Ron Carroll (1968–2025) was a Chicago-born House music vocalist, songwriter, and DJ known as “The Minister of Sound” for his preaching-style delivery. After growing up singing in church choirs, he began his House music career in the late 1980s, opening a club and releasing his first record, “My Prayer,” in 1993. A key career breakthrough came after meeting Louie Vega at the 1994 Winter Music Conference, leading to him writing the lyrics for Barbara Tucker’s classic track “I Get Lifted”.
Early Life and Career
Chicago Roots: Born Ronald Michael Carroll, he began his musical journey in his church choir in Chicago before entering the city’s House music scene in the late 1980s.
First Record: In 1993, he released his first official record, “My Prayer,” which he considered to be one of the first Gospel House records.
Big Break: His career gained major momentum in 1994 when he met producer Louie Vega and wrote the lyrics for Barbara Tucker’s house classic “I Get Lifted”.
Hit Collaborations
Carroll was a prolific collaborator, lending his powerful voice and songwriting to many hit tracks, including:
Superfunk: He was featured on the 2000 international hit “Lucky Star”.
Hardsoul: In 2003, he collaborated with the Dutch duo on the deep House anthem “Back Together”.
Bob Sinclar: Carroll was a frequent collaborator, including on tracks like “Everybody Movin'” and “What a Wonderful World”.
Axwell: He worked with the Swedish DJ on “What a Wonderful World”.
David Guetta: Carroll contributed to the track “When Love Takes Over”.
CeCe Peniston: He teamed up with the vocalist for “In Love with a DJ”.
Louie Vega/Barbara Tucker: Carroll collaborated with Louie Vega & Barbara Tucker writing the lyrics to “I Get Lifted.”
Legacy
Body Music Chicago: In 2001, Carroll founded his own label, Body Music Records, later known as Body Music Chicago.
Enduring Influence: Carroll’s music is known for blending gospel, soul, and House, leaving a powerful and spiritual mark on the genre. For decades, he was a bridge between the Chicago House community and the global electronic music scene.
“Ron Carroll Day”: The City of Chicago honored his impact by proclaiming June 27th as Ron Carroll Day.
Death
Ron Carroll passed away from a heart attack on September 21, 2025, at the age of 57.
Once in every generation, something truly special comes along. I introduce to you……………Barbara Tucker!
A sensational entertainer that truly captures the essence of why we go to performances. Her shows are extremely intense with her captivating voice and phenomenal stage presence. Question: Why do audiences worldwide cheer/applaud her performances whether they understand the language or not. Answer: They feel her Passion. Barbara is one of the rare performers whose true gift is touching people in a most positive uplifting way. Barbara Tucker is to House/Dance, like Stevie and Aretha are to Soul…the Beatles and Stones are to Rock. You get the picture. From her groundbreaking performances to her amazing classic recording, Barbara has truly become a living, breathing, fiery, fierce legend that you must experience!
Barbara has been a major part of the House community for over 37 years. Some call her the “Queen” or “Mother of House.” To sum it up, Barbara Tucker is House! Besides being a singer/artist/performer recognized the world over, she is a writer, activist, mentor, stage developer, event/club promoter, stylist, label owner, artist consultant, and choreographer. Some of the countries and cities Barbara has performed in are simply amazing, including Africa, Siberia, Tokyo, Sydney, Russia, Sweden, Berlin, Toronto, Ibiza, Italy, Chicago, San Francisco, London, Germany, Hong Kong, Croatia, France, Egypt and of course New York. This is just to name a few. Strong in her belief of the power of the stage, she performs from her pulpit, singing the message of everyday people, everyday love.
As a promoter, all her hard work networking has also brought the House scene closer together around the world. She consistently promotes the Underground Network and “And let the Singer Be Heard.” She is founder and organizer. The party showcase’s House artist, established and new, turning it into a conference within the conference. Barbara has also started Bstar Music Group, inspired by Music Plant Records founder Georgie Porgie. Bstar is not just a record label. It’s a one-stop shop entertainment company that offers production, writing, recording, artist development, choreography, etc. Barbara developed this company to give known and unknown artist platforms to become entertainers not just a singer. She believes in mentoring artist into becoming all they can be in this business.
Artistry is a big part of Barbara’s life as well as being a great Humanitarian. She has been mentored by Archbishop E. Bernard Jordan of Zoe Ministries for many years, where she serves as a prophet and deacon. Her other mentor is Dr. Glenn Toby of Total Entertainment Artist management under the umbrella of (GTE). Dr. Toby has opened her up to help the homeless and the sheltered, feeding and clothing them through the Book Bank Foundation.
In 1997 Barbara founded The BCREW under the direction of Gladys Pizarro. The group consisted of Barbara Tucker, Dajae, Mone and newly signed artist Ultra Nate. They released on Strictly Rhythm Records Partay Feeling, produced by Erik Morillo and written by Barbara Tucker. The song had much success, and the girls traveled all over Europe, performing at venues such as The Ministry of Sounds and more. The girls went on to continue their solo careers. In the early 2000’s, Barbara decided to revamp the Bcrew with some new singers with a different sound. The girls included Dawn Tallman, Sabrynaah Pope and Charlotte Smalls. They recorded a banging track produced by DJ Pierre, entitled “Peacemaker” for Tony Humphries label Yellow Orange Records. A year later, Sabrynaah Pope passed away, a sad time for the group. The BCrew continued, in between their own solo-projects, to perform. Fast forward to 2021, the Bcrew teamed up again, working on an EP under Barbara Tucker’s Record Label BStar Music Group. The members now are Barbara Tucker, Dawn Tallman, Mitch Matlock and Charlotte Smalls. These Divas are ready to give you some new music and great vocals.
Barbara is the only recording artist with a summer residency in IBIZA SPAIN that she has been doing for the past 20 years, where she hosts a weekly party that is banging and receives much international praises and recognition. Some of the clubs include Space, the Blu Marlin, Teatro Pereyra, and Defected in the House.
