The interview with DJ Wayne Williams, founder of the renowned Chosen Few Djs House Music Festival, the longest-running house music festival worldwide, was captivating, leading to its early release on this page. Our in-depth conversation explores house music extensively. This was our first joint effort. I hope you enjoy it as much as we enjoyed recording it. Entrepreneurial Enclave Podcast Hosted by Kevin Wortham Co-Hosted by Pierre Andre-Evans of GO BANG! Magazine Step into the rhythm of innovation and creativity as we bring you conversations that move the soul. This season, we’re spinning unforgettable stories with iconic house music producers, legendary DJs, and trailblazing influencers who’ve shaped the culture and taken it to new heights. From underground clubs to global stages, we uncover the journeys, hustle, and passion that transformed beats into movements and dreams into reality. Tune in, vibe out, and let the sound of success inspire your entrepreneurial grind! Follow us and subscribe for free!
The crisp autumn air is blowing through the streets of Chicago, and with it comes the warm glow of Thanksgiving! It’s a time for family, for feasting (let’s be real, mostly feasting!), and for reflecting on all the things we’re grateful for.
And at the top of that list, we have YOU.
The readers, the commenters, the social media warriors who share our stories – you’re the ones who make GO BANG! Magazine the vibrant, exciting platform it is. You fuel our creative fire, inspire our next big interviews, and remind us why we love bringing you the hottest entertainment news and features in the city that never sleeps (well, rarely sleeps!).
This Thanksgiving, as that glorious turkey roasts in the oven and the sweet aroma of sweet potato pie fills your kitchen, we want you to take a moment to savor not just the delicious food, but the incredible people in your life. Whether it’s your family, your chosen family, or even that quirky next-door neighbor who always lends a cup of sugar, take a moment to express your gratitude.
**From all of us here at GO BANG! Magazine, we wish you a Thanksgiving filled with laughter, love, and enough gravy to go around. **
P.S. Don’t forget to share those epic Thanksgiving dinner photos with us on social media using #GoBangThanks! We might just feature your culinary masterpiece (or your adorable pet napping under the table) in our next issue!
I am honor to be interviewed, each and every time I am approached and a request is made. THANK YOU!!!!
BIO Publisher, Journalist, Author, DJ, Dancer Pierre Andre’ Evans has taken the publishing, literary and entertainment industries by storm. As a former writer/journalist for the iconic Soul Train brand, the historic Chicago Defender newspaper, and the ground-breaking N’Digo Magapaper, Evans has earned the right to emerge as the owner and publisher of his own innovative publication, GO BANG! Magazine.
GO BANG! Magazine, https://gobangmagazine.com/, founded in April 2020 during the start of the Covid-19 pandemic, is written, edited, and published by Pierre Andre’ Evans. It is internationally known as the “go to” informational, educational and entertainment resource, providing readers with in-depth reporting on ground-breaking people, places, and events, which are having positive impacts on the world. A recent magazine highlight was interviewing Grammy nominated DJ/Producer Terry Hunter and discussing his most recent project, being curated by Beyoncé’s team to do an official House remix of her latest hit single “Break My Soul”, to be included on her latest album Renaissance.
A proud, active member of the National Association of Black Journalists (NABJ) and its’ Chicago chapter (NABJCC), Evans is a sought-after freelance writer who contributes entertainment, music, theater, film, art, culture, fashion, dance, and current event write-ups to countless prominent publications throughout the world. One of his most momentous interviews was with Eric Monte, the creator of such significant television shows as Good Times, The Jefferson’s, What’s Happening, and the coming-of-age comedy-drama movie Cooley High.
As an entertainer, Pierre is a former actor/model, appearing in various roles in five of Hollywood’s biggest blockbusters, including Home Alone II, Richie Rich, The Negotiator, Never Been Kissed and Road to Perdition. Then, as a model, he has also graced fashion runways wearing the accoutrements of various fashion designers and has been the subject of numerous photo shoots.
As a DJ, under his company Pinnacle Entertainment Productions, DJ Playerre, as he is known in the House music community, has the stellar reputation as the DJ that “gets you up and leaves you dead on the dancefloor!” That is one helluva calling card. He is also known as the one and only Andre’ Pierre “The Dancing Machine,” a prolific hired club dancer that is known to motivate, inspire and promote joyful dancing at venues and events. It’s often said, “If Andre’ Pierre is at your party, you know it’s going on!”
Pierre Andre’ Evans the brand, embodies quality, integrity, dependability, and creativity. When you partake in the world of Pierre Andre’ Evans, whether it is a speaking engagement, book signing, special event, an entertainment piece, or literary media, you can expect an unparalleled level of gratification and pure bliss, that only Pierre Andre’ Evans can provide.
