Category: Business
Born Marcus Shannon and raised in Chicago, IL, Marcus has been making House music since the mid 80’s, when House music was the “heartbeat” of Chicago’s nightlife.
Over his career, he has recorded different types of House music ranging from Acid to Deep, and from to Techno to Weird. He often experiments with sound and effects that don’t fit into the normal mode.
He’s currently the A&R and Production Manager for TRAX RECORDS.
GO BANG! Magazine: Can you describe your childhood and how it helped develop and form who you are today?
Marcus Mixx: I had one of the best childhood’s that a young person could ever have. Not only was I blessed to have both of my hard working, intelligent, smart, caring, creative, generous and more GOD loving and fearing parents around for all of my youth and many years after that, but I was also provided with the best education, fun times, life lessons and the basic principle of “The Golden Rule.”
When I was eight years old, my family moved from one great part of Chicago to one of the best neighborhoods in town. My folks got a huge house on Longwood Drive that sat upon three hills (two grass and one driveway), with a large back and side yard. The area was still mostly white at that time with a few loud bigots next door, but eventually the racism helped me learn how to ignore those redundant talking points by focusing more on music and humor.
As a young child I started listening to the radio and I found myself liking almost every style of music that was on the FM band. I’d turn the dial very slowly and stop when I heard something that caught my ears. It could be Rock N Roll, R & B, Top 40 and even Country music. I love all types of music. My parents also loved music, but it was mainly Soul/R & B and they had a huge collections of albums and 45’s that I really got into as well. I was also blessed when my parents not only bought a piano and organ, but I also took piano lessons. I really didn’t like the reading and studying music notes part of it, so I started playing by ear and began to have more fun trying to play songs that I liked. I believe that was the beginning of how I really got hooked on wanting to do something in the music business, even if it was just for kicks and not becoming rich and famous like the artists that I adored.
GO BANG! Magazine: You were a House DJ up until 1995. You were also a promoter. You reached great notoriety and many of your tracks were played during the times. You even collaborated with Ron Hardy on music. Please describe those years to our readers, how you became involved with House music, and why you stopped DJing.
Marcus Mixx: “The Hot Mix Five” on WBMX FM 102.7 is one of the main reasons that I got into House music. I didn’t know anything about House or mixing records together until a friend called me and said: “Turn the radio to WBMX and listen to what they’re doing!” I did so and it was so crazy, because the song never ended. I finally figured out that the records were being blended together. Not only did I get a grip on that aspect, but the music was thick, fast and fun! I immediately started recording almost every Hot Mix Five DJ every week for a long time. I’d play the mixes over and over, as well as, duplicate copies and give them to friends of all colors, especially hot babes.
I had heard about certain House music clubs that played this great music all night long and I was fortunate to get into some of the twenty one and older spots where I saw two turntables and a mixer for the first time. I was trapped by the control of the DJ’s who had the audio power to beat and bop the crowds. That week, I purchased a turntable with a pitch control. The week after, I bought another one that wasn’t the same style or design. Then I bought a small off brand mixer and starting invading stores like Importes Etc., Gramaphone, JR’s and others around Chicago to try and find what was being jacked on WBMX and in the clubs.
I made zillions of mixtapes of my blends on Tonemaster cassettes and I finally had enough courage to give some copies to the top club owners/managers, promoters and DJs, to see if I was good enough to spin at some parties. I even got to events an hour early and was star struck when I was able to speak for a moment with a REAL House music DJ. I offered to carry record crates in from their cars, get them drinks (on me) and of course explain that I’d spin for free just to get the chance to play before a big crowd. I swear to GOD, every House DJ that I met was down to earth and nice, even when they told me no thank you. Some gave me numbers to call for other possible gigs and some even called me (out of the blue) with chances to spin.
Quicker than I thought, I was opening parties at 8PM for mega House legends and there were actually a lot of people already on the dance floor. It was a great feeling, especially when some of the other jocks spoke to me and said “What’s Up”! I was blessed to spin in a couple of the most popular locations and high school events, i,e. Mendel high school.
After a while and not often being paid anything or way short of what I was told that I’d get for a session, I decided to go for it and become a promoter. I didn’t know much about that game then with the exception of passing out tons of (card stock) pluggers and hanging posters. I had listened to a few House legends discuss how they didn’t have to pay to get a club night by simply having parties on a dead evening and getting butts in there to buy drinks and snacks, for example, Mondays, Tuesdays and Wednesdays were very slow nights in House music, because, people had to work or go to school the next day. The gate/door was all of their money. I took the advice that I heard and approached various venues in all kinds of neighborhoods, even the ones that normally wouldn’t have those types of scenes.
I also had an angle by using Ch.19 in Chicago on my friends (Liam Giagoes) Gitano Cameros’ television show “BOOOM TV”! We’d go live on the air early on Wednesdays and invite people to come out, hang and party with us in a few hours. The clubs and bars loved this. I made great money, but I also drank and gave away great money. After a few years of promoting, not only House music, but Rock based events too.
I focused more on making music and starting a record label called “Missing Records.” Liam, myself and others would hang out all night at his recording studio (Head Studio) and toy around with anything and object that the beer made us do. Unbelievable sounds and noises became part of a lot of our songs. Sometimes the music was put in a computer and looped and other times it was played freestyle. We did a lot of great and fun material, but once again, I started drifting into other things when we were really selling a lot of vinyl.
As far as working with Ron Hardy, that wasn’t really the deal. I often invited the DJ’s and their crews to come chill at the studio after a party that they had spun for, when I was promoting. On a few occasions Ronnie came thru with some people. I didn’t know major stuff about the music business/House music business, but I knew if I had a star like him on my label that it would pump it up big time. So with music pumpin’ in Head Studio, I asked Ronnie to put some headphones on and briefly listen to some of the material that I mixed and was about to put out. I wanted to know which versions of each song he thought he’d play at his parties. I gave him some money right there on the spot just to hear his thoughts. He was very cool about it. After a few tracks, he told me the versions that he liked and I went for it and said “Can I pay you to put your name as the mixer of those tracks?” He said “How much?” I said “$500 each track” He said “O.K., cool” I paid him in cash right there on the spot and we shook hands (in the old skool five minute way). Ronnie never recorded or mixed any of my music. That’s the way that it went down and only the “uninvolved, never there, gossip loving people” seem to have a problem with that moment in time. Tons of “handshake” deals were done back then on all levels of House music.
GO BANG! Magazine: It has been reported that you are or were homeless. If this is true, how did this happen and what are you doing now?
Marcus Mixx: I used to drink beer all day, every day since I was eighteen and it eventually caught up with me out of the blue. I started having multiple seizures that lasted longer and hurt way more than the constant blackouts and hangovers that I got so used to having. After having several major seizures at one of my family’s houses, due to tons of drinking beer, I was taken to Stroger (County) Hospital in Chicago and the doctors put me in the body scanner and did a bunch of test. When I came to, they told me that I have Epilepsy. At the time, I didn’t know the ins and outs of this disease, even though I’d heard the name all of my life. They showed me charts and graphs and explained that the left side of my brain is always expecting consistent alcohol and when there’s a lack of it, seizures, heart attacks, strokes and more potentially deadly events can occur. They said that I can either keep drinking at the high rates that my brain has been getting for years and maintaining those levels or to get cleaned out and stay sober. The third, unadvised version was to drink a lot and then go “cold turkey” for a few hours. Thank GOD that I chose the rehab program at the John Madden Center in Hines, Il.
After thirty days of getting sober and being able to talk to people that actually listed without cutting me off and stating how horrible I was, I decided not to bother any family, friends, etc. So I went to Pacific Garden Mission where I was able to listen to the word of GOD several times a day, have a safe place to crash, free food and rent, and lots of other wonderful perks that I’d never have by trying to live in and on the streets of Chicago. After two years of living at P.G.M., the rules were changed for the guest and it was no longer a place where people could stay as long as they wanted to. It became a thirty days in then you leave for thirty days and come back and so on. When my thirty days ended, I walked around my great city for GOD only knows how long.
I finally decided to visit/hangout at Stroger Hospital and I asked a state cop for any suggestions that he knew regarding homeless shelters. He called 311 and a van came and took me to Walls Shelter on the westside. This place is located in the auditorium of Walls Church. I really liked it there, mainly because they only let in 72 guys a night. After finding out that if I signed the list before we were cleared out every morning at six thirty a.m., then I was guaranteed a bed. Both P.G.M. and Walls helped to save my life in so many ways, even after a guy tried to kill me in Walls Shelter while I was using the washroom. He got angry over a disagreement between me and two other dudes three days before. The guy who stabbed me not only did damage to some of my internal organs that rendered two surgeries, but I’d lost my guaranteed spot at a great facility.
After a few weeks of staying at other places, I came back to Walls, even though the attempted murderer could still be living there. He was banned for a year, but I’d see him on occasion walking around and I held back from pounding his head into a sewer, because as I learned thru experience, I’d get blamed for the action. So for about a year, I continued to make music and videos on my MacBook during the day at Harold Washington Library until it was time to check back in at Walls.
GO BANG! Magazine: As a music producer, you have called your style of music “weird.” What motivates you to create the type music you do?
Marcus Mixx: Sometimes I just like to do music with limited parts and tracks. Then there’s times when I go for lots of sounds and elements to the point where I don’t remember where everything is. I’m all over the highway and open to anything when it comes to creating House. Often, I get sparked by hearing a great track, i.e., a song with lots of piano and/or strings. I totally admit that I get inspired by various artists of all flavors. Sometimes I like using lots of effects piled into one instrument or vocal and I’m still discovering what certain plugins do. As long as the beat is bouncin’ and movin’, I’ll play around with it and build something.
I’m the first to say that a lot of my music SUUUUUUUUUCKS! But, the world is so big, yet small due to the internet, a lot of people like the crap that I produce. I’ve always told the “experts” in House that most of my songs are not traditional, the way that they should be tracks, but I like to have fun and feel the vibes of the moments too. I might be on a Deep House trip in one moment, then an Acid one and the next thing that I know it’s a very bizarre, weird frame of mind. My advice to all artists/musicians “Try and share yourself in your music, but only do so when YOU want to. Do it the way that YOU like it. Lots of folks are going to dig YOU and your music!”
GO BANG! Magazine: You’ve had a TV show on Chicago’s cable access (CAN TV) for years. Please tell our readers about your show and explain exactly what it is.
