Tony Williams is a 61 year old GOD fearing man who has one son and a granddaughter. He’s been a DJ since he was 15 years old and his mentor is a DJ named William Armstrong aka Terrible Tubbs. In addition to DJ’ing, he is also an entrepreneur, being the owner of Truly Blessed Inc.

Currently, he is the host of “The Eye of The Storm” on Spreaker.com and on 102.DLRRadioFM every Monday & Wednesday night.

GO BANG! Magazine: You describe yourself as a GOD fearing man. What does that mean to you and how does it influence your life?

DJ Tony Williams: My grandmother introduced me to GOD through JESUS. I turned my back on HIM but HE saved me from me in 2000 when HE delivered me from crack (cocaine) and I will never look or go back. It’s 20 years later now.

GO BANG! Magazine: Where did you grow up and spend your childhood?

DJ Tony Williams: I grew up on 46th & Greenwood Avenue on the South side of Chicago, Illinois.

GO BANG! Magazine: How did you first become interested in being a DJ?

DJ Tony Williams: I was born to love music!
I was told that as a small child I would crawl to the record player and turn it on. I’ve been loving music ever since. I was introduced to it by walking by the Lake Village Lounge back in the 70’s and heard “Terrible Tubbs” (TT) spinning.

GO BANG! Magazine: Your mentor is William Armstrong aka Terrible Tubbs. Please inform our readers who Terrible Tubbs is and why he’s your mentor.

DJ Tony Williams: William Armstrong was the DJ of the lounge then, and he was COLD. So I wanted to learn from the best. He’s my mentor because he never gave up on me, even when I know I was getting on his last nerve.

GO BANG! Magazine: When and how did you know that you wanted to pursue DJ’ing as a profession?

DJ Tony Williams: After meeting TT, I asked him to show me how to spin. It was the best question I ever asked in my life.

GO BANG! Magazine: Currently, you’re the host of a pod cast on Spreaker.com and on 102.DLRRadioFM. Your on-air name is Tony Sanchez. Please tell us about your show Tony Sanchez.

DJ Tony Williams: That is my alter ego. My friend Bob King gave me that name and I loved it, and I’ve been Tony Sanchez ever since. My show “Eye Of The Storm” was given to me from The CREATOR where its motto is “Love Is The Key.”

GO BANG! Magazine: Your company, Truly Blessed Inc. provides DJ services for events. How can readers contact you if they want to be blessed with your DJ services?

DJ Tony Williams: You can find me on Facebook, Twitch or e-mail at hatchback2@yahoo.com

GO BANG! Magazine: Five years from now, where do you see yourself professionally?

DJ Tony Williams: Hopefully, still alive and streaming my shows.

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

DJ Tony Williams: I was in the Marines so I know how to deal with issues like this. Pay attention, watch the signs, and trust yourself.

GO BANG! Magazine: Lastly, on May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world. How do you feel about this unfortunate situation and call for police reform due to the horrible treatment of minorities by the police?

DJ Tony Williams: I’m 61. At 10 years old I watched the beating of Rodney King and it left a scar on my mind that I’ll never forget. It was White hate towards Black people by the police. Fast forward 50 years later and I see the police murder a Black man right before my eyes and again the 10 year old me is right back where it all started!

WE must first stop killing each other. Then maybe WE can come together to stop THEM. I grew up in the Burge era (Jon Graham Burge was an American police detective and commander in the Chicago Police Department who was accused of torturing more than 200 innocent men between 1972 and 199, in order to force confessions) so I will NEVER EVER trust the police!!!

YOU CAN FOLLOW TONY ON  http://Facebook.comhttp://Twitch.com SOCIAL MEDIA PLATFORMS @Tony Williams

Follow “The Eye of The Storm” on http://Spreaker.com





Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Australian born Xander James is a music connoisseur, delivering a unique dance music experience. He’s a House DJ and electronic music producer, with a career spanning 20 years, and has numerous original tracks and remixes under his belt.

His productions have been released on music labels across the globe, including Dualism Records, Deep Soul Space, Bizar recordings, Generation Music, and Kingdom Digital. His style is a unique blend of Tech House, combining House & Techno beats with Deep House grooves, Balearic melodies, World sounds, then infused with Afro-Latin percussions.

Xander has collaborated and performed with well-respected international artists including: Ron Carroll, Matt Caseli, Julie McKnight, Andy Caldwell, Marshall Jefferson, Osunlade, Evan Landes (The Groove Junkies), Robert Owens, Chris Samba, Andy Ward (Soul Central, Graham Lord (Audiowhores / Malachi), Neil Pierce (Fanatix), Sean Doyle (Soul Heaven / Hed Kandi), Miss Farina, Aris Kokou, Dimitris Michas, Kim Jay, Sterling Void, Jerry C. King, Malik Boudari and many more.
He’s held residencies at a plethora of reputable venues in his hometown of Melbourne, Australia and traveled the world, while showcasing the sound of Ibiza and recreating the European summer experience.

A visionary, entrepreneur and humanist, he also founded “House for Love”, a not-for-profit initiative and fundraising movement. By collaborating with leaders from various communities and industries, Xander is committed to creating a series of music-focused events to empower those in need to transform their lives, through social connections, music and the values of humanity.

In 2017, Xander co-founded “House Nation Live”, an online radio station and network of DJs across Australia and abroad – including the UK, USA, South Africa and Europe – delivering House music shows in the form of live video streaming. Not interested in mainstream fads and trends, this venture showcases real talent and creates a sense of community among House DJs, producers, artists and House music lovers in the electronic music industry.

Driven by his passion for music and people, Xander loves connecting with like-minded individuals, nurturing new talent and serving up quality dance tunes.


GO BANG! Magazine: When and how did you get interested in music?


Xander James: Music has been a major part of my life since I can remember. From playing with baby-sized musical instruments as a 2-year-old, singing along at family gatherings, and later as a lead in my primary (elementary) school choir, reciting poetry and being part of my local dance troupe, studying church (Byzantine) music and getting involved with my junior high school choir, taking piano lessons and briefly studying classical music, to recording mixtapes on cassette from the radio for myself and close friend. I was always fascinated by sound, rhythm and dance.

GO BANG! Magazine: When did you develop an interest in House music?

Xander James: My interest in House music came about in the early ’90. While I was growing up in Greece, during my pre-teens, I discovered a radio station that was playing mainly “English music” – House, Eurodance and other Electronic Music sub-genres… I became fixated, almost instantaneously.

GO BANG! Magazine: Please describe the House music scene in Australia.

Xander James: The House music scene in Australia is constantly evolving… Similar to the US, there are strong communities of Househeads who primarily celebrate in more intimate gatherings and there is a larger demographic who follows the more crossover/mainstream sound, all the way to EDM. Having said that, the last few years we are seeing a resurgence of weekly Underground parties and large scale one-off events that are focused more on selective quality sounds, somewhat purist in nature; from House to Techno, mainly Tech House, Afro, Deep, Soulful and Classic House, and less mainstream sounds, which is rather refreshing.

GO BANG! Magazine: As a producer/remixer, how would you describe the Xander sound?

Xander James: Both as a producer/remixer and as a DJ, I strive to nourish our feelings and emotions with melody, groove and positive energy, creating spiritual moments and delivering a unique dance music experience. My sound is a unique blend of Tech House – Balearic Tech House as I call it – combining House and Techno beats with Deep House grooves, Balearic melodies and world sounds, usually infused with Afro-Latin percussion.

GO BANG! Magazine: You’ve collaborated and performed with numerous pioneers of House music that are from my hometown of Chicago. How would you describe the experiences you had working with those legends?

Xander James: Indeed… Having worked, collaborated and performed together with many of the Chicago House music pioneers has enriched my career and life with nothing but pleasantly memorable experiences and positive moments… The connections have always been quite natural and I think this is primarily due to our mutual love and passion for House music, together with the fact I was never big on idolizing and being a pestering fanboy, but instead simply treating everyone with respect, and both as colleagues and friends.

GO BANG! Magazine: “House Nation Live” is an online radio station. Tell our readers why you decided to start the station and what its mission is.

Xander James: House Nation Live (HNL) is an online radio station to a certain extent, but most of all we are a global House DJ collective delivering live video-streamed shows to House music lovers around the world. As we move to our next phase, HNL is soon to become a full online video streaming platform for DJs by DJs, connecting, embracing and serving House music communities all around the world!

For quite a few years now, I have been on a mission to do my bit in keeping House music and its essence alive, while moving forward into the future. Since co-founding House Nation Live in 2017, the brand is focused on diversity and unity, and we are committed to showcasing DJs from multicultural backgrounds, to represent a global House sound. HNL is a multifaceted project with a broad mission and vision that ranges from what you see and experience now, and the platform I have mentioned earlier, to music events, label releases and an industry regulatory board, workshops and mentoring sessions for young aspiring artists and DJs. It also includes fundraising events, creative projects, schools and scholarships for impoverished, underprivileged and indigenous communities, and those fellow human beings who are experiencing homelessness, and are affected by disabilities and addictions.