Barbara has worked with producers and/or has toured with and/or recorded background vocals for David Guetta, Moby, Cerrone, Pet Shop Boys, Full Force, Dave Steward, Deee-lite, Wyclef Jean, George Clinton for Herbie Hancock, Reel to Reel, Danny Teneglia, Eric Moriello, DJ Pierre, Lil Louis, Tommy Musto, Louie Vega, Kenny Dope Gonzalez, Terry Hunter, Blaze, Junior Vasquez, Rob “Da Noise” Temple, Mood II Swing, Walter Gibbons (late), Klemon Bennelli, Dave Vendetta, E Smooth, Marcus Fugate, MOMO Productions, Freddy Turner, DJ Spen, Don Olivier, Don Welch, Pepe Tuccillo, The Bacci Brothers, DJ KFK, Albert Cabrera (Formerly Latin Rascals), Timmy Vegas, Duane Harding, M&S, “EARZ”, Whiplash and Turner, Grandmaster Flash and Marley Mar.
Some of Barbara’s Number 1 Billboard Club Hits consist of; “Beautiful People”, “I Get Lifted”, “Stay Together”, “Jazz It Up”, “Stop Playing with My Mind”, “Most Precious Love” , “Respect” and many others. She has also choreographed and/or danced with Shannon, C&C Music Factory, Jay Williams, Sabel, BWP, Johnny O, Jovonn, Butch Quick, Soul System, and Too Nice.
Barbara Tucker‘s last project, “Barbara Tucker”, includes various producers, legends, and new featured artists, up and coming, and established. Barbara’s also worked on the Bcrew’s EP, alongside Atwork Entertainments’ James Germany. The project dropped in 2023 with some amazing producers such as Grammy Award winner Maurice Joshua, Kyle Small, Jose Burgos, Neil Pierce, Soul Syndicate (DeShawn Ali & McCue), Groove Culture and Jerry Williams to name a few. She is also still traveling the world performing and spreading the gospel.
“WHAT I DO AS AN ARTIST IS NOT WHO I AM. I AM A BEING WHO CREATIVELY WANTS TO MOVE ALL TO A HUMANITARIAN JOURNEY THROUGH THEIR ARTS TO TOUCH, MOVE AND INSPIRE AS VESSELS. INTERESTING, I NEVER WANTED TO BE A SINGER, BUT GOD USED THAT PLATFORM TO AWAKEN HIS GLORY THAT PEOPLE SHOULD KNOW HIM THROUGH ME”.
So, each one, teach one, reach one, lift one…. It’s Barbara’s moto to help the legacy of House live on and on and on!
NOTE: Since this interview was conducted, Chicago House Music DJ, producer and vocalist Ron Carroll passed away on Monday, September 22, 2025 of a heart attack. Barbara collaborated with Ron Carroll on music. Barbara was quoted as saying the following about Ron and his musical legacy on Facebook recently:
September 23, 2025 @ 4:59am “What does that say when the NEWS MEDIA acknowledges you. Wow … Ron Carroll is an unsung hero in house … his creative works are undeniable. He was globally known and can rock a dance floor with any style …It’s a shame that one has to be known after departing this earth .. all these songs will be played and I pray his immediate family can at least receive his royalties.” Music Note: RON CARROLL Along with BIG ED (rip) and I wrote I GET LIFTED with awesome Production by LOUIE VEGA Such a talent ….
GO BANG MAGAZINE: Your career began in the vibrant club scene of New York City in the 1980s. How did the energy of that era, particularly the dance floor culture of the Underground Network, shape your approach to songwriting and performance?
Barbara Tucker: My Career started in 1985 as a Recording Artist on Jus Borne Records. During that time, The House music scene was strong. There wasn’t one party that you didn’t want to be at. Everyday there was a night of happening clubs, DJs, and dancers. I hung out with the dancers, being one myself. We were addicted to the dance! Later in 1992, I was a partner with Don Welch with the Underground Network. During that time in New York, the scene was on fiyahhhhh. I was heavily active as a choreographer, promoter, and artist. We had the #1 party that promoted the House scene during new releases, record label celebrations and all around celebrations. We even had a dance contest. lol
GO BANG MAGAZINE: You’ve been hailed as the “Queen of House.” What does that title mean to you, and how do you feel your powerful, soulful vocals—which are often rooted in gospel and R&B—transformed the sound of House music from its more minimalist, instrumental origins?
Barbara Tucker: Hummm… So I’m in the music industry… consistently here… 40 years. Since 1985’s recording of SET IT OFF, by Harlequin 4. I feel like I’ve put in some work, whether road managing sometimes, choreographing, doing events, writing, producing and being that presence that puts me in positions to even mentor up and coming artist. I feel that title isn’t just about a song on a chart, but being present to, for and as community. So I receive it humbly.
GO BANG MAGAZINE: Choreography is a significant part of your artistic identity, and you’ve danced with legends like C&C Music Factory and Deee-Lite. How do you see the connection between the physical act of dancing and the spiritual experience you’ve often spoken about in your music?
Barbara Tucker: That’s a gooood question. I did not choreograph for C&C, but was one of the dancers for C&C feat Deborah Cooper, “Pride, A Deeper Love”, and with Zhana Saunders. The other dancer with Deee_Lite put together some extra movement, adding to what was already implemented.
GO BANG MAGAZINE: Do you create the choreography to match the song, or does the movement sometimes inspire the music?
Barbara Tucker: It’s a combination of both, but with me, I listen to lyrics because they inspire the movement of the story. The physical and spiritual for me go hand in hand. It’s powerful when the flexibility of the body can interpret what the spiritual message wants to convey… it’s a wonderful feeling as well.
GO BANG MAGAZINE: Many of your biggest hits, like “Beautiful People” and “I Get Lifted,” carry powerful messages of unity, self-worth, and spiritual upliftment. Was this a conscious decision to infuse House music with a deeper meaning, or was it a natural extension of your personal and spiritual journey?