Marcus Mixx: I’ve been at C.A.N. TV/Ch.19(Chicago Access Network) since the early ’90’s. It all started when my boy Liam Gallegos aka Gitano Camaro told be how we could go live on television and just trip out and have fun and do whatever we wanted. He came up with a show idea called “BOOOM TV” in which we had people dancing in front of a green screen to a House mix where he added weird and bizarre video clips, i.e., sharks chasing ice cream cones or babes in bikinis pillow fighting while worms were crawling everywhere. I also took a lot of live phone calls during the action behind me and they were very diverse in content. They ranged from people whom were very offended by what they were viewing, to other drunks out there yelling how cool and different the show was. It was weird and mega fun! A lot of our psycho ideas came easily due to all of the booze and weed that we partied with. It was also a great promotional platform to invite people to our parties that were sometimes happening just a few hours from when we went off of the air.
I eventually got into video editing and I’ve been producing two different shows on Ch.19 for roughly 25 years. Even though the names of the programs have been changed around a few times, the basic premise of each one are the same. “Marcus Mixx ON TV” is a music video/variety show in which I play material mainly sent in from small labels and individuals who come from around the world. I feature all forms and styles of music. “First here, first played”. The second show “Marcus Mixxs’ House TV” is a half an hour House Music video mix in which I put video images over mixes supplied by various DJ’s from around the world. Each program is on 4 times a month (8 in total) after 11PM on various nights. They can also be watched on YouTube. I accept all music videos to this email address: mailto:marcusmixxchicago@gmail.com
GO BANG! Magazine: When and how did you first become involved with TRAX Records and how has your role changed over the years?
Marcus Mixx: The first time I was hired by Trax Records was in the ’90’s when the original owner Larry Sherman was still there. One of the coolest, nicest and most talented House music legends (I can’t name him or he may be scorn by being nice to me) was the A&R/Label manager and was leaving the position and he asked me did I want the job. I thought that he was joking, but I eagerly took the job. To me it was like being in the NBA and playing for my home team “Da Bulls.” I was awestruck by being employed by the classic House music company. I loved making phone calls and sending faxes to stores and distributors around the globe and taking huge orders for all of the vinyl that they wanted. I also enjoyed recycling records that never sold that we purchased from a vinyl guy in town and pressing them into hit songs.
After a few years of living in two homeless shelters, I was blessed and rehired by the current C.E.O. of Trax Records Screamin’ Rachael Cain. Before making a full commitment to work for the new Trax Records, I asked Rachael to let me know what was going on with Trax on every level. I thought about making this move back to Trax a lot, because I needed something stable on the level.
Everything has been amazing, especially when dealing with all of the new music and talent, television, video and movie projects. I’m so blessed and glad that GOD has given this wonderful opportunity to me.
GO BANG! Magazine: TRAX Records has quite a controversial reputation. The main complaint is from former original artists from the labels start, under the leadership of Larry Sherman. Many of the artists say that they never received their due royalty payments, or ANY payments, even to this day. What do you have to say about that?
Marcus Mixx: Back then, a lot of guys would go down to TRAX with a couple of songs, drop them on Larry’s desk and ask for a certain amount of money. After a few minutes of negotiating, the contracts were signed, the money was given and the music was about to be mastered and turned into classic House music.
The one good thing that has been and still is going for the majority of the talent that signed is that Trax Records was very successful is helping to blow up many of their names and brands. If used properly, money can be made. GROW UP! LEARN FROM YOUR MISTAKES! Last point! But this may take some effort like reading and listening for a brief period so that you can learn about what’s going on currently with Trax Records with the new C.E.O. Screamin’ Rachael Cain. She’s the complete opposite of Larry Sherman. Everybody will learn very soon how she’s been fighting for ALL of the TRAX artists.
Constant slander and uninformed social media slams about her is the equivalent of Klan ERDs calling you the “N” word for no good reason. All of the built in rage and anger that has absolutely nothing to do with Rachael Cain. Shut the -UCK up for a few minutes and learn what’s she’s been doing to try and help all of you. What do you have to lose by contacting her and learning? A few, so called friends on social media! In closing “YES THE ORIGINAL Trax Records CONTRACTS WERE NOT GOOD FOR THE ARTISTS!”
GO BANG! Magazine: How does it feel to be affiliated with such a legendary, but controversial record label?
Marcus Mixx: The label isn’t controversial. As controversial as Larry Sherman was, it’s even more controversial that lots of the same artists would continue to sign away their music, over and over and over again! Were they forced to do so? -UUUUUUCK NO!!!!!!!! The artists made rational and coherent decisions on what actions they were taking each time that they went to the Trax Records warehouse to get their money and sign the contracts.
A lot of these guys don’t have the guts to admit that they (knowingly) screwed themselves. Back then, everybody and their mama new how Trax Records treated its artists. The talent definitely knew that every time they showed up with a finished song that they’d get some quick money and a very popular record pressed out on vinyl in a matter of hours with their name on it. Those records pumped up their names and brands and (for the smart ones) led to lots of fame, fortune and fun.
It’s like a guy that loves to bang all women that he meets on the first and only date without using condoms. The sex was MEGA AWESOME, but now he has two more “baby mommas” and a very painful S.T.D. Of course in his mind, it’s impossible for him to be at fault on any level. It’s the babies fault, as well as the condom companies fault for him not ever wearing one. SHUT THE FUUUUUUUCK UP AND LISTEN TO WHAT HAPPENED AND WHAT IS HAPPENING NOW! Swallow your pride for a moment! You might not only like what you hear, but you’ll at least get the other side of the two sided story.
GO BANG! Magazine: Unfortunately, as a result of your affiliation with TRAX records, many people do not have a positive opinion of you. Is there anything that you would like to say to those individuals, so that they can better understand you and your point of view?
Marcus Mixx: There’s absolutely nothing I can say or do to make some people have a positive opinion of me. I honestly just hope that everyone on GOD’s earth that has been blessed with chances and opportunities that they’ve been seeking, will go for it and do it in a respectful matter. In other words, don’t intentionally harm or screw somebody, even if you hate them. Spend more of your time focused on what you want, even if others around call you crazy or nuts. Go For It!
I hate racist people of all kinds! In order for me not to have very little to do with them, I don’t Google “Klan Rallies”, “Resident Rump material” or attend “White Power” marches holding up signs. It’s called avoiding the situation. It’s O.K. to avoid me in the same way. On the House music tip, I hear nasty rumors and stuff about lots of people whom threaten and slam me. Everybody is two faced and stabs each other in the back eventually! The Golden Rule is for Marcus “Mixx” Shannon.
GO BANG! Magazine: Tell our readers what you are currently doing, what new projects you are working on, and any more information that you want to share with our audience.
Marcus Mixx: As of today, I’m blessed and very fortunate to be the A&R/Label and Office Manager for Trax Records and Rap Trax Records. I sign the majority of new artists and help to promote their music. I also do the video production for our classic and new House music videos, our commercial television show “TRAX TV” which is on 4 times a week here in Chicago on Ch.25 (Mon., Tues. 11:30PM, Thurs. 10:30PM. and 11:30PM.), as well as our latest satellite television venture that debuts worldwide in August “The TRAX TV NETWORK.”
We also have a live Trax Records online party every Friday and Saturdays featuring top DJ’s from around the globe. Go to: http://www.traxparty.com It’s beyond exciting and a realistic dream coming true to be involved with the main pillar of House music during its continued renaissance.
Trax Records is still crapped on in so many ways, including via slander, defamation of character, personal threats, intent to cause physical harm, and so much more on the illegal tip on social media, print, television, etc. But, in truth or a least from another point of view, “Things are being run and handled so much differently than the past!” It’s just a darn shame that a lot of the House music legends won’t even listen to what’s going on now, even on their behalf, because they don’t have the courage to admit that they messed up by not reading a 3 or 4 page legal and binding contract.
The C.E.O. Screamin’ Rachael Cain has been fighting and trying to work out deals with various companies that ACTUALLY own lots of the classic TRAX catalog. She has never had any control over many of the hits that everybody knows and loves. As an artist, many of her tracks are being abused and mishandled in the EXACT same way as so many House legends. Her goal ever since she took over Trax Records has been to change the image completely around from the original days in which she had nothing to do with, expand the TRAX brand into other fields, (like what’s currently happening), and most of all “GETTING MONEY FOR THE ARTIST THAT -UUUUUUUUUUUUUUUUCKED THEMSELVES BY THEIR STUPID AND LAZY ACTS OF NOT READING (OR EVEN CARING AT THE TIME) THE CONTRACTS THAT THEY SIGNED!”
Why has and is she spending so much time, effort and money on lawyers to fix what the people whom botched up their situations? Well, it’s so simple. She knows what it’s like to do so, because “SHE DID THE SAME THING WITH SOME OF HER MUSIC!” Yet and still, folks have made a game and daily habit to repeat the redundant Bull-HIT that they don’t even know is true or not via all media outlets and personal conversations.
Why should people research what they claim? Resident Rump doesn’t do so! If any of the artists would like to LISTEN, not just hear, but LISTEN to her speak about what’s been going on regarding their songs, all they have to do is contact her and here’s the hardest part for most of them: “SHUT THE FUUUUUUUUUUUUUUUUUUUUUCK UP FOR A FEW MINUTES AND LEARN WHAT IS GOING ON!” She’s on all of your sides! Calling her a slave master, a bitch, a racist, etc, has ABSOLUTELY nothing to do with (here we go again) “YOUR DUMB ASS MISTAKES FOR SIGNING AWAY PARTS OF YOUR LIFE FOR A SMALL ONE TIME FEE!” Maybe, if the House legends work together with Rachael on trying to recover some, if not all of the money that may be owed to them and yes, even her, things could change for the better.
In the meantime, as I write this, there’s more -UM sucking’ ASSWIPES writing false crap online. My advice to the ones that aren’t even or haven’t ever been involved with Trax Records in any way, but still love slandering and spreading illegal garbage every second about things they know nothing about, ”ROTATE HANDS AND OCCASIONALLY USE A SOCK AND/OR VASOLINE!” GOD Bless!
GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?
Marcus Mixx: COVID-19 has made me so much more aware of how blessed I am by being in a great place and working for and with a great person, Screamin’ Rachael Cain of Trax Records. Last year, I was only a month out of Walls Shelter. If I wasn’t a part of Trax, I’d be in a place with dozens of other people with hardly any room to move around, sleep, etc. Unfortunately, shelters are magnets for possibly getting COVID-19. I’m able to do 90% of my work from my MacBook here in the apartment and also at the Trax Records office. I really hope and pray that there’s a vaccine or cure soon!
GO BANG! Magazine: On May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world. How do you feel about this unfortunate situation and call for police reform due to the horrible treatment of minorities by the police?