Date: Thursday, August 29th Time: 4PM – 8:45 PM Location: Steadfast Dance Center, 1860 S. Blue Island Ave, Chicago, IL Instructors & Class Schedule: 4:00PM Jay-J(Jus.be) , 5:11PM Trish (Devine Instant), 6:22PM Brand1 (Circle Theory) , 7:22 Tre Daniels w/ special guest (Jus.be)
10:00 PM – 2:00 AM
August 29th: Pre Party @ Penny Whistle Tavern
Date: Thursday, August 29th Time: 10 PM – 2 AM Location: Penny Whistle Tavern, next door to Steadfast Dance Center Featuring DJs from Tribecago & Body: House Dance Summit 5:00 PM – 10:30 PM
August 30th: Body: House Dance Summit @ Healthy Hood Chicago
House Dance Competition Date: Friday, August 30th Time: 5:00 PM – 10:30 PM Location: Healthy Hood Chicago, 2242 S. Damen Ave, Chicago, IL
Join us at BODY: House Dance Summit for an exhilarating celebration of House dance and culture in the vibrant neighborhood of Pilsen, Chicago! This two-day event features dance classes, workshops, competitions, and a lively pre-party, bringing together some of the best talents in the house dance community.
Dive into the world of house dance with expert-led workshops covering various techniques and styles. Whether you’re a beginner or an experienced dancer, these sessions are designed to inspire and elevate your skills.
Workshops will be held Thursday, August 29th at Steadfast Dance Center located at 1860 S. Blue Island Ave, Chicago, IL from 4PM – 8:45 PM and will be taught by 2 of our the 5 judges with a specal workshop by Tre Daniels.
After the workshops, join us next door and dance the night away at Penny Whistle Tavern located at 1854 S. Blue Island with beats from some of the best DJs in the House music scene Featuring DJs from Tribecago & Body: House Dance Summit from 10 PM – 2 AM!
Friday, August 30th, at Healthy Hood Chicago, 2242 S. Damen Ave, Chicago, IL witness the excitement of our 4th installment of Body! A House dance competition, where dancers have the space to showcase their skills, personality and creativity for a chance to come back next year and sit at the judges seat. This year’s competition features a five-judge panel, blending tenured experts and fresh faces with the common goal and dedication to help keeping House dance & culture alive and thriving.
Don’t miss this opportunity to immerse yourself in the dynamic world of House dance, connect with fellow enthusiasts, and celebrate the rich cultural heritage of Chicago’s dance scene. Secure your spot now and be part of an unforgettable experience!
As part of your ticket purchase, please be aware that you are agreeing to the terms outlined in our Media Release Form and Hold Harmless Agreement. This agreement includes the following key points:
1. Media Release Form:
By attending the event, you grant Jus.Be House Collective, Steadfast Dance Center, and Healthy Hood Chicago permission to use photographs, video recordings, and/or audio recordings of you for promotional, educational, and advertising purposes. This media may be used in various formats including print, online, and broadcast media. 2. Hold Harmless Agreement:
You acknowledge the inherent risks associated with participation in the event and agree to release and hold harmless Jus.Be House Collective, Steadfast Dance Center, Healthy Hood Chicago, and their affiliates from any claims or damages arising from your participation. This includes any claims for personal injury or property damage. You also consent to emergency medical treatment if necessary and agree to comply with all event rules and regulations. By purchasing your ticket, you are consenting to these terms and agreeing to comply with the conditions stated in the Media Release Form and Hold Harmless Agreement.
For your reference, here are the detailed terms of the Media Release Form and Hold Harmless Agreement:
Body House Dance Summit Media Release and Hold Harmless Agreement
1. Media Release Form
Consent for Use of Media: You grant permission to Jus.Be House Collective, Steadfast Dance Center, and Healthy Hood Chicago to use photographs, video recordings, and/or audio recordings of you for promotional and other purposes. You will not receive compensation and understand that these materials may be used in perpetuity.
Release and Waiver: You release and hold harmless the organizations from any claims arising out of the use of these media materials.
2. Hold Harmless Agreement
Assumption of Risk: You acknowledge and assume all risks associated with participating in the event.
Release and Indemnification: You release, waive, and discharge the organizations from any claims related to your participation and agree to indemnify them against any claims arising from your own actions.
Medical Consent: You authorize the organizations to seek emergency medical treatment if needed and agree to cover all associated costs.
Compliance with Rules: You agree to follow all event rules and understand that failure to do so may result in removal from the event.
If you have any questions or concerns, please feel free to reach out to us at JusBeHouse@gmail.com.
We look forward to seeing you at the Body House Dance Summit!
Photos courtesy of Singles Films and Music Entertainment
STREAMS EVERYWHERE ON TUESDAY, AUGUST 27, 2024
In the past 5 years, writer, director, and producer Billy Ray Valentine has entertained us with his visions. With streaming phenomenons such as “LIL CEASAR“, “ROSELAND“, “MAGIC“, “THE WALK OF RUFUS 1&2“, and “A MASQUERADE TRAPP“, Mr. Valentine now brings to the forefront a compelling riveting story about survival and the streets of Chicago’s nightlife. He brings us the tale of a young man, by the name of Kahmil, who leads a gang from the streets of Gary, Indiana. They’re on a journey of life and death, trying to escape the streets of Chicago to make it back home to Indiana.
