Choreographer, producer, impersonator, and author, ERIKA JARVIS studied dance under the direction of Deidre M. Dawson, Joseph Holmes Chicago Dance Company and The Dance Center of Columbia College Chicago.  She received her Bachelor of Arts degree in Fashion Merchandising from International Academy of Design and Technology.  

As Artistic Director of Creative Soul Entertainment and Unleash Your Inhibitions, Erika and her company has appeared on television shows, music videos and radio.  In addition to performing, Erika is the 2018-2019 recipient of the African American Arts Alliance of Chicago BLACK EXCELLENCE AWARD as “Outstanding Achievement in Film – Best Actress for David Weathersby’s documentary, Thee Debauchery Ball.  Her self-published book, “Unleashed, Seductive Poetry”, is available on Amazon.

GO BANG! Magazine:  What inspires you?

Erika Jarvis:  I’m inspired by love, music, children and experiences. Actually, there isn’t one particular thing that inspires me. Waking up inspires me to inhale and embrace every breath taken and exhale my God-given talent.

GO BANG! Magazine:  What is erotic poetry?

Erika Jarvis:  Erotic poetry is a form of creative expression where written or spoken prose marries sensual phrases. The product is a sexy and seductive piece of art that’ll make any sapiosexual salivate. At least that’s what happens to me. 😉

GO BANG! Magazine:  How would you describe your style of poetry?

Erika Jarvis:  I believe it’s sensual and whimsical. I’m a romantic.

GO BANG! Magazine:  In addition to doing poetry, you’re also a choreographer, educator, writer, producer and model. How do you do it all?

Erika Jarvis:  With faith, perseverance and patience. It stems from a supportive family and an amazing circle of friends. I would not have done all of these exciting things alone without the people in my life.  Never take anything and anyone for granted.

GO BANG! Magazine:  You are also the Artistic Director of Creative Soul Entertainment.  Please describe the company, your role and what the company does.

Erika Jarvis:  A multi-talented company that showcases various artists through movement, music and fashion.

GO BANG! Magazine:  I see that you actively give back to the community. Please describe your community involvement, and why it’s important to you.

Erika Jarvis:  Being a woman, a woman of color, a Black Woman, who happens to be an artist, I have a responsibility to my community.  I don’t speak much on what I do. I find joy and helping others without social media or public announcements. To answer your question, I contribute my efforts to women and children. I’m committed to them.  I was a teen mom who struggled between classes, job and raising a child before graduating high school. The organizations who helped me like Catholic Charities, taught me to give back.

GO BANG! Magazine:  What words of advice can you offer an aspiring artist?

Erika Jarvis:  Be honest.  Be intentional.  Work hard.  Don’t worry what others think, it’s none of your business.

GO BANG! Magazine:  Are you currently doing any poetry gigs?

Erika Jarvis:  During this time of worldwide pandemic, all of my events are on hold.

GO BANG! Magazine:  What does the future hold for you?

Erika Jarvis:  More blessings and lessons. After all, I’m a work-in-progress.

You can follow Erika on ALL social media formats!

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.comNDigo.comChicagoDefender.comEmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine.  Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

John-Deric Mitchell was born and raised in Chesapeake Virginia. It was at the age of seven that his mother got him involved in an all-black performing arts company called Center Stage in Norfolk, VA. There, he learned all styles of dance from Ballet, Tap, Jazz, Modern and African, along with Acting, Singing and Music Appreciation. It was a year later that his mother heard about another company that was doing even bigger things called Hurrah Players. There he did musicals and shows every weekend. It was at the age of nine that his mother got him into modeling at Barbizon Modeling School in Virginia Beach, VA. This was when he landed his first big commercial, which was for Oscar Mayer Bologna. It was there that his life in entertainment was born!

By the time John-Deric was in high school, he wanted to lay low from his dance background and focus on being a teenager. That was short lived because in his sophomore year he tried out for the cheerleading team and became the first African American male cheerleader in the Chesapeake Public School system. Yes, he was teased and taunted for being himself. By his senior year he had won Prom King and it too really didn’t go well. Still to this day, the school doesn’t even recognize him for starting the trend of “being whatever you want to be, just as long as you do it with heart.”