Barbara Tucker: Those two songs in particular, were initially written first, and I added some parts that interpreted my expression.. But the message is important, what I concur with, and it’s a staple expressed message in all my works. It’s important, the message and what I’m assigned to do on this earth. Be apart of or write songs that touch move and inspire, lift awaken, and teach of the greatest love. GO BANG MAGAZINE: You have a unique ability to bridge the worlds of R&B, Soul, and House music. How do you navigate the creative process when collaborating with producers from different genres, and what’s a common misconception about the relationship between these three styles?
Barbara Tucker: I didn’t know there was a misconception of these relationships having any type of negative relationship. Disco is danceable R&B…. House came from Disco… infused with R&B…when I collaborate with others, it’s important to know our goal. What is the objective?…love song, faith song, etc… I know my assignment from the most high, producers recognize that and come to me with the intention of bring our synergies together, as two beings on the same journey. It’s a beautiful thing…. Peanut butter and jelly tastes good together… You never know how good it can be until you put it together.
GO BANG MAGAZINE: You’ve had a residency in Ibiza, a global hub for electronic music. How does performing for a European audience, which is sometimes perceived as being more focused on DJs and tracks, differ from performing for an American audience with its deeper roots in live performance and R&B?
Barbara Tucker: Yes, I’ve been coming since 2001 and working with many awesome clubs or productions. Hey, I just show up!!!! Once I was embraced with what I represent, I stayed with the flow. Had my ear to the pulse of the sound, and producers recognized and invited me into their sound. I’m open and was ready. The audience is very open to the music, the beats and the sounds of a diva infused. lol It’s okay if the DJs take the lead, just as long as they share the stage as a community. We should always go hand in hand! I wanna say I love R&B… but something about House for me, it’s the closest thing to me having a spiritual experience….. and that’s what really moves me!
GO BANG MAGAZINE: Considering your work as a mentor and your involvement in community initiatives, what role do you believe established artists have in nurturing the next generation of performers, particularly in a genre like House music that thrives on community and a “family” atmosphere?
Barbara Tucker: I would love to see some of my legendary artist be a part of programs. I just wrote my first book, “MUSIC INDUSTRY 101/BALANCING UR WAY THROUGH THE INDUSTRY,” and doing 1-1 mentoring sessions. I hope others find the time to give back as well.
GO BANG MAGAZINE: Your father, Jayotis Washington of The Persuasions, was an a cappella singer. How did growing up with his unique vocal style influence your own singing, and did you ever feel a tension between that tradition and the heavily produced, synthesized sound of House music?
Barbara Tucker: I didn’t grow up with my dad, but respected his talent. When we spent time, it was quality time. When mom took me to see him perform with the group, as a child I just wanted to spend time with dad…no music necessary 🙂 As I was growing up in music, it was all about the ebb and flow for me. I love instruments. I love melodies. In my dad’s group, their voices were the instruments. I can sing with or without music. How ever they bring it to me, I can roll with it. But adding live to that, is a full feeling…feeling!
GO BANG MAGAZINE: As an artist who has been in the industry for over four decades, you’ve witnessed significant shifts in how music is created, distributed, and consumed. What’s the most challenging change you’ve had to adapt to, and what aspect of the “old school” music industry do you wish was still present today?
Barbara Tucker: Coming out of the Disco scene, and into House, with leading 4 to the floor, my generation received it. House was a spiritual thing… and though it seemed later that music was getting very minimal for a minute. That challenged the soulful House style. But, I was able to collaborate with some overseas producers who knew what to do to fit in. Many are now using live instruments, such as strings, bass, guitar, sax and more. I’m loving that.
GO BANG MAGAZINE: You’ve spoken about bringing a sense of “theatre” and costume to your performances. Why is the visual and performative element so important to you, and do you feel that the rise of online content and social media has placed too much emphasis on spectacle over substance?
Barbara Tucker: A statement, no doubt, I said a while ago…lol. But still true as artist and entertainers. Invest in a choreographer / stylist that can give you more than you could imagine. I came out of theater…9 off Broadway plays. I see what a show could be, when all of that is implemented. I really don’t focus on online people doing what they do. We as artist, here since forever, and going on with consistency of tracks and shows, is what we do as being who we are. Not a momentary expressions until one might get bored…Give the fans something to write home about. There’s a performance, then there’s a show!!!
GO BANG MAGAZINE: CHICAGO HAS ALWAYS LOVED YOU AND HELD YOU DOWN. WHAT MESSAGE WOULD YOU LIKE TO SAY TO ALL OF YOUR CHICAGO SUPPORTERS WHO HAVE LOVED ALL OF THE HOUSE MUSIC YOU HAVE BLESSED US WITH?
Barbara Tucker: I love Chicago. Have some music family there as well. I’ve promoter parties with Aaron Daker, Terry Hunter and more. I’m open when they call. The music scene as a whole has taken a toll since Covid. But we’re doing our best to be present. We hope that clubs come back and find us, to give the communities live artistry.
GO BANG MAGAZINE: ARE YOU PLANNING TO TOUR IN THE CHICAGO AREA ANY TIME SOON? IF SO, WHEN?
Barbara Tucker: It would be nice to perform for Chicago. It’s just a call away, as you have occasions to rock your clubs.
Ms Barbara Tucker, Bstar Music Group CEO The BookBank Foundation/Ambassador WE ARE ALL HOUSE, events Mentorship, coaching, writing, production, Artist, Book: MUSIC INDUSTRY 101/BALANCING YOUR WAY THROUGH THE INDUSTRY/AMAZON AWA Artistic Warrior Advocate 40 yrs of Dance and going! QUEEN!!!!
GO BANG MAGAZINE: Well Ms. Barbara Tucker, you have officially been BANGED!!!! GO BANG!!!!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
Keith Nunnally was a Chicago House music vocalist and a pioneering figure in the genre. He was known for his work with producer Steve “Silk” Hurley as the duo J.M. Silk, which was active from 1985 to 1988.
