGAZINE: You’re both known for your powerful stage presence and fashion sense. How does your visual identity contribute to your music?
Tamarie T: I am a living embodiment of my music, which I call ExotiK Funk.
GO BANG! MAGAZINE: As Black man in the music industry, have you faced any unique challenges or experiences? If so, how have you navigated them?
Tamarie T: As an indigenous, melanated brotha facing certain appropriations in the music scene, [one challenge is] having culture vultures attempt to recreate and rebrand originality. I stand firm on being a pioneer in honoring the “Greats” before us and carrying the torch to light the path for what’s to come. To remind my people, WE are the creators of more than just Rap music.
I am Tamarie T., and this is ExotiK Funk!
Photo courtesy of Katia Jackson
GO BANG! MAGAZINE: Well, thank you for this interview Tamarie T. and you have now been officially BANGED! GO BANG!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans
For 30 years, Robbi’s been treating Promotion as an art form! He puts his heart and soul into every aspect. His innovative and evolving marketing strategies, captivating social media posts, and engaging content truly captures the essence of events, which generates significant buzz among a target audience.
Robbi The Promoter is based in New York City. He currently promotes dance parties (in and outside of New York), websites, clothing, dance music videos + releases, and is affectionately known as the “5 Time Award-Winning Best Promoter”, winning Undergroundarchives’ Best Promoter award five years in a row (2000-2005). His promotional reach extends from Chicago to Philly, Miami and beyond.
He also “shops” music to labels and has played a major part “raising” (promoting/managing) a few DJs, from the ground up, such as Ian Friday, Mr. V, Alix Alvarez, Adam Rios + Mark Francis, and Miguel Ortiz, just to name a few.
His managing and promoting has single-handedly made Chicago legends DJ Wayne Williams and DJ Alan King more popular in New York and cities outside of Chicago.
He’s also a “filter” for DJs, which simply means that promoters from all over contact him to book DJs which in turn he refers them to the actual DJ or their booking agents.
He has a blast doing all this, all day, which makes his “pro” life pretty much his personal life.
GO BANG! MAGAZINE: Looking back on your 30 years as a promoter, what has been the most significant change you’ve witnessed in the industry?
Robbi: The internet is the most significant change in the industry. In the past, I did everything manually. I’ve moved on from passing out flyers. I had created a system of starting off putting flyers in stores in Brooklyn, jumping on the train to Manhattan and hitting clothing and record stores from east to west side, and I had to visit press offices and radio shows to have events advertised. So, all this leg work was replaced by the internet…we have way more reach online.
GO BANG! MAGAZINE: What has been your proudest accomplishment as a promoter?
Robbi: I don’t think I have the proudest moment, but my on ongoing proud moments are seeing packed venues with DJs and folks having fun.
GO BANG! MAGAZINE: What advice would you give to someone who is just starting out as a Promoter?
Robbi: First live, love and learn as much history as possible when it comes to the product or music. Second, be very humble. Third, for the new folks, (not just promoters in House music), please avoid spending all day making posts, coming off like you’re God’s gift to House music and avoiding publicly validating talented people who’ve been here way longer than you have. You look stupid doing it.
As for actual promoting, you make the rules. Be very creative, do research and come up with formulas. It all starts with common sense.
Last, avoid coming off like you’re desperate to get ahead. You’re gonna wear yourself right out of business. Getting ahead takes time. Folks need to see more work, and less attitude.
Photo credit: Jose Gonzalez
GO BANG! MAGAZINE: What are some of the biggest lessons you’ve learned in your career?
Robbi: One big lesson I learned is to see how people are from the gate. Of course, it takes time to learn. Some people are just down right no good. So, I’m quick to avoid and quicker to cut individuals off.
GO BANG! MAGAZINE: What are some of the most memorable events you’ve promoted over the years?