By college at Norfolk State University, John-Deric found a new love and that was Hip-Hop. Though he had a three year Cheerleading scholarship and was studying Physical Education, it was his love of dance that was taking off. He started in a group called VA-All-Starz that took him from dancing at black college fashion shows, to opening major concerts, all the way to backup dancing with music artists from VA. It was his junior year that he heard about an audition for BET Planet Groove in Washington DC. He booked the job and became a regular on the show. He was asked by a lot of the music artists to be their dancer when they came to VA, but John-Deric wanted to travel the world. They said “Oh, we have NY and California dancers who do that.” So that following year, John-Deric packed his bags and moved to NYC.

New York City, the place of dreams and magic, can also be rough and tough, but all of it makes you stronger. It was 2000 and his first big gig was to perform in China for 5 months. It was amazing to be able to dance all styles of dance every night. Once back in NY, he found work as an elevator operator. In 2002, John-Deric was let go from that job, and in the same week he booked his dream job, which was dancing backup for music artist Lumidee. He was offered to travel the world with her for a year. It was great times until one wrong move, which damaged his knee. He thought this was the end of his career as a dancer. He took six years off, before he trusted his leg again.

His next big audition was for the Legendary House of Ninja, where he is still currently a member. He also joined two cheer teams, Cheer New York where he’s a gold medal winner for the Gay Games 9, and Gotham Cheer. He still does backup dancing for artists when they come to town in NY, but for work he’s a Personal Assistant to Kenya Moore of the Real Housewives of Atlanta (RHOA.) He’s also a cheerleading coach for middle and high school’s in Brooklyn, NY. That’s just half of him. He’s a featured background actor on FX’s “Pose” and is on other major TV shows. He does print modeling and commercials for PlaySure NYC and the 2020 Census. He is currently working on a YouTube reality show called “Social Lingua”, which is coming soon.

There’s so much more to come of this young man. Keep your eyes out for him!

GO BANG! Magazine: You act, sing, dance, model and cheer. What is it about performing that attracts you, which of your talents you like best, and why?

John-Deric Mitchell: Correction (lol) I act, dance, model, cheer…no singing. But, I can lip sing as if it was me. My voice, I’m so terrible, but we never know what the future holds!
What attracts me to Performing? I love to see and hear the audience reactions on how it touched someone’s heart in such a positive way. If it gave me joy, I want them to feel the joy, times 10!!

I enjoy acting out of all my talents. It’s my way of being the opposite of who John is. I get to be a different character. I get to be a singer, when my agent says, “play with it…don’t sing out loud!” (lol!!)

GO BANG! Magazine: Being a trailblazer, as the first African American male-cheerleader in the Chesapeake Public School system, you received some negative backlash. Kids and teenagers can be so cruel. Please explain to our readers how the teasing and bullying affected you, how you dealt with it, and how you overcame it.

John-Deric Mitchell: The teasing and bullying affected me a great deal growing up. There were many days and times that I would come home crying and beat myself up because I didn’t fit in with the other guys from my hometown. I wanted many times to end my life of the pain that I was receiving every day. I was constantly being told I wasn’t worth much of anything because I was a waste of a black boy who didn’t play basketball, football, baseball, or dress in baggy clothes. I took pride in my appearance, loved to dance, and got along great with all the girls in school.

I dealt with it by the help of my best friend in the whole world, my mother. She would have long talks with me until I understood that yes, I was very different. But, my being different is what’s going to help me in my future, because I was in touch with my male and female side. That puts me above others in my school. They didn’t know it, but it showed in my entertainment world (my safe place to be me, with no judgement.) Iit was because of that, so many wanted me to stop, because now I’m learning how to achieve my goals and dreams.

I also had to quickly learn the power of a comeback. I had a guidance counselor in high school tell me, “I think you should stop dancing and do more with your hands, like work on cars.” My comeback was, “The only thing I’ll do with my hands is clap and snap my fingers to say 5,6,7,8!” She looked at me and said, “Wow, we’re done here” and once she saw how alive and electrifying I was on the cheer team, she walked up to me and said, “Wow you really have something here. You’re good at what you are doing!”

I overcame a lot of it by not listening to what others had to say and trusting my gut feelings and my faith in God.