Marcus Mixx: I remember getting pulled over so many times, as soon as I crossed the city limits of Chicago. I would just be going to my grocery store jobs in Blue Island, IL and Merrionette Park, IL. as a kid. I was constantly pulled over and asked “Where the FUCK are you going “N” word?” and “Why Don’t You Go back To Africa?” Even though I had really funny and mind boggling responses to the undouched -UNTS, I always hand my hands at 10 o’clock & 2 o’clock positions and I didn’t move until told to. I always asked may I use my left hand to roll down the window and I kept my driver’s license, insurance and title on the passenger seat when one was sitting there. If so, all of that stuff was in a large ZipLoc bag taped to my dashboard.
My worst experience with cops was one day leaving my job in Merrionette Park, IL and being pulled over by at least six squad cars from all directions. Even the two policemen that guarded the store’s parking lot when I was out bringing all of the carts in were involved. A high ranking officer made me get out of the car and walk toward the cemetery fence and I was surrounded by all of them listening to the same, tired racist talking points. They told me to go work in my own neighborhood and I replied “I am!” So they warned me to get a transfer to a “N” word store or I’d really regret coming back to their village. That next day, I quit Dominicks!
I’ve never had a problem with any Chicago police officers, even in my drinking days. It’s always outside of the city limits. Oh yeah, I’m very smart about not going into areas that are known for hating all colors except for their own. Some call me a punk bitch for that, I call myself safe! I can’t fight more than two people at once. It’s also O.K. to thank cops for their service when you walk by them. All police aren’t -sswipes! Just like all blacks aren’t thugs. Hopefully, Police Reform will come about in a timely way.
You can follow Marcus “Mixx” Shannon on ALL social media platforms
Additional links:
http://www.traxrecords.net
http://www.traxparty.com
https://www.youtube.com/c/traxrecordsofficial
https://marcusmixxshannon1.bandcamp.com/
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram
When it comes to beauty, Toni Shelton has been at the forefront of identifying and leading a trail of it from coast to coast. As a Chicago native, she has made her mark from Hollywood to New York City and everywhere in between. She’s known for being energetic, sexy, and a one-of-a-kind woman. Whether working with celebrities, commentating about them, hosting House parties, or being the one who is interviewed, she turns heads and opens ears wherever she goes!
Toni is a legend in the House music scene, where she’s referred to as “Disco Toni,” and is known for holding “Another Toni Shelton Production” House music parties, which have been a part of Chicago culture that has included such attendees as Will Smith, four-time Grammy-nominated producer Steve “Silk” Hurley, and more. She was featured in “UNSUNG: Frankie Knuckles”, and was the only black female House music promoter during the 1980s. Her parties were DJ’d by such notables as Tony Hatchett, Andre Hatchett, Keith Fobs and Wayne Williams, and attended by such people as Bernie Mac, Common, Michael Jordan, R. Kelly, and numerous NFL and NBA athletes.
As the “Queen of House”, she was the second person ever to receive a Chosen Few “I Love Music Award: ‘Disco Toni’ Shelton” for her contribution to the genre. She is also featured in the “Move Your Body: House Music Legends” display at the City of Chicago Cultural Center.
Today, Toni is still playing a major role in the progression of House music by holding annual parties in Chicago, and was also given an award at an event at the Richard J. Daley Center in Chicago for her dedication and contribution to House music. Her annual “All White” House music parties in Chicago have been a popular event since starting them in 2009. She’s worked with many notable DJs, including Steve “Silk” Hurley, New York DJ Charles Dixon, Farley “Jackmaster Funk”, DaMinista, DJ Kenny Ray, DJ Angel, and Rory McAlister, to name a few.
Toni has also been known as Hollywood’s publicist, having established herself as a popular celebrity commentator. From being a commentator on InsideBlackHollywood.com to working on the “10 Worst Hollywood Divorces” feature for E! Entertainment Television, she has successfully covered it all. She has also worked with a variety of celebrities, provided coaching to others entering the business, and been in the spotlight for events held in her honor. She was also a background singer for Ramsey Lewis’ video “Tonight.”
Whether in front of or behind the camera, Toni has a way of charming those she works with and touches. She has also been recognized several times for her humanitarian efforts, including providing mentoring and helping Hurricane Katrina victims find housing and helping the homeless. Philanthropy is an important part of her life, and she tries to instill that value in others. She has also been a pageant judge for Miss Illinois, and has been featured in numerous publications, commercials, and on billboards.
She has also received awards for her humanitarian and charity work, including the “Women Who Make a Difference” award, as well as being a recipient of the award dedicated in her honor, the “Toni Shelton Humanitarian Award.” She has won additional awards, including the “Trail Blazer Award”, “The Coalition for Enhanced Humanity”, and a “House Music Award.” Toni has also been featured in spots for Miller Genuine Draft and Seagram’s Gins, as well as working with the Make A Difference Youth Foundation. She has also written three books on modeling and the entertainment industry, has been featured on billboards, in commercials, and more. She was also featured in Lift Magazine on an article titled “What Success Looks Like.”
When Toni is not working with celebrities, grooving to House music, or providing on- or off-camera commentary, she hosts events, does public speaking, and combines her strong work ethic with her compassion for others, in order to give back and make a difference. She also worked with actress Lisa Raye to help Hurricane Katrina victims find housing.
As an entrepreneur, Toni has made her mark by owning Tonae’s Hip Hop & Jewelry, and Tonae’s Entertainment Group, both in Chicago. She started out working for the City of Chicago, working on the back of garbage trucks for the department of sanitation. Her childhood got off to a rough start after finding her mother dead at the age of seven, after having been murdered. She went on later to lead a rally after her brother had been beaten in the streets, which brought the community together, and led to the imprisonment of his attackers.
Toni has won numerous awards for the many things she is involved in, and has also been featured in numerous publications, including the likes of the Hyde Park Herald, Chicago Maroon, Sun Times, Chicago Defender, Sister 2 Sister magazine, N’Digo, Ebony Magazine, and more.
As a mother of four, and a five-time serial entrepreneur from the Hyde Park area of Chicago, nothing can slow her down. Toni believes in the beauty found within us all, as well as in our ability to use it for doing good and giving back. At the top of her game, she looks forward to seeing what else is yet to come!
GO BANG! Magazine: Can you please describe your childhood and how the devastating death of your mother, at an early age, affected you and how it helped to shape who you are today?
Toni Shelton: How my mom’s death affected me? My mom’s untimely death shaped me to be the woman I am today indeed. I found my mom dead at the young age of seven years old. I had to grow up fast, take charge, and start thinking about my future at a very young age, while other kids were being a kid.
GO BANG! Magazine: I hear that you owned a business in Hyde Park early in your life. Please tell our readers more about this exciting venture.
Toni Shelton: My business in Hyde Park was called Tonae’s, it was a Hip Hop shop, 1995- 1997. I sold hip hop clothing, skateboard gear, gym shoes, tee’s, (nowadays called Streetwear), jewelry, etc. It was one of the first stores to carry FUBU and other urban brands, before “Streetwear” was a trend. I donated to the community clothes, food, etc. It was a hang-out spot for the neighborhood kids. I hired from the neighborhood. We had all kinds of events, fashion shows, local rappers perform, and local young artist came in to draw/do paintings. We had celebrities stop by like Bernie Mac, KRS, TLC- Chili, Common and others. Tonae’s was featured in Chicago Sun-Times, Chicago Defender, Hyde Park Herald, and the University of Chicago Maroon newspapers.
GO BANG! Magazine: Being blessed with beauty, it was only natural for you to be involved in the modeling industry. How was your time in the industry, and what did you learn from that experience?
Toni Shelton: I was signed with Ford. I left Ford, did a lot of freelance and music videos, one was with Ramsey Lewis, as a background singer. I also did print modeling in Ebony, Essence, Sister to Sister Magazine, Billboards, and more. It’s not an easy industry to get in to, but you must stay diligent and believe in yourself. I wasn’t even the normal height and proportions being only 5’7” and 165 lbs., I was heavier and shorter than most models. I wouldn’t change my experiences in the industry. I learned a lot; how to manage myself and push.
GO BANG! Magazine: During your high school days at Chicago’s Kenwood Academy in Hyde Park, you became well-known and even nicknamed “Disco Toni.” How did you get that name and how did you become involved in the House scene, particularly in the promotions area?
Toni Shelton: I lost my mom at a very young age. I used House music to take me away from the pain and loneliness as a child/teen. One of my friends at Kenwood gave me the name “Disco Toni” in my second year of high school. I didn’t know it would stick. I hated it at first, but I learned to embrace it.
I started giving House music parties in 1980. Andre Hatchett, Tony Hatchett, Keith Fobs and Wayne Williams were my main DJ’s. That was before Chosen Few DJs popularity. My ‘logo’ has always been my photo, carried over until today. I modeled for many years, so a photo was easy. I’ve always promoted my own events and I’m always solo. I used radio ads in the early days. There was no social media, so I footed it…me and my crew.
GO BANG! Magazine: Years later, you would become what some would say a legend in the House community. How do you feel about possessing that title?
Toni Shelton: I did not give myself that title, but, I embrace it and the name “Disco Toni.” I was one of the few female House music promoters back then, to date over one-thousand parties. I do not know any other females to date, that have surpassed my record.
GO BANG! Magazine: You relocated to sunny California and raised four beautiful and talented children, each possessing their own goals, accomplishments and talents. What prompted you to make that leap and move to California, and what brought you back to Chicago?
Toni Shelton: My kids are all in their own career paths, I am proud of them. Jen is 35, lives in NY, and is an artist; David is 33, lives in LA., works in promotions; Imani 26, lives in ATL, is in the entertainment industry; and Carl is 21, lives in NY, and is a pro-skateboarder.
Cali is always home and I’ve kept a place in Chicago as well. I love LA! The sun comes out 350 days out of the year. I raised my two youngest in LA, Carl – (my pro skateboarder) and Imani – (Degree in Sociology, 2019.) Jen has been in NY since graduated from Howard University, 2006. David’s been in LA since age 17.
GO BANG! Magazine: You’re also an author and a businesswoman. What advice would you give to someone that is interested in getting into the business side of entertainment?
Toni Shelton: The business side of entertainment… First you need to decide what your specialty is, promote/advertise your expertise/gift and stay diligent. It’s a hard egg to break. Then, you must find your specific niche and value that you can add to the industry. Finally, networking is KEY. You are your best product, so make sure you are in a constant state of enrichment.