Robbi: Back in 2002, Timmy Regisford allowed me to throw a big birthday party at Shelter. I think we had around 1800 heads in attendance that night. Then, 16 years of marketing the Chosen Few Picnic. Same for Collective Minds in Baltimore. Also, helped with many WMC (Winter Music Conference) parties. The most memorable one was the Master’s At Work parties at Opium Garden in Miami.
GO BANG1 MAGAZINE: What do you see as the future of the promotion industry?
Robbi: It’s already evolving fast. Right now, popular DJs and venues have huge and still growing platforms on Instagram, Facebook, and Tik Tok. That eliminates the Marketing person. So, yea it’s going to be an interesting future.
GO BANG! MAGAZINE: What are you most passionate about outside of your work as a promoter?
Robbi: Being with, and the well-being of my fiancé, watching movies, playing mixes from different DJs daily, (I try my best to avoid being a sheep), travelling and more travelling.
Photo credit: Jamal Harris
GO BANG! MAGAZINE: What does celebrating 30 years in the industry mean to you?
Robbi: I have thick skin, so celebrating it feels like nothing. But, posting about it is a form of business, in terms of an effort to attract more marketing jobs.
GO BANG! MAGAZINE: What are you looking forward to in the next 30 years?
Robbi: lol…Just promoting. I like working on my own time, with zero micromanagers or folks breathing down my neck.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans
In honor of Black History Month, let’s give props to the Black & Brown members of the gay community and one of their many contributions to the world… HOUSE!!!
House music is a genre of electronic dance music that originated in the African American and Latino LGBTQ+ communities of Chicago and New York City in the early 1980s. It is characterized by a four-on-the-floor beat, repetitive synthesizer bass lines, and vocals that often express themes of love, unity, and self-expression.
House Music: A Soundtrack of Liberation and the Power of the Gay Community
House music – its pulsating rhythms, synth-driven melodies, and themes of love and togetherness – has been a driving force in dance culture for decades. But the roots of this beloved genre run deeper than just its infectious beats. House music is fundamentally intertwined with the history and struggles of the LGBTQ+ community, particularly gay men of color. Its origins tell a story of resilience, creativity, and the undeniable power of marginalized voices shaping a sound that would reverberate across the globe.
In the Heart of the Disco Backlash
To understand the genesis of house music, we must revisit the turbulent era of the late 1970s. Disco, with its flamboyant celebration of sexuality and its embrace by the gay, black, and Latino communities, became a target of a cultural backlash. This culminated in the infamous “Disco Demolition Night” in Chicago, a spectacle of homophobia and racism that sought to destroy this empowering musical movement.
Sanctuary in the Clubs
Against this backdrop, underground clubs like The Warehouse in Chicago and the Paradise Garage in New York became vital sanctuaries for those marginalized by mainstream society. These spaces – primarily frequented by black and Latino gay men – fostered a sense of belonging and freedom of expression that was all too rare. DJs like Frankie Knuckles, “The Godfather of House”, Ron Hardy, and Larry Levan began experimenting with stripped-down disco, incorporating electronic elements and drum machines to create a raw and fresh sound.
Innovation and Expression
House music was a form of liberation, a musical response to the oppression faced by the LGBTQ+ community. It embraced elements of gospel, soul, and funk, often incorporating uplifting vocals preaching messages of love, unity, and self-acceptance – themes sorely needed in the face of the AIDS crisis unfolding at the time.
House music also became intertwined with the rise of voguing and ballroom culture, providing a soundtrack to these vibrant expressions of queer identity and creativity. These scenes offered a safe space for individuals to explore gender, sexuality, and self-expression in a supportive environment.
From the Underground to Global Phenomenon
House music eventually crossed over from its underground origins to international acclaim. Its hypnotic rhythms and inclusive messaging attracted an ever-expanding audience, shaping global dance music culture for decades to come. The genre’s influence can be heard across popular music, from pop to hip-hop to electronic dance music subgenres.