GO BANG! Magazine: Your acting and dancing skills have taken you far in the entertainment industry. It’s booked you gigs with famous entertainers and gigs on TV. Please tell our readers about FX’s groundbreaking show “Pose” and your role on the show.

John-Deric Mitchell: Yes, Pose on FX has definitely been a blessing and I thank everyone involved for making the experience so beautiful and magical for me. I can’t wait to get back on set for Season 3. It stems from the documentary “Paris is Burning” from the late 80’s-90’s Ballroom scene and the lives of five beautiful transgender women and their day to day lives and the people they meet along their journey of acceptance in the world. My role on Pose, I’m a featured background actor in all of the ballroom scenes. My character changes as the episodes go. I start out as a young 19-25 year old man in short shorts, to dressing in drag, to becoming a full on Glam Girl by the end of Season 2.

GO BANG! Magazine: You’ve been involved in LGBTQ campaigns and several LGBTQ shows. Why is being involvement in LGBTQ issues so important to you?

John-Deric Mitchell: The LGBTQ issues are definitely my issues because growing up I didn’t see men like me out in the forefront. Being that I am a Man, Black, Gay and Married, I am very needed to be seen and represented. Not only for the young generation, but for the guys my age and older who were too afraid to be themselves and show their faces.

GO BANG! Magazine: Hollywood mostly show gay black men on TV and film in a stereotypical way. They’re usually finger snapping, flip mouth, sex-crazed queens, wearing high heels. What do you think about this depiction of gay black men?

John-Deric Mitchell: RuPaul said it best: We are all born naked and when we get dressed we are all in drag! For some of us, it’s our way of survival. People who have little understanding of the culture would think that’s what gay men are all about and that’s not the case for every gay/bi man. Some men get dressed like this for their jobs, some are battling to take the next step of becoming transgender, and some men love the fashion and the fit of the clothing on their bodies. I say, “to each their own!” This is not everyone’s way of lifestyle.

GO BANG! Magazine: There are many people that are not aware of “Houses.” You’re currently a member of the Legendary House of Ninja. Please explain to our readers what “houses” are and what you do as a member.

John-Deric Mitchell: So, “Houses” within the ballroom community nowadays, is not an actual home that you live in, although we lookout for one another if you need a place to sleep or stay for a few days. A house is a group of LGBTQ members like a frat/soro, within the community, who come together at a dance studio or someone’s house to work on their specialized categories to battle against others in the community, called a Ball. They battle in different categories such as voguing, runway, new way, old way, face, trans realness, and best dressed.

I have been in the House of Ninja for over 11 years now. I’m considered an elder, but I’ve been in the community for 23 years. Now that’s legendary! As a member, I help with supporting the new members, be it to help choreograph, talks, go shopping for their looks, to walking them up on stage, and with social media by posting positive feedback and reviews about what our house is doing these days and coming!

GO BANG! Magazine: You’re a member of two cheer teams. How has the cheerleading industry changed from when you began up until now, as far as the acceptance of male cheerleaders?

John-Deric Mitchell: I’m a Cheer Coach for two schools in Brooklyn NY, a middle and high school.
Cheerleading has changed a lot since I started over 25 years ago. The stunts, they are bigger, faster and higher. Everyone is so much stronger. It has become more acceptable for guys to be on a cheer squad than it was back in my years. I’m so proud of the doors that have opened for men.

I use to dream of the day I could perform at a NFL or NBA game. Yes, I went to the auditions here in NYC and they would tell me this is only for women, but you are more than welcome to stay and take this as a free class. Heartbroken, I continued on my path to join Cheer New York and now Gotham Cheer. If you look now, guys are doing it and are loving the support of being on these NFL cheer and dance teams! I’m proud to say, I know one of them!!

GO BANG! Magazine: Your “9 to 5” is being the Personal Assistant to the Real Housewives of Atlanta’s (RHOA) Kenya Moore. How did you get that position and what exactly do you do?

John-Deric Mitchell: Yes 9-5 or 7-11 (lol). I was blessed with this job through my good friend from college. He is Kenya’s hairstylist here in NYC. She said that she needed a Personal Assistant in NY. He told her that he already has someone in mind and remembered that I was an Intern Assistant for Blackstreet, back in college. He called me and asked if I would like a job working with her for Celebrity Apprentice. I said “Sure! Do I need to send her my headshot and resume?” He said, “No, she already Googled you.”