GO BANG! Magazine: There are only a few women involved in the promotion and marketing of House music events, including yourself and Ronda Flowers. (1) How does it feel to be amongst the ones trailblazing a career path for young women of the future to follow, and (2) what advice would you give a young girl that may be interested in pursuing event marketing and promotions?
Toni Shelton: A career in promoting and marketing is rewarding, but not an easy job, especially for a female. I started when I was 17 years old. At that time, there weren’t many female promoters. As far as I know, I’m the only one from back then, that’s still riding that wave. The few that were around did two to five events. I’ve been blessed to have a following for as long as I have. I’ve done over 1000 parties since 1980. I would say it’s a lot easier now because we have “social media” and that there is “The Key.”
My advice would be to give the people what they want. Build on that and stay true. Don’t get all commercialized and start to sell socks and jewelry, just for example. If your thing is House music, stick to House music or whatever your forte is for your production. Last, be consistent, personable, and loyal with your people.
That goes along way!
You can follow Toni Shelton on social media @ToniShelton
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram
RONDA FLOWERS, “Queen of House”, is a House music pioneer. As co-founder of RFK Promotions, Ronda Flowers and Koko, “Soulful Saturdays”, “Summer House Series with KoKo, Nick Nonstop & Torin Edmond” and “House Club Tour with Dana Divine”; Ronda specializes in creative social marketing and promotion companies that specializes in hosting events for urban professionals; featuring some of Chicago’s legendary and international DJs that have captivated audiences for nearly 30 years on the Chicago born House music scene.
After years of perseverance, and achieving success with her well-attended signature House music events across Chicago, DJs, colleagues and club owners branded Ronda as the Queen of House. Opening the doors at nightclubs for the House music scene starting in the late 80’s as Timeless Productions was not easy as a young entrepreneur in the Windy City. Her sell-in approach was all she had to pursue the club owners for an opportunity to have weekly House music dance events. From the north side to the south side of Chicago, Ronda Flowers’ name has become respected by clubs throughout the city.
Over the years Ronda Flowers and her company RFK Promotions have branded several weekly House events, beach events on Chicago’s lakefront, and Chicago’s first and only annual House music pub crawl.
With partners Tri M Entertainment, We Jam, and Sound Sanctuary Music, RFK Promotions’ Ronda Flowers & KoKo have a lock on the Chicago House music scene. She is now expanding her influence as a promoter globally and collaborating on several events bringing her very own Chicago style with her select roster of talented DJs.
GO BANG! Magazine: When and how did you get involved in the House music community?
Ronda Flowers: I was not always around house Music. I gave parties in the 70’s in my basement playing R&B, Soul and Funk. I thought if I can get a boy to pull a chic off the wall, then I was having a great party. It’s 1977 and the money is great for a kid my age.
Around 1979 I went to a party and the DJs played all Disco. Man did I have a ball. The people were different from my neighborhood and I met a whole new crew of friends that loved dance music that wasn’t just R&B.
By the time I reached high school I decided to give parties another run. In the early 80’s, I started hosting Disco & Dance Music parties at my home and backyard. At that point I started building a network of followers. By this time the Dance Music was labeled House.
GO BANG! Magazine: How did growing up in the “home of house” Chicago, attending Kenwood Academy, and residing in Hyde Park influence you in becoming a member of the House community.
Ronda Flowers: It was easy as a 13 year old starting to feel the groove til the age of 21. At this point I felt I was a member of the House Community. I was giving parties and going to parties at juice bars as a teenager. The community was humble, non judgemental and about friendship and the love of music; just as my highschool and neighborhood was to me. The good old days.
GO BANG! Magazine: Why did you decide to pursue the business side of House and become involved in marketing and promotions, thru RFK Promotions?
Ronda Flowers: Well I was in college and I needed to pay for it. So in 1989 a very good friend of mine Charles Matlock Esq./ Promoter asked me to give a party with him and James Vincent. I agreed to do a few but they were such fun and profitable events and off the chain that I decided to keep doing them. That’s when I decided to make promotions a business for myself. So Charles and I became business partners as TIMELESS PRODUCTIONS In 1989.
GO BANG! Magazine: RFK Promotions consists of yourself and Robert “Koko” Walker. Can you tell our readers how you two met and how your business partnership developed?
Ronda Flowers: RFK is a creative social marketing and promotions company that specializes in hosting events for urban professionals. It was 2002 When I was introduced to a Robert KoKo Walker who ran a Speakeasy joint. I was giving parties in two locations during the same time on the north side. So another friend of both of us, Brian Sayles, wanted to give parties at the Speakeasy. He asked me to co-host since I had a following to the north side. We met and gave a few parties and later KoKo asked me if I would like to host more parties; I accepted and said yes. Soon the Speakeasy closed. I was still hosting parties at the time at a place called D’Vine and Dante’s. I received a call about my client at the time, Andre Hatchett, a Chosen Few DJ, was playing at Summer Dance Fest along with Joe Smooth. Being Hatchett’s booking agent I wanted to give them an after party. This is when I called KoKo to assist me on the event on the south side named The Dating Game. The party was so packed and exciting the owner asked us if we could do it again on any night we wanted. KoKo and I accepted and we have been partners ever since. Later we were known for the night “ I Live for Wednesdays”.
GO BANG! Magazine: Over the years, you have become what some would consider a legend in the House community. How do you feel about possessing that title?
Ronda Flowers: That’s a big title. I’m humbled and honored. First let me say Thank You. After years of perseverance, and achieving success with well attended signature house music events across Chicago, DJs, colleagues. Opening the doors at nightclubs for a Black Woman in the The House Music scene starting in the late 80’s as Timeless Productions, was not easy as a young entrepreneur in the Windy City. My approach was all I had to pursue the club owners for an opportunity to have weekly House Music dance events. From the north side to the south side of Chicago my name had become respected by clubs throughout the city.
GO BANG! Magazine: You’re not only a successful business woman you also have a talent in writing. Recently you wrote a script for production. Can you please give our readers some details on this exciting new venture you’re involved with, and what’s the current status of this project?
Ronda Flowers: I’m excited about my new life’s venture. One day I woke up and started writing. I’ve always had a knack for theater and tv production, which was my major in college. It came to me so naturally. Maybe it’s all about timing and life experiences. I presented one of my scripts to a film producer and it was admired so much, they sent me an acceptance letter to go into production for my script “Sammie” and commended me on the subtle messaging on those that are physically challenged. Yes I’m very excited! Since then I’ve written 4 more scripts. I’m going to keep writing as long as the stories come to me. I won’t stop! In addition to the entertainment industry I’m an educator, teaching primary students Financial Literacy.
GO BANG! Magazine: There are only a few women involved in the promotion & marketing of House music events, including yourself and Toni Shelton. (1) How does it feel to be amongst the ones trailblazing a career path for young women of the future to follow, and (2) what advice would you give a young girl that may be interested in pursuing event marketing and promotions?
Ronda Flowers: It’s nice to be a role model for young women and men. I believe young people behind the scenes are powerful with a voice and vision. I give 150 plus events per year and have expanded globally. I want young women to learn this game as a business and know it’s not all about being at a party. Always remember there are people depending on your service that you provide which is why it should become a business. My advice is to learn the world in person or from a book and follow your desires. Learn about the needs and wants of people and choose your path because you have access to the world.
GO BANG! Magazine: With the current COVID-19 pandemic in effect, many people are afraid and uncertain about returning to large gatherings, such as House parties. This has led to “virtual” events becoming more and more popular. How do you plan to adjust to the changing times and the “new” normal of masks, crowd limits, and social distancing?
Ronda Flowers: I believe there will be a new norm and I feel society will adjust and I’ll adjust with it. New concepts will be created. As far as the large crowds and social distancing, we must maintain the rules for survival. This epidemic was terrifying to me. This was the one that could have ended my life. I wish it hadn’t happened and I want safety first for all of us.
GO BANG! Magazine: What is next on the agenda for you? Do you have any projects lined up for later in the future, after the COVID-19 pandemic that you can tell our readers about?
Ronda Flowers: I have a few events and projects that I’m working on. It will be exciting and love will be spread to everyone as long as we can continue to work together.
GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it personally?
Ronda Flowers: I give all praises to God. I’m thankful for my health and family. Always staying prepared for the unexpected is crucial for our community. I’ve been blessed to have been able to help those in need and sad about those I have lost. This has broken my heart. I appreciate this gentle life we have and I will never take it for granted. I love all of you.
GO BANG! Magazine: On May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world. How do you feel about this unfortunate situation and call for police reform due to the horrible treatment of minorities by the police?
Ronda Flowers: I am mad at the fact another Black Man has died due to the mentally ill, untrained, racist police officers. My heart goes out to all men, women and children who have died and their families who had to deal with their loss due to an unforeseen masacre. Police officers have been killing Blacks for a very long time. I learned years ago that the racist white man is intimidated by the Black Man and have hid behind their uniforms. We all know, it’s nothing new in America. We’re tired and have had enough. I believe a change will come but we must keep fighting for justice and equality.
You can follow Ronda Flowers and RFK Promotions on social media @RondaFlowers @RFKPromo
Log on their website @https://rfkpromo.com/
Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram
Reprint from: https://www.chicago.gov/city/en/depts/bacp.html
May 29, 2020
Dear Chicagoan,
Yesterday, Mayor Lightfoot announced that the City of Chicago is on track to Cautiously Reopen on Wednesday, June 3rd. Under phase three of the Protecting Chicago reopening framework, many industries can start reopening on June 3rd under strict social distancing restrictions and industry-specific guidelines. In the meantime, the Chicago Department of Public Health (CDPH) Commissioner has issued a public health order stating that the City’s existing public health guidelines will remain in place until June 3rd. The full list of industries that can reopen along with the industry-specific guidelines can be found at www.chicago.gov/reopening. Please also visit that site for FAQs, postings and additional guidance on business operations.
To demonstrate your commitment to reopening safely, businesses are strongly encouraged to complete the “Be Safe. Chicago” pledge. This self-certification gives business owners the opportunity to review the guidelines in detail and verify their ability to open safely and responsibly beginning on June 3rd. Please complete this survey to earn your “Be Safe. Chicago” badge and show your customers that you are committed to opening safely.
During phase three, establishments that serve food may reopen for outdoor dining only. Businesses must have a Retail Food License in order to operate outdoors and establishments that do not serve food, such as bars and lounges, must remain closed for any on-site consumption. Outdoor dining can include alcohol service, provided that the location has the proper liquor licenses. Alcohol sales for on-site consumption will be allowed until 11 p.m., while the 9 p.m. liquor sale curfew will remain in place for carry out and delivery of liquor products. Additionally, the City is working on local legislation to allow for the sale of mixed cocktails to-go in Chicago. Please note that the sale of mixed drinks to-go is not currently permissible.