Lessons of Resilience and Artistic Power
The story of house music is one of resilience. Born out of a desire for safe spaces, community, and self-expression, it became a powerful force for change and acceptance. It’s a reminder that marginalized voices, when given the room to create and express themselves, can shape culture in profound ways. The story of house music is, and always will be, the story of the LGBTQ+ community finding their voice and their place through music.
House music’s legacy continues to inspire and empower. Its spirit of inclusion and celebration welcomes everyone to the dance floor, regardless of background, identity, or orientation. That spirit is perhaps the most important lesson of all – the enduring power of music to bring people together and create moments of pure joy.
Freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com. In addition, he’s an Author, Singer/Songwriter, Actor, Model, Poet, Dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, on Instagram @Pierre_Andre_Evans.
DJ Slugo has been performing since the early 1990’s as a founding member of Chicago’s infamous Dance Mania label, along with co-conspirators Paul Johnson and DJ Deeon.
Daft Punk credits him by name, and references his track “DJ’s On the Low“, on their iconic song “Teachers.” He was featured by name recently on HBO’s hit TV show Ballers along with his track “I Ain’t Yo Baby Daddy.” Slugo has done remixes for major artists such as Nina Kraviz”s “Ghetto Kraviz” and Missy Elliott’s “Work It”, and has collaborations on the horizon with artists and labels in France, Brooklyn and Japan.
Early Days and Influences:
GO BANG! MAGAZINE: What initially drew you to the Ghetto House scene in Chicago? Were there any specific DJs or producers who inspired you early on?
DJ Slugo: I wanted to change the old school House sound to more of what was going on in my environment. My cousin DJ Geno inspired me early on to start DJing.
GO BANG! MAGAZINE: How did you develop your signature sound and style? What elements make your music distinctly “DJ Slugo”?
DJ Slugo: I developed my sound from being raised in the Robert Taylor Holmes. My drums in my music is one of my distinctive traits that make it a DJ Slugo Record.
GO BANG! MAGAZINE: Looking back, what were some of the biggest challenges you faced in establishing yourself as a DJ and producer in the early days of Ghetto House?
DJ Slugo: One of my biggest challenges was getting people to know that I was a DJ and not just a Ghetto House/Juke DJ
Chicago Scene and Impact:
GO BANG! MAGAZINE: In your opinion, how has the Chicago Ghetto House scene evolved over the years? What are some of the biggest changes you’ve witnessed?
DJ Slugo: Well I can only speak for Ghetto House. We have evolved for sure, but we are nowhere near where we should be. The biggest change I have witnessed is our sound being played and copied in other countries.
GO BANG! MAGAZINE: What impact do you think your own work has had on the scene and its legacy? Do you feel you’ve helped shape its future in any way
DJ Slugo: I can say for certain that I know have made a huge impact on the scene and its legacy with hard-working ethics. And yes, I know I have shaped its future by instilling my work ethic into the producers I have worked with.
GO BANG! MAGAZINE: You’ve collaborated with many iconic artists. Can you share a memorable experience or highlight a collaboration that stands out for you?
DJ Slugo: I wouldn’t point out just one specific collaboration because I loved and enjoyed the majority of the collaborations I have done with anyone. But, I will say working with the underground artists on collaborations is a lot more fun, because they a extremely creative when they are in that hungry stage of their career.
Production and Legacy:
GO BANG! MAGAZINE: Walk us through your creative process when producing a new track. Do you have any specific rituals or techniques you use
DJ Slugo: No rituals here. I Just sit at the drum machine and computer and let the ancestors lead me.
GO BANG! MAGAZINE: What are some of your upcoming projects or goals? Are there any new ventures you’re excited about exploring?
DJ Slugo: I have a new Vinyl Only album, Ghetto House Music Vol.2 , dropping in May for my birthday. I’m exploring a lot of things outside of music that have me really excited, but I never speak on things until I’m actually almost done doing them.