She called me on a Sunday evening asking me if I would like to work with her, but before she hired me, she put my skills to the test. Once I found out all the information that she needed within an hour, she said, “Oh, you got the job!” Now, seven years in, she’s like family to me. I know what she needs, wants and don’t need. I do a little bit of everything for her and her family. She has definitely become my big sister, but most of all, she’s a great boss!

GO BANG! Magazine: You’re currently working on a YouTube reality show. Can you give our readers an exclusive about the premise of the show and what to expect?

John-Deric Mitchell: “Social Lingua” is a YouTube reality show coming out soon. Due to the Covid-19 pandemic, it has stopped most of production. The show is based on eight LGBTQ artist, and the ups and downs of their career, friendships, love lives, talents, drama and why they are who they are!

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

John-Deric Mitchell: The Coronavirus has thrown us all off, especially here in NYC. I’m a man who loves to work, and to be told work has ended until further notice is a hard pill to swallow. On the bright side, it’s an early Spring break, but to not go anywhere or to be around people makes life so scary. I’m making the most out of every day by working on my skills as an actor, dancer, cheer coach, and how to give back to the world, not just my community.

Now, if I can help one person smile, laugh, or hear them say “thanks for being you” during this time of confusion, then I know I done the work of God, by helping his people heal.



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Joseph “Joel” Hall was born in Chicago, Illinois, on April 20, 1949. Hall began his dancing career in 1968 under the tutelage of Ed Parrish, and the following year, he moved to New York City, where he studied under Denise Jefferson. Returning to Chicago, he earned his B.A. degree in sociology from Northeastern Illinois University in 1972.

In 1974, Hall and Joseph Ehrenberg co-founded the Chicago City Theatre Company, which later became the Joel Hall Dance Center. Hall now serves as the artistic director and principal choreographer for the Joel Hall Dancers, and director and chief instructor of the training studio. Over the years, the Joel Hall Dancers have gained an international reputation and Hall has been widely acclaimed as a choreographer. His company has performed three seasons at the prestigious Joyce Theater in New York, and he has led the company on nine international tours, beginning with the Glasgow May Fest in 1985. Hall has created ballets for the Chicago City Ballet, the Zenon Dance Company in Minneapolis and Ballet Tennessee in Chattanooga, as well as choreographing the opera The Pearl Fishers at the Chicago Opera Theatre and Goldie Hawn’s film, Wildcats. In 1991, Hall choreographed the 50th Anniversary presentation of Duke Ellington’s musical Jump for Joy. In addition to these productions, he has created more than forty ballets for his own company.

Hall has also gained attention as an instructor of jazz dance. He has taught at Wayne State University, New York State University, Northern Illinois University, and Western Michigan University. He has also taught internationally, conducting classes in Liverpool, Glasgow, Inverness, Kirkcaldy, Belfast, and the United Kingdom. At the time of the interview, the Joel Hall Dance Center in Chicago offeredA2004.170 more than 150 classes a week to students ranging from age three to adults.
During the past 40 years, Hall has achieved an international reputation for his Dance Company and acclaim as a choreographer whose work; in his own unique dance style based in jazz, expresses a rich vocabulary embracing both the classical and modern dance idioms. Mr. Hall also served as one of Mayor Harold Washington’s international ambassadors for the arts. “Jazz dance at it’s best” says Dance Magazine.
Mr. Hall has studied both in Chicago at the Chicago Dance Center with Nana Shineflug , Al Gossan, Harry Laird, Ed Parish, Denise Jefferson, Sarah Singleton, Tom Baker and in New York with Thelma Hill, Pepsi Bethel, Lynn Simonson, Nat Horn, Robert Christopher, Michelle Murray, June Lewis and Finis Jung.
Over the years, Joel Hall has been the recipient of numerous awards and accolades.
Since the 70’s, Joel Hall has created more than seventy ballets for his own company and is notedin two major books on the contemporary dance arts; Black Dance by Edward Thorpe, dance critic for The London Standard, and The Black Tradition in American Dance by Richard Long.
“I started my own dance company because I have a personal dance statement to make. I can work in other mediums, such as ballet, but my message has to be conveyed according to my own personality. Audiences can relate to that.” Joel Hall, Chicago Sun-Times, December 11, 1974.