“UNITED NATIONS” gives you a wrong look into life in the streets of Chicago’s gang activity. These young men race against time and survival, in an effort to make it back home. The film also gives you a look at the powerful impact of all gangs coming together, unifying as one for peace, for the sake of righteousness and justice, for those that have been targeted unjustly by the justice system, and murdered by those who are here to “serve and protect.”
When asked why this film was so important to Billy, he stated, “I wanted to show what WE could be as a whole, on a positive note. I also wanted to point out and expose the injustices in America to African-American and minorities in this country. UNITED NATIONS is a film based on a reality that once was and is no longer. So, I decided to create something that would reach out to you and show familiarity with life in the streets of urban cities across America.“
“Slated to be released this month, “UNITED NATIONS” will definitely have you biting your nails and gripping the edge of your seat. It is a film with true passion and severe reality.” – Pierre Andre’ Evans – Publisher/GO BANG! Magazine
Billy Ray Valentine was born in Chicago, brought up in the Englewood community, and has actually survived that harsh reality of games, drugs and unjust crimes against his Black America. The film stars David Penn (RIP), Julian T. Allen, and Max Julian. Billy Ray goes on to explain why this film was so important for him to finish, “…because there were so many obstacles and adversity to overcome while shooting the film. In addition to that, two more cast members sadly lost their lives while shooting the movie, due to senseless gun violence, Yaeyo Royae’l (RIP) & Nsg Bosschav (RIP).“
Upcoming projects from Singles Film and Music Entertainment are scheduled for release early and mid next year. Be on the lookout for these exciting projects written, produced, and directed by the multi-talented Billy Ray Valentine.
STREAMS EVERYWHERE ON TUESDAY, AUGUST 27, 2024
Follow Billy Ray Valentine/Singles Film and Music Entertainment on ALL social media
Ozie Nzeribe who portrayed Royale Hughes in seasons 1 and 2 of the Apple TV+ series ‘Swagger’ is set to star in the Tubi thriller mystery ‘Rock The Boat 2, a project by Footage Films with Chris Stokes as director and Marques Houston as producer.
Nzeribe will play Durell, a young and witty brainiac who’s a bit of a nerd who gets invited to a weekend get-away with his cousin’s friend. Once they are all at the lake house everyone’s motives change.
In addition, Loretta Devine, Cynthia Bailey, Parker McKenna Posey, Iyana Halley, Zonnique Pullins, Katlynn Simone, Justin Sweat, Judi Johnson, Jarell Houston, Carnetta Jones, Khylin Rhambo, Dwight Boyce, Janina Gordillo, Farrah Hines, Steven Littles, Alimi Ballard, Shah Granville and Candice Marie have joined the cast.
Beyond his acclaimed performance in Swagger, Ozie’s versatility shines in his diverse repertoire, including roles in Tubi’s ‘The Stepmother 3,’ Showtime’s ‘Shameless,’ ABC’s ‘Little Fires Everywhere,’ and Jamie Foxx’s Netflix special ‘Dad Stop Embarrassing Me.’
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
Photo credits: Eric Logan / Videos credits: YouTube
Vito Tisdale, also known as “Big V” or “Vito Banga,” is a former member and front man of the multiplatinum hip-hop group Nappy Roots. Big V has been credited as the architect of several of the group’s biggest hits including “Po Folks” and “AwNaw”. Hip Hop magazine XXL named Vito to their top ten rap voices list.
Vito left the group in 2012 to concentrate on being a father, but has recently decided that the time was right to return to music. With singles like “When We Were Young ”, a tribute to both his time in Nappy Roots and the trials of being a young parent, along with “Street Boy” which chronicles the problems in relationships marked by drug abuse and infidelity.
The song “It’s Ok”, which the Grammy-nominated rapper chronicles his personal challenges and setbacks, comforts and encourages listeners along the way. Big V was re-introduced to the music world as a talented solo artist.
His current singles “All On Me” and “All Nite” features R&B artist Urban Mystic and provides a grown man’s view of how you should treat the woman in your life and is sure to be a favorite among his female fans. Big V also just released his 5 Mic mixtape on his website.
In addition to the music, Vito has also added “actor” to his lists of accomplishments landing roles in the movies “Don’t Shoot The Messenger”, “Business of Christmas 2”, “Blue and Black Tears” and a lead role in the film “45 Seconds.”
Going Solo:
GO BANG! Magazine: Nappy Roots has a strong legacy. What inspired you to embark on a solo career, and how do you differentiate your sound from the group’s music?
Big V: I decided to go solo after some things just didn’t equal up. I had passed up previous opportunities to do some solo music because of my loyalty to the group. Also, during that time, my girl dumped our kids on my mama’s doorstep and never looked back. So I took 12 years off to raise four kids as a single dad. As far as the sound is concerned, I took my part with me. I was a major architect of the Nappy Roots sound, so it was only right to take it with me.