GO BANG! MAGAZINE: Looking ahead, what advice would you give to aspiring DJs and producers who want to carve their own niche in the electronic music landscape?
DJ Slugo: Know your craft and always continue to perfect it. Also, understand that this is a business that you’re getting into. So learn the music business the same way you are learning music.
Bonus Question:
GO BANG! MAGAZINE: If you could curate a dream Ghetto House party with any DJs or artists, past or present, who would you invite and why?
DJ Slugo: My Dream Party would be the ones we had in the 90’s, but with the knowledge we have now. I would invite anybody that’s coming to enjoy themselves and enjoy the music.
GO BANG! MAGAZINE: Well DJ Slugo, thank you for your time and this interview. You have been officially BANGED! GO BANG!!!
*For Information on Bookings, Hosting, Prices and/or to get your video added to Blok Club TV please call or text us at: 708-462-BLOK (2565)
Freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com. In addition, he’s an Author, Singer/Songwriter, Actor, Model, Poet, Dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, on Instagram @Pierre_Andre_Evans.
Photos provided by Holle Thee Maxwell & Connie Carroll:
When you mention the name ”HOLLY MAXWELL”, you have mentioned a name that is respected all over the world. She IS “THEE entertainer’s entertainer” and IS better than she has ever been before! Musically, this lady has done it all, traveled everywhere and knows everybody that is somebody and is equally well known by the same somebody’s.
HOLLY MAXWELL at birth was named HOLLE’THEE MAR CLA RO DE’ MAXWELL. She is now using the spelling of her real name HOLLE’THEE MAXWELL. A native of Chicago, Illinois, born October 17th, 1945, HOLLE THEE’ was destined to be one of the world’s greatest entertaining performers.
Holle’ Thee sang her first song at age of five years young professionally. Still, unlike most, she gives all due respect and credit to a higher spiritual power for creating her parents, Marcellus and Eula Thee Gladys, for being her sole inspiration to continue being musical, starting with classical piano and singing opera, in German, French and Italian.
Holle’ Thee to this date, is the only American from African descent to have been presented in concert at THEE age of 12 years young at Chicago’s Lyric Opera House, presented by noteworthy Rev. Dr. Lena McLin and her mother, Eula Thee.
Holle’ Thee has graduated with two master degrees in music, one from Roosevelt University, Chicago Musical College, Chicago, Illinois and the other from the world class Julliard School of Music, New York, New York.
Holle’ Thee was THEE first and only to perform a live show in flight aboard a 747 TWA Jet, going from Chicago to Costa Del Sol, Spain in 1972 to sing for President Franco.
Holle’ Thee replaced Tina Turner with the musical Legendary Ike Turner Review and was the only vocalist that toured with jazz great organist Mr. Jimmy Smith for three years. She has opened shows for The Mighty Dells, The Tempting Temptations, The Spectacular Spinners, Music Legend King Curtis, Legendary comedian/actors Slappy White and Redd Foxx, Pop Music Legends Captain and Tennille, Oscar Award-winning living legend actor Louis Gossett Jr., and too many more to mention.
Holle’ Thee is a favorite on THEE Chicago Blues Festivals, 2005, 2009, 2011 and 2013, 2015.
2014 & 2017 – Inductee into Thee Chicago Blues Hall of Fame.
2015 – Life Time Achievement Award from Chicago Music Awards.
2009, 2011, 2015 – Holle’ Thee represented the Chicago Blues Festivals on popular television station WCIU on “You and Me In The Morning” during the Aly Bockler segment.
2015- Life Time Achievement Award from Chicago Women in The Blues.
June 2015 – Holle’ Thee was featured in a documentary about the “Grandfather of Rock and Roll”, legendary Ike Turner in a television show entitled, “UNSung.”
2016 – Holle’ Thee received a resolution from The City Council / City of Chicago, Mayor Emanuel and Alderwoman Pat Dowell for Holle’ Thee’s seven decades / 65 years devotion in music, also celebrating her 71st birthday.