Food-serving establishments may open sidewalk cafes, outdoor patios, rooftops, rooms with retractable roofs and indoor spaces where 50% or more of a wall can be removed via the opening of windows, doors, or panels provided that dining tables are within 8-ft from such openings. Tables must be six feet apart, with no more than six people per table and ten people per gathering. Please read the industry guidelines for more details, and click here for more information on how to obtain a sidewalk café permit.
In addition to the existing outdoor dining options, today Mayor Lightfoot announced 6 corridors that will pilot expanded outdoor dining in the streets. After this initial pilot launches, we will evaluate expanding programming to other areas in the City. Beginning Monday, June 1, chambers of commerce, Special Service Areas (SSAs), business associations and restaurants in groups of three or more can visit the City website to submit an application for Expanded Outdoor Dining. This will allow for existing, fully licensed Retail Food Establishments to temporarily use streets or private property for outdoor dining and drinking. Businesses that are looking for more information about expanding outdoor capacity should reach out to their local chamber of commerce or visit www.chicago.gov beginning June 1st.
To help business owners navigate the array of outdoor dining options, BACP has created an outdoor dining FAQ.
During Phase Three, other establishments that were previously closed, such as non-essential retail, personal services and gyms, may reopen under strict guidelines. Non-essential retail must cap capacity at 25%. Personal services, such as nail/hair salons, tattoo parlors, or massage establishments, must also limit capacity to 25% and ensure 6 feet between all clients. Health and fitness centers can reopen for indoor 1:1 training only, or outdoor classes with 10 or fewer participants. Please visit www.chicago.gov/reopening or click the links below for the industry-specific guidelines.
To support businesses and answer questions, BACP is holding industry-specific webinars next week. To register, visit www.chicago.gov/businessworkshops.
Industry-specific guidelines:
Childcare
CTA
Commercial Buildings
Construction
Food Service
Health & Fitness Clubs
Healthcare
Hotel & Accommodations
Manufacturing
Parks & Outdoor Attractions
Personal Services
Retail
Residential Buildings
Taxi & Ride Hail
Transportation & Warehousing
Sincerely,
Rosa Escareno
BACP Commissioner
City of Chicago
Business Affairs and Consumer Protection
121 N. LaSalle St., Room 805
Chicago, IL 60602
312-74-GOBIZ
www.chicago.gov/bacp
Ron, the oldest of six, was born in Chicago and raised by his mother, a single parent, in many communities on the near north side, and finally Cabrini Green. He started as a Vista worker but would become a community activist & staff person with community based organizations such as The Intelli-Gents, a member of the North Central Community Committee, Chicago Federation of Community Committees, Near North Community Committee.
He grew up with music and famous people around him like Major Lance, Curtis Mayfield, Five Stairsteps, Chi-Lites, Admirations, and the Epsilons. His mother grew up with actress Mary Alice, Major Lance, and Chaka Khan’s mother. They are childhood friends to this day.
From humble beginnings and against all odds, he succeeded. He credits his success to his mother’s work ethic, his own “can do” attitude, and his unshakable determination to beat the odds.
He attended Northwestern University and Columbia College Chicago. His street smarts and people skills have uniquely equipped him to deal with issues in the corporate boardrooms, as well as ANY room you put him in.
Ron Simmons is an Olympian from the Olympics in Atlanta of 1996. His career in powerlifting would result in him becoming the World Champion Powerlifter in 1994, the 3rd Strongest Man in the World, winning 2 gold medals and receiving many other awards.
Ron has been called the Martin Luther King Jr. of Cabrini Green housing projects and a Cabrini Green Legend by legends like Mickey Miles and Miko Jones.
Simmons began his career in the late 70’s promoting club events. In 1976 he formed his company Starship Enterprise and went on to promote some amazing events. During the 1980’s, Simmons and childhood partners ruled the upscale club and event scene. His promotions drew enormous crowds, as well as some A-List recording artists and DJ’s. His unique promotional flair and charisma helped bring the glamour back to the black events. His promotions of artists like The Dells, Heaven & Earth, and Brighter Side of Darkness would fill the party room with people from everywhere. One of the biggest events that he promoted was at the Playboy Towers in Chicago.
Ron has received awards and recognitions over the years. The Community Service Award presented to Ron Simmons by The Chicago Federation of Community Committees and a Certificate of Appreciation presented to Ron Simmons, as an expression of appreciation for his outstanding contribution on behalf of the State of Illinois.
Ron started writing 21 years ago when he had time. He’d write a little here and a little there. Over the years, by writing concepts for music videos and learning from industry screenwriters, he made up his mind to start writing about his community. He felt that the media always reported bad things about his community, but it was so far from the truth. Self-taught, he learned many things from professionals, which put him in a place where his hard work would result in his new reality. Being a retired Social Worker has allowed him to work on his projects day and night.
As a promoter of music events, an artist manager, producer, and artists booking agent, Ron Simmons has been the man behind the scenes of some of the most celebrated names in the music industry for over 40 years. In the 80’s, he added an Entertainment arm to his company, Lynx Productions.
Lynx Productions managed, produced and promoted many artists and shows. He rubbed shoulders with a lot of well-known industry people and companies. He almost landed a record deal with the legendary producers Jimmy Jam & Terry Lewis and worked with labels such as Motown Records, LaFace Records, A&M Records, Warner Brother Records, Smash Records, and SBK Records. He also had the pleasure of working with such artists as Mavis Staples, The Dells, Art Porter Jr, Louil Silas, Chaka Khan, Jimmy Jam & Terry Lewis, Barry White, Gavin Christopher, Steve Silk Hurley, Onaje Allan Gumbs, Kirk Yano, Magnum Force, Brighter Side of Darkness, RJ’s Latest Arrival, Ghalib Ghallab, One 2 One, Sneak Preview, Julia Huff, Stan Stubbs, Bobby C, Anita Pettis, 3D Richard Davenport, Spike Rebel, William L. Johnson, Otis Clay, Sarah Green, Marshall Titus, Aaron Isaiah, Princess, Frank Collazo, Matizo, Lendell, Jeniqua, and the list goes on.
Ron also produced music videos and with George Tillman Jr. and Bob Teitel. Their credits include “Soul Food”, “Men of Honor”, “Barbershop”, “Roll Bounce”, “Notorious” and “The Longest Ride” to name a few.
GO BANG! Magazine: You have an extensive career in the Entertainment Industry. Unfortunately, no one would expect someone with your humble beginnings to reach the heights of success that you have. What made you different?
Ron Simmons: I THINK IT ALL STARTED WITH MY MOTHER. WE USED TO SIT IN THE FRONT ROOM AND LISTEN TO ALL KINDS OF MUSIC. IT WAS SO MUCH FUN THAT IT COULD TAKE YOU TO DIFFERENT PLACES AND MAKE YOU FEEL DIFFERENT THINGS. ALSO THERE WERE PEOPLE THAT MY MOTHER GREW UP WITH, OR THEIR CHILDREN, WHO BECAME FAMOUS LATER IN LIFE, LIKE MARY ALICE, RAMSEY LEWIS AND CHAKA KHAN’S MOTHER SANDRA COLEMAN.
AS TIME WENT ON, ANOTHER FRIEND OF MY MOTHER’S WAS MAJOR LANCE WHO LIVED WITH US FOR A SHORT TIME AT 220 W. ELM STREET. BEFORE WE MOVED INTO CABRINI GREEN HOUSING PROJECTS, WE ALWAYS LIVED ABOUT TWO OR THREE BLOCKS FROM THE HOUSING PROJECTSM, BUT IN THE OUTER AREAS.
THIS WOULD BE MY FIRST TIME MEETING MAJOR LANCE AND LATER I WOULD MEET CURTIS MAYFIELD FROM KNOWING MAJOR. I WOULD GET THE OPPORTUNITY TO HANGOUT WITH THEM A FEW TIMES AT THE OLD REGAL THEATER. I THINK THAT IS WHEN I REALLY GOT THE MUSIC BUG.
I ALSO WOULD HEAR ABOUT MY COUSIN’S “THE FIVE STAIRSTEPS” DOING THINGS, DOING SHOWS AND WORKING WITH CURTIS MAYFIELD. ALL OF THESE THINGS HAD ME ON FIRE.
BEING AROUND THEM YOU HEARD MUSIC ALL THE TIME. SO, IT WAS ALL OF THAT AND JUST BEING IN THE RIGHT PLACE DURING SOME AMAZING TIMES WHEN THESE ARTISTS AND OTHERS FROM THE NEAR NORTH SIDE WAS ON THE RISE TO BECOMING SUPERSTARS.
I DON’T SEE MYSELF AS DIFFERENT, BUT A YOUNG BOY WHO WAS SOAKING IT ALL UP BECAUSE HE LOVED MUSIC. NOT KNOWING THAT IT WOULD INFLUENCE SOME OF HIS DIRECTION IN THIS FIELD.
GO BANG! Magazine: Growing up in Cabrini Green would be a horrible nightmare and terrifying to many of our readers, especially based on the media coverage it receives. Tell us about growing up in the notorious housing project.
Ron Simmons: MY FAMILY MOVED INTO CABRINI GREEN IN THE MID 60’S AND WE MOVED OUT IN 1985. THIS WAS THE FIRST FOR OUR FAMILY BECAUSE WE ALWAYS LIVED IN APARTMENT BUILDINGS.
IT WAS NEW TO US, BEING SURROUNDED BY SO MANY PEOPLE AND KIDS ALL AT ONCE. BUT, AS TIME WENT ON, IT BECAME THIS WONDERFUL PLACE OF COMMUNITY, FAMILY AND FUN. WE GOT TO KNOW A LOT OF PEOPLE AND FAMILIES AS TIME WENT ON. THERE WERE CHILDREN EVERYWHERE. MUSIC WAS ALWAYS HEARD COMING OUT OF SOMEONE’S WINDOW OR FRONT SCREEN DOOR. WE DIDN’T LOCK OUR DOORS BACK THEN UNTIL IT WAS TIME TO GO TO BED. A BAND THAT WOULD SIT OUTSIDE, FOUR DOORS DOWN FROM WHERE WE LIVED, IN THE ROWHOUSES, WAS REALLY GOOD. OTHER SINGERS FROM DIFFERENT HIGHRISES IN CABRINI WOULD COME DOWN TO SING WITH THE BAND. THESE WERE SOME OF THE GOOD TIMES.