GO BANG! Magazine:  How did you get started in Dance?

Joel Hall:  Pierre, I started dance in formal training, later in the western dance training, at the age of 17. I was always a great street dancer, but once I saw dancers on TV that could do lifts and partnering, I wanted to learn more.

GO BANG! Magazine:  Where did you receive training?

 

Joel Hall:  I received my initial training here in Chicago with a ballet teacher by the name of Ed Parrish. I began to study what was then called modern dance with Miss Denise Jefferson and Nana Shineflug. I studied with many teachers here, mainly downtown and north side teachers, because all of the people I grew up with that took class were from Cabrini Green.

GO BANG! Magazine:  Who were your dance inspirations?

 

Joel Hall:  This list is long but here we go: Alvin Ailey American Dance Theater, Keith McDaniels, Mel Tomlinson, Judith Jamison, Pearl Primus, Eleo Pomare, Dianne McIntyre, Lynn Simonson, Al Gossan, and Harry Laird, to mention just a few.


GO BANG! Magazine:  When did you decide to open your own dance company, JOEL HALL DANCERS?

 Joel Hall:  The Joel Hall Dancers began out of a group of dancers that I was working with as a dancer and choreographer, started at Northeastern Illinois University around 1970. This was my initial company, which they named the Joel Hall Dancers as I was doing a lot of their choreography.

 

GO BANG! Magazine:  As a choreographer, you have trained dancers internationally.  Please describe a few of those international experiences.


Joel Hall:  Most of my international teaching has been done in Europe, mainly UK, Holland, Norway and Germany. It’s always interesting for me teaching internationally because they pay attention to your expertise and do not question your credentials or your teaching method because they wanted what I had to share with them as an instructor. RESPECT! Whereas in our country, I constantly have to share my values with, not all, but a lot of dancers, choreographers and audiences, to prove my value repeatedly.

GO BANG! Magazine:  You have been recognized for your choreography talents over the years.  Which moments of recognition stands out the most, and why?

 

Joel Hall:  Of course any recognition as an artist is always humbling for me. To be recognized and appreciated by my peers, audiences, students, and government is the most that any person can hope for. More important than the recognition is the importance I place upon my work myself, which can be more critical than most would realize. That is when I am creating what I’ll refer to as GREAT ART. Recognition is sometimes misleading the ego.  I’d like to stay WOKE, humble and receptive to ideas other than my own, to guide my recognition of myself.

GO BANG! Magazine:  Currently, you’ve reduced your involvement in the day-to-day business and serve as the Artistic Director of Joel Hall Dancers.  Where do you see the company going in the next 20 years?

 

Joel Hall: I am still involved in the day to day business, but in a different capacity.  More as a founder, advising when asked, and sometimes when not. The most important part for me, in being a leader, is learning when not to. I’ve learned also to lead by teaching others to become leaders in whatever area of concentration, within or outside of the arts, they choose to become involved in. I am considered to be a taskmaster.  As I am, my teacher’s and mentors were.

 

(It’s great to know) when it’s time to let go and trust that you have taught others through your mission as a leader to take on the work involved. I can stand by their side comfortably and say GO, GO, GO and keep going. I am fortunate to have worked with some of the same people for over 30 years, so it wasn’t a hard task. As an organization, we have a 200 year vision for the elevation of the organization, beyond Mars or Jupiter for that matter. The Joel Hall Dancers & Center will evolve with the times following in the footsteps of Master Miles Davis, who to me was the master of evolution with the times. Let’s keep it movin!

GO BANG! Magazine:  How would you describe Chicago’s “House Music” dance community?