As part of J.M. Silk, Nunnally co-wrote and performed on several hit records, including “I Can’t Turn Around,” which hit number one on the US Dance chart in 1986. Other tracks he was associated with include “Let the Music Take Control,” “Cry of the Lonely,” and “Shadows of Your Love.” He also wrote the song “She’s So Far Away.”
YouTube video courtesy of: @fixvp
YouTube video courtesy of: @JM Silk Topic
YouTube video courtesy of: @JM Silk Topic
On Sunday, September 7, 2025 at 5:12 am, Grammy award winning producer and Chicago DJ Steve “Silk” Hurley announced on Facebook:
“In Loving Memory of Keith Nunnally”
Today, my heart aches as I mourn the passing of my dear friend, lead singer, and creative partner in JM Silk. Together, we formed one of the pioneering house music acts, blazing trails from the clubs to stages across the country and the world. From the early days, we were bound by a shared passion, touring relentlessly…bringing our music from city to city, energizing crowds every step of the way.
Right now, I’m in New Jersey for the Weequahic House Music. festival, and I feel incredibly grateful that Keith was with me last year for our S&S Experience at the Pritzker Pavilion in our hometown of Chicago.
Since that performance, he faced several health challenges but I was able to visit him at the hospital, and play him video of our last performance. I’ll never forget seeing that smile on his face. It was a moment I’ll treasure forever.
During my DJ set at the festival yesterday, I paused to speak sincerely in honor of Keith’s memory, delivering a special dedication before bringing Curtis McClain, Chantay Savage, and Ann Nesby onstage. It was my moment to remind everyone in New Jersey of the deep bond JM Silk and I share with them.
I think back to all the times we performed in New Jersey; at Zanzibar (at least five times!), Club 88, Sensations and other spots…I’m glad we brought our music to that scene so many times.
Keith, your voice, spirit, and friendship played a vital role in my journey from Club DJ to Artist, Producer, and Songwriter. You’re always with me—in the music, on the stage, and in my heart.
With love and gratitude, Steve “Silk” Hurley”
SERVICES ARE AS FOLLOWS:
VIEWING
Thursday, September 18, 2025
6pm – 8pm
LEAK FUNERAL HOME, 7836 S. Cottage Grove, Chicago, IL
HOMEGOING CELEBRATION
Friday, September 19, 2025
9am – Viewing
10am – 12pm – Service
FAITH TEMPLE COGIC, 7158 S. Peoria Street, Chicago, IL
If you would like to send a donation to the family as a gesture of love, kindness and sympathy, please forward via CashApp: $Melanie Nunnally & via Zelle: mnunnally_emt@msn.com
CHICAGO, IL — Following its acclaimed, sold-out runs in Chicago and LA, the smash-hit musical comedy 44 -THE MUSICAL returns to Chicago for a second term, playing at The Studebaker Theater in the historic Fine Arts Building, August 23 – September 21, 2025, 410 South Michigan Avenue. Following its limited Chicago run, the musical will play in New York at The Daryl Roth Theatre starting in October.
Tickets, $44-$128.50, are on sale now at https://44theobamamusical.com/tickets. (Ticketing fees may apply.) In honor of President Barack Obama’s 64th Birthday on Monday, August 4, tickets for the Opening Night on Thursday, August 28, will be put on sale for $44 (mezzanine) and $69 (orchestra).
The cast is led by T.J. Wilkins (NBC’s “The Voice”) as Barack Obama, Shanice (award-winning R&B artist – “I Love Your Smile” and OWN’s “Flex & Shanice”) as Michelle Obama and Chad Doreck as Joe Biden. The cast includes: Larry Cedar (Mitch McConnell), Summer Collins (Sarah Palin), Kelly Felthous (Hillary Clinton), Summer Nicole Greer (Voice of the People), Jevon McFerrin (Brother Abe Lincoln, understudy Barack Obama), Dino Shorté (Herman Cain), Jeff Sumner (Lindsey Graham) and Michael Uribes (Ted Cruz). The understudies are Audri Bartholomew, Wilkie Ferguson, Chelsea Morgan Stock, and Ryan Williams.
44 is a satirical look at the rise and presidency of Barack Obama, as well as the eccentric political characters he met along the way. 44 is written, composed, and directed by Eli Bauman, and is produced by Bauman alongside his partner and fellow Lead Producer, Monica Saunders-Weinberg (Hana Black Productions), in association with Anthony “Brew” Brewster, Steve McKeever (Hidden Beach Recordings), Conrad Bauer, and Shanice & Kerry Gordy.
Barack Obama’s election changed history. And as we can clearly see, it also ended racism forever! But 44 is the story of Obama you won’t read about in history books…because history books are now banned in most states. But also because 44 is the story of Obama as Joe Biden kinda sorta remembers it…
44-The Musical quickly proved to be a must-see show, and shattered box office records during its recent, extended run at the Kirk Douglas Theatre in Los Angeles. The show quickly became a must-see event, drawing in an eclectic mix of fans — from longtime theater lovers to many experiencing a live show for the first time. Celebrity attendees have included Stevie Wonder, Martin Short, Larry David, Congressman Adam Schiff, Martin Lawrence, Cheyenne Jackson, Wanda Sykes, Charlamagne Tha God, Tobey Maguire, Dionne Warwick, Bill Burr, Vivica A. Fox, Warren G, Nicole Richie, Joel and Benji Madden, members of The Red Hot Chili Peppers, Shawn Stockman of Boyz II Men, and Eric Benét among many others.
The Chicago Tribune said, “44 is smart, sophisticated satire, a hilarious spoof R&B musical stocked with top-drawer talent and comedic invention with Broadway-caliber singing from the three hilarious leads and a chic, uber-cool vibe.”
Following its first L.A. run in 2023, 44 took home seven BroadwayWorld L.A. Awards, including Best Musical, Best Ensemble, Best Direction of a Musical (Eli Bauman), Best Lead Performer of a Musical (T.J. Wilkins), Best Supporting Performer of a Musical (Chad Doreck), Best Musical Direction (Anthony Brewster) and Best Choreography (Miss James Alsop).