Finding Your Voice:
GO BANG! Magazine: How has your creative expression evolved since going solo and are there themes or topics you’re now exploring that wouldn’t have fit with Roots?
Big V: I no longer have to accommodate five other ideas and voices, so I get to tell the story the way I hear it. I was a back-alley cat, so I get to bring those stories to life that probably would not have fit the Nappy image. Also, I get to talk to the women more as a solo artist.
Building a New Audience:
GO BANG! Magazine: Nappy Roots has a dedicated fan base. How are you approaching building your solo audience and what kind of connection are you hoping to create with new listeners?
Big V: I am just tapping into the audience that I helped create. We were illegally downloaded 11 million times during Napster heyday, so there are 11 million people that I am re-introducing myself to.
In addition, I am connecting to the audience that wants to hear reality rap and understand the plight of working-class people.
Production Powerhouse:
GO BANG! Magazine: You’ve always been a skilled producer. How is your production style unique as a solo artist compared to your work with Nappy Roots?
Big V: Again, I get to have all of the input instead of having other people saying let’s try this way or that. So, I use my whole arsenal of influences from Country, Blues, RnB, to jazz, rock and Hip Hop.
Unexpected Collaborations:
GO BANG! Magazine: Nappy Roots has collaborated with a diverse range of artists. Are there any dream collaborations you’d pursue as a solo artist?
Big V: Rapwise, it would be Scarface as well as Jadakiss. Face and I get compared a lot, so it would be the opportunity….a LeBron playing with Jordan type thing. RnBwise would have to be Stevie (Wonder) or Mr. Bigg aka Ron Isley. On the country and rock sides, it would have to be a Darius Rucker and the Rolling Stones.
Showtime:
GO BANG! Magazine: : Performing solo presents a different experience from group shows. How do you approach crafting your live performances as a solo artist?
Big V: I try to make my live shows just that, “an Experience.” I am putting together a live band and I have my background singers with me onstage as well.
Lessons Learned:
GO BANG! Magazine: What are some of the biggest takeaways you’ve gained from your solo journey so far? Have there been any unexpected challenges or rewards?
Big V: You have to have identity and remain true to who you are. You learn that everyone that you look out for doesn’t necessarily do the same for you. All money ain’t good money and you can’t be afraid to walk away and restart.
Staying True:
GO BANG! Magazine: Nappy Roots is known for its authenticity. How do you maintain that same genuine voice in your solo work?
Big V: The authenticity that the group is known for stems from me, so I just keep doing for myself what I used to do for the group. I’m Mr. Awnaw and Po Folks. The same way Lionel Richie and Michael Jackson took their signature sounds with them when they left their groups, I’m doing the same thing.
The Future is Bright:
GO BANG! Magazine: What are you most excited about for the future of your solo career? Are there any specific musical goals you’re working towards?
Big V: I’m excited that I get to say what I want, when I want and how I want. I also get to bring up other young artist and producers in the industry and helped them avoid the situations I had to go through.
Balancing Acts:
GO BANG! Magazine: Juggling a solo career and acting can be challenging. How do you manage your time and dedication between the two projects?
Big V: Actually, acting was my first love before the music, but music is what took off for me first. It really isn’t a struggle to juggle them, they are both artistic outlets for me.
GO BANG! Magazine: As an actor, you’ve landed roles in several movies. Do you plan to continue acting and do you have any upcoming projects you can tell us about?
Big V: Most definitely. I love the film and acting world. I am working on scripts now that I plan to direct and distribute the films. One is called “The Dispensary.” I own a dispensary, so I get to tell the stories that only occur in that world.
GO BANG! Magazine: Is there anything that you would like to do professionally, that you haven’t done thus far?
Big V: Man, I’ve had a blessed career, so I really can’t complain. I met Prince, Michael Jackson, Lil Richard and Rick James. I’ve worked with some of the biggest names in the industry, including Kanye West, as well as Jimmy Jam and Terry Lewis. The only thing else I want is the money that I should have got for all of the work I’ve put in.
GO BANG! Magazine: In conclusion, what would you like your legacy to be?
Big V: My Aunt Dot used to say “let that king have the Castle and the Gold, for the one you serve was born in a manger.” So, I want my legacy to reflect that saying. To stand for the people, and not step on the people. As a people, we shouldn’t have to put each other down to feel like we are standing tall.
GO BANG! Magazine: Well Vito, you have officially been banged!! GO BANG!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
John Coleman III aka DJ LIL’ JOHN, is without question one of Chicago’s most well-respected DJs. From school gymnasiums to roller rinks, from nightclub residencies to nationally syndicated mix shows, millions of people have heard his “hands do the talking.”