 

Joel Hall:  House is my passion in music and is the evolution of BLACK MUSIC.  I love what many of the new DJ’s are doing, in learning from the old school and evolving into new school, but keeping what is need from OL G’s. Of course, I came out of the Frankie Knuckles period, but now listening to House, I see how it has evolved all over the world and morphed according to the culture of the country. I can go anywhere in the world and hear House in every culture I have visited. Everything we create is global, everything! We are the most creative entity on earth as we were created first and always will be FIRST in everything we do. THE CHOSEN CHILDREN IS TRUE AND REAL. We must continue letting our youth know how chosen they are.  NEGUS brothers would stop the madness and love each treasure trove that we are.

GO BANG! Magazine:  What is the next chapter for Joel Hall?

 

Joel Hall:  That remains unsure at this time, as the pandemic is in full swing. I can tell you that if I’m still around, we will see so much GREATNESS.  It will be stunningly blinding. I am over 70, so I am a perfect candidate for the virus, as we all are. Create GREAT ART is in this chapter.  There are more stories, especially now.  Let the OL G’s artists continue the mission of HOUSE MUSIC through teaching what it is we know, and how we hear that beat. I’m planning much more reading, writing, creating and gardening for Joel Hall.

GO BANG! Magazine:  In conclusion, the COVID-19 pandemic has caught the world off-guard.  How are you dealing with it?


Joel Hall:  The world has been expecting this since 1918, so it was a question of when it would recur. I am hopeful and optimistic that we will make it through this daunting, scary period.  I must keep hope that we vote this November, so we get someone that knows how to LEAD this country. I am holding a vision that the orange messmess is no longer trying to be king. Only we have that power to make that happen, by all means necessary. I am in the process of switching all of my studio classes to virtual classes. My first one was a couple of days ago with more success than anticipated because I had done television interviews and performances so it was not as difficult to do as I had imagined. We will continue to operate our classes virtually even after the lockdown. We had students attending my class from as far as Rwanda to Hawaii. There is more to come and all I can say without knowing where we are is be kind to each other, call and check on the ELDERS and GO, GO, GO and keep going and remember the ceiling only exists in other people’s thinking not yours. Thank you for letting me learn more and vent. Concentrate on what we can do for others, especially youth and we’re all good. Keep calling on our ancestors for guidance. Amen

 

YOU CAN FOLLOW JOEL HALL:  Visit http://www.joelhall.org

 

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.comNDigo.comChicagoDefender.comEmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine.  Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

 

 

 

Dancer:ADVANCED TICKETS ONLY – NO TICKETS AVAILABLE AT THE DOOR!!!

TICKET LINK: https://www.eventbrite.com/e/house-music-dance-class-tickets-98875293665?aff=ebdssbeac

Sun, April 26, 2020 (PENDING CORONAVIRUS BAN)
2:00 PM – 4:00 PM CDT

Dance Studio
403 East 69th Street
Chicago, IL 60637

“GOTTA HAVE HOUSE” – House Dance Class Learn the basics through intermediate levels of house music club-dancing. House music began in Chicago in the 1980’s. The dance is primarily freestyle and there are few restrictions. Master the foundation steps, moves, gestures, and culture of the house community. Discover how to tap into your soul, free your spirit, and give in to the music. This class is for beginners through intermediate students looking to learn, brush up, or enhance their skills on the dance floor. “Dance like nobody’s watching!” DANCE INSTRUCTOR BIO: “ANDRE PIERRE THE DANCING MACHINE” https://www.facebook.com/AndrePierreTheDancingMachine/

Hailing from Chicago, IL, Pierre Andre’ Evans graduated from Columbia College Chicago, receiving a B.A. degree in Arts, Entertainment, and Media Management. He is a well-known fixture in the house community who was informally trained on the club dance floors under the tutelage of the late legendary DJ Ron Hardy, four time GRAMMY Award-nominee DJ Steve “Silk” Hurley, and the late GRAMMY Award winning DJ Frankie Knuckles. One of the highlights of his career was in 2015, dancing on-stage during the 25th anniversary of The Chosen Few DJ’s Reunion Picnic, with an attendance of over 40,000 “househeads.” Those in the house community affectionately refer to him as the “Dancing Machine” because of his carefree dancing skills and never-ending stamina. As a DJ for over 40 years, he’s well-versed in all sub-genres of house music and the dance styles associated with each.

Referring to his dancing alter ego, Andre’ Pierre, the community has coined the phrase: “If Andre’ Pierre is at your party, you know it’s going on!”