I THINK THE MEDIA AND THE POWERS THAT BE CAN MAKE OR BREAK YOU DURING THOSE TIMES. IN THE BEGINNING, MOSTLY WHITES LIVED THERE IN THE ROWHOUSES WAY BEFORE THE HIGHRISES WERE BUILT. THERE WERE SOME BLACKS, BUT DURING THAT TIME YOU COULD ONLY MOVE IN THERE IF THE FATHER WAS IN THE MILITARY. BUT AS TIME WENT ON, THAT WOULD CHANGE AND AS MORE BLACKS MOVED IN, MORE WHITES THAT COULD AFFORD TO MOVE OUT DID.
DURING THESE TIMES, THERE WEREN’T THINGS LIKE GANGS, DRUGS OR KILLINGS GOING ON, BUT YOU HAVE TO REMEMBER THIS PLACE WOULD BECOME MORE OF A BLACK COMMUNITY THAN THE WHITE ONE IT USE TO BE. IT WAS CLOSE TO THE GOLD COAST AND DOWNTOWN. SO, IT WAS AN AREA KNOWN FOR THE RICH, SO IT WAS A CONCERN FOR THEM.
BAD THINGS STARTED TO HAPPEN IN CABRINI GREEN AFTER THE RIOTS IN 1968. MARTIN LUTHER KING JR. GOT KILLED AND RICHARD DALEY SR WAS THE MAYOR OF CHICAGO. DIFFERENT PARTS OF CHICAGO IN BLACK AREAS WOULD GET BURNED DOWN AND PEOPLE HAD NO PLACE TO LIVE. BY THIS TIME, YOU HAD HIGHRISES THAT HAD BEEN BUILT CALLED “THE REDS” AND “THE WHITES.”
MAYOR DALEY WAS GETTING COMPLAINTS FROM WHITE COMMUNITIES STATING THEY DIDN’T WANT THOSE BLACKS IN THEIR COMMUNITIES. SO DALEY MOVED SOME OF THOSE BLACKS, FROM THE SOUTHSIDE AND WESTSIDE, INTO CABRINI GREEN. WITH THEM CAME GANGS, DRUGS AND KILLINGS. FOR THOSE WHO ALREADY LIVED THERE, WHO WERE NOT ABOUT THAT KIND OF LIFE, THEY FOUND THEMSELVES PROTECTING THEMSELVES AND THEIR FAMILIES.
I HAD FIGHTS THERE THAT I WON. THE NEXT WEEK, YOU AND THE PERSON YOU FOUGHT WERE FRIENDS AGAIN. IT WAS OVER. I WOULD HAVE CONVERSATIONS WITH GANG MEMBERS AT DIFFERENT TIMES. THEY WOULD TRY TO BE TOUGH OR TRY TO BULLY YOU, BUT I NEVER BACKED DOWN FROM THEM. YOU HAVE TO BRING SOME ASS TO TRY TO GET THIS ONE. I WASN’T AFRAID OF THEM AND THEY KNEW IT. THE ONLY PERSON I WAS AFRAID OF WAS MY MOTHER, AND SHE DIDN’T PLAY. I PROTECTED MY FAMILY AND FRIENDS FROM ALL THAT CRAZY NONSENSE.
I CAN STILL STAY THAT FROM THE MID 60’S TO THE EARLY 80’S, IT WAS A NICE PLACE TO LIVE. YES, SOME BAD THINGS DID HAPPEN THERE, BUT BAD THINGS HAPPEN EVERYWHERE. THE DIFFERENCE WITH CABRINI GREEN WAS IT WAS A PLACE THAT WHITES WANTED BECAUSE OF ITS LOCATION. 70 ACRES OF PRIME REAL ESTATE!
THINGS REALLY STARTED TO GO BAD WHEN RESIDENTS BASIC SERVICES SLOWLY STOP COMING OR STOPPED. THIS WAS PART OF THEIR PLAN TO MAKE FAMILIES MOVE OUT THAT COULD. MAKE THIS PLACE UNLIVABLE SO THAT WHEN THE TIME CAME TO TAKE THEM DOWN, WHO WOULD SAY ANYTHING? THEY WERE UNLIVABLE AND THE MAYOR, THE POWERS THAT BE, CHA, THE GOVERNMENT AND THE POLITICIANS KNEW JUST WHAT THEY WERE DOING. THEY HAD A PLAN FOR THE AREA THAT WOULD BRING IN BILLIONS DOWN THE LINE. THIS WAS PRIME REAL ESTATE.
CABRINI GREEN HOUSING PROJECTS HAD SOME STRONG PEOPLE AND GROUPS. THEY WERE STARTING TO NOT TRUST THE SYSTEMS IN PLACE BECAUSE OF SO MANY BROKEN PROMISES. THEY DID WANT THAT AT ALL, SO FOR THEM IT WAS TO TAKE PUBLIC HOUSING DOWN ON ALL LEVELS. THE PEOPLE LOST THERE AND ACROSS THE CITY. THERE WAS NO REAL PLAN TO RELOCATE FAMILIES. THEY JUST THREW THE FAMILIES OUT INTO THE STREET WITH A 90 DAY SECTION 8 VOUCHER TO FIND HOUSING. IF YOU DIDN’T FIND HOUSING WITHIN THE 90 DAYS, YOU COULDN’T GO BACK TO CHA. YOU WERE ON YOUR OWN. SOME PEOPLE FOUND HOUSING AND SOME MOVED TO OTHER STATES. STILL OTHERS MOVED IN WITH FAMILY MEMBERS AND THOUSANDS ENDED UP DISPLACED. I BELIEVE THESE WERE CRIMES ON HUMANITY.
RON SIMMONS WAS A MEMBER OF THE INTELLI-GENTS, INC. ORGANIZATION:
The Intelli-Gents provided a myriad of services to the community of Cabrini Green. They were probably best known for their Truancy Follow-up-Program, Big Brother-Big Sister Program, and Tutoring After school and weekend Programs.
The Summer Basketball Tournaments, Cultural Enrichment program and through the Illinois Commission on Delinquency Prevention Program becoming advocates for youths that were adjudicated through the Cook County Juvenile Court System.
The Intelli-Gents also provided jobs, food & clothing assistance to area residents & finally provided assistance to the Cabrini Green Alternative High School the first of its kind in the nation. The Intelli-Gents was a driving force that keep a lot of things in order and saved a lot of young people’s lives as well as adults. The Intelli-Gents office was located at 515 W. Oak Street were there from 1976 to 1985.
IF I HAD TO DO IT ALL OVER AGAIN, I WOULD, WITH A FEW CHANGES IN ORGANIZING..
GO BANG! Magazine: In addition to being a business man and community activist, you’re also a self-taught musician and singer. Please tell our readers about that chapter in your life.
Ron Simmons: IT ALL GOES BACK TO SEEING THE BANDS PERFORM ON THE STREET AND GETTING GUITAR LESSON FROM A MEMBER OF ONE OF THE BANDS. HIS NAME IS KENNY MITCHELL. I ALSO TAUGHT MYSELF TO SING AND PLAY THE PIANO BY EAR.
IN HIGH SCHOOL, I WENT TO THE MUSIC ROOM DURING BREAK TO PRACTICE EVERYDAY. I KNEW I WAS GETTING GOOD BECAUSE EVERY TIME PEOPLE WOULD HEAR ME SING AND PLAY, THE MUSIC ROOM WOULD FILL UP. SO, WHEN I THOUGHT I WAS READY TO COMPETE AGAINST OTHER ARTISTS I THOUGHT WAS REAL GOOD, I ENTERED TALENT SHOWS AT SCHOOL. I WON 1ST AND 2ND PLACE. I CONTINUED TO PLAY AND PRACTICE. I COULD PLAY JUST ABOUT ANYTHING BY EAR, BUT IT WAS JUST NOT ENOUGH FOR ME. ONCE I LEARNED SOMETHING, I WENT ON TO THE NEXT THING. BELIEVE THIS, I COULD HAVE BECAME BIG WITH MY SINGING AND PLAYING, BUT IT JUST WASN’T ME.
GO BANG! Magazine: You’ve always been the type of person that would be involved in community service. Why do you feel the need to help your community?
Ron Simmons: I STARTED AT AN EARLY AGE, 15 OR 16. I THINK IT COMES FROM MY GREAT-GRANDMA AND MY MOTHER. I SAW THEM ALWAYS HELPING OTHERS AND THOSE SAME PEOPLE HELPED ME. SO I GUESS IT’S ME PAYING IT FORWARD. IT JUST FEELS SO GOOD WHEN YOU KNOW YOU HAVE HELPED SOMEONE.
I HAVE BEEN THIS OUTSPOKEN PERSON FOR A LONG TIME, SPEAKING FOR THOSE WHO CAN’T SPEAK OR KNOW HOW TO SPEAK FOR THEMSELVES. I’M WILLING TO STAND ALONE, IF NO ONE IS WILLING TO STAND WITH ME. I’D RATHER DIE ON MY FEET, THAN DIE ON MY KNEES.
I’M STILL AN ACTIVIST TO THIS DAY. FOUR YEARS AGO, I HELPED TO SAVE LOW-INCOME HOUSING IN A DOWNTOWN BUILDING. I SAT AT THE TABLE WITH THE OWNER. I EXPLAINED TO HIM HOW THEY USED GOVERNMENT LOANS TO BUILD THE BUILDING, WITH SOME LOW INCOME HOUSING UNITS IN IT, AND THIS OWNER HAD PAID BACK THE LOANS AND WANTED TO THROW ALL THE FAMILIES OUT OF THE BUILDING. I TOLD HIM THIS IS NOT RIGHT, NOR IS IT FAIR TO THE FAMILIES THAT HELPED YOU ALL BUILD THIS BUILDING. SO WE WON 15 MORE YEARS.
I CAN BRIGHTEN YOUR DAY WITH A SMILE. I LIVE, I LAUGH AND I CRY TOO. BUT I NEVER GIVE UP BECAUSE I BELIEVE THAT LIFE IS BEAUTIFUL AND THERE IS ALWAYS HOPE. I AM FIRE – EXCITING TO WATCH, BUT DANGEROUS TO MESS WITH. I CAN’T BE TAMED. I HAVE UNCONDITIONAL LOVE IN MY HEART THAT MAKES ME FIGHT FEARLESSLY FOR MY LOVED ONES AND FOR WHAT I BELIEVE IN.
LIFE TEACHES YOU HOW TO LIVE IT IF YOU ARE WILLING TO LIVE LONG ENOUGH.