John’s passion has always been in radio. He played on various college radio shows right after graduating high school, without ever enrolling in any classes! Soon after, he created his own national mix-show syndication, mailing his pre-recorded cassette mixes to radio stations across the Midwest. By the mid 90’s, he used the same tactics in Chicago, getting his mixes played on WHPK, WCRX, WJPC, WLUW, B-96, and WGCI. By 2001, the latter station became his radio “home” for eight years!!
In 2012, DJ Lil’ John found a new radio home, as an On-Air Personality for Crawford Broadcasting’s WSRB. You can hear him weekdays from 3-7pm (central standard time) on his highly-rated afternoon show “PrimeTime Radio.” You can also hear his mini-mixes Monday-Saturday in the 12pm & 5pm hours, and on “Club 1063”, Friday nights 9-11pm.
Outside of radio, DJ Lil’ John specializes in playing at corporate events, nightclubs, weddings, and concert hosting. Recent clients include BET®, Scion®, Apple®, Nike®, and numerous Chicagoland municipalities. Nationally, he is a member of The Core DJs (@coredjsworldwide), the world’s largest and most influential DJ union. He is available for travel both nationally and internationally.
GO BANG! Magazine: Chicago’s music scene has a rich history. How did your upbringing and the city’s soundscape influence your unique DJ style?
DJ Lil John: My upbringing was in the family home, and my dad, my mom, and her sister (my aunt) were all avid music lovers. My mom and aunt each had their own collection of 45 rpm records, writing their initials on the labels to identify ownership, and to identify their favorite side and the favorite song.
I think I was about 9 or 10 years old when they let me play their records for a family function, that’s when I first learned to play for a variety of ages, and how to read a crowd! Fast forward to my adult DJ years, and I’ve learned to “read” dance floors on the northside, southside, and westside of Chicagoland, the suburbs, and the world…
GO BANG! Magazine: You’ve spun for some of the biggest names in music. What’s the most unexpected or surprising guest request you’ve ever gotten?
DJ Lil John: Oh wow! I have PLENTY of those stories, LMAO!! But one that comes to mind was when “Chili” of the girl group TLC asked me to play some Chicago “footwork” music. I was a DJ at WGCI-FM at the time, and she was there doing an on-air interview with one of the hosts. She turned to me and made that request, and I straight up asked her, “you’re from Atlanta, what could YOU know about Chicago footwork music?” To my surprise, I played a couple of snippets, and she got up and started FOOTWORKING!!! We were ALL floored!! She eventually relinquished her secret: “Missy (Elliott)’s dancers are from Chicago, they showed us how to do it!”
GO BANG! Magazine: Beyond dropping beats, you’re a champion for Chicago’s youth. Tell us about an initiative you’re particularly passionate about and why it matters.
DJ Lil John: I am all about the youth of Chicago in so many ways. Musically, I like to learn from them what role music plays in their lives, how it influences them daily, and the “why-behind-the-what” on their choice of artists.
But, when it comes to our beloved House music, it is unfamiliar territory to them. This is why several of my peers, including myself, have taken the initiative to introduce this genre of music to our youth, just as we were influenced by the music that our parents played in our homes growing up. The hope is that they like the music that they hear, embrace the genre, influence their peers, and carry the torch of the House music sound and culture for generations to come.
A couple of my peers have taken this initiative even further, with DJ classes for youth and adults alike. Many of my fellow DJs who are fortunate enough to play at school dances, take a chance on introducing House music (especially “footwork” music) to the kids! Being a radio announcer and DJ mixer, I am in a unique and influential position when it comes to the younger listening audience. As my peers tune in to my show, those that have children are tuned in as well. All it takes is the parental confession that “I know the guy on the radio”, and that becomes the first line of connection with the young listener. When the kids hear the music in my mixes, which are usually familiar songs that their parents played in their homes, that gets their attention. If the parent manages to communicate with me, while I’m on the radio that they are tuned in, and I “shout out” the family members by name, I’ve now instantly gained new young listeners ☺️
GO BANG! Magazine: The dance floor is a melting pot of energy. How do you read the crowd and curate a set that keeps them moving all night long?
DJ Lil John: I like to arrive an hour early to a venue I’ve never played at before, to observe what the DJ before me is playing, and how it resonates with the audience. I am looking for the patrons that AREN’T dancing or engaging with what’s being played, yet they may be bobbing their heads in their seats – we call that “chair dancing” LOL! So, when I begin to play, I am in search of what might get those “chair dancers” to the dance floor, usually by reaching for something popular. This tactic almost always does the trick, and once I’ve got ’em out of their seats, I curate a musical mix that makes it hard for them to sit back down! And because my musical library is so vast, I have selections that appease the variety of ethnicities that patronize the venues I play in, Chicagoland and worldwide.
GO BANG! Magazine: “Vinyl vs. Digital”: Is there a place for both in today’s DJ world? What are the pros and cons of each for you?