2023 – Nominated for Literary Award for “Freebase Ain’t Free” by the Black Arts and Culture Alliance of Chicago.
Holle’ Thee represented on poster and all advertising, the first time ever “Women of The Blues”, Coast to Coast Collection of photographs from photographers from all over THEE world photographing women Blues singers from across the country at Firecat Gallery, Chicago, IL, the University of Chicago, to The Blues Museum in St. Louis, Missouri; all produced by Orman Music and Media.
She is a featured part of THEE Chicago Women in THEE Blues 2011, 2012, 2013, 2014, 2015, 2016, and with many radio interviews and television appearances under her belt.
Holle’ Thee was the entertainment producer and host of “STRAIGHT TALK PRESENTS MUSIC” on Mondays at www.starplanettv.com.
Holle’ Thee is a graduate model and accomplished songwriter; having written many originals on her CD’s and “Ain’t God Something” for THEE internationally known Blues artist great, legendary Bobby Blue Bland.
THEE Icon, THEE musical living legend, THEE exceptional talents given by God to THEE one and only, Ms. Holle’ Thee Maxwell
Legendary Holle Thee Maxwell….. THEE Original BLACK BLONDE BOMBSHELL!!!
GO BANG Magazine: Where were you born and raised and how would you describe your childhood?
Holle’ Thee Maxwell: I was born in Chicago at Providence Hospital…..My childhood was filled with music, for my mother was an opera singer. So, I learned to sing opera (classical music) at a very young age..
GO BANG Magazine: Looking back on your incredible seven-decade career, what milestones stand out as most meaningful to you?
Holle’ Thee Maxwell: There are so many. Did you read my bio’s, short and Wikipedia? My life with Ike Turner, who they destroyed with Annie Mae’s help, and my singing with jazz organ great Jimmy Smith. Also, being THEE first and last to ever entertain on a TWA flight in THEE air from Chicago to Spain..to perform for President ..Franco….Also I was THEE first Afro American 12 year young child to ever be presented at Civic (Lyric) Opera House singing French, German and Italian. There have been so many wonderful actions of God in my life, I can’t remember and them all!…Just read my stories as they come this year!
GO BANG Magazine: You’ve seamlessly navigated diverse genres throughout your career, from opera to blues. What drives your artistic curiosity and versatility.
Holle’ Thee Maxwell: Thee simplest way to answer that is….I’ve been blessed with an enormous amount of talent and I just was never and will never settle for being less than God intended me to be..I am setting my sites now on being THEE first black senior woman in Country music.
GO BANG Magazine: As the only American of African descent to perform at Chicago’s Lyric Opera House at such a young age, how did that experience shape your perspective on the music industry?
Holle’ Thee Maxwell: That experience of being able to sing opera in different languages fluently, enabled me to switch my music into jazz singing very easily, (especially) after being raped by my stepfather and my mother shooting him dead. While singing, she was hand cuffed behind THEE curtains! That had THEE effect on me to change my music from opera to jazz!
GO BANG Magazine: Collaborating with legends like Ike Turner and Jimmy Smith must have been unforgettable. What did you learn from these collaborations that continue to influence your work?
Holle’ Thee Maxwell: THEE main thing I learned from them both was to know you’re THEE best and let THEE world know it….while at THEE same time help those that probably won’t appreciate your help…but it makes me feel good to be in a position to help! I just watch now who to help!
GO BANG Magazine: It is your mission to clear Ike Turner’s name. You recount a different man than who is commonly reported in the press. Please describe your friendship with Ike Turner and why it is so important to you to clear his name.