GO BANG! Magazine: Being a business man with your own production company, Lynx Productions, you’ve managed to work with heavy hitters in the Entertainment game. Of all the “Ballers” you’ve worked with over the years, which ones were the most exciting, surprising, and memorable? Explain why for each of your choices.
Ron Simmons:
(1) THE LESSONS LEARNED AT AN EARLY AGE FROM MAJOR LANCE AND CURTIS MAYFIELD
(2) GAVIN CHRISTOPHER – OUR TIMES RUNNING TOGETHER BACK IN THE 80’S, HANGING OUT AT THE RECORDING STUDIOS, THROWING IDEAS AT EACH OTHER. GAVIN WROTE HIT SONGS FOR CHAKA KHAN.
(3) HEAVEN & EARTH – ONE OF THE BIGGEST LIVE SHOWS WE PROMOTED WITH THEM AT PLAYBOY TOWERS THAT THEY EVER HAD.
(4) MICHAEL JORDAN – I MET MICHAEL JORDAN IN 1986 OR 1987, I DRESSED UP LIKE I WAS PART OF THE STAFF. I HAD NAVY BLUE PANTS AND A RED PULLOVER SHIRT. A LADY FRIEND OF MINES NEPHEW, WHO WAS ABOUT FIVE OR SIX YEARS OLD, HAD ON ALL THE BULLS CLOTHES FROM HEAD TO TOE. WE WERE ON THE BACK SIDE OF THE PARKING LOT WHERE MICHAEL WOULD PARK AND CAME THROUGH THE DOOR. WE WERE THE ONLY ONES THERE AND MICHAEL WALKS IN AND I STEP UP TO HIM INTRODUCE MYSELF AND WE SHOOK HANDS. I ASKED HIM IF HE WOULD TAKE A PICTURE WITH MY LITTLE GUY AND HE SAID SURE.
(5) JIMMY JAM & TERRY LEWIS – WE MANAGED A GROUP NAMED “SNEAK PREVIEW.” WE ALMOST GOT SIGNED WITH JIMMY AND TERRY, BUT GOT BEATEN OUT BY THE GROUP “MINT CONDITION.”
(6) CHAKA KHAN – OUR FIRST BIG STAR! GETTING HER BOOKED FOR THE “TASTE OF CHICAGO”
(7) JOSEPH SIKORA (AKA TOMMY FROM POWER)
AND
(8) 50 CENT – I HAVE BEEN FRIENDS WITH HIM SINCE 2014. JOSEPH IS FROM CHICAGO/SKOKIE AND HE IS THE ONE THAT INTRODUCED ME TO 50 CENT. 50 CENT WAS IN CHICAGO SO THE MEETING HAD BEEN SET UP. WHEN I GOT THERE, 50 CENT WAS SURROUNDED BY A LOT OF PEOPLE AND A LOT OF PEOPLE WAS THERE TO SEE HIM. I TOLD 50 CENT’S ASSSTANT THAT I COULD WAIT. HE SAID NO, I’M GOING TO GO GET 50 CENT. YOU WAIT AND SIT HERE. THE ASSISTANT WENT AND GOT 50 CENT. WE WERE INTRODUCED TO EACH OTHER AND TALKED FOR A WHILE.
AFTER 50 CENT LEFT, SOME PEOPLE WALKED UP TO ME AND SAID YOU MUST BE SOMEBODY REAL IMPORTANT. THEY STOPPED EVERYTHING AND BROUGHT 50 CENT TO YOU. IT WAS SURPRISING. I’M JUST A REGULAR GUY TRYING TO MAKE SOME THINGS HAPPEN, WHO KNOW SOME PEOPLE. THEIR ARE PEOPLE WHO BELIEVE IN ME AND WHAT I’M TRYING TO DO. I’M JUST TRULY GRATEFUL.
(9) ALL OF THE OTHER ARTISTS WE BOOKED AND MANAGED.
WE JUST LIVED MUSIC AND MADE THINGS HAPPEN BEHIND THE SCENES. THIS WAS MY GREATEST GIFT. BRINGING PEOPLE TOGETHER AND MAKING THINGS HAPPEN.
GO BANG! Magazine: Currently, you’re in the process of completing an original feature film entitled “Cabrini Green: The Soul Story Of Stories!” It’s a brilliantly, thrilling and dramatic untold story of survival and truth. What inspired you to pursue this gigantic mission?
Ron Simmons: PART OF MY FAMILY ROOTS ARE HERE ON THIS NEAR NORTH AND BEFORE IS WAS EVER CALLED CABRINI GREEN, MY GREAT-GRANDMOTHER CAME HERE FROM YAZOO, MISSISSIPPI WHERE SHE RAISED 16 CHILDREN. SHE NEVER WORKED A JOB, BUT OWNED THREE ROOMING HOUSES IN THE AREA, PLAYED POLICY, RAN MOONSHINE, AND WAS ON PUBLIC ASSISTANCE.
FIRST AND FOREMOST, I LOVED WHERE I GREW UP AT AND I LOVE THE PEOPLE. I WITNESS, I SAW, I HEARD AND I LIVED IT, SO WHO BETTER TELL YOUR STORY/STORIES THAN SOMEONE WHO LIVED THERE. THERE HAVE BEEN SO MANY STORIES WRITTEN IN BOOKS AND DOCUMENTARIES BY PEOPLE WHO NEVER LIVED THERE OR LIVED THE LIFE PERIOD.
I HAVE TRAVELED AROUND THE WORLD TO OTHER PLACES AND OTHER COUNTRIES. IN SOME OF MY CONVERSATIONS, WHEN THEY FIND OUT I’M FROM CHICAGO, THEY WOULD ASK ME DO YOU KNOW MICHAEL JORDAN AND DO I KNOW THIS BAD PLACE CALLED CABRINI GREEN. MY ANSWER WOULD BE YES! THIS WAS MY OPPORTUNITY TO TELL THEM THAT I LIVE THERE NOW AND IT WAS NOT THIS HELL-OF-A-PLACE THAT THE MEDIA WANTS YOU TO BELIEVE IT TO BE.
THERE ARE MANY REASONS WHY I PURSUE THIS MISSION OF GETTING THIS DONE. IT’S OUR LEGACY AND I WANT THE TRUTH TO LIVE ON FOREVER.
I ALSO REMEMBER WHEN I WAS IN COLLEGE, BACK IN THE LATE 70’S, AT COLUMBA COLLEGE. IT WAS A GROUP OF US STUDENTS ON THE SEVENTH FLOOR LOUNGE, AT A ROUND TABLE. WE WERE JUST TALKING. NO ONE KNEW WHERE I LIVED OR CAME FROM. I DON’T REMEMBER HOW THE SUBJECT CABRINI GREEN CAME UP, BUT THEY WERE TALKING ABOUT THE AREA LIKE THEY REALLY KNEW IT AND THAT THE THINGS THEY WERE SAYING WERE TRUE.
I ALWAYS SPEAK UP ABOUT WHERE I GREW UP AT BECAUSE MOST OF THE INFORMATION TOLD IS NOT TRUE…IT’S MEDIA DRIVEN. SO, I SAID TO THEM, “HOW DO YOU KNOW THAT INFORMATION IS TRUE?” MOST OF THEM SAID THEY SAW REPORTS ON THE NEWS AND HAD READ THINGS IN THE NEWSPAPERS. I ASKED THEM, “DO YOU HAVE FAMILY THAT LIVES THERE? DO YOU KNOW ANYONE THAT LIVES THERE?” ALL OF THEM SAID, “NO!” SO I ASKED THEM AGAIN, “ARE YOU SURE?” THEY SAID, “NO!” THEN I SAID, “I LIVE THERE NOW AND MOST OF THE THINGS YOU SAID ARE NOT TRUE.” THE LOOKS ON THEIR FACES WERE PRICELESS.
SO, THERE ARE MANY REASONS FOR ME TAKING THIS ON AND IT MUST BE DONE SO WE CAN TELL OUR OWN STORIES, RATHER THAN ALLOWING THEM TO MAKE US OUT AS SOMETHING WE ARE NOT… BAD PEOPLE.
YOU DON’T HEAR ABOUT ALL THE GREAT PEOPLE WHO GREW UP OR LIVED THERE, JUST THE BAD THINGS.
People who lived and grew up in Cabrini Green:
Ramsey Lewis, Jerry Butler, Chaka Khan, Marvin Yancy, Curtis Mayfield, Major Lance, Mary Alice (Actress), Jackie Taylor (Founder of The Black Ensemble Theater/Actress), Rick Stone (Actor/Artist), Retired Tony Watson (Rear Admiral of US Nuclear Submarine), Ripple, The Epsilons, The Master Plan, Andre Walker (Oprah’s Hairstylist), Eric Monte (Screenwriter for Good Times, Cooley High, What’s Happening, Sanford & Son) Joel Hall (Founder of The Joel Hall Dancers), Terry Callier (Songwriter/Artist), The Admirations, Gregory Hollimon (Actor), Shabba-Doo (Break Dancer/Actor), Robert Squirrel Lester (member of the Chi-Lites), NBA Pigeon Johnson, Al Carter-Bey (of the Al Carter Youth Foundation/Activist), The Intelli-Gents, Ron Simmons (1996 Olympics/Activist), Hubert Welch (President of the Intelli-Gents/Activist), William Gates (Hoop Dreams), Alexander Nelson (Vice President of the Intelli-Gents/Activist), Nate Jones (1996 Olympics), Mr. Elzy (Activist), John Thompson, Mr. Hubert Wilson (Band Director), Elax Taylor (Activist), Marion Stamps (Activist), Mrs. Childs (Founder of Talent Shows in Cabrini Green), Mrs. Ruth (Activist), Mrs. Jones (Activist), Mrs. Nash (Activist), Mrs. Davis (Activist), and the list goes on…
TONY WATSON MY CHILDHOOD FRIEND FROM THE CABRINI GREEN ROWHOUSES SHOULD BE IN THE HISTORY BOOKS. HE WAS THE FIRST BLACK REAR ADMIRAL COMMANDER OF AN U.S. NAVY NUCLEAR SUBMARINE
CHICAGO INFAMOUS HOUSING PROJECTS IN THE WORLD (THEY SAY)
FEATURE FILM CABRINI GREEN – “The Soul Story of Stories”
Story by Ron Simmons – ALL IN THE MAKINGS
MUSIC BY LEGENDARY ONAJE ALLAN GUMBS
https://www.youtube.com/watch?v=NNJuRxkDguw
The music soundtrack will be from famous recording artists from Chicago, the music will be a big component of the film.
THE CABRINI GREEN SOUNDTRACK IS GOING TO BE FROM SOME OF THESE AMAZING ARTISTS:
The music soundtrack will be a big component of the film. These are the artists that we will be looking at for the film soundtrack “Cabrini Green” that are from Chicago: Curtis Mayfield, Chaka Khan, Ramsey Lewis, The Admirations, Rufus, The Chi-Lites, The Five Stairsteps, The Artistics, Patti Drew, Quincy Jones, Jerry Butler, Major Lance, Donny Hathaway, Gene Ammons, Windy City, Smoke City, Terry Callier, Jackie Wilson, Garland Green, Gavin Christopher, The Staple Singers, Walter Jackson, Magnum Force, Heaven and Earth, The Epsalons, Mike Logan & Byron J Woods, Marshall Titus, The Dells, Ruby Andrews, Dinah Washington, Gene Chandler, Minnie Riperton, The Emotions, Miki Howard, Ripple, Bobby Hutton, Patrick Howell Marlow, Tyrone Davis, Lou Rawls, The Center Stage, The Steelers, The Players, Brighter Side of Darkness, Denise LaSalle, The Master Plan, Son of Slums, 21st Century, The Lost Generation, The Notations, Earth Wind & Fire, Johnnie Taylor, Ko Ko Taylor, Buddy Guy, Otis Clay, Chicago, Charles Earland, Barbara Acklin, Sam Cooke, Nat King Cole, and MzLeeLee!!
SITCOM, MOVIES, A MOVIE SERIES WHERE CABRINI GREEN HOUSING PROJECTS USED AS A BACKDROP WERE ALL SHOT IN CABRINI GREEN:
“GOOD TIMES”, “COOLEY HIGH”, “CANDYMAN”, “HEAVEN IS A PLAYGROUND”, “WHITE BOYZ”, “HARDBALL”, “THE GREEN LANTERN”, “DOWN IN THE DELTA”, “BOSS SERIES” DOCUMENTARY-70 ACRES IN CHICAGO, BOOKS WRITTEN, CANDYMAN 2020 AND COMING SOON… A FEATURE FILM ABOUT CABRINI GREEN – “THE SOUL STORY OF STORIES” IN DEVELOPMENT NOW, BY RON SIMMONS, WHO GREW UP IN CABRINI GREEN.
GO BANG! Magazine: Film making is very expensive and funding can be extremely hard to obtain. How is your funding campaign going and what can our readers do to help you achieve your funding goal?
Ron Simmons: ABOUT SEVEN OR EIGHT YEARS AGO, HOLLYWOOD CONTACTED AND OFFERED ME SOME BIG MONEY FOR MY CABRINI GREEN SCRIPT. I DECLINED BECAUSE IT WOULD HAVE TAKEN ME OUT OF THE PROJECT. I DIDN’T WANT THAT BECAUSE THEY WOULD HAVE CHANGED THE SCRIPT TO MAKE BLACKS LOOK BAD. IT’S NOT JUST ABOUT MONEY. IT’S ABOUT OUR LIVES AND THEY NEED TO BE TOLD THE RIGHT WAY.
I INVESTED BIG MONEY INTO THE PROJECT IN THE BEGINNING AND I CONTINUE TO INVEST WHAT I CAN, WHEN I CAN. BUT, I HAVE BEEN GETTING ONGOING HELP FROM MY SUPPORTERS, WHEN THEY CAN. BUT MUCH IS STILL NEEDED AND I KNOW IT WILL HAPPEN, AS LONG AS I STAY FOCUSED.
I GOT A CALL FROM MY AGENT ON 5/11/2020. HE JUST GOT TWO MOVIES PICKED UP AND NOW MY MOVIE “CABRINI GREEN” HAS BEEN SUBMITTED TO NET FLIX, SO STAY TUNED.
HERE IS THE LINK FOR THE ONGOING FUNDING CAMPAIGN FOR THE FEATURE FILM PROJECT:
PLEASE DONATE HERE: https://www.gofundme.com/f/cabrini-green-project?
GO BANG! Magazine: Besides film making and producing your upcoming blockbuster film, are you working on anything else that our readers should be aware of?
Ron Simmons: YES, TWO OTHER SCRIPTS, “BLACK LIKE ME – A TRUE STORY” AND “THE ARTIST.” I’M ALSO RAISING FUNDING FOR THE PROJECTS.
GO BANG! Magazine: On a personal note, how do you cope with the fact that you were once a world record power lifter and then had to grapple living with a physically debilitating issue? Please explain your health condition and your inspiring story of how you overcame it to be the powerful man you are today.
Ron Simmons: I HAVE BEEN FACED WITH MANY OBSTACLES ALL OF MY LIFE. SOMETHING MY MOTHER SAID TO ME GROWING UP IS THAT, “YOU MAY NOT WIN EVERY FIGHT, BUT FIGHT BACK SO THEY WILL KNOW THAT YOU WILL NOT GIVE UP.” ALL OF THE THINGS I HAVE DONE IN MY LIFE HAVE BEEN A GREAT OPPORTUNITY AND A GIFT. I’M TRULY GRATEFUL I DIDN’T PASS THEM UP.
IN REFERENCE TO MY HEALTH, I CAUGHT POLIO WHEN I WAS YOUNG. I HAD 14 OPERATIONS, BUT I NEVER LET THAT STOP ME. I HAVE DONE MORE THINGS IN MY LIFE THAN AN ABLE-BODIED PERSON HAS. I’M GOOD, BUT I DEAL WITH PAIN EVERYDAY ON DIFFERENT LEVELS, FROM ALL THE YEARS OF TRAINING. LIFE IS GOOD FOR THE MOST PART. I NEVER LIKE LOSING THAT IS WHY I WORK SO HARD, SO THAT WHEN I’M LOSING, I’M STILL WINNING.
THERE ARE SOME PEOPLE I HAVE TO THANK FOR A LOT OF MY SUCCESS INCLUDING:
MY TRAINING PARTNERS OVER THE YEARS IVAN MEJIAS, BOBBY REED, AND CURTIS SMITH
MY FRIEND, TRAINER AND MENTOR SERGIO OLIVA SR
MY TRAINER MARTA COLLAZO
MY TRAINER ALLEN GOLDSTEIN
DON’T UNDERESTIMATE ME. I KNOW MORE THAN I SAY, I THINK MORE THAN I SPEAK AND I NOTICE MORE THAN YOU REALIZE.
GO BANG! Magazine: Another personal story that you have is that you grew up with Eric Monte, the creator of Good Times, The Jefferson’s, What’s Happening, and Cooley High. You even know his REAL name as a matter of fact, but that’s not important right now. What is important is describing to our readers what it was like to grow up with a person that would eventually become the writer of iconic, black, cultural, ground-breaking television shows and a movie that’s a staple in every black person’s life.
Ron Simmons: KENNETH WILLIAMS AKA ERIC MONTE
IT WAS COOL GROWING UP AROUND ERIC. HE WAS ALWAYS ON THE RUN DOING THINGS, WRITING IN HIS NOTEBOOK, TALKING ABOUT STORIES AND BECOMING FAMOUS. AS LITTLE KIDS YOU ARE THINKING ABOUT GOING OUTSIDE TO PLAY GAMES AND HAVING FUN WITH OTHERS. ERIC WAS DIFFERENT THAT WAY. BUT COOL TO BE AROUND AT DIFFERENT TIMES.
I REMEMBER WHEN HE CAME BACK HOME TO MAKE THE MOVIE “COOLEY HIGH.” IT WAS A BIG BUZZ IN THE COMMUNITY AND THE PEOPLE WHO LIVED IN CABRINI WAS GETTING AN OPPORTUNITY TO AUDITION FOR THE FILM. I SAW ERIC ONE DAY IN CABRINI. WE STOPPED AND TALKED. HE TOLD ME WHAT HE WAS DOING AND TOLD ME TO COME DOWN TO ONE OF THE AUDITIONS. I HAD JUST GOT MARRIED AND MY HEAD SPACE WAS SOME PLACE ELSE. I NEVER WENT TO ANY OF THE AUDITIONS AND THE NEXT THING I HEARD ABOUT ERIC WAS THE MOVIE COMING OUT. WE STAYED IN TOUCH FROM TIME TO TIME. I WAS TRULY HAPPY FOR HIM. I THINK WE ALL WERE TRYING TO MAKE OUR MARK ON LIFE.
GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?
Ron Simmons: FOR ME IT’S JUST TRYING TO STAY HEALTHY, SAFE AND MAKING SURE MY MOTHER WHO IS 86 YEARS OLD STAY HEALTHY AND SAFE TOO. THIS IS A SILENT KILLER THAT WE KNOW NOTHING ABOUT. I DO BELIEVE THE “POWERS THAT BE” DO KNOW WHAT’S GOING ON. I BELIEVE OUR GOVERNMENTS HAVE FAILED THE PEOPLE. I BELIEVE MORE CAN AND SHOULD BE DONE FOR THE PEOPLE. THEY ARE THE ONES THAT ARE GOING TO LOSE THE MOST. YOU HAVE BOTH PARTIES FIGHTING OVER NONSENSE, WHILE PEOPLE ARE DYING EVERYDAY. YOU HAVE A GROUP OF PEOPLE WHO DON’T CARE ABOUT ALL THE PEOPLE DYING. IT HAS BEEN SAID WE HAVE BEEN OVERPOPULATED FOR A VERY LONG TIME NOW.
You can follow Ron Simmons with the following links:
THE RON SIMMONS BRANDS
LYNX PRODUCTIONS MUSIC & FILM
https://celestialproductions.webs.com/
CABRINI GREEN, LLC
CABRINI GREEN FEATURE FILM
CABLE TV SERIES
https://www.youtube.com/watch?v=NNJuRxkDguw
HALL & SIMMONS ACCOUNTING CONSULTING
https://www.facebook.com/groups/760237797364036/
CABRINI GREEN ONGOING FUNDING CAMPAIGN FOR THE FEATURE FILM PROJECT
https://www.gofundme.com/f/cabrini-green-project?
CHECK HERE FOR ANY UPDATES ON THE FEATURE FILM CABRINI GREEN
https://www.facebook.com/Cabrini-Green-the-Soul-Story-of-Stories-933404816698472/
RON SIMMONS SPORTS HISTORY
https://www.facebook.com/Ron-Simmons-Bodybuilder-Powerlifter-1528806824032197/
CHICAGO INFAMOUS HOUSING PROJECTS IN THE WORLD
Feature Film CABRINI GREEN – The Soul Story of Stories
by Ron Simmons –
by Ron Simmons –
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