DJ Lil John: Well, it appears vinyl records are making a comeback in a big way, at least here in the USA. Honestly, it never REALLY went away in Chicagoland. There are still vinyl record shops (Gramaphone Records, K-Starke, etc.) that never closed their doors, and there are countless diehard DJs here in the city that never stopped patronizing these businesses. I still own every record I’ve ever purchased (I haven’t sold anything), and I still have my pair of Technics SL-1200 turntables. However, I am using my Pioneer XDJ-XZ to play my digital music files, and the turntables are connected to it, to play my vinyl records. There are various clubs in Chicago and overseas that have a similar setup… But I have NO intentions of carrying actual record crates on a plane and/or through foreign Customs, those days are OVER!! Flash drives fly with ME!!
GO BANG! Magazine: Chicago House music has a global influence. Have you experienced any interesting cultural exchanges through your music, perhaps with international audiences?
DJ Lil John: More often than not, when I travel to DJ internationally, just the mention of being a Chicago DJ is one hell of a conversation piece, LOL!! These conversations can often go on for hours, as people attempt to imagine life in the home of Michael Jordan or the home of House music.
The most intriguing part of these interactions is that there are NO color barriers, NO signs of racism, NO discernment about gender preference or ethnic culture. The only “disconnect” if any, is their interpretation of House music versus what I came to play. But fortunately, with my diverse collection of House music, I am usually able to move their dance floors effectively and unite the House music culture accordingly!
GO BANG! Magazine: What’s your take on the evolution of DJ technology? How have these advancements impacted the way you perform?
DJ Lil John: Funny you should ask! I was such a diehard vinyl record fan that I never fully transitioned to CDs, I stayed with my turntables. It got so bad to the point that I would be playing at a local club on an R&B/Hip-Hop night, and a patron would ask me to play “track 12” from a certain artist’s album – they didn’t even know the name of the song! If I had said album, I would start counting from one on the A-side, until I got to the twelfth track on the B-side!!
Fortunately, before long, some guys invented the Serato Studio DJ software, allowing me to keep my turntables, while controlling those music tracks, I imported from the CDs or digital files I received from the record labels. As far as I am concerned, Serato DJ had successfully reinvented the wheel, LOL!
Today there are other brands that do the same thing, but then Serato reinvented the wheel AGAIN! They added a feature called “Stems” which lets you audibly break down virtually ANY song into acapella, instrumental, or drums only, all on the fly!! But, I believe that the Pioneer DJ company has created the global game-changer, when they produced DJ equipment that will let you play your digital music files straight from a flash drive or portable hard drive! As long as the venue has this type of DJ equipment, there’s no need to carry your laptop with the music on it or any other equipment, except your headphones and flash drives/hard drives! Talk about breezing through Customs, LOL!
GO BANG! Magazine: Collaboration is key in music. Who are some Chicago artists (past or present) you’d love to work with on a project?
DJ Lil John: Currently, I’d love to collaborate with my DJ brother Mike Dunn. We started the House music mix-show “Club 1063” back in April 2012, and it’s still going stronger than ever every Friday night! We’ve talked about collaborating in the studio in the near future, and it will happen once we synchronize our watches/schedules! Others include vocalists Sheree Hicks, Joyce Hurley, Carla Prather, and a couple others that are relatively unknown at this point…
GO BANG! Magazine: Looking ahead, what are your hopes for the future of Chicago’s vibrant music scene?
DJ Lil John: My BIGGEST hope is that my peers can refrain from the vast negativity in their social media posts – the WORLD is watching as our DJs, producers, and passionate patrons debate negatively amongst themselves about various topics within the Chicago House music community. If we/they can resolve this issue, then just maybe we can find solutions and resolutions on the very subjects that are debated about. Also, I am truly hoping that the younger DJs and patrons that are slowly but surely carrying the culture forward, I hope that they are not affected by the same plight of social media bickering that my generation is currently portraying.
GO BANG! Magazine: Any “up-and-coming” Chicago DJs you think deserve a shout-out and why?
DJ Lil John: ABSOLUTELY! Our rising star youth DJs: Babydoll & Syd, Nikki, Akila, Double-8, Marcellus, M-Dok and my main man J-Star! They’re each under 25 years of age (I think), and actively keeping House music alive amongst their peers and ours!!
GO BANG! Magazine: Well, THANK YOU John! You have officially been BANGED! GO BANG BRO!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG!
On November 24, 2019, I accepted an offer for my dream job with a radio station, as a freelance writer and social media manager. This was my first time fully pursuing my dream of being self-employed, so I took a leap of faith and accepted the position, as a side hustle to my main job. I could work from home as well. Everything was going well on the dream job. I felt that the job was secure and it was paying twice the pay as my main job. I continued doing both jobs and on December 20, 2019 I went on vacation from my main job.
On January 6, 2020, when I returned from vacation to my main job, I submitted my letter of resignation, effective immediately. I was fully self-employed. Unfortunately, the next day, my dream job let me go, due to a massive and nationwide iHeart Media lay-off. Last hired, first fired. I didn’t know what I was going to do. Yesterday, I had two jobs and today I have NO job! Fortunately, I was eligible for Unemployment Compensation.