44 features legendary L.A. band House of Vibe as “The Andrew Jackson Five” with Anthony “Brew” Brewster (keyboards), Phillip “Fish” Fisher (drums), Corey Cofield (bass), Conrad Bauer (guitar), and Greg Raymond (keyboards). The music supervisor is Wilkie Ferguson.
The performance schedule is:
Previews: August 23-27, 2025: All Orchestra seats $44 (plus fees)
Saturday, August 23 at 7:30pm
Sunday, August 24 at 7:30pm
Tuesday, August 26 at 7:30p,
Wednesday, August 27 at 7:30pm
Regular run: August 28-September 21
Tuesdays and Wednesdays at 7:30pm
Thursdays (August 28 & September 18 ONLY) at 7:30pm
Fridays at 7:30pm
Saturdays at 2:30pm and 7:30pm
Sundays at 2:30pm
About the Creative Team Eli Bauman (Writer, Composer, Director, Lead Producer) Eli was born and raised in Los Angeles to his mother Mary, a therapist for special needs children, and father, Jon, also known as “Bowzer” from the retro 50’s nostalgia TV show/most random band to play Woodstock, “Sha Na Na.” After enduring this not remotely strange childhood, Eli graduated from Columbia University with a degree in English and Creative Writing. Upon graduation, Eli toured the country with his father, singing in casinos ranging from the 10,000 seat “Mohegan Sun Arena” to the utterly depressing “Boomtown Casino” in Biloxi, Mississippi. After moving back to LA in 2007 to pursue a career in Hollywood, Eli gave up the glamorous world of television production for the even more glamorous world of political campaigning, moving to Las Vegas’ largest and hottest county to organize for radical fringe candidate, Barack Obama, whom we’ve never heard from since. After the campaign, Eli coordinated Veteran’s Affairs for Obama’s 2009 Inaugural Committee and interned for ABC’s Special Investigative Unit, where he was shoved by disgraced bamboozler, Bernie Madoff. Later, Eli transitioned back to scripted television, writing episodes of FX’s “Lights Out” and NBC’s “Prime Suspect,” before moving onto variety television, including the Emmy’s, the ESPY’s, the Emmy nominated “ACLU: Stand For Rights with Tom Hanks” and the Writer’s Guild Award nominated “Maya and Marty” with Maya Rudolph and Martin Short. Most recently, Eli has entered the highly lucrative world of musical theater and contributed material to the fraudulently “won” Biden campaign. Eli resides in Los Angeles with his wonderful and far more talented wife, Joanna, their spectacular daughter, Ivy, their newly-arrived sweetheart of a son, Charlie, and their old toothless dog, Leon.
Monica Saunders-Weinberg (Lead Producer) Driven by purpose, connection and joy, Monica Saunders-Weinberg’s portfolio and impact spans business, residential development, commercial real estate, investment, philanthropy and the performing arts. Monica is currently Co-Owner and Joint Deputy Vice-Chair of Terrace Tower Group (TTG) – a global real estate and investment conglomerate operating out of Sydney, New York and Portland – where she began as a board member 26 years ago. In addition to her role at TTG, where she works alongside her husband and TTG’s CEO, Richard Weinberg, Monica is a passionate supporter of the performing arts. Through her production company Hana Black Productions, she has developed projects for film and television, recently becoming a shareholder in fellow Australian Bruna Papandrea’s renowned production company, Made Up Stories. The pair is part of the producing team for the film Addition, which recently premiered at the Toronto Film Festival, and they are currently developing a film adaptation of Fiona McIntosh’s best-selling book, The Pearl Thief.
In addition to her business and artistic endeavors, Monica has furthered the philanthropic legacy of her late father John Saunders, supporting numerous charities, both as an individual and through The Saunders Family Foundation, for which she has served as Chair and Executive Director for the last 26 years. She is also a founding partner of The Growth Project, which connects business leaders with charities to help maximize their impact on the world. She is also a Founding Angel and dedicated board member of Feel The Magic, a charity that supports grieving kids and families.
This wealth of diverse experience has led Monica to her current role as Lead Producer of 44, where alongside producing partner and writer/director Eli Bauman, she has used her creative instincts and business acumen to help bring an artistic vision to life, as well as her philanthropic passion to maximize its social impact. With sold-out runs in Los Angeles, New York and Chicago, this off-beat political satire is set to continue its success with performances scheduled throughout the United States and abroad in 2025. Monica resides between Sydney and LA, where she loves to bring family and friends together through cooking and entertaining. Her life’s greatest joy is her three teenage boys – Brooklyn, Ashton and Hudson.
Anthony “Brew” Brewster (Music Director) Raised in Venice, CA, Anthony “Brew” Brewster is a powerhouse producer, music director, and keyboardist whose career spans multiple genres and industries. With roots in soul, R&B, and rock, he has spent decades shaping the sound of Los Angeles, blending deep musicality with cutting-edge production. His journey is one of constant evolution, fueled by a love for collaboration and a passion for pushing music forward. Brewster’s production credits include work for Fox, Hidden Beach Records, and Beacon Street Studios, where he played a key role in crafting award-winning compositions. His work with Beacon Street Studios earned Telly Awards for outstanding commercial music, further cementing his reputation for excellence in scoring and production.
As a Grammy-nominated producer, Brewster has contributed to groundbreaking projects, including work with Ant Clemons and Ghanaian reggae artist Rocky Dawuni. His ability to shape dynamic, genre-defying soundscapes has made him an invaluable creative force, sought after by top artists and brands alike. The live rock band that keeps 44’s non-stop rhythmic R&B sounds and hard- hitting beats going is Los Angeles-based House of Vibe, helmed by Brewster, producer, music director, and music co-producer for 44, who brings his signature sound and expertise to every production. Beyond 44, Brewster has served as Music Director for the ESPY Awards, bringing his expertise to one of the most prestigious events in sports and entertainment. His live performance career is equally distinguished, having worked with seminal Los Angeles bands The Untouchables and Fishbone, as well as artists like Chali 2na, Citizen Cope, and De La Soul. to
push the boundaries of sound, leaving an indelible mark on every project he touches.
Miss James Alsop (Choreographer) most recently contributed choreography to the Renaissance World Tour and you can see her movement direction on Kim Kardashian and Emma Roberts on the most current season of “American Horror Story: Delicate.” The Whitney Houston biopic “I Wanna Dance With Somebody” marks her feature film choreographic debut. She choreographed the acclaimed Peacock musical TV series “Girls5eva,” executive produced by Tina Fey as well as the #1 Netflix series “Monster: The Jeffrey Dahmer Story.” Her choreography has also been featured on “Pose,” “Soundtrack,” “Gossip Girl” and the upcoming season of “Emily in Paris.” Her work can also be seen in the Kerry Washington sitcom “Unprisoned.”
She began her career as co-choreographer of Beyoncé’s videos, tour, and promotional materials for “Who
Run the World (Girls),” “Dance For You” and “Love on Top.” She also assisted in choreographing “Booty” by Jennifer Lopez and worked with Paul Thomas Anderson for the HAIM music video “Just A Little of Your Love.” After choreographing the entire season of “Maya & Marty,” she was asked by Tina Fey and Jeff Richmond to choreograph season three of “The Unbreakable Kimmy Schmidt” and has since worked for shows on NBC, Showtime, Netflix, and others. When not working with top stars, she teaches around the country and world, educating young artists and dancers to be who they are in their art form and love it
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
It is with a heavy heart that I must write that my sister, Cori Evans, lost the love of her life, Eric Shaw, father of their son Lil Eric, and his daughter Parris, suddenly on July 31, 2025. If you can find it in your heart, please donate, whatever amount you can to our GO FUND ME fundraiser, to assist with funeral arrangements, immediate living expenses, grief support and securing a stable future for Lil Eric.
On July 31, 2025, we lost Eric. My boy was an incredible father, partner, and friend. His passing was sudden, without warning, and unbelievable. For those who knew Eric, you know he was a beacon of light, bringing laughter and joy wherever he went. His sudden departure has left an immense void in our lives, and we are all grappling with this profound loss. It has also left a deep void in the lives of those who loved him, especially his longtime partner, Cori, their son Eric, and his daughter Paris.
Eric and Cori
Eric and Cori shared 23 beautiful years together, building a life full of love, laughter, and resilience. Now, in the wake of this unimaginable loss, Cori faces the daunting challenge of navigating life as the sole provider for their family. The emotional toll on her, we can only imagine, and the financial burden is overwhelming.
I’m asking for your help to raise $15,000 to support Cori, her son, and Eric’s daughter during this difficult transition. We know that many of you are searching for ways to offer your support, and contributing to this fund would be the most meaningful way to help her right now. If our goal is met, your generosity will directly assist her in covering funeral arrangements, immediate living expenses, grief support, and securing a stable future for Lil Eric. More importantly, it will allow them the opportunity to focus on grieving and celebrating the wonderful life Eric lived.
Eric and daughter Parris
If you knew Eric, you know how deeply he cared for his family and friends. If you didn’t, please know that your kindness will help carry forward the love he gave so freely. Every donation, no matter the amount, makes a difference. Also, if you’re unable to give, sharing this campaign means the world.
Pierre A. Evans with nephew Lil Eric
Thank you for your love, your prayers, and for standing with Cori and the children as they begin to heal during this incredibly challenging time.
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
Pierre Andre’ Evans here, Owner & Publisher of Go Bang! Magazine, coming to you live from the very heart and soul of where it all began – CHICAGO!!!
As I sit here, watching the sun rise over this magnificent city, my mind is buzzing with the rhythms, the memories, and the sheer undeniable force that is House Music. And as July draws to a close, it’s the perfect time to reflect on why, for us, for the culture, this month will always be synonymous with the very essence of our sound.
You see, for many, July is just another summer month – barbecues, beach days, and fireworks. But for us Chicagoans, especially those of us who came up in the fertile ground of the late 70s and early 80s, July holds a special significance. It’s not an officially declared holiday, mind you, no city ordinance or presidential proclamation. But in our hearts, in our bones, July *is* House Music Month.
Why July?
Well, it’s deeply rooted in the history of the legendary “Chosen Few Picnic.” For over three decades, the first weekend of July, (now the second weekend, because of the NASCAR race being hosted in Chicago that weekend) has been dedicated to this phenomenal gathering, a reunion that transcends generations and geographies. It started as a small get-together amongst friends – Wayne Williams, Jesse Saunders, Andre Hatchett, Tony Hatchett, and Alan King – the very pioneers who helped shape this sound. It was about community, about celebrating the music that brought us together, and about sharing that energy with those who understood it.
From those humble beginnings, the Chosen Few Picnic exploded into an international phenomenon. It became a pilgrimage. Over 40,000 people from all corners of the globe descend upon Jackson Park, drawn by the irresistible pull of the beats, the camaraderie, and the undeniable spirit of House. And let me tell you, there’s nothing quite like it. Stepping into that park, feeling the bass vibrate through your chest, seeing tens of thousands of people united in movement and joy – it’s a spiritual experience. It’s a testament to the enduring power of this music we call HOUSE!
But it’s more than just the Picnic. July in Chicago just *feels* like House Music. The long, warm nights beckon you to the dance floor, whether it’s an intimate club night, house in the park, or an impromptu beach party. The city itself seems to pulse with a different kind of energy, a celebratory vibe that perfectly aligns with the uplifting nature of House. You hear it emanating from cars, from open windows, from pop-up events that materialize out of nowhere. It’s in the very fabric of our summer.
For us at Go Bang! Magazine, documenting this culture, this phenomenon, has been our life’s work. We’ve been there for the countless spots that served as the crucibles for this sound. We’ve seen the evolution, the shifts, the new waves and the old school coming together. And through it all, the core message of House has remained the same: UNITY, LOVE, and the POWER OF THE GROOVE!!!
House Music isn’t just a genre; it’s a feeling, a philosophy, a way of life. It’s born from the struggles and triumphs of a community. It’s about finding freedom on the dance floor, about letting go of your inhibitions and connecting with something larger than yourself. It’s about the communion of souls, moving as one to a beat that transcends language and background. And in July, all of that feels amplified. The air is thick with anticipation for the Picnic, but also with the everyday echoes of House that permeate our city. It’s a reminder of where we came from, of the giants who paved the way, and of the vibrant future that lies ahead.
So, as we bid farewell to another incredible July, let’s carry that energy forward. Let’s keep those speakers thumping, those bodies moving, and those hearts open. Because for us, the spirit of House Music isn’t confined to one month, but July serves as a beautiful, powerful annual testament to its enduring legacy.
Keep on groovin’, Chicago. And remember, the beat lives on.
I WANNA SEE ALL MY FRIENDS AT ONCE!!!!
GO BANG!!!!!
Peace, Pierre Andre Evans Owner & Publisher, Go Bang! Magazine
For 28 years, The Silver Room has been more than just a store — it has been a cultural heartbeat for Chicago, a launchpad for thousands of Black and Brown artists and entrepreneurs, and a space where art, commerce, and community intersect with purpose and love.
Founded by Eric Williams in 1997, The Silver Room has directly contributed over $10 million in economic impact to Chicago’s Black and Brown communities. We’ve nurtured dreams, showcased new voices, and held space for connection through everything from pop-up shops and exhibits to block parties and public art activations. Over the years, we’ve hosted thousands of events — from poetry nights and book signings to panel discussions and healing workshops — all rooted in amplifying culture and community.
And yet — almost all of it was funded out of Eric’s own pocket and the store’s limited resources. That model is no longer sustainable.
In full transparency, this $1M Art Fund will not only help us dream forward — it will also help us honor our past commitments. We believe in operating with integrity, and that includes taking care of the people who helped build this legacy.
We’re launching this fund to help sustain and grow our vision. It will:
Continue supporting Black and Brown artists and entrepreneurs with pro bono offerings and retail opportunities
Host cultural events, art shows, and community gatherings
Revive powerful programming like the Silver Room Block Party, which once drew over 40,000 people in celebration of art and unity
Invest in staffing and infrastructure to expand our reach and impact
Create sustainable models for cultural preservation in the face of displacement and defunding
The Silver Room is one of the most important cultural institutions in Chicago that has consistently and intentionally elevated Black and Brown creative economies. But the truth is — our culture is under attack. Government defunding, education, press and an erasure of our history have made it clear: we must invest in ourselves.
We urgently need your support. We are aiming to raise critical funds within the next 30 days to keep our mission alive and ensure we can move forward without compromising the integrity of what we’ve built.
We’ve given so much to the city. Now, we ask the city — and the world — to join us as we move forward on this journey together.
Help us protect and expand what we’ve built. Let’s make sure the next 28 years are even more powerful than the last.
This is more than a fundraiser. This is a movement. Join us!!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
Wow… just wow! I am absolutely overwhelmed—in the best way possible—by all the love, well wishes, texts, calls, posts, and messages I received for my 58th birthday on April 19. I’m still smiling from ear to ear!
Each message reminded me of how blessed I am to have such an incredible circle of friends, family, colleagues, readers, and supporters. Whether you’ve known me for years, just recently connected, or simply follow my journey through Go Bang! Magazine, please know that your kind words truly touched my heart.
Turning 58 feels powerful. It’s a beautiful number—full of experience, wisdom, and still so much more to explore. As I reflect on where I’ve been and where I’m going, I feel a deep sense of purpose, gratitude, and excitement for the future. Go Bang! Magazine continues to grow, evolve, and inspire, and that’s only possible because of YOU—the loyal readers and contributors who bring it to life.
To everyone who took a moment out of your day to wish me a happy birthday—THANK YOU. Your energy fueled my spirit and reminded me that the work I do matters.
Here’s to life, love, passion, and the magic that comes with another trip around the sun!
With love and gratitude, Pierre Andre’ Evans Founder/Publisher, Go Bang! Magazine
Can you believe it? Five years! Five years since we launched GO BANG! Magazine, right in the thick of the pandemic, on April 1st, 2020. Five whole years of vibrant colors, groundbreaking interviews, and the kind of raw, unfiltered energy that only Go Bang! Magazine can deliver. I’m Pierre Andre’ Evans, your senior editor and the slightly sleep-deprived mastermind behind this beautiful chaos, and I’m here to celebrate with all of you, the heart and soul of GO BANG! Magazine.
When I first envisioned GO BANG!, it wasn’t just about creating another magazine. It was about building a community, a space where artists, thinkers, and dreamers could collide, ignite, and inspire. We wanted to shatter expectations, to push boundaries, and to give a platform to voices that deserved to be heard, voices that were often overlooked by the mainstream. And looking back, I can confidently say, we’ve done just that.
I remember sitting at my kitchen table, the world in lockdown, and feeling this burning need to connect, to celebrate the music that moves us, the culture that defines us – House music. Chicago’s own, and the world’s heartbeat. Back then, everything was uncertain. Clubs were closed, dance floors were empty, but the spirit of House, that was alive and well, pulsing through our screens, connecting us in ways we never imagined. And that’s what GO BANG! became: a digital dance floor, a space where we could come together, share stories, and keep the music playing.
I interviewed 30 different people. It was hands down, the best magazine debut ever! Looking back, it’s been an incredible journey. We’ve had the privilege of speaking with some of the most influential figures in House music, from the pioneers who laid the foundation to the rising stars shaping its future. Some interviews really struck a chord with you all, and I’m so glad.
And look at us now! We’ve interviewed rising stars before they exploded onto the scene, unearthed hidden gems from the underground, and challenged the status quo with thought-provoking features. We’ve seen artists blossom, movements ignite, and trends shift, all while staying true to our core mission: to deliver authentic, unapologetic content that resonates with you, our incredible readers. We’ve celebrated diversity in all its forms, championed creativity in every medium, and never shied away from the difficult conversations. Those stories, those voices, are what make GO BANG! Magazine so special.