GO BANG! Magazine: Please describe what “Balearic – The Sounds of Ibiza” is and how often you have events.

Xander James: Balearic – The Sound of Ibiza is best described as sunny vibes, organic grooves and world sounds; local (and in future global) gatherings with quality electronic music, inspired by the mecca that is Ibiza… Balearic has been on a hiatus for a couple of years now, mainly because I shifted my priorities to House Nation Live and also due to being unable to source and secure the right venue to consistently host our events.

The concept saw a series of 10 hour parties, running primarily on a monthly basis, and the format was starting early in the evening accompanied by downtempo sounds, picking up the tempo after sunset with a proper club vibe, and finishing up late at night (early the next morning), with the idea to recreate the European summer experience in the Mediterranean Sea.
I am obsessively meticulous about the event production, as it reflects a full experience and fusion of the right music and sound, ambience and decor, open-air surroundings and sunset views, food and culture, and very importantly DJs that are very familiar with the White Isle. They understand the concept and have lived the summer experience we are recreating, playing sets that are no less than 2 hours long. I am very confident that Balearic will return bigger and better this coming Australian spring and summer season.

GO BANG! Magazine: Are there any artists that you would love to work with or events that you would love to participate in that’s here in the States?

Xander James: Exploring collaborative possibilities and working with other artists – new and old, aspiring and established – is something that I’m always open to, and that I thoroughly enjoy!

There are many producers, DJs, singers/vocalists/MCs, songwriters and spoken word artists/poets that I respect and haven’t worked with yet in the States… Some of the more established names that I would love to collaborate with – from House music to Neo Soul and everything in between – include Larry ‘Mr. Fingers’ Heard, Paul Johnson, Mike Dunn, Glenn Underground, Steve ‘Silk’ Hurley & Shannon ‘DJ Skip’ Syas, Joe Smooth, Marshall Jefferson, Tommy Thumbs, Harry Dennis, Ron Trent, DJ Pierre, Lil’ Louis, Terry Hunter, Alan King, Ralphi Rosario, Jesse Saunders, Todd Terry, Dennis Ferrer, Tier Ra Nichi, Little Louie Vega & Kenny ‘Dope’ Gonzalez, Armand Van Helden, Brothers’ Vibe, Doc Martin, Felix Da HouseCat, Erick Morillo, Todd Gardner, Andy Caldwell, DJ Spen, Karizma, Derrick May, Carl Craig, Juan Atkins, Robert Hood, Kenny Larkin, Jeff Mills, Kevin Saunderson, Terrence Parker, Moodymann, DJ Rolando, Eddie Fowlkes, La India, Marc Evans, Ursula Rucker, Josh Milan, Barbara Tucker, Peven Everett, Jill Scott, Erykah Badu, Common, D’Angelo, Maxwell, Lauryn Hill, India Arie, Musiq Soulchild, Angie Stone, Goapele, Alicia Keys, Pharrell Williams, Q-Tip, Ryan Leslie, Timbaland, Sean ‘Diddy’ Combs, Dr. Dre, Scott Storch and the list goes on…

Similarly, there are a number of events that I would be interested to be involved with, participate in and perform at, like the Chosen Few Picnic & House Music Festival in Chicago, the Miami WMC, Miami Music Week & Ultra Music Festival in Miami, EDC in Las Vegas, Coachella Valley Music & Arts Festival in California, Electric Zoo Festival in New York, Burning Man in Nevada, Elements Music & Arts Festival in Pennsylvania, Movement Electronic in Detroit and more.

GO BANG! Magazine: What is next on the agenda for Xander James that our readers should be on the lookout for?

Xander James: I’m very much focused on the continuous evolution of House Nation Live and my regular live streamed video shows there. There’s also a number of music productions and releases (originals and remixes) that are scheduled for the rest of the year, guest mixes and DJ sets on other online networks and radio stations. Various creative projects and collaborations with both local and international artists and crews, music and community events courtesy of Balearic and a not-for-profit initiative and fundraising movement I founded in 2015 called House For Love.

House For Love brings together leaders from various communities and industries, and empowers those in need to transform their lives through social connectedness, House music and the values of humanity. Then there’s a couple of new business ventures, plenty of mentoring sessions and possible workshops, and a self-empowerment e-book that will serve as a practical (quick-read) guide to fulfilment, for entrepreneurs, aspiring business owners, artists and creatives, and anyone who is striving to play a big game in life by pursuing their passions, following their dreams and unlocking their full potential. So stay tuned!

GO BANG! Magazine: The COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Xander James: Indeed, and it is very evident that many fellow humans are not dealing too well with everything that is going on at the moment, and over the course of the last three months. It is perfectly understandable too, for I strongly believe that the overall situation has not been handled correctly; too many knee-jerk reactions from “leaders”, a lot of misinformation and unnecessary fear-mongering from the media, leading to panic and hysteria, and dare I say extreme measures of isolation.

Please excuse me for getting too political, but as I frequently say in general discussions across all topics, it all comes down to leadership, and in my opinion, on a global scale, the vast majority of the “leaders of the world” who are in the top decision-making positions of government and health advisory roles have failed us, yet again. Even though I religiously do not follow the mainstream news or watch much TV for that matter – for as Denzel Washington once famously said, “If you don’t read the newspaper (and watch the news) you’re uninformed; if you do read it (and watch them) you’re misinformed…” – from the little that I have been observing, the few select sources that I have been following, and my very own research, it is clear to me that logic has gone out the window.

I’m an optimist. (lol) On a personal level, I have been fortunate enough to not be affected by the situation. Most of all, I haven’t been phased by the self-isolation measures as I usually invest a lot of my time towards being creative at home, making music, doing personal research on matters of interest, reading books, journaling, mentoring, taking nature walks and working on passion projects – all of which can easily be done remotely and with the use of technology and independently. So, in actuality, I have been busier, more productive and more focused than ever.

GO BANG! Magazine: On May 25, 2020, George Floyd, a 46-year-old black man, was killed in Minneapolis, Minnesota, during an arrest for allegedly using a counterfeit bill. Derek Chauvin, a white police officer, knelt on Floyd’s neck for almost nine minutes while Floyd was handcuffed and lying face down, begging for his life and repeatedly saying “I can’t breathe.” This incident has caused civil unrest and massive protests across the world. How do you feel about this unfortunate situation and call for police reform due to the horrible treatment of minorities by the police?

Xander James: Honestly, if I had to say this situation was unfortunate, I would be too polite and too politically correct, and I can’t be that, for I believe in fairness, which is even above equality. I have been quite vocal about this crime – and it’s not the first time I have publicly weighed in on such matters – sharing my thoughts in a way that I can offer some much-needed perspective and awareness, stimulate rational thinking and set the record straight, because this is not the first time something like this or similar to this has happened, especially against a member of the African American community, resulting in the death of a human being who should still be alive – no matter who they were or what their past said. Not even declared terrorists and individuals who cause terror – through murder and mass killings – are treated this way, which is mind-boggling!

This incident should not have happened, period! The fact that it happened shows that despite the evolution of mankind, we have so much more work to do. I am not a black man, nor can I pretend to understand what it is to be a black man – especially in the States – but I have experienced prejudice through much of my lifetime, as I was uprooted twice, and I have been treated as a foreigner, an immigrant and a second class citizen at times in both my country of origin (Greece) and my country of birth (Australia). So to an extent, these matters hit close to home, and make me feel so appalled that they can even be justified, by any means and to any extent. Again, all this coming from an optimist, but most of all someone who believes in humanity above all.

Police reform is the least we can do about this situation, as it is evidently more of a cultural issue. It’s a deep-rooted cultural issue, not only in governmental departments but in society as a whole. Society has progressed to an extent, but there is still plenty of work to be done. This is a civil and human rights issue. I strongly believe – without segregating on the opposite direction – that the “white community” and “white leaders” need to step up. At least, this is what I intend to do, in whatever capacity I can, so we can cause change and work together with the black community, and all minorities, in order to put an end to the BS and move forward together.
First of all, there is only one race on this planet, the Human race, and the fact some people still don’t get it shows how ignorant some are, who have been taught to be ignorant and then grow up and teach others to be ignorant as well, believing that one skin color or community is better or worse than the other – truly crazy stuff! Perhaps if DNA tests were an everyday thing, people would see how they come from so many different cultural backgrounds and ethnicities, but still one race, the human race…all of which began in Africa – Mother Africa.

Racism should not exist, racial profiling and police brutality should not exist, and to be blunt, systematic slavery should not exist either, so let’s not pretend anymore that everything is running smoothly or working clockwise, for it ain’t! Let’s not be “colour blind”, for that’s not a solution either. Now, I’m not calling for an uprising here, for this will be foolish – I doubt it will serve any real purpose or bring long-term results, apart from some short-term band-aid solutions – I’m calling for a revolution of the mind, which can really bring the end of – any form of – oppression. Awareness and conscious initiative is power!

As I said on my first post about this tragic incident and heinous crime, and the whole situation –you can read my full public post here: https://www.facebook.com/photo.php?fbid=10158726209428296 – “May George Floyd and the many other African Americans who had their lives taken away over the years rest in peace and may their families receive the justice they deserve. The rest of us should reflect on these harsh realities of life, be grateful for the extra privileges we have and not be ignorant or silent. We have a moral responsibility to educate, guide and empower our youth and future generations in order to change the current narrative. More fairness, love and humanity!”

Some really important points were also brought up by Killer Mike during his interview in Atlanta when he addressed the community about this incident, and he spoke about the need for strategic planning and action, not retaliation and rioting, but an organized approach and proper community mobilization, the “black community” in particular. Also, in a video about this civil and human rights matter, and the prejudice against the African American community, Byron F. Wilson (Founder & Headmaster of The Wilson Academy) explained why this is happening and what needs to be done in order to reverse this. He spoke about the fact that ever since the Tulsa riots and the dismantling of the Black Wall Street, there haven’t been fluent eco-systems within black communities that can also make up a bigger nationwide sub-economy of African American owned and operated businesses, schools and services that hold weight, power and influence, like the Jewish community who owns much of Hollywood, the media and many influential businesses in the States. Or even the Italian, Greek and Asian communities for example who also own many restaurants and successful businesses. As such, the black community lacks bartering power in countering legislations that inflict prejudice and oppression against their people, and having the ability to take a stand against inappropriate action by those in uniform and influence important decision making by government officials. Mostly of course because they have been unfairly disadvantaged for years and have not been given equal opportunities.

I very much agree with this, and I believe that there is a need for a more strategic approach by African Americans to invest within their own communities and a unified approach from white Americans to stop any unfair advantages from this point on, supporting the notion that as Americans – in the States – and as humans in all parts of the world we need to move forward together. Each one, teach one, for success breeds success!”

For me it’s always about perspective over perception and just over a week after the incident when protests were well and truly underway – not only in the States, but all around the world –and we also started seeing riots and looting taking place, I made another public post because some were starting to fall into the comparison trap. I will leave you with a couple of extracts and some more perspective – you can read my full second public post here:
https://www.facebook.com/photo.php?fbid=10158760649583296.

“Looters and vandals are not activists or protesters. However, every time there is an African American protest against oppression in the US – or any ‘people of colour’ protesting around the world – where riots break loose, and we see ignorant and irresponsible youth and adults (of any background) looting and vandalising, and gang members joining in to wreak havoc – along with paid agitators who come to cause trouble and “fuel the fire” – we easily identify or we are told to identify everyone in the crowd as part of the same community. Is it right for someone to loot and vandalise? No! Are these individuals there to support and promote the cause of the community who is in protest? No! On the flip side, are innocent people dying because they are being racially profiled? Yes. Are those in uniform getting away with it? Yes. Which one of these is the biggest issue, and which one is a byproduct of the other? Looting and vandalising or police brutality? I think we all know the answer to that. Now, are all police officers bad and prejudice? No. And as such, they need to be singled out and dealt with accordingly – but as history shows, many if not most of the ones who are bad and prejudice, committing crimes against the very citizens they meant to protect and to serve, tend to get away with it because they wear a uniform and badge. So, in the same manner, we ought to single out looters and vandals, and not stereotype them as part of a community because of the colour of their skin, generalising and making ludicrous statements…”
“Unfortunately, stereotyping, prejudice and discrimination occurs everywhere, from ‘people of colour’ to immigrants all around the world – African Americans, Africans during the Apartheid and to this day through immigration, Aboriginal Australians, Native Americans and all native tribes worldwide, Latinos and Hispanics, ‘wogs’, Asians, Indians, Pakis and Arabs, the list goes on – which is f*cking crazy…

We have been conditioned to hate, which is ridiculous, and now – more than ever – is the time for us to learn and teach how to love… There’s only one race, the human race that we are all part of, and just because we look and sound different from one another or we follow different traditions and have different religious beliefs, this does not mean that one is better than or superior to the other, or that we should turn against each other… We all bleed the same… Let’s not continue to be pawns on a chessboard…”

When the mainstream media promote a particular topic or event, we always ought to question its validity, and in many cases think almost the opposite of what they’re promoting – that their focal point is not necessarily the actual problem (e.g. looting and rioting) and that the finer details about the topic or event they are constantly bombarding us with, are not accurate or as important as they are perceived to be… They always have an agenda in place – and aside from trying to divert attention and skew people’s perceptions – their aim, in its purest form, is to increase viewership numbers in order to sell advertising…

We need to be united, by empathizing with and empowering one another, be less reactive and simply spread love! Kindness over hatred peeps – perspective over perception.” 🙏❤️✊

“My vision is aspire to inspire while connecting people through music and self-expression… My mission in life is to empower others to explore possibilities and realize their full potential.” – XJ 😎✌️ 1 luv, peace & music-beats d(•_•)b

You can follow Xander on ALL social media formats.

https://www.XanderJamesDJ.com — XJ Official Website
https://www.XanderJamesDJ.com/#contact — XJ Email for Bookings & Enquiries
https://www.facebook.com/XanderJamesDJ — XJ Facebook Artist Page
https://twitter.com/XanderJamesDJ — XJ Twitter Account
https://www.instagram.com/XanderJamesDJ — XJ Instagram Account
https://www.youtube.com/XanderJamesDJ — XJ YouTube Channel
https://soundcloud.com/XanderJamesDJ — XJ SoundCloud Tracks
https://www.mixcloud.com/XanderJamesDJ — XJ Mixcloud Mixes
https://www.beatport.com/artist/Xander-James/312158 — XJ Profile & Releases on Beatport
https://www.traxsource.com/artist/115540/Xander-James — XJ Profile & Releases on Traxsource
https://www.residentadvisor.net/dj/XanderJames — XJ Profile on Resident Advisor
https://thedjlist.com/djs/XanderJames — XJ Profile on The DJ List
https://www.facebook.com/MrXanderJames — Personal Facebook Profile
https://www.facebook.com/HouseNationLive — House Nation Live Page
https://www.facebook.com/BalearicParties — Balearic (Events) Page
https://www.facebook.com/HFLmovement — House For Love Page
http://snschicago.com/Xander-James — Music is the highest form of self-expression! – Xander James (an interview with S&S Records, Chicago)
https://www.facebook.com/watch/?v=314465665996092 — Who is Xander James? A video interview with Kym Wilson




Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Born and raised on the South Side of Chicago, FIRST LADY, (Khrishna Lynese Henderson-Hutchinson), is a Radio/ Television personality, Educator, Spokesperson, Mentor, Billboard Award winning Radio Music and Radio Programmer. An International and pioneer DJ, the FIRST Female DJ to play House Music on the radio, and she was also a member of the FIRST ALL FEMALE House Music DJ team (The Fantastic Four) as well the first female mixer on Chicago radio, (WGCI-FM 107.5 in 1986).

First Lady, or Khrissie “Hott Mixx” Henderson as she was known then, is also one of the first females to record a house record, (used by: DJ MKII, DJ International Records 1986) and with almost 40 years of experience in the broadcast communications and music industry, First Lady has worked with some of the biggest names in the industry, as well as, the top radio markets New York (WBLS-FM, KISS-FM and HOT 97 FM), Chicago (106 Jams, WGCI-FM and WVAZ-FM) claiming #1 shows in both cities, as well as large markets Milwaukee (V100 FM) and Indianapolis (WTLC AM/FM).

First Lady began her professional radio career at Chicago’s FIRST 24 hour Rap Music station WJPC 950AM Rap Radio as the night time host, then doing co-hosting mornings on Chicago’s First Hip Hop and R&B Station WJPC-FM 106 JAMZ on the Strictly Street Morning Show. From 1995 -1998 First Lady co-hosted one of Chicago’s most successful urban male/female evening radio duos to date: Rick Party and First Lady on WGCI-FM 107.5. In 1998 First Lady accepted a position in New York City as co-host of the Isaac Hayes and Friend Morning Show on WRKS-FM 98.7. She then moved to New York’s “1 Hip Hop and R&B station HOT 97”. Later she accepted a position legendary station WBLS-FM 107.5 where she hosted the evening show and a Friday night mix show with Hip Hop Legend Grandmaster Flash.

In 2010, her leadership as Program Director for “WTLC-AM 1310 The Light” received The Stellar Award and Gospel Music Award Station of the Year in a Large Market. She was also the recipient of the 2006 Billboard Hip Hop and R&B Award for APD/Music Director of the Year and in 2011 she was ranked #17 on the list of “The Top 30 Black Women in Media” by Radio Facts. In November of 1995, while attending Chicago State University, First Lady served as the 1st Program Director for student run WCSU Radio station.

In 2015, First Lady was inducted into “The Frankie Knuckles Lifetime Achievement Award DJ Hall of Fame” by The Chosen Few DJs, as well as, accepted a position at The Illinois Media School-Chicago Campus as a Radio Faculty Advisor/Instructor and station consultant. She has served as a Spokesperson and Brand Ambassador for the American Dairy Association during the Indiana State Fair from 2008 to 2012. In 2012 she also served on the Radio Advisory Board for St. Jude Children’s Research Hospital.

First Lady has also been involved with numerous prestigious brands and organizations known throughout the world: Super Bowl Gospel, St. Jude Children’s Hospital, 100 Black Men, Girls Scouts of America, The American Dairy Association, Amsterdam Dance Music Festival (ADE), The Indiana Black Expo, Circle City Classic, Chicago House Music Day, The Hot Mix 5 Music Festival, Chicago Girls Rock (City of Chicago), Soul Train Impact, Global Mixx Conferences and The Hot Mix 5 just to name a few. She is currently CEO/Label Owner Kreative Kontrol Music, Faculty Advisor, Radio Station Consultant and Instructor at the Illinois Media School Chicago Campus,Co-Founder of the Living HerStory Music Series, Programming Consultant for London based streaming station, SG1 SOUL and is currently the Program Director/Midday Personality and Mixer for one of Chicago’s newest radio stations, 95.1FM (Club Steppin’).

First Lady and her husband, DJ pioneer Hugo H., recently teamed up to create a husband and wife DJ duo called “The Love Team.” They can be heard every Thursday and Friday night on www.sg1house.com and every Saturday night from on www.sg1radio.co.uk bringing the The sound of Chicago to the UK.

GO BANG! Magazine: When and how did you first get started as a DJ, and what did you like about it?

First Lady: I actually started because I was dating a DJ and I realized that the way to his heart was through his hobbies. I started asking questions about the technique of blending two records together. He showed me, and I was hooked. The ability to take two songs and smoothly transition from one into the other, while keeping both songs on beat, was so interesting to me. I wanted to learn all I could about it.

GO BANG! Magazine: Once you decided that you wanted to pursue DJ’ing as a career, why did you want to make the transition to Radio?

First Lady: I really didn’t decide to have DJ’ing as a career. It was just something I truly enjoyed doing. I wanted to go into television/film. The opportunity to be on the radio came from a challenge. One day I was talking with Farley, who was known as Farley “Funkin” Keith at the time, I asked him why there weren’t any females DJ’ing on the radio. He said “Make me a tape.” I did, and the rest is history.

My dad was the person that introduced me to radio when I was about five years old. He was part of Herb Kent’s “Electric Crazy People” on WVON. They were best friends. I didn’t actually get hit by the radio bug until I was DJ’ing on WGCI-FM. I was an acting student at Columbia College. Bonnie DeShong was my teacher. She told me that since I already had my foot in the radio door, I should pursue it. I was already interning in the Programming department. That is where my love for radio began.

GO BANG! Magazine: While pursuing your DJ/Radio career, you broke down a lot of barriers that were up against women. You were literally the “first lady.” Please describe to our readers how you felt at the time, when you were trailblazing a path for women in DJ’ing and in Radio.

First Lady: At the time, I didn’t think about trailblazing. My focus was on doing what I wanted to do. I never considered the historical or pioneering aspect of it. I wanted to DJ on the radio, so I focused on that. It wasn’t until years later that I realized the significance of it.

Regarding being an on-air personality, I was standing on the shoulders of greats like Yvonne Daniels, Chilli Childs, Irene Mojica, Bonnie DeShong, AJ Parker, Carla Box, Veronique, Shirley Hayes and many others. It was the strength that I gathered from them, that helped me hold my own in the Rap Radio area. Although I started my on air career at WKKC-FM, it was WJPC 950 AM Rap Radio that I began to really stand strong and represent for females in the early days of radio, in that genre of the industry.

GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized as the first female DJ to play House music on the radio. You were also one of the first women to record a House record. What influence, if any, do you feel you have had on DJs, Radio, and House. Also, how has House influenced you?

First Lady: As for an influence, you would have to ask those that came up listening to me. I would hope that I was a strong, talented and entertaining radio personality/DJ/artist that made them want to do what I was doing. Not just because I made it seem fun, but because I showed them that it was attainable for them. House music, Disco, R&B and Italo continues to be the soundtrack to my life. I have taken it with me and shared it with every person I have met around the country and world. It is the sound that keeps the world moving in the direction of love, peace and happiness.

GO BANG! Magazine: I have personally witnessed you participating in several community events and student mentor programs. Why is it important for you to give back to the community?

First Lady: I see it as paying it forward. We are all a part of a larger village. I feel a responsibility to share my experiences with those starting or moving through their journey. We all have a higher calling on our lives, a purpose driven life, a gift that we have been given, and we must share it. Community outreach and mentoring programs are the ways I choose to contribute.

GO BANG! Magazine: In the past, female DJs were more of a novelty, and not taken as serious as their male counterparts. Do you think that image has changed and why or why not?

First Lady: WOW, that’s kind of a loaded question. I say that because my experiences are different from other female Djs. When I started, I was fortunate to have male DJs that were willing to assist with my growth and development within the craft. I am blessed to still have that solid foundation of support from many of my male DJ brothers.

Regarding the sexism and boys club, yes it still exists. As women, we still encounter that in many ways in life, not just music. I encourage my sisters to learn the rules of engagement, focus on the craft, their skills, brand, business sense, and publishing. Most of all, remember their worth and never being afraid to stand on what they bring to the table.

GO BANG! Magazine: You were a pioneering member of the first ALL FEMALE DJ team in Chicago named “The Fantastic Four.” In 2015, DJ SolKat established “The Queens of House Picnic.” How does it feel to see the seeds that you planted years ago, currently sprouting and prospering in the House community?

First Lady: She and I actually spoke when she first started planning to move forward on her dream. Of course I was in total support. I was asked to play at the inaugural QOH Picnic, as well as the three that followed. I continue to be in support of the platform she has created. Yes, I feel proud to see the growth, from where the Fantastic Four started in the mid 80’s, up until now. The number of female DJs across the word still makes me smile.

GO BANG! Magazine: Please tell our readers about your husband Hugo “DJ Hugo H” Hutchinson.

First Lady: I am not only married to a DJ, but he is also my business partner and best friend. Although we both started DJ’ing, for me at 13 and for him at 12, we have known each other since we were 18 and 19, but we had never played together. It wasn’t until the summer of 2015, at a house music festival called “3 Yards Bangin,” that we first played together. A year later, we teamed up under the name of “The Love Team” and began playing together.

#TeamWorkMakesTheDreamWork. We are currently the only husband and wife both inducted into the DJ Hall Of Fame (Me, Class of 2015, Hugo H., Class of 2018) at the Chosen Few Picnic.

GO BANG! Magazine: There are several DJ’s out there with mad skills. Which do you personally like, and which ones would you love to DJ with?

First Lady: I have played with so many over the years. I can’t say I have a favorite because all of my sisters are special. They all bring their own magic to the craft. Each one of them tells their own story when they play. I enjoy hearing them all. If you really listen to what is being played, the way it is being played, and when it is played, you will have an appreciation for who is playing it.

GO BANG! Magazine: You are currently the Program Director/Midday Personality and Mixer, for 95.1FM., in Chicago. Where do you want to take the station, programming wise, in the future?

First Lady: 95.1FM Chicago is an amazing station. We have only been on air since August 2019 and have created such a noise in the industry. As Program Director, I can say the overall goal is to provide the most entertaining, educating and uplifting station possible for the Chicagoland area and those listening via our 95.1FM Chicago app.

As the Midday personality, I work hard to bring relief to those working hard each weekday. I do that with great music and just being a co-worker the listener can relate to. I am most proud that we have brought local radio back to the market. We represent the lifestyle of Chicago, playing music of many genres, (R&B, Disco, Steppers, House, Jazz, Blues, Motown, Funk and Rap). We are the first station to have the current Mayor, Lori E. Lightfoot, as a member of our On-Air family every Wednesday with “The Mayor’s Minute.” We also have Grammy Nominated Artist “The Prince Of Sophisticated Soul” Will Downing, along with Chicago’s favorite radio veterans, Ramonski Luv (Luv In The Morning Show), Troi Tyler, Bonnie DeShong, AJ Parker, Gachelle Coffey and Gene Phillips, as well as The Legendary Steppers DJ Sam Chatman and House Music Pioneer DJ’s Hugo H. and Brian Frazier and the new generation DJ K- Blaze. I am proud of every member of our team. By the way, the station is owned by Tracey V. Bell, who is a Black Woman… #TrueBlackGirlMagic

GO BANG! Magazine: In addition to being a DJ and Radio Personality, you are also a successful businesswoman. Please introduce our readers to your company Kreative Kontrol Music.

First Lady: Kreative Kontrol Music as a label was created by me and my husband Hugo H. We want to give artists an opportunity to work with a label that would allow them to have some say in what happens with their music and how their brand is marketed. The music business is just that, a business. It is important that artist have that understanding.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

First Lady: COVID-19 has brought the entire world to almost a complete stand still. I am dealing with it on a day to day basis. Some days are extremely stressful. I worry about the well-being of my family more so than myself. My mother lives in Las Vegas and my dad lives in New York. We worry about our daughters as well, even though they are grown, (Khumare 29, Ciah 26 and Kristyn 24). Regardless to what is happening in my personal life, I get up every day and face whatever comes my way. I greet my listeners with a smile. I hope they can see it through the radio. I do my best to bring sunshine into their day. Music is truly a healer and I present it for that purpose.

YOU CAN FOLLOW FIRST LADY ON FB, IG, TWITTER, YOUTUBE, SNAPCHAT, MIXCLOUD, SOUNDCLOUD & TWITCH @ilovefirstlady



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the owner of Pinnacle Entertainment Productions. Follow him on Facebook, Twitter, and on Instagram

Powered by the Modern Dance Music Research and Archiving Foundation @DanceMsuicFound Pioneer DJ Lori Branch and House Music Archivist and CoFounder of @DanceMusicFound Host. CHECK OUT VINTAGE HOUSE ON WNUR 89.3FM 10PM WEDNESDAYS!! DJ LORI BRANCH AND ARCHIVIST LAUREN LOWERY INTERVIEW HOUSE LEGENDS, INTRODUCE NEW MUSIC AND KEEP YOU ABREAST ON THE PAST, PRESENT AND FUTURE OF HOUSE!! Your memories and artifacts are critical to our research!! Post and bring them to the station ANYTIME!!!

Contact: 224.408.0048
Listen: WNUR 89.3 FM
Follow on Facebook @Vintage House on WNOR 89.3FM

Lori Branch is a Chicago native that began her life-long affair with music in 1980 as the DJ for a Chicago-based, social club named Vertigo. Vertigo, founded by Eric Bradshaw, Craig Loftis and Steven Moore hosted dozens of teen parties from 1980-1984 in such iconic locations such as Sauers, the Loft, the Penthouse, Aragon Ballroom and McCormick Place.

As a solo artist, Lori has held residencies in numerous Chicago clubs, played opening sets for several recording artists such as Michelle Ndegeocello, Lauren Hill, Arrested Development, Tribe Called Quest and others. Lori has co-produced music for several independent film projects in addition to writing and producing television and film projects such as Kevin’s Room, 40th:The Story of Roberts Temple and the Rap-it-Up Chicago series.

Seen by many as a pioneer DJ in Chicago’s House music scene, and one of (if not the) first women to grace the decks as a DJ and promoter, Lori is featured in a number of documentaries, magazine articles and television specials. Lori views her love of all music as a “life-affirming, artistic extension of me.”

She currently co-hosts the Vintage House radio program on WNUR 89.3FM Evanston Chicago and WNUR.org and is a board member of The Modern Dance Music Research and Archiving Foundation. Lori is a mom, wife, sister, daughter, niece and cousin.

“My family keeps me grounded in truth. My music keeps me moving in all the right directions.”

GO BANG! Magazine: When and how did you first get started as a DJ, and what did you like about it?

DJ Lori Branch: I started DJ’ing in 1980, shortly after graduating from Lindblom High school. I was asked to consider DJ’ing because I was a regular club kid at the Warehouse and my best friend, Jean Pierre Campbell, was an avid music collector. Jean and I would scout the city looking for the records we heard at the Warehouse, and along with our own love of punk, rock and R&B, we amassed a good collection. My high school buddy Eric Bradshaw invited me to attend a party that he and his social group Vertigo, which also included Craig Loftis and Steven Moore, were throwing at a club called the Loft. The Loft, located in Chicago’s south loop, was a popular space rented to youth social clubs. My jaw dropped to the ground when I arrived on the night of his party when I heard the DJs (Wayne Williams and Tony Hatchett) playing songs I heard at the Warehouse and other (predominantly) gay clubs (I was only 17, so I was sneaking into most of these). I told Eric that I wanted to join Vertigo so I could be part of creating this energy and he told me that I would not only join but that Jean, Craig and I would be the group’s DJs. After a widely successful Vertigo party at another popular spot called Sauers, we bought a trunk-full of equipment and I dove headfirst into learning. I caught on quickly with the help of Louie (Jose) Gomez who taught me, Jean and Craig the basics. We spent many nights in my bedroom or in Craig’s basement practicing which was incredibly important because mixing rock, punk, R&B and disco was difficult as music was not time synched, no long intros or breaks and almost all was live instrumentation. It took a lot of practice and I remember so many of those early mixes because when you found something that worked you did it over and over. We did a lot of basement gatherings and then were thrust on stage. I think my first big party was a battle with about 500 kids in attendance. It was crazy.

What I loved about DJ’ing was that for most people in the world, mixing was still a relatively new art form and the idea that you could play for hours with no breaks, create a trance-like state for dancers, sweat your clothes off, smile and laugh all night and be passed out the next day from sheer exhaustion was the best. It also gave me an amazing platform to break out of my shyness, model fashionable clothes and meet tons of cool people, many of whom are like family to me to this day.

GO BANG! Magazine: While pursuing your DJ career, you broke down a lot of barriers that were up against women. You were literally one of the first female DJ/Promoters in Chicago. Please describe to our readers how you felt at the time, when you were trailblazing a path for women DJs/Promoters.

DJ Lori Branch: When you are doing something that others find significant you do not often know at the time that is what is occurring. Such was the case about being a female DJ in a field of males in the early 80s. I was aware of that it was unique but did not really focus on it much. We were just kids trying to have fun and make some money. I would occasionally get, “where’s the DJ?” or “You’re the DJ?!” when setting up my equipment, but I think I was unfazed. I knew that I could play just like anyone else. I won some battles, had great nights and some not great nights – just like any other DJ or promoter. I was lucky to have folks like Wayne Williams, Craig Cannon and Craig Loftis who always pushed me out and encouraged me.

GO BANG! Magazine: In the past, female DJs were more of a novelty, and not taken as serious as their male counterparts. Do you think that image has changed and why or why not?

DJ Lori Branch: Definitely! Women DJs are everywhere, and it is amazing to see the kind of respect women are getting because of their skills.

GO BANG! Magazine: As a resident of Chicago, the home of House music, you are recognized as one of the pioneers. What influence, if any, do you feel you have brought to the House community and how has House influenced you?

DJ Lori Branch: I take my place in this community as a responsibility to show up and model love. I hope that is a positive influence on those who might attend a party, watch or listen to my shows or follow me. I am on a mission to sow peace, presence and humanity. I can be a little catty sometimes to add some spice to the shows, but it is usually done in humor, as I also think we can take ourselves a little too seriously sometimes.

The people in this community, my friends, family, the dancers, the promoters, other DJs, and artist have influenced me in immeasurable ways. When I see women like Nakiya Solkat confidently building her production empire, I am humbled to be in the company. So many in our community work so hard to bring the community together and to attract so many to something we have loved for so long. I also appreciate how there is such strong and growing interest in the origins of house music. I feel lucky to have been there when things kicked off here in Chicago. I have a friend Honey Dijon who is a DJ, producer, fashionista and businesswoman, and who happens to be one of the most influential women DJs in the world. I remember her being one of those kids who looked up to us young adults and I understand why what we did (especially the women) was so important. And now, she is my shero and inspiration. Funny how that works.

GO BANG! Magazine: Over the years, you morphed from being only a DJ. You’ve accomplished great success as a film and television writer and music producer. Please tell our readers how you got started in that, what you like about it, and if you plan to do more writing and producing.

DJ Lori Branch: I dropped off the Chicago DJ scene from about 1985-1991 to finish school and to pursue music production in a more serious way. I graduated from Columbia College in 1988 with a liberal arts degree and a concentration in Arts and Media Management. While at Columbia, I met filmmakers and many creative artists that helped me expand my vision. I lived in New York City and LA where I was moved by the horrifying effects of the crack and AIDS epidemics to do more. When I moved back to Chicago in 1991, I started DJ’ing again but this time I was motivated to address these larger social issues. I also lost several close friends to AIDS which was devastating. These experiences translated into writing and producing shows for cable television, PSAs and movies. I started out with as a producer on CAN TV and hosting the program Hotline 21 which allowed viewers to call in and ask live questions about AIDS. This served as a catalyst for my next project entitled “Rap It Up.” The show incorporated DJ elements, hip hop performances and interviews with community leaders about issues teens where experiencing in this increasingly complex time period. Gun violence, sex and STDs etc. were where we place our focus, but music was a through line. These efforts evolved into more projects like public service announcements and a film series entitled “Kevin’s Room.”

“Kevin’s Room” was conceptualized over a snowy day lunch in the basement of the board of trade building with my friends Jean Pierre, Karina Glover and Janice Layne. The initially one-hour film spurred two sequels from 1999 – 2006. The films were shot entirely in Chicago with professional actors and on a shoe-string budget. The drama centered on Kevin, a gay social worker, who convened a support group for black gay men. Each character was complex and dealing with frequently stigmatized issues in our community, such as living with HIV, being a bisexual man, condom usage (or the lack thereof), religion and monogamy. The movies were broadcast on UPN and WCIU, screened in dozens of film festivals and gained a large following. I worked with Blackcat Productions and Karl Productions on the overall production and I served as the Executive Producer and writer. The films can be seen online.

I love to participate and produce films and documentaries and have done others such as the story of Roberts Temple in Chicago. This film is about my great-grandfather Bishop William Mathew Roberts. He was the first Bishop to bring the Church of God in Christ to Chicago and was a leader in COGIC’s early days. The Church is special because it birthed so many amazing artists, was the first Church in Chicago with a live radio broadcast and is frequently featured in black history as it held the four-day funeral for slain teen Emmett Till. I plan to produce more just need to find the time to do it. And, my next production will be about House Music!

GO BANG! Magazine: In addition to that, you also currently co-host the “Vintage House” radio program on WNUR 89.3FM. Please describe when the show began, what the show is about, and why you feel the show is important.

DJ Lori Branch: We are celebrating the 5th year of the WNUR Vintage House show. The show was created as an outgrowth of activities associated with the Modern Dance Music Research and Archiving Foundation. The show was created by my friend Lauren Lowery who is also a Northwestern alum. Lauren had her first show on WNUR in the late 80s when she was a student. Our vision is to capture as many voices of Chicago House music experience as possible. Originally, we were just doing it for the listening audience and to archive the shows, but everything expanded a couple years ago to the FB live format. Facebook live opened the show to thousands more. It has also given me a chance to have a different role in the community as a historian and truth seeker.

I think the show is critically important to present both biased and unbiased accounts of this genre and the culture. We have all seen a lot of documentaries, articles and interviews that each try to capture some part of the story, but they almost always leave out importance people, places, and events. My job as producer and host is to dig deeper and go into the stories that don’t see as much light – and there are so many. As the historian, Lauren also tries to flesh out the timeline of where House Music began, who were the key players, what were the songs, venues, high schools, communities and all of the framing that made it a uniquely Chicago institution. Kevin McFall also hosts the show and he likes to take a more philosophical approach to his interviews by getting underneath the motivations of our guests. Every story is so valuable, and, like a puzzle, we need ALL of the pieces.

GO BANG! Magazine: In order for the House genre to flourish, it must be documented and passed on to future generations. Please explain how being a board member of The Modern Dance Music Research and Archiving Foundation achieves this goal.

DJ Lori Branch: The Foundation’s goal is to close the gap between the scholarly exploration of the history of the genre and its’ transformative impact on the world. We also aim to preserve and celebrate the lives and stories of our community. That the Foundation exists is critical and my role is to help figure out how we fit into and support the larger picture of dance music history in Chicago. We hope future generations will know, understand and fully appreciate Chicago’s unique contribution to House Music.

GO BANG! Magazine: In 2015, DJ SolKat established the “Queens of House Picnic.” How does it feel to see the seeds that you planted years ago, currently sprouting and prospering in the House community?

DJ Lori Branch: I am so amazed at the success of the “Queens of House Picnic” and simply love, respect and have deep admiration for DJ Solkat. My whole family (siblings, nieces and nephews, cousins, etc.) now support the event and it is arguably one of Chicago’s best summer events. I love it and look forward to the 2020 picnic. It feels great to see this space grow and to see so many fans supporting women artists. It is something I could have only dreamed about years ago. I know it takes a lot to bring that kind of line up and infrastructure and to make it free for folks is amazing. I hope to bring attention to the fact that this event will need the communities support in many ways, and I pledge to be among those that do so.

GO BANG! Magazine: Are you currently working on any new projects or would you like to mention anything that you’d like our readers to check out?

DJ Lori Branch: I am continuing to work on the Vintage House show and DJ. I post a lot on Soundcloud and will do live shows on Wednesday night around 10pm. I am also working on a production projects with my pal Craig Loftis and make a guest vocal appearance in his latest release Social Distance. It’s really a banger!

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

DJ Lori Branch: This pandemic is so heartbreaking and like everyone else I am trying to keep myself and my family healthy. My wife and I are both working in administrative roles in the health industry so we can work from home. We have an 11-year-old daughter who is also here along with our two cats and one dog. So, the house feels full which is nice. Staying in touch with friends and family has been great to help keep everyone connected and sane. I am also spending a lot of time organizing. My office has never been so neat before. I also have parents in their 90s, so we are doing our best to look after them as well. Mostly, I continue to pray, give to those in need and support everyone as much as possible. I do believe we are in this together and together we will be stronger when we emerge. Importantly, there is no better time to share music with everyone, so I am recording more and really enjoying all of the live streams each week. Let’s just keep the music going and we will all be okay.

GO BANG! Magazine: I’m so proud of you cuzzo!

Tune in to VINTAGE HOUSE on WNUR 89.3 FM or follow on Facebebook @VINTAGE HOUSE on WNUR 89.3 FM



Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

KNOWN AS THE “SUPER PRODUCER”, LISA E. HAS BEEN WORKING IN RADIO SINCE SHE STARTED AS AN INTERN IN 1989 AT WGCI RADIO IN CHICAGO. SHE LATER STARTED PRODUCING AND DOING ENTERTAINMENT, AND BECOMING A SIDEKICK ON AIR. AFTER ALMOST 15 YEARS AT WGCI, LISA DECIDED TO TAKE A JOB AS EXECUTIVE PRODUCER AT POWER 92 WHERE SHE WORKED FOR ALMOST 6 YEARS, PRODUCING THE MORNING SHOW UNTIL THEY WERE REPLACED BY A SYNDICATED SHOW. SHE ALSO PRODUCED “TALK IT OUT” ON WVON FOR MAZE JACKSON & MONIQUE SPENCE, AS WELL AS THE A.C. GREEN SHOW AT 106.3. SHE CURRENTLY PRODUCES FOR THE RAMONSKI LOVE MORNING SHOW ON 95.1 FM “CHICAGO-HEARTBEAT FOR SOUL.” SHE ALSO HAS HER ENTERTAINMENT COMPANY AND WORKS WITH SEVERAL CELEBS!

LISA HAS PRODUCED FOR TOP RADIO PERSONALITIES DOUG BANKS,TOM JOYNER, CRAZY HOWARD MCGEE, RICK PARTY, SAM SYLK, JEANNE SPARROW, STEVE HARVEY & DAVANTE STONE. ALL OF THE SHOWS HELD #1 RATINGS!

LISA ALSO WORKS WITH MANY CELEBRITIES, HOSTING SHOWS, EVENTS, AND MANY CHARITY FUNDRAISERS, AS WELL AS INDIVIDUAL EVENTS FOR ORGANIZATIONS, ESPECIALLY FOR KIDS AND ANIMALS. SHE ALSO STARTED HER OWN COMPANY-LISA E ENTERTAINMENT “CONCIERGE TO THE STARS”. SHE HAS WORKED WITH ALL THE TOP CELEBRITIES IN THE MUSIC, SPORTS AND MOVIE-TV INDUSTRY.

LISA IS A HUGE BEARS, BULLS AND CUBS FAN AND HAS BEEN COVERING GAMES FOR OVER 20 YEARS. LISA ALSO WRITES FOR VARIOUS MAGAZINES & HAD HER OWN COLUMN IN EXPOSURE MAGAZINE CALLED “THE LOCKER ROOM-WITH LISA E”. HER COLUMN WAS ALWAYS IN PURPLE-SHE LOVES ANYTHING PURPLE! LISA LOVES TO LAUGH AND IS ALWAYS PLAYING JOKES ON EVERYONE!

LISA LOVES MUSIC AND IS VERY WELL ROUNDED. HER FAVORITE ARTISTS INCLUDE 50 CENT, L.L. COOL J, JOHN LEGEND, THE ROLLING STONES, EARTH WIND & FIRE, GUY, STXY, MICHAEL JACKSON, PRINCE, NEW EDITION AND BARRY MANILOW.

LISA BELIEVES THERE IS ONLY 1 RACE-THE HUMAN RACE!

GO BANG! Magazine: Please describe when you first knew that you were interested in Radio.

Lisa E.: I always wanted to be in the entertainment industry, ever since I was little. I started as a theater major when I went to University of Iowa. Then, when I transferred to Columbia College in Chicago, I wasn’t feeling some of the classes so I decided to try radio and fell in love right away. My first two instructors were Harold Rush (Exec Producer of Banks and Company on WGCI) and Roz Varon (traffic on WFYR radio).
*fun fact-our class helped Roz Varon put together a cool audition tape for ABC 7 TV to do traffic. Well, she got the job and 31 years later, with multiple Chicago Emmys, she is still going strong as Traffic reporter and Special Programming

GO BANG! Magazine: What Radio personalities inspired you as a youth?

Lisa E.: I always loved to listen to radio personalities from Wally Phillips, Larry Lujack, Tommy Edwards, John Records Landecker, Steve Dahl, Casey Kasem, Tom Joyner and then Doug Banks, who was my absolute favorite

GO BANG! Magazine: Who were your mentors and how did their mentoring influence you and your career?

Lisa E.: My two mentors would be Bonnie Deshong and Doug Banks. They both took me under their wing. Bonnie was the first person that let me do an interview, when the Phoenix Suns were in town. I felt so important being able to record with a mic and special recorder. I interviewed Wesley Person, who is still my friend to this day…(lol). Bonnie used it for her “Eye on Entertainment” segment. Watching Doug, I learned so much. I couldn’t wait to go to work every day, because you never knew what to expect from Doug, except that laughter would be involved.

GO BANG! Magazine: WGCI is a station that’s a staple in the community. Please explain how you became involved with the station, from 1989 – 2004 as Exec. Producer/On Air, and describe your time there.

Lisa E.: I started as an intern when I was a senior in college in 1989 and worked for a whole year for free, I got credit for one semester. I started by running the control board for Cliff Kelly on 1390 AM, which was “all talk” at the time. I learned how to produce, because Cliff would have high profiled guests on in the political world, as well as community. We didn’t have internet then so I would have to look up numbers in the phone book, etc. and rely on the newspapers and the AP news that would be sent to us throughout the day through a fax type of machine that we could use to print out the news. Once I graduated College, I got hired. I worked with Sybil Wilkes overnights at 1390 AM. I was her Board Operator/Engineer and would book guests.

When WGCI am switched formats in 1990 and became Dusty Radio 1390, I worked with Emilie McKendall from 7pm until 12am. I also worked with Ladonna Tittle and then I ran the Larry King show and played music overnights. While I was working on the AM side, I would sometimes sit in and got to know everyone on the FM side, mostly Banks & Company. I fit in really well with everyone. Our President and General Manager Marv Dyson thought I would be a good fit, to be a backup producer for Tom Joyner on WGCI FM and that’s how I started on 107.5 WGCI FM.

When Tom went syndicated and did mornings, Doug Banks started doing afternoons. I ended up producing for Doug and had a blast because you never knew what to expect, but we had so much fun! After Doug left and moved to Dallas and became syndicated, I started producing afternoons for Crazy Howard McGee, and then I produced for other top personalities Jeanne Sparrow, Irene Mojica, Rick Party, Davante Stone “The Stone Pony,” and Sam Sylk. All of those shows had # 1 ratings! I was also on air with all of them for bits, entertainment, etc. Many of these personalities are still very close friends that I consider family. I also filled in on Drex’s morning show on Kiss 103.5 FM a few times to do news and weather. I ended up getting moved to mornings to produce again for Crazy Howard McGee before I left in 2004 to work at Power 92. It was the hardest decision I ever had to make because it was a brand new opportunity for me to produce a new morning show, but so hard to leave a place and people I truly loved.

GO BANG! Magazine: After WGCI, you started working with Power 92 Radio. Describe your time there from 2004 – 2009.

Lisa E.: Working at Power 92 was also a wonderful time! We had a brand new morning show with Davante Stone “The Stone Pony”, who also left WGCI, and Cortney Hicks “The Baby Girl.” I was the Executive Producer. Leon Rogers was later added to the show. Within a few months of being there, Stone Pony and I got to broadcast live in Athens, Greece for the Olympics Cortney wasn’t able to travel due to health issues. It was one of the best experiences in my life!

After they changed the morning show, Trey “The Choklit Jock” was brought on board with co-host Kendra G, and later Alexx Dupri, I remained on as Executive Producer. In December 2009, we were told that our show would be replaced by Ricky Smiley’s syndicated show and due to budgets, etc I was being let go. It was tough, since I had never been let go in my career after 20 years. I did come back and produce a few shows on 106.3 (the A.C. Green Show) and Power 92 (The Afrozons show). Many of the personalities and staff over there are still very close friends as well.

GO BANG! Magazine: Over the years, you have worked with a variety of well-known radio personalities. Please name a few and what your memories are of them?

Lisa E.: I have had so many fun and wonderful memories with many of them who are still very close to me. I will just list a few:
Jeanne Sparrow: One of my closest friends to this day. She calls me her “Producer for Life.” One of my best memories is when we did a live broadcast from Disney World. They closed the Magic Kingdom down early, so that all of the media had the whole park to themselves. While everyone was sampling drinks, Jeanne and I were on all the rides, from Winnie the Pooh treehouse to the Flying Teacups. We were like two little kids and had the time of our lives. It’s also been kind of a tradition that we always go see Earth, Wind and Fire when they are in concert. We saw them in Disney World too.

Rick Party: I always used to give Rick piggyback rides. It started as joke. I also used to take peanuts or popcorn and throw it at him and he would always catch it in his mouth. He barely missed. We had fun doing live broadcasts, especially out of town from the Billboard Music Awards to Cancun. Rick gave me the name “Super Producer” and it has stuck ever since!

Davante Stone “The Stone Pony”: The best time we probably had was in Athens, Greece for the Olympics. We got to go see the Men’s Track & Field, which I love and it was such an incredible experience to hear your national anthem played when we won the gold medal! We both got a little choked up!

Sam Sylk: I also produced for Sam and booked guests for his show in Cleveland. We used to have some great bits. Sam, Big Poppa (Daniel Dees) who was also a part of the show, and I always laughed. We were a really good team. One funny memory is when we had “The Rock” on our show. He looked and smelled so good, and I just sat there and didn’t say anything. I guess I didn’t realize it. Sam went on the air and said “This is a first, my producer is at a loss for words…clean up in aisle two.”

Trey the Choklit Jok: We had a blast in Vegas during NBA All-Star weekend and for Chris Webbers star studded Charity Weekend. Trey was surprised to see all the celebs that were walking up to me to talk or give me a hug. I remember him saying “Wow u really do know all these people.”

Doug Banks: One great time was when Doug had arranged for Charles Barkley to call in. Everyone knew that Charles is one of my favorite people. The receptionist used to call me and say Charles was on the phone, but it was people pretending. This happened at least five times. This particular time, someone called us before the show in our newsroom saying it was Charles and Doug grabbed the phone. I thought they were playing a joke on me and then during the show Charles really called in. I didn’t believe it was really him at first, so I started asking questions that only Charles (or someone like me) would know the answers too. Doug just laughed and laughed.

*I was so heartbroken when Doug passed in 2016 still doesn’t seem real. He truly was the best!

GO BANG! Magazine: You have witnessed radio change over the years. Hip hop has saturated the air waves, and some say, in general, that the quality of the music has diminished. What are your thoughts on the quality of the current music landscape?

Lisa E.: I think music changes a little with each generation. Some of the hip hop today sounds so much alike to me. I definitely think we still have some great talent, but I don’t like it the way I love old school hip hop. I do like some artists now. I think R&B is also making a big comeback! People love to hear great music. I started to manage an R&B artist, Sean Wyte, a little over a year ago. He is about to blow up really big. He just wants to sing great R&B. He has already opened up for some big names including Joe, Avant, Dru Hill, Keke Wyatt, Faith Evans, Kool Moe Dee, Steve Arrington & Public Announcement. The celebs and artists have already welcomed him in that circle, and the ladies love him, his voice and his looks!

GO BANG! Magazine: Besides a career in radio, you have other talents, which include being an entrepreneur. In 2005, you launched your business Lisa E. Entertainment – Concierge to the Stars. Please describe how you decided to launch your own business, and what your business does.

Lisa E.: I started to help celebrities with their charity events, hosting party events and I just kind of fell into it. Jeanne Sparrow actually gave me the idea for the name. She used to joke on the air saying “I don’t know how Lisa does it, celebs and guests come on and they give her their private info. It’s a gift, don’t question it. She is like a concierge to the stars.” So that’s what I decided to call it. A concierge does so many things. If it’s something I can’t do, I usually know someone that can.

I host events, do voiceovers, book celebs for charity events (i.e. the Golf Classics are probably the biggest), do Grand Openings, Listening parties, some Media Relations, P.R. and Publicity. Sometimes I wear several hats for certain events.

GO BANG! Magazine: What advice would you give to an aspiring young person, trying to pursue a career in radio?

Lisa E.: I would tell them to never burn any bridges with anyone. One day, your intern could be your boss. Always communicate! Thats the key. Stay humble and check your ego at the door. There is enough fame and fortune for all of us. Your talents will lead the way. Especially to the ladies, don’t make it about a competition. At the end of the day, we can ALL be friends.

GO BANG! Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Lisa E.: It’s a tough situation, because we have never experienced anything like this before. I really want people to take it seriously and stay at home. Take this time to spend quality time with the people you live with (children, spouse, etc). Call friends and family to check on them and just catch up with each other. Sometimes a phone call can make all the difference in the world.

FOLLOW LISA E:
Instagram and twitter @lisaeradio

Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.

Steve “Silk” Hurley, a Chicago native, is a producer, songwriter, DJ, and 4-Time GRAMMY® Nominated Remixer. He began his career as a DJ, artist, producer, and pioneer of Chicago’s “House Music”. After creating several No. 1 hits with RCA, London, and Atlantic Records as a recording artist, Silk shifted his focus to songwriting, producing and remixing. He has since worked with hundreds of various artists including Prince, Madonna, Janet Jackson, Michael Jackson, CeCe Peniston, R. Kelly, and Mary J. Blige. While maintaining a successful production career in which he has sold several million records, Silk has still remained true to his DJ roots. He is an international DJ, and has been featured since 1994 on the nationally-syndicated Tom Joyner Morning Show, which has over 8 million listeners. Hurley has managed to build a reputation as “The Mashup King” with his mixshow segment called “The Old Skool New Skool Remix”, which is featured 5 times weekly.

As a member of the “Dream Team” for Oprah Winfrey’s “Pop Star Challenge Contest”, Silk produced the music tracks for the 8 contestants’ performances, as well as Oprah’s Pop Star Challenge 2004 Cast Album on Epic/Sony Records.

Silk’s new company S&S Records was formed in 2005 with fellow international DJ Shannon “DJ Skip” Syas. They released “The Chicago LP”, a double DVD/double CD featuring an All-Chicago, All-Star cast of House Music Pioneers and Hip Hop stars. S&S has also been responsible for major House Music events in Chicago that have averaged an attendance of 4,000 people.

In addition all of these accomplishments, Silk has always given back by moderating and /or speaking at countless panels and at schools across the country. He has also served the GRAMMY® Organization, NARAS, for years. He was the Chicago Chapter President from 2004-2005, National Trustee from 2000-2004, and was an instructor for the GRAMMY CAMP® in 2006.

Influences includes Quincy Jones, Jimmy Jam & Terry Lewis, Gamble & Huff, Norm Whitfield, George Clinton, Bootsy Collins, Debarge, Switch, Shep Pettibone, D-Train, Colonel Abrams, and Arthur Baker.

Go Bang Magazine: As a resident of Chicago, the home of House Music, you are recognized as one of the pioneers. What influence, if any, do you feel you have brought to House music and how has House music influenced you?

Steve Silk Hurley: When House Music officially became a genre in 1984, it was the result of a culmination of events that led to original music being pressed up and sold commercially. House music as a culture started many years before that, as in Chicago we loved all of the Disco, R&B, Funk, Philly soul, and Garage music from New York, not to mention Italio Disco and other music from Europe, such as Kraftwerk, from Germany, and we embraced it all as “House.”Not the Genre of House, but the Culture of House. I was part of this culture, but as a DJ, I wanted even more. I wanted to create my own music that would set me apart as a DJ. So I experimented with re-edits, and then moved on to adding drum machines to my DJ sets, and that evolved into me re-creating disco and soul music with synthesizers and drum machines.

I have to also mention that although Jamie Principle’s bedroom-created music was only being played from cassettes and reel to reel tapes at the time, his influence on House Music (and on me) was one of the greatest. His song, “Your Love” was created in 1982 and was played by Frankie Knuckles exclusively before copies leaked and before long, it was being played by all of us DJ’s. So although Jamie’s music wasn’t Officially released until 1985, he was already a Legendary Pioneer of House Music in Chicago before the rest of the world even knew what House was.

Jamie’s legendary status in Chicago made me raise my bar for what I wanted to accomplish musically. I started getting my own original ideas, and “Music Is The Key” became my first actual release. I created that song and many others in 1983 and 1984, but “The Key” wasn’t released until 1985. I wanted it to be right, since it was my first official release. So I hired Keith Nunnally to replace my voice on the demo with that of a real singer. Keith did his thing on the record, and we became the group, “JM Silk.” We toured all over, and that was a great experience.

Go Bang Magazine: You’ve had the opportunity to travel around the world, in the name of House. How would you describe House’s acceptance in other countries, in comparison to here in the States?

Steve Silk Hurley: I find it amazing that outside of the United States, the appreciation for our genre is elevated to another level. I think this is due to them educating themselves to where the music came from, and the fact that the next generations since the birth of House Music have also maintained that same curiosity and hunger for the new House Music that is released every day. This is why Skip and I continue to release new house music on S&S Records, because abroad there is still a very captive audience.

In the United States, although there is still an appreciation for House Music, and there are true die-hard fans in every state, there are younger generations that chose to gravitate to other genres of popular music over the years. House music was the music of teens here in Chicago when it was born, but around the late ‘80s, Rap/Hip-Hop, exploded and became the music of most teens, followed in subsequent years by other urban genres such as New Jack Swing, and now Trap Music. So here in the State’s it’s more of a Niche market, but the parties still have the same intensity. Also, there is starting to be more and more curiosity for house music from the millennials now.

Go Bang Magazine: Over the years you morphed from being only a DJ. You’ve accomplished great success as an artist, producer, and remixer. You’ve worked with many icons in the music industry as well, including Prince, Madonna, Janet Jackson, Michael Jackson, CeCe Peniston, R. Kelly, and Mary J. Blige. How did it feel, to be requested to remix songs from artists of this caliber?

Steve Silk Hurley: What’s great is that I didn’t just jump right into working with Michael Jackson, Janet and Madonna, etc. I had an opportunity to learn my craft and “earn my stripes” so to speak. I had the opportunity to work with Byron Stingily and Ten City early in his career, plus at ID Records we developed Chantay Savage, Kym Sims and many others early in their careers. We built a great writing team at ID with all of the singers, plus E-Smoove, Maurice Joshua, M. Doc, Jere MC, Manny Mo and Jamie Principle among others. This allowed us to write songs for CeCe Peniston and have her come to our “Mini-Motown” early in her career.

So by the time I got to MJ, Janet and Prince, I had the confidence of knowing my craft. I was honored of course to work with my idols, but Thank God I was also prepared!

Go Bang Magazine: After working with such high ranking artists over the years, are there any other artists, current or classic, that you would love to work with?

Steve Silk Hurley: I always wished I could have worked with Whitney Houston and Luther. But maybe Mariah Carey and I will work together one day. I love Drake. I think my music would work great with his melodic tunes. Ella Mai, Beyonce and many other new artists that come along every day.

Go Bang Magazine: You are a 4-Time GRAMMY® Nominated Remixer. Many that know you personally and/or professionally, including myself, describe you as a down to earth, humble and considerate person. When others in the entertainment industry reach the level of success that you have, some of them go “Hollywood” and become arrogant and cold-hearted. You seem to have not gone down that path. How have you maintained your level-headedness and why is that important to you?

Steve Silk Hurley: Once you feel like you have “arrived,” Your career is over. I just think that remaining humble is the right thing to do. And you can’t learn if you already know everything. I’ve always been a student of the game, no matter what the game is at the time. Every morning I study something that I don’t know, or reinforce my knowledge on something that I want to improve on. It can be music theory, engineering, DJ skills, marketing, business, merchandising, or even self-help audio books like The Secret, or The Power.

Go Bang Magazine: In addition to being a creative and a business man, you’re also “Married with Children.” Has business or the music bug rubbed off on your children, or are they not interested in the entertainment industry?

Steve Silk Hurley: All my children love music. My son Steve Jr. works in marketing and coaches basketball, and my youngest Kayla is studying Nursing, and does hair and fitness videos, but only one is a professional singer, B. Laurén. She’s appeared on a few tunes we’ve released on S&S with Marshall Jefferson and K-Alexi, plus some in France with the group Superfunk. We’ve also got a collaboration coming out on S&S with B. Laurén, Bad Boy Bill and Steve Silk Hurley. My other daughter Jai Nicole has a poetry book releasing this year. She can really play the guitar, and can sing and write also.

Go Bang Magazine: S&S Records consists of yourself and international DJ Shannon “DJ Skip” Syas. How did you guys meet and why did you decide to form a company?

Steve Silk Hurley: Skip and I knew each other through mutual friends and always passed each other in French Airports! One day we ran into each other at the grocery store (Ultra Foods) and decided we would hoop together one day. We did that for about a year, and then started talking about doing something with our music, since we both owned record companies. We wanted to join forces and take Chicago to the next level, so our first project was “The Chicago LP”, a DVD / CD project featuring 33 new house music records from Chicago House music pioneers, plus interviews with each pioneer.

Go Bang Magazine: Having two international music industry moguls working together has got to be an exciting venture. How does the individual notoriety of each of you complement each other and enhance your business.

Steve Silk Hurley: Skip and I are 15 years apart in age, so first of all, our perspectives are different 99% of the time. But the key to our success is the respect we each have for each other and the open mind to each other’s opinions. We will argue it out and figure out a happy medium every time, and it doesn’t affect the friendship. That’s the key.

Go Bang Magazine: In conclusion, the COVID-19 pandemic has caught the world off guard. How are you dealing with it?

Steve Silk Hurley: I’m just staying self-quarantined and using this opportunity to purge, organize, and enrich my mind. Also it gives us the opportunity to reach out to those that we love, whether it’s family, friends, colleagues or acquaintances.

Of course I’m also creating music, and we are launching a clothing line, so we are putting the finishing touches on that as well.

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Pierre A. Evans is a freelance writer of Entertainment, Music, Art, Culture, Fashion and Current Events, and previously for SoulTrain.com, NDigo.com, ChicagoDefender.com, EmpireRadioMagazine.com, and UrbanMuseMag.com, an author, singer/songwriter, actor, model, poet, dancer, and DJ. He is also the Owner of Pinnacle Entertainment Productions and the Owner/Publisher of GO BANG! Magazine. Follow him on Facebook @Pierre Andre Evans, Twitter @Playerre, and on Instagram @Pierre_Andre_Evans.