Since I’m home and got free time, I decided that now that I am unemployed and have plenty of free time, this would be the best time to go on a vacation. What better place to go, to lift my spirits, than New Orleans, Mardi Gras, on Fat Tuesday! So that’s what I did…me and my homie. From February 23, 2020 thru Wednesday February 26, 2020 I had a ball. This time included Fat Tuesday, February 25th. I had a great time.
When I returned home, I learned of the Coronavirus and that it was spreading very fast in New Orleans. Luckily, I’d left just in time and didn’t really interact with many people, because I wasn’t feeling the city, as I stated already. All of my loved ones and friends reached out to me to make sure that I wasn’t sick. I wasn’t. Thank God!
On March 11, 2020 the Novel Coronavirus Disease, COVID-19, was declared a pandemic by the World Health Organization. On March 13, 2020 a national emergency was declared in the United States concerning the COVID-19 Outbreak. The world has been shut down and everyone is locked down in their homes. WTF!!!
Now back at home during this time off, and with me already being a published writer, I wanted to kick it up a notch and start my own online magazine. I have always wanted to do that, but never had the time to invest in starting it. NOW I HAD THE TIME! The world is on lockdown! I pivoted from being an author to being a publisher.
The purpose of my magazine would be to enlighten my readers with stories, people and events that are making POSITIVE CONTRIBUTIONS TO THE WORLD, highlighting known and unknown individuals and events.
So, on April 1, 2020 I launched the first issue of my magazine, GO BANG! Magazine, (www.GoBangMagazine.com) with NO START UP MONEY and NO publishing EXPERIENCE. Having worked with historic and iconic media outlets such as The Chicago Defender Newspaper, N’Digo Magapaper and the Soul Train brand, I was fully groomed to start my own. All I had was a vision, passion and a dream! I would now be the CEO, Publisher, Senior Editor and Journalist, as well as the Promoter and Publicist.
April was just one month after COVID-19 was categorized as a pandemic. As I said, the world shut down, so the timing of my magazine couldn’t have been better. Everybody was at home and had nothing to do. Why not read GO BANG! Magazine?
It’s hard to believe it’s been four years since GO BANG! Magazine first burst onto the scene. Back in 2020, we set out with a mission: to create a platform that was bold, unapologetic, and truly captured the essence of the House community, the arts, entertainment and media movers and shakers.
Looking back, we’re incredibly proud of what we’ve achieved. From our hard-hitting features to our spotlight on rising stars, GO BANG! has consistently strived to challenge the status quo and celebrate the voices that deserve to be heard.
A Look Back at Four Years of Bangin’ Content
Over the past four years, we’ve published countless articles, interviews, and features that have sparked conversation and ignited passion. We’ve covered some of the most impactful stories and topics, and in doing so, we’ve fostered a community of readers who are just as passionate as we are.
A Huge Thank You to Our Readers and Contributors
None of this would be possible without the incredible support of our readers and contributors. To our readers, thank you for visiting our site and for engaging with our content. Your feedback and enthusiasm fuel our fire.
To our talented contributors, thank you for sharing your voices, your insights, and your creativity with our platform. You are the heart and soul of GO BANG!
The Future is Bright for GO BANG!
As we celebrate our fourth anniversary, we’re also looking forward to an even brighter future. We’ve got some exciting things in store for the year ahead, so stay tuned!
Here’s to four years of making noise, and to many more to come!
How will you celebrate with us?
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Share your favorite GO BANG! memory in the comments below, or tell us what kind of content you’d love to see in the future. Let’s keep the conversation going!
I had a DREAM… COVID-19 Pandemic gave me TIME… YOU gave me SUPPORT! GOD gave me the GIFT to……
GO BANG!…
I DID!
Thank you ALL for your past, present and future support!!!!
Pierre Andre’ Evans Owner, Publisher, Sr. Editor, Journalist
Established on the southside of Chicago in 2013, Tamarie T. & Thee Elektra Kumpany stand as torchbearers of a transformative musical odyssey, inviting audiences into the realm of Exotik Funk—an original, authentic sound curated by Tamarie T. himself.
Within this sonic universe, a rich tapestry unfolds, intricately weaving together the essence of musical icons such as James Brown, Prince, Rick James, Sly & The Family Stone Parliament Funkadelic, David Bowie, The Rolling Stones, Michael Jackson, Kid Creole & The Coconuts, The Time, Bob Marley, Fela Kuti, and numerous other luminaries. Yet, at the heart of this musical mosaic lies Tamarie T.’s image and boundless creativity, serving as the driving force behind innovation and the guiding light for the band’s unique sonic identity.
With Tamarie T.’s vision at the helm, Thee Elektra Kumpany curates a musical experience that transcends mere genres. Their compositions pulsate with the energy of Funk, the groove of Soul, and the avant-garde spirit of experimental music, resulting in an innovative sound that is distinctly their own.