Holle’ Thee Maxwell: Entertainers always, always get a bad rep and especially from those that I ask, “What closet were you hiding in to know all you babble about?” and most too often, they shut up! I know how it feels to be accused falsely. Even now, I go through that with THEE last of so called friends, whom I am slowly eliminating even now…Ike was a musical genius that a self-abusive Annie Mae, along with “white man America” destroyed…. He was given an unjustified bad rep and I will, as long as I live and after my death, keep telling the truth that lies about him, I will not allow to stand!!! Read my book, THEE untold story about Ike, entitled, “Freebase Ain’t Free!” He died and I’ll keep riding with him and his spirit in me We loved each other, spiritually!!! Ike was my Ride or Die!!!!
GO BANG Magazine: What rituals or routines do you use to prepare yourself for a powerful performance?
Holle’ Thee Maxwell: There are no rituals that I go through. I am just a natural… No effort! I love what I can do…so i just go and do it! I keep thanking God!
GO BANG Magazine: You’ve captivated audiences worldwide, earning the title of “Queen of Entertaining Entertainers.” What do you consider the essence of true entertainment?
Holle’ Thee Maxwell: THEE essence of true entertainment is having THEE natural ability to relate and talk to your audience like they’re family. You must be able to act what you’re singing about and take your audience where you need them to be with you and where you want them to go with you….Just don’t stand there and sing! Anybody can do that! You must be an “Entertaining Entertainer!”
GO BANG Magazine: What advice would you give to aspiring musicians who dream of achieving similar success and longevity in their careers?
Holle’ Thee Maxwell: First, you must believe in yourself wholeheartedly! Do not allow yourself to be with those unlike yourself! Never allow others’ thoughts about you, if negative, to get in your way! You have to get and stay out of your own way first! Do not allow yourself be be fearful…Be fearless! Tackle challenges! ALLWAYS ALWAYS, CHALLENGE YOURSELF! Reach higher and higher! Success is not what others think of you or defining who you are….as long as you remain what God designed you to be within his creation…you are already successful!!!
My longevity comes from me telling THEE truth and laughing a lot and when obe doesn’t like it I laugh more!
GO BANG Magazine: Throughout your journey, what challenges have you faced, and how have you overcome them?
Holle’ Thee Maxwell: I have had so many challenges in my life, too many to tell about now…but I overcame them all believing God didn’t create me to be “nothing” with all THEE talent I had and I still have…Read my new book and see my life story documentary entitled, “All Kinds A Rape From Opera to THEE Blues!” when they come out!!! That will tell it all!
GO BANG Magazine: With such a rich experience, you decided to self-publish a book entitled “Freebase Ain’t Free.” Please describe what inspired you to write the book and what it is about.
Holle’ Thee Maxwell: What was done to Ike and what was done to me inspired me to write “Freebase Ain’t Free!” Just how dirty entertainment can be destroying Ike and how others outside of entertainment attempted to destroy me! Thee book is about my life and love for Ike and myself He had my back! I had his!!! Read it when you need THEE truth about us both!
GO BANG Magazine: Looking ahead, what legacy do you hope to leave behind with your music and influence?
Holle’ Thee Maxwell: I would love to leave behind a “Black Musicians Matters” Museum behind, telling just our stories with nothing else mixed in, just our musical histories, along with mine .
(Photos below courtesy of Hyde Park Records/Facebook)
GO BANG Magazine: Lastly, on Saturday, February 17, 2024 @ 2pm, you have an event in Hyde Park, Chicago, IL. Please invite our readers to your event as and tell us all about it?
Holle’ Thee Maxwell: THEE event is a book, CD, signing along with THEE sale of BLACK MUSICIAN MATTERS tee shirts. It will be held at Hyde park Records 1377 East 53rd Street Saturday Feb. 17th from 2pm until 5pm// I’ll be signing my book and all my CD’s and THEE tee shirts are from my organization call THEEMaxxeMomMusicGroup@gmail.com Come and see some folks you aint’ seen in along time, if they ain’t dead! Love IS!!! BMM See you soon!
Freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com. In addition, he’s an Author, Singer/Songwriter, Actor, Model, Poet, Dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, on Instagram @Pierre_Andre_Evans.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