And honestly, none of this would have been possible without you. Your unwavering support, your passionate feedback, your shared enthusiasm – it’s been the fuel that’s kept this engine running. Your comments, your letters, your social media shout-outs, they’ve all meant the world to us. You’ve challenged us to be better, to dig deeper, and to never settle for anything less than extraordinary. You’ve made GO BANG! Magazine a community, a living, breathing testament to the power of House music.
Starting a magazine during a pandemic was a risk, to say the least. But your unwavering support turned that risk into a reward. We’ve grown, we’ve evolved, and we’ve stayed true to our mission: to shine a light on the House music community, to celebrate its diversity, and to amplify its voices.
But enough reminiscing! Let’s talk about the future, shall we? Because trust me, the best is yet to come. We’re not slowing down; we’re just getting started.
In the coming years, you can expect:
Expanded digital content: We’re diving deeper into the digital realm with exclusive online features, interactive experiences, and even a few surprises we can’t quite reveal yet. Think immersive storytelling and behind-the-scenes access like never before. More live events: We’re bringing Go Bang! Magazine to life with pop-up events, workshops, and collaborations. Get ready to connect with your favorite artists and fellow readers in person. Even bolder storytelling: We’re pushing the boundaries of what a magazine can be. Expect more in-depth features, more daring visuals, and more unfiltered conversations.
We’re working on some incredible new features, expanding our reach, and exploring new ways to bring you the stories you love. We’re talking more in-depth artist profiles, exclusive mixes, and even some exciting collaborations. And a few secret projects that will blow your minds! (Seriously, you’re not going to want to miss these.)
We’re constantly evolving, constantly innovating, and constantly striving to deliver content that inspires, challenges, and entertains. We’re not just a magazine; we’re a movement. And we’re inviting you to be a part of it.
From the bottom of my heart, thank you. Thank you for believing in GO BANG! Magazine. Thank you for being a part of this incredible journey. Your passion for House music inspires me every day. I’m so grateful for this community, and I can’t wait to see what the next five years bring.
So, here’s to five years of Go Bang! Magazine, and to many, many more. Thank you for being a part of this incredible journey. Stay tuned, because the best is yet to come…… GO BANG!!!!!!
Keep dancing, keep sharing, and keep the House vibes alive!
With boundless gratitude and a whole lot of love,
Pierre
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
Musical Directions, the iconic label founded by legendary house music artist Robert Owens, has announced an exciting new release: Window Shopping Remixes. Set to drop on March 28, 2025, this collection showcases a range of innovative and diverse remixes, featuring Robert Owens alongside the up-and-coming DJ and producer Matt Black.
This 9-track remix package reimagines the club anthem “Window Shopping” with a variety of versions that will captivate dancers and music lovers alike. Whether you’re looking for a classic club vibe, an acid-infused tech remix, or an instrumental journey, this collection has something for everyone. From peak-time bangers to a groovy acappella version, the remixes explore the dynamic elements of house, techno, and acid, offering both familiar and fresh takes on the original track.
The release marks a significant moment in the ongoing Naked Part Three album series, following in the footsteps of the highly acclaimed previous installments. This remix collection exemplifies Musical Directions’ commitment to pushing musical boundaries and creating an emotionally charged musical journey.
As one of the most influential voices in the house music scene, Robert Owens’s partnership with Matt Black brings together decades of experience and fresh innovation. Owens, celebrated for his soulful vocals and songwriting prowess, continues to leave an indelible mark on the genre. Meanwhile, DJ Matt Black, known for his dynamic style that spans House, Acid House, Tech House, and Techno, provides the perfect complement with his cutting-edge remixes that have earned him recognition on prestigious labels such as Trax Records and Cleveland City Records.
“Window Shopping Remixes” is a celebration of musical diversity, combining Owens’ timeless vocals with Black’s modern production sensibilities. The tracks range from the deep basslines of the “Techno Mix” to the captivating rhythms of the “Jack’in Edit,” while the “Vocal Mix” and “Acappella Mix” allow listeners to immerse themselves in the soulful essence of the original composition.
Musical Directions has always been a platform for boundary-pushing music and emotion-driven sound, and this release is no exception. Whether you’re a fan of classic house or newer techno sounds, “Window Shopping Remixes” is a release you won’t want to miss.
About Robert Owens: Known for his iconic contributions to house music, Robert Owens’ career began in the mid-1980s when he became the voice of Chicago’s groundbreaking group, Fingers Inc. With a career that has spanned decades, Owens has consistently delivered soulful tracks that have earned him a place as one of the genre’s most beloved vocalists. His tracks “I’ll Be Your Friend” and “Mine to Give” have both topped the charts, while his collaborations with producers such as Larry Heard and Photek have cemented his reputation as a true pioneer of the house music movement.
About DJ Matt Black: DJ Matt Black is a Berlin-based producer and DJ, known for his versatile approach to electronic music. With influences ranging from House to Acid House, Techno, and Tech House, Matt Black has gained recognition on renowned labels like Trax Records and Cleveland City Records. A rising star within the global club scene, Black’s dynamic remixes and productions have captivated audiences across the world, including on popular radio stations like BBC Radio and Kiss FM.
About Musical Directions: Founded in the early 1990s by Robert Owens, Musical Directions has always been at the forefront of groundbreaking electronic music. After a brief hiatus, the label was relaunched in 2015 with a fresh vision—centered around the “Naked” series, which emphasizes transparent emotional expression through music. Since its relaunch, the label has been a home to diverse, genre-defying releases that reflect its commitment to pushing musical boundaries. From house to techno, Musical Directions has become synonymous with quality, creativity, and passion.
Available on all streaming platforms and for download on March 28, 2025.
For more information, please contact:
Robert Owens
this.is.robert.owens@gmail.com
Matt Black
djmattblackofficial@gmail.com
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
What’s good, Lovers of HOUSE? 