In every note, rhythm, dance, and lyric, Tamarie T. & Thee Elektra Kumpany manifest a visionary fusion, drawing audiences into a world where tradition meets innovation, nostalgia intertwines with the contemporary, and music becomes a transformative force to uplift.
GO BANG! MAGAZINE: When was the group formed and what brought you together, musically?
Tamarie T: Formed in 2013, The Elektra Kumpany consisted of a few of my well-respected, longtime mentors. As time went on, we began to grow into a musical production with a roster of rotating professional musicians young and old, from different backgrounds. Musically, we were all brought together by the high energy of the music I call Exotik Funk, as well as our mutual love for the performing arts.
GO BANG! MAGAZINE: Your sound blends multiple genres effortlessly. What are some of your biggest musical influences, both individually and as a band?
Tamarie T: Some of our biggest influences consist of James Brown, Little Richard, Johnny Guitar Watson, Jimi Hendrix, Sly and The Family Stone, Sun -Ra, Parliament Funkadelic, Rick James, Prince, Michael Jackson, Slave, Zapp & Roger Troutman, Bob Marley, and Fela Kuti, just to name a few.
GO BANG! MAGAZINE: How does your Chicago upbringing influence your music and creative process?
Tamarie T: Growing up on the south side of Chicago gave me tough skin. This led me to putting myself out there, without the worry of being closed in or caring about what people had to say. I express myself freely through music and just overall being me. The most powerful way to get my creative process flowing is by releasing it through dance at various Chicago House music events. Being in that environment always gives me inspiration to come up with more exciting body bumpin, soul stirrin, shows and music.
Photo courtesy of Rick Majewski
Collaborating brings a lot of different minds to the table. Cultivating multiple ideas, different musical perspectives, and solutions. It’s a refreshing healing experience for me when collabing with others, creating many new outlooks on life in music.
GO BANG! MAGAZINE: Walk us through your typical songwriting process. Do lyrics or music come first, and how do you collaborate on that?
Tamarie T: I usually write and produce the music. My writing process varies, often tapping into my soul, letting the music convey its messages to and through me. The music writes itself.
GO BANG! MAGAZINE: Your live shows are known for their energy and audience interaction. How do you prepare for, and approach live performances?
Tamarie T: I approach each live show with the most honor and respect, knowing it’s a high-level energy harvesting session. Bringing the audience that power that they didn’t know they needed. I practice daily discipline, meditating, studying some of my musical influences, staying healthy, elevating my spirit, and staying tight with rehearsal. But, most importantly, tending to self-growth. They are all major components in keeping performances memorable.
GO BANG! MAGAZINE: What are some of the most memorable or challenging experiences you’ve had while performing?
Tamarie T: There are so many memories that all I can say is any performance, smooth or challenging, has taught me to remain positive and stay grounded no matter what. Even when faced with hiccups during a performance, remaining calm and sorting out obstacles is something I’ve learned to roll with, without it interfering with my “innergy” or hindering a show.
GO BANG! MAGAZINE: What are your musical goals for the future, both individually and as a band?
Tamarie T: My individual plan is to inspire others through innovation and embody what it means to be authentic. Also, to give people the freedom to be in their genuine inner G.
The goal of the band is to Empower, Heal, Elevate, bring togetherness, and Love to all through the powah of Music and our Live Experiences
GO BANG! MAGAZINE: What message or feeling do you hope to leave with your listeners?
Tamarie T: Through authenticity and love, I want to leave people feeling healed, recharged, and activated.
GO BANG! MAGAZINE: The Chicago music scene is diverse and vibrant. What are some other local artists you admire or have collaborated with?
Tamarie T: A few local artists I admire in the Chicago scene are Hip Hop artist Jovan Landry, Scoop and Cachè of The Lizm Muzik Group, Ohni and Rizing Deity, Gooze Wayne & The K.R.A, dancer Mocha Mocha 2.0 & Body Confidence for Queens, DJ Duane Powell, and DJ Khali Melon.
GO BANG! MAGAZINE: You’re both known for your powerful stage presence and fashion sense. How does your visual identity contribute to your music?
Tamarie T: I am a living embodiment of my music, which I call ExotiK Funk.
GO BANG! MAGAZINE: As Black man in the music industry, have you faced any unique challenges or experiences? If so, how have you navigated them?
Tamarie T: As an indigenous, melanated brotha facing certain appropriations in the music scene, [one challenge is] having culture vultures attempt to recreate and rebrand originality. I stand firm on being a pioneer in honoring the “Greats” before us and carrying the torch to light the path for what’s to come. To remind my people, WE are the creators of more than just Rap music.
I am Tamarie T., and this is ExotiK Funk!
Photo courtesy of Katia Jackson
GO BANG! MAGAZINE: Well, thank you for this interview Tamarie T. and you have now been officially BANGED! GO BANG!!!
